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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Who Summer '72 boots, Miami '74, etc.

    I have several liberated bootlegs of The Who in Summer '72, of course not clean SBDs like we have with the Dead stuff, but most are quite listenable. (A variable term for sure, depends on one's experience listening to hissy audience tapes, but there are definitely decent ones to be found.) And I like collecting them to get those sort of tunes that they played with Moon for very brief periods. Who boots will vary from awful to great, you just gotta poke around.

    If I had a Mt Rushmore of Dead shows, 6/23/74 just about makes it on mine. Maybe not the best show from the Wall of Sound era, but to my ears, it is by far the best sounding tape of that era. Jerry's picks are all a little odder than usual, but all are perfectly chosen. The Ship of Fools (and it's intro Jam) is a fantastic way to get back from the weirdness of Seastones. And that Dark Star> Spanish Jam> US Blues is just magnificent.

    And to the post about the actual Mt Rushmore and FDR over Teddy: we wouldn't have had any sort of President like FDR without TR. We'd likely still be a smallish country with no great impact on the world without Teddy. Similarly, one could say the same of Cornell or Veneta or 2/14/70, because for a lot of people the tapes of legendary shows introduced them to the wonderful music and led to the discovery of the bounties awaiting the collector of more tapes. Those shows may not endure as favorites, but they are still signposts to a new space, to steal a title from a Jerry interview/book. And if I were to switch out a face on Mt Rushmore, it would def be Jefferson for Madison. (In keeping with ones who had served by the end of construction.)

    If I have to choose 4:
    11/8/70 (so wish there was a SBD of this one)
    5/7/72 (just bc Dark Star & The Other One)
    6/23/74
    5/8/77 (my George Washington, where it started for me)

  • Forensicdoceleven
    Joined:
    I've always had an eye for the oddities in life.....

    Yo! Rockers!!

    “We’re tuning up a little bit for you folks, make it sound better cuz nothing’s too good for you………”

    12/2/71, it's a bit of an oddity. One of only two 71 shows with both Brokedown Palace and Black Peter. The only 71 show with both a Smokestack Lightning and a Lovelight. And unusual for 71 in that it didn't have a Truckin', Good Lovin', The Other One, or Dark Star........

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Think I'll listen to it on my way to work.......

    Rock on, my friends!

    Doc
    Odd how the creative power at once brings the whole universe to order......

  • Vguy72
    Joined:
    I went with the '74 Miami show.....

    ....you know. The one with the best segue from Dark Star into US Blues I have ever heard.
    Majestic....
    I learned to duck

  • KeithFan2112
    Joined:
    72 Who and 12/2/71 Dead

    Gratefulgerd - I looked up the set list for your 8/11/72 Who show. That must have been incredible - I would love to hear Relay and Long Live Rock with the gang in their live prime. Those two songs were freshly written at the time, and then quickly dropped from the set list. I doubt any relreasable tapes exist of the '72 tour you saw, but I found a decent YouTube show from later in the month with the same set list. Good stuff.

    Proudfoot - I checked out your 12/2/71 recommendation. Some hot spots in there. I like those late '71 Smokestack Lightnings with Keith in the mix. The piano suits that song. Brokedown Palace is nice - they nail the vocals at the end, which is always the icing on the cake. Also like this UJB. Solid version and Phil really nails the backing vocal on the "crow told me" verse. He used to sing some cool parts in those early days.

    Also checking out other December 1971 shows after Doc's 12/14 recommendation. Currently listening to DaP 22 at the Felt 12/7. After Tennessee Jed someone in the crowd hollers out "St. Fucking Stephen!" and Jerry impatiently responds with "Aw, Fuck your own St. Stephen!" So glad they leave the stage banter in these releases. These guys sounded like they had a LOT of fun at work. What a way to spend your life.

  • proudfoot
    Joined:
    12 2 71

    :)))

  • daverock
    Joined:
    Dicks 23 and 36

    Keithfan - yes, thanks, I'll bear your comments in mind next time I listen. I will try the two El Paso's, and look out for the contrast.
    I should say that my immersion in Dicks 36-9/21/72 - has been stimulated by its release on vinyl, and that's the version I listen to now. It sounds amazing to my battle worn ears-but I haven't compared it to the cd version. Price it cost, I'm a bit scared to!

  • KeithFan2112
    Joined:
    Daverock

    Hi Daverock. Yeah, that was a tough choice, DP 23 over DP 36. They have very similar set lists. If I had to choose between one or the other to bring as the only Dead CD to the desert island with the coconut rum and bikini women, I would go with DP 36, based on the Dark Star, Wharf Rat, and Morning Dew. I'm not sure which Bird Song I prefer; maybe I'll put that to the test later. But anyway,
    I like the performances and the recording of DP 23 more. Jerry is consistently loud throughout DP 23. On DP 36 he's certainly not low, but he tends to get washed out a bit when the whole band is playing and he's not swinging away at chords. You can hear what I mean for example with El Paso. If you compare the first minute of DP 23 to DP 36, you can hear Jerry loud and clear on 23 when he's doing all of that cool picking; meanwhile he gets buried by the band on 36. I also hear more flashes of brilliant playing from Jerry on 23. Another thing about DP 23 is the backing vocals sound better to me in a lot of places, like they're "blended" together more evenly. And then there's the monster 40 minute Other One - lots of great jamming here, and they almost jam out The Eleven at one point (Jerry starts it but nobody hops onboard).

  • BigDeadFan
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    Joined:
    anybody home?
    5 day sale…

    anybody home?

    5 day sale sign is still on web after a week?

    no box set announcement? No dave's picks announcement?

    is anyone there?

  • Gary Farseer
    Joined:
    Heavy Metal

    Did it, done it, occasionally revisit for nostalgia. I worked at the movie theater when Heavy Metal came out. Never watched the whole thing thru but saw all of the scenes in pieces. I have the Movie recorded on my DVR. Maybe today will be the day I revisit it. May try to watch twice before I erase it. If memory serves there were some other rock bands I uncertainly wouldn't call heavy metal. Let's see, Journey and Donald Fagan and others on there should never been associated with heavy metal.

    So I started thinking about it. I had written the first paragraph about 5 hours ago. Thinking about metal and some concerts I saw, when I started thinking about Judas Priest. I remember wow it was 1981 when I first saw them. Then it hit me that it was in summer July or August. I have the ticket but chose not to go digging through stuff. I check and 40 years ago right now, this music freak was preparing to go see Judas Priest, with Whitesnake opening and then Iron Maiden, at the Fox theater in Atlanta. Drove into town and heard the concert announcement on the rock radio station the night before. During afternoon next day went down the Fox Box Office and scored tics. Went back to room to chill out. Headed down to the show. All three of the bands were completely known to us. I had copies of British Steele and Point of Entry by Priest. I also had Iron Maiden Killers, and this was on the Killers tour, as well as their first album. Hard to believe 40 years went by like that. It was a true heavy metal concert. Well Whitesnake at this point was a heavier blues unit in the Zep and Purple line of hard rock. But damn did both Maiden and Priest drive that place hard. BTW, Maiden was the original maiden before Dickinson and the second drummer.

    Any way within 12 months I was clearly leaving metal behind and casting my gaze elsewhere.

  • gratefulgerd
    Joined:
    The Who

    saw them in Frankfurt, August 11, 1972.
    Wow, the loudest band I've ever heard in concert, indoor Festhalle Frankfurt.
    I mean extreme loud!!!!
    My biggest mistake in '72: I could've seen the Dead in April, 26, Jahrhunderthalle.
    But I didn't. Why?
    Too young and to far away from what was really going on in the international music scene.
    Simply said, I didn't know GD.
    On May 2nd in 1972 I saw John Mayall, at the same location, Jahrhunderthalle Frankfurt.
    Great show, wouldn't mind to trade it for a show a week earlier.
    Life happens

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3 years 7 months

"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Thanks for the reminder. 37 years ago today, I was at the Greek Theatre for a great show with the Dead. Dark Star encore. Hopefully this show will see the light of day as a release, maybe we'll get a Greek Box this year. I hope they include the 1981 shows at the Greek, if we do get a Greek Box, those were my favorite shows at the Greek.

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10 years 1 month
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Robert Fripp, esoteric English guitarist, ex-King Crimson, Fripp & (Brian) Eno, Bowie collaborator, etc, once produced a disc by Daryl Hall (yea, that Daryl Hall, of Hall & Oates)?

A lot to be said for keeping an open mind…

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Hey Dennis, that was Jim Stafford that sang Spiders and Snakes. Jo Stafford is a female singer, sort of pop/jazz as I recall.
I bought 2 "Rice Krispies Treats" on the parking lot for a Dec. 28, 1997 Phish show. The seller recommended I try 1/2 of one first. Well, because I am one of those "if 1/2 is good 1 1/2 is better" kind of guys, that's what I did. It's still the only time in my life I woke up the next morning, and was STILL stoned!! I don't remember a whole lot of the show, but was able to get a nice aud and it was a fine show.
Music is the Best!!(and green Rice Krispies treats :)

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10 years 11 months

In reply to by That Mike

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I didn't know that about the Darryl Hall album, but I bet Mr. Fripp would be quite shocked to find out he's been thrown out of his own band right before he tours the US again with Tony Levin. King Crimson is on the loose as of July 24, hope to see them in Boston.

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10 years 1 month

In reply to by alvarhanso

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My fumble. I had Mr Fripp as an Ex King, when he is still quite current. My apologies. Thanks!

FYI.. I just got a text from Dennis' wife asking what the fluck a $345 charge was doing on their card from Rhino for the new Jim Stafford limited edition box set.

The Fripp/Crimson stuff often amazes me. Big fan and saw them a bunch in my youth.. hope to catch this tour if possible.

The GD still amazes me also.

Decided to stream Billy and the Kids at Red Rocks tonight.. so glad I did. Amazing. Jerry might be dead but the Grateful Dead lives on and some the folks yielding their own custom axes.. are right up there with him. Tom Hamilton and Billy Strings are amazing.. add in Carlos Santana who sat in on Billy's 75's in Hawaii and.. perhaps I made my point.

This music is 'almost' as strong as ever and it's still growing and picking up new musicians, new fans and seemingly accelerating.

Hoping/wishing HendrixFreak is alive and well and freaking feely in the crowd.

Shoutout to AJS.. our favorite sports (and GD) enthusiast.

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Heard a snippet of "I Know You Rider" going out of the top of the 7th.

If Joe Buck wasn't so enamored with the sound of his own voice, I might have been able to pinpoint the show, or at least the era. Sounded pretty hot.

Oh, now out of the bottom of the 7th, Althea. I'll have to go back and listen if they did this every inning!

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In reply to by alvarhanso

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I haven't heard much of Robert Fripps pre King Crimson recordings. It must have been a hell of a thing, though, to see them support The Stones at Hyde Park in 1969. Sympathy For The Devil was one thing-but this was of a different order entirely.

I didn't see them in the 1970s, although I caught them twice in recent years-and they are stunning live-three drummers at the front of the stage and a set list to die for.

These Crimson box sets are pretty impressive too. My favourite is "Starless". But for sheer value for money and wealth of improvised music the "Heaven and Earth" box set takes some beating. I have had it a few years, and I have no where near got my head round it all. Whole shows improvised from beginning to end, under the title of Projekct recordings. Many of these are on the blu ray discs included. Late 90s -2000 or so they were recorded.

The equivalent in Dead terms to these Prokekct recordings would be if the band had played whole shows which consisted of nothing but drums and space.

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Yo!! Rockers!!!

Believe it or not, I have a huge amount of KC recordings, coming in third behind Grateful Dead and Miles Davis. Regardless of era, the Crims have never been less than interesting and are often much more..........

My only gripe about Fripp (who is an ace guitar player) is that he has occasionally released suboptimal audience recordings, probably because sometimes those were the only recordings available............

Rock on,

Doc
What's another word for Thesaurus?

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Jim, you didn't give her my address I hope. Yikes!!
Doc, I was interested to see Miles is your #2 in collection size. He's mine also, so MUCH breadth and depth, his music alone could take you through so many different styles and changes. While Bill Frisell would be my 3rd largest collection of one artist, King Crimson is definitely 4th.
Saw them first in 1980, two days in a row, DC/Baltimore. Holy moley how powerful!! I've seen them through the years since then, but probably only 6-8 more times. I am hoping to make this 'farewell' tour. Fripp is great, but can be a little arrogant at times(He once claimed that Jimi Hendrix didn't even know how to hold a guitar pick "correctly").
There's not much better in my world than sharing a love of music with like minded others, and for that, I am grateful to everyone here.

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JimInMD, I didn't catch the Billy/Billie show at the Rocks last night, but instead hit my usual open mic night at a local bar, meeting up with women friends I haven't seen in more than a year. Mmmm... hugs and kisses.

Red Rocks poses a couple challenges: one is, are you ready to be in the middle of 10,000 partiers with the Delta variant raging through the younger demographic? Also, for bands that charge in the $75 range for gen'l admish, the resellers jack that up, ridiculously. I don't know if last night woulda been easier to get in, but Tedeschi Trucks' $75 gen'l admish tics for July 30 now run for north of $200. Lastly, I don't casually attend shows at the Rocks, never have. Mostly focus on one band, one or two nights, per year. Finally/lastly, blasphemy: I skip all the Dead offshoot bands, from Weir to Billy K to DSO. Hooked on the tapes as never before, just not spending on offshoots as I seek to retire. So it's money and crowd tolerance issues at my end.

As such, I'm clearly no longer the raving rave-ster of yore. Like when we ate Purple Dragon the afternoon of July 7, 1978 and looned about the Rocks, scaring young women and getting crazy long before showtime. I mean, that was only 43 years ago, but what a difference a nearly half-century makes in one's approach.

I'm not quite dead yet, but maintaining a slightly calmer public demeanor. Although we did yuk it up at the bar last night. All is well.

That is all.

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As far as I can remember I only got to see King Crimson live on two occasions, namely at Weeley Festival near Clacton in August 1971 and Bournemouth Winter Gardens in October 1971. Both occasions were notable for very different reasons. The Weeley Festival was where I got busted for the first time so my memories of that event are somewhat tainted by that unfortunate event. At the Winter Gardens me, my brother and his friend arrived in the afternoon, far too early for the evening show, but the band were already present so we passed the time having a football kick-about in the venue's car park with Mr. Fripp and other members of the band.

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So many many moons ago when it first came out, I purchased the box set "The Great Deceiver" by King Crimson, having heard NOTHING by them. For those who don't know, it's live material from 1973-74. I just could not get into it, despite having just become a Deadhead/Phishhead.

I've put it on here and there in the intervening 29 years, but just can't get excited about it.

Is this what one should listen to, to get into King Crimson? Is there something else I should be listening to? Should I make a point of seeing them live?

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It's difficult to recommend a particular album, or even era of this band. Every time the line-up changed, so did the music. The only consistent thing of the 69-75 version was that every line-up would perform Improvisations, and those could go anywhere. For the song oriented material, I guess I would recommend albums Larks' Tongues In Aspic, Red, and possibly Starless And Bible Black.
For the 80-2021 version(s), the improvs were still there, less so in the 80's-early 90's. Again many different line-ups after Belew/Bruford left. I really like Discipline and Thrak as starters for later era Crimson. But, ask 6 other people, you'll get 6 differing opinions.

Music is the Beast!! And The Best!!

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Miles would take my 2nd slot as well. Bill Frisell is a guitar god, check him out people. Heard that the John Prine estate is getting ready to unleash a ton of material, can't wait for that!

Odds are no box this year (I'm guessing), but shouldn't we know what the next DaP should be by now?

Deadhead brewer - as Mr Ones says, they changed appreciably over the years. The albums he suggested are very much to my taste too - but The Great Deceiver was recorded on the "Red" tour of the USA, I think, so if you aren't so keen on that, maybe the three albums Mr Ones suggested wouldn't change your opinion.
The one that is usually held up as their all time classic is the first - "In The Court of the Crimson King" - and that is the one I would recommend. Some beautiful songs as well as the timeless 21st Century Schizoid Man. Maybe they just aren't for you, though.

Doc - I believe the box of "Larks Tongues.." is full of substandard recordings-in fact I haven't bought it for that reason. But some of the individual shows I have heard from that line up are phenomenal..so maybe I will get that one too.

Simon Rob - in terms of memories from the golden era, playing football with Robert Fripp must be right at the very top!

I have been listening to the In The Silent Ways box by Miles Davis over the last few nights. And very hypnotic it is, too.

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Dead holds #1, Bob Dylan 2nd, Frisell 3rd*, Miles Davis 4th, Allmans/Byrds/Band/Young related 5th.

*While I have 25 or so solo/band items from Frisell, I seek out artist albums he has played on - Michael White, Ron Miles, Carrie Rodriguez, Marét & Collin (one of THE BEST), Viktor Krauss, Mary Halvorsen, Hank Roberts, and on and on and on. I’m trying to find his collaboration with Ginger Baker. The only stuff of his I’m so so on is John Zorn. He is an underrated Master that looks like the guy who does your taxes.

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I appreciate the King Crimson thoughts--please keep them coming!

Without walking into the CD room and counting, I would say that the easy #2 artist, in terms of CDs on the rack, is a tie between Miles, Dylan, and Beethoven.

Sometimes I hear Frisell and want to follow him around the country; sometimes I hear him and think, "Meh. Pastichey . . . " Fascinating artist, and I have a ton of his discs.

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In reply to by Vguy72

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i like it. sounds like Frampton's voice box thingee, but on Jerry's Guitar? Or something?

Sixtus

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I think that's Brent. But, it still might be sui generis. Or, at least I've never heard one like it. MSG '81, nice couple of shows. I think there's an Uncle John's or Wheel tease in one of the shows, too. Might be 3/9.

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9 years 2 months

In reply to by wilfredtjones

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Check out Brent on Deep Elem.
I’ve previously called for that show to be a DaP release. Good sound quality for an early 80’s recording. Probably why it hasn’t been released yet, being saved for a Box Set.

Boxed Set??
Does Rhino still make GD Box Sets?

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9 years 2 months

In reply to by icecrmcnkd

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Commercial GD CD’s are >10x everything else combined.

Jerry 2nd
Pink Floyd 3rd
Hendrix 4th
5th - Who, LedZep, ABB, Stones, Eric Burdon, Doors….

Torrents:
Again GD way out in front.
I also get everything I can (SBD recordings) of the usual suspects mentioned above along with others.
I did decide to get as much Miles Davis as I could and will explore him in the future.
Also found a DVD from the 90’s (maybe late 80’s) with Miles playing with Prince.

Deadheadbrewer your summation of Bill Frisell describes exactly the way I feel about him. Well said! Don't forget to catch him on Lucinda Williams' West and The Ghosts of Highway 20.

Most collected - Grateful Dead->Little Feat->Dylan->Miles->Coltrane->North Mississippi Allstars->Gov't Mule->Stones->Pretenders-> all the usual suspects and quite a few Bill Frisell

Those collaborations of Frisell and Ginger Baker sound very interesting. Baker has a good jazz sense - check out his album WHY?

Take care...

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In reply to by deadfeat1

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3 20 86
12 31 86
9 11 85
9 15 85 Chula Vista

and

Earphones while grocery shopping today listening to Court of the Crimson King

Edible enhanced

That was fun

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So, with John Lennon & Miles Davis being deceased, this leaves Bill Frisell as my favorite living musician. He’s the ONLY guy I try to see EVERY TIME he is anywhere close to me. So, I am very biased towards him. The only thing I’ll say in his defense(because I don’t get the meh comment), is that you know it’s him within the first 3 seconds you hear. Talk about having a ‘tone’ or ‘sound’.
I have 2 Ginger Baker cds w/Frisell in the band. As Dennis has found out, I’m not competent on digital anything, but I’d be happy to send 2 cd burn copies to a volunteer, who could distribute them digitally. Also, I would insist on including a copy of one of me favorite Frisell finds. A cd by Cuong Vu(played with Metheny)
Which has Frisell all over it. It’s a Japanese cd i feel lucky to have found.
Also, check YouTube!! There’s a killer live bit(maybe 45 minutes??) of the Baker/Frisell band live, and it is HOT!!
If I were to guess, I’d say I have 60-70 Frisell discs, either as leader or band member, or guest. He’s done literally hundreds!!
I am almost dumbfounded to see how many of us share similar likes and loves. Great minds think(and listen) alike. Keep it coming!!
Oh yeah, and Dave’s 39 is getting REAL CLOSE!!

Music is (still) the best!!

Perhaps there wont be a box this year. Or they will make us wait until November.

To paraphrase Glengarry Glen Ross

"We're out here ready to GIVE YOU our money!"

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17 years 5 months

In reply to by proudfoot

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....can get expensive. I know. I did last night.
Salty sweet snacks call my naaaaame!
That 3.9.81 show is release worthy. Gonna check out the previous show tomorrow. I found a recipe for shakshuka the other day. Making it now.. I would post the recipe, but......
It's a proven fact Mediterranean dishes are good for you.
Edit. I have 6 coworkers out with covid. All unvaccinated. "Its just the flu!" they said.
One came back to work today and apologized. "Its not just the flu."
No shit Sherlock. Have fun not being able to taste or smell anything until who knows when. Dudes still gasping for breath, and he's 32.
On a side note, my 5G signal is better than ever lol!! Dumbasses.
I hate political viruses.

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In reply to by proudfoot

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There will be a box this year....

And it might be a big one.

Hendrixfreak, keep the faith!

Before we leave the subject, if we haven't already, I should also say that the recent King Crimson live albums may be worth your looking into. The ones I have are "Vienna 12/1/2016", Chicago 6/28/2016, Meltdown Live in Mexico-2017. All feature material from all eras, and the band - starring the three drummers is knockout.
I haven't got "Auto Diary 2014-2018" but it looks great, and is a 5 cd set with live material from each of the years covering each one of the 5 cds.

Looks like I should check Bill Frisell out-the only one I have with him on is "Going Back Home" credited to Ginger Baker, which I don't think I've played for about 10 years!

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Just read your post on that Jimbo. The timing is coincidental, because I just listened to the 2nd to last Dave's Picks from April '78, and noticed he was using it on Playing in the Band for a change. I don't recall hearing him using it on that one before. Interesting how they make they effect work. That's one of the reasons why we live in a special time for rock music IMHO. Not only did the music evolve enormously, but also the way it was created and recorded. Artists played a big role in developing new sounds in Production.

I still have the entire Garcia library ahead of me pretty much. Uncle Gary sent his original copy of the box set to me a few years ago (the one where the CD bookends make a picture of Garcia's face when they'relined up in order in the case). I pull that one out once in a while so it stays fresh and magical. Thanks UG, hope you're reading. S&R should arrive tomorrow. Check your email for tracking. Maybe it will show up today; I went priority mail and you ain't that far!

Mr Ones - You are absolutely right, amazing how many of us here share the same tastes in sound, the great Bill Frizell among them. One of the gems I have in my Frizell collection is a DVD entitled “A Portrait”, which was done by I believe an Australian filmmaker, Emma Franz (I think I got it from her website). Excellent, lots of interviews with people he has worked with. I was able to get a used copy of his trio with Ginger Baker & Charlie Haden, should be good (Think about the universal forces that bring these three guys together???)

I’ve always been Grateful to the Dead for being one of the groups that pushed me in the direction of jazz (oddly, I owe the same nod to Steely Dan) way back when, which opened up an amazing whole different world of music.

Yet an hour later, I could play the Louvin Brothers, or the lovely Emmylou Harris, and love it.
Music is the best, Mr Ones! Yes, indeed!

You got me to purchase A Portrait.. I'm all in.

I hear from reliable sources that Dennis just pulled the trigger on the $1,750 Bill Frisell, every note ever recorded box set, CD and BluRay edition. (don't tell his wife).

Special shout out to all of you here that keep things moving.. it's really interesting to check in and see what's happening.. interesting and I always learn something and broaden my horizons a bit. Many, many thanks.

P.S. don't tell my wife about the BluRay purchase. I'd hate to lose the relationship capital I spent all summer building up with the big box set announcement looming.... It's the little things that trip us up and put us in the dog house.. Yes.. I too have am a bit of a completist, I am running out of space to put all this stuff..

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Dave, thanks, and perhaps start with "Gone, Just Like a Train," from Frisell. I've likely told this story here before, but when I lived in Colorado I took piano lessons from a woman who often lived in Seattle, and when there she would hang out and jam with Frisell and Gary Larson of The Far Side fame.

Jazz fans, please order a copy of "Data Lords" from Maria Schneider. The music and the packaging are phenomenal! It's not streaming anywhere, as Maria is a staunch advocate for musicians actually getting paid what they're worth. So buying it is a great way to get some of your stimulus money into the hands it maybe should have gone into in the first place.

And I just got a note from our local jazz radio station (we're so lucky, radio-wise, here in The Cities), 88.5 KBEM (stream them--they have a show called Bluegrass Saturday Morning that's really fun); sounds like saxophonist Dave McMurray has put out a GD-themed CD.

Made it through a lot of D1 of the King Crimson box set during yesterday's work-out. I'm warming to it, trying to let it be in a space occupied by the collision of Jethro Tull, Genesis, and Mahavishnu Orchestra.

Yes, yes, yes!! I pre-ordered that dvd/blu ray months before it came out, and waited, waited, waited, just like waiting for the next Dave's Pick. But jumpin' jehosefat, was it worth it!! It also helped me track down a double cd of duets/Improvs with the great(and late) Jim Hall. Drummer Joey Baron tells a great little remembrance of those sessions, and made me really NEED to find those recordings. Completest? Why, no your honor. Obsessive?? Who Me?? Have a problem?? Why no honey, what are you talking about??

Music is the Best!!

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Well, now you have gone and done it. I just spent a cool $40+ for the Data Lords cd. I'm quite sure I will enjoy it, but could I give my wife your phone number so that you can explain to her why this was a necessary Purchase?? I would very much appreciate it.

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That was Proudfoot wondering if a box would materialize this year. I'm sure it will. Though I do wonder about the (seemingly delayed) timing of an announcement and whether that means there's a production hitch.

I'm still chanting (alone, at home, and virtually here) for fall '72. Not because that's my absolute top choice (I'm a Grease-head, after all) but because it seems that the past 4-5 boxes point in that direction.

As for DP 39, on another forum someone posted that the third release over the past three years has been a Brent show. So we'll see what's up with that in the next two weeks. Personally, I expect DP 40 to come from tapes in the 1969-1971 era.

Who knows? I've never been wrong before.....

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You (and ANY of you) can certainly give your wives my phone number! ;) Now, how to keep Mrs. Brewer in the dark . . . ?

p.s. I finally purchased "Home Before Daylight," by Steve Parish. Finished it last night. It was a fun and thoughtful read. I think all of the books by the band and those around them form a circle, and in the middle of that circle is the "truth" about the band and their times, but one has to do some triangulation to get to that truth.

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Mr Ones, you are definitely the #1 FrissHead! I’m glad you liked the DVD, I thought it was well done (JimInMD - you’ll love it!). Bill Frisell plays with so many different kinds of musicians, like a Shape Shifter! I ordered a copy of him backing up the ramblings of Alan Ginsberg earlier (Gary - take note), and there is one where he provides music for William Burroughs reading his prose, but I’m not big on Burroughs junkie writing, so I’ll pass on that one. As FrissHeads, we wear worn polo shirts with comfortable slacks!! Music absolutely is the best!!

Oro - Where art thou?

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Got a new CD player recently. Had to. Apparently, the laser mechanisms in those things wear out after a certain period of time, and seems like nobody makes replacement parts anymore. I tried to get my old Rega fixed, but the guy couldn't do anything for me, so I just went and bought me a new Marantz CD6007. On the downside, I’m out a fairly large lump of cash. On the plus side: this is the best sounding CD player I’ve ever owned, my discs don’t skip anymore. And it can play FLAC files (if you put ‘em on a USB thumb drive). So I thought I should try that out by downloading the FLAC version of S&R.

I hadn’t bought the 50th anniversary thing yet, because I’ve already got S&R on perfectly cromulent ‘70s vinyl, and on the previously issued CD (which, btw, has a couple bonus tracks that are not on the new reissue). So I thought, why not try the FLAC? I’ve been surprised to find out that FLAC downloads often cost more than the physical product, in this case $5 more. True, you don’t have to pay shipping, but that still seems weird. But I went for it anyway, and I gotta tell you: sounds really good! This is one of those albums I played so many times in my wayward youth that I know every freekin drum fill by heart, but this version is like going from black and white to technicolor. Not sure how much is the remastering and how much is the FLAC, but man, it sounds great.

Random thoughts on various posts:

King Crimson might be my favorite if they just played instrumentals. Don’t usually like their lyrics or vocals, but every incarnation of that band could play its collective ass off. I actually really, really like their live stuff from recent years, and I love the three drummer lineup. It’s so wonderfully over the top in a “this goes to 11” kind of way. “Oh, your band has two drummers? Well, we have THREE!”

I listen to a lot of jazz, including a lot of contemporary stuff. Of course I love Miles and Monk and Trane and the classic guys, but I’m actually more interested in music the pushes the envelope right NOW. Donny McCaslin is a favorite: he’s done a lot with fusing indie rock, EDM, and jazz. You might check out Beyond Now and Casting for Gravity, if you’re curious. You probably know about Kamasi Washington, but if not definitely check out The Epic. I’ve been listening a lot lately to John McLaughlin, both the old Mahavishnu stuff but also the more recent Five Peace Band that he did with Chick Correa—amazing stuff! Vijay Iyer, Chris Potter, I could go on, but this post is already too long. Bye!

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The longest 5 day 4th of July sale ever!!! Let’s do this!!! Peace and Love!

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Thats the quacking duck from 5 17 77

Nyuk nyuk

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Dropped a fat wad of cash on the two pets this mo'nin'. Maintenance....the critters are angels, though, so wtf.

And I get to pay a phuqwad of a deductible to fix body damage to my sexy babe magnet 2005 Prius.

You had your chance, GDM. Now I can't fork over a penny to you. Hmph.

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I am not a big fan of guest artists with the GD, and I avoided this show for a long time because of that.
But
I listened today. It has some very unique stuff on it

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Had to check out that Dark Star.. very nice indeed PF. You are on a roll.

I plan to hit the rest of this show later this weekend.

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I'm going to speculate that the "canceled" (delayed?) box set from the latter half of 2020, and the lack of an announcement of a box set so far this year is due to Covid. So many items are missing from shelves, or are in short supply that I'll bet The Powers That Be decided to hold off on trying to produce a box at a time when there are no clear time-tables, as far as material availability. Why announce a box set, only to have to declare its unavailability two months later, when it becomes apparent that the included book cannot be secured from the printers, or when it becomes apparent that the plastic cases for the discs can't be secured from the plant?

All good things in all good time . . . :) I haven't even finished DaP38 yet!

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....has passed - to the day - since my inaugural Grateful Dead show, today.
Just realized that, now. Needed to put that shit up here; it's a delight to be a part of this community.

July 16th 1990. CSNY opened; 90k Deadheads.
What an experience and introduction.

Love Live The Grateful Dead.
And Deadheads Everywhere.

Sixtus

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