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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • 1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Jim-I like the incantatory quality of Terrapin - the vehicle into the great unknown, I think you said. Its just that I like this vehicle to come right at the beginning of the show, so the whole show is presented as magical, rather than near the end, where it usually cropped up. I preferred the music to take over from the songs in the second set, and Terrapin seemed a bit too wordy, to me, for this to really happen.
But it a moot point - great song wherever it appeared.

In addition to some of the Terrapin shows listed (yes.. I think we should do them).

Any interest in 04/16/78, Huntington Civic Center WV or 5/25/77 The Mosque, Richmond VA (Dave's Picks 1)?

I haven't listened to them in a while and I like them both. This gives us something to work on for the rest of the week.. (as always other options welcome).

Sorry for being a bit preoccupied lately.. duty called.. but the work is all done for now. Time to relax a bit....

Thanks for keeping things moving in the interim.

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Good call on that one, Jim. I'll tune in. From my recollection it has a 1st set closing Scar>Fire. An early-ish Iko, from when they were rarer. And I'll bet that drums/space jam is going to be out there, too.

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180 grams doubled

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In reply to by Strider 808808

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Hopped in the truck getting ready to go boating and what are they playing on SiriusXM this afternoon?

4/16/78. Great recording, really good show from the Spring 78 tour. I was hankering for a good Peggy-O. I love Garcia Ballads, I bet I am not alone.

For kicks and giggles, check out The Bonnie Lass o' Fyvie on wikipedia. The song is at least as old as the 1600's.. but I swear I read references going back much further. Have to visit Scotland sometime.

Cheers all.. One more Friday night!

Edit: Yes, first set ends with a nice Scarlet Fire.

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In reply to by JimInMD

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I’m on it now and that Peggy-O sure was nice.
Scarlet just started.

Edit:
Now digging Jerry on Estimated.

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Credit to Oro on the DaP38 page, today is the anniversary of ‘Downhill From Here’.
I’m going to watch it tonight.

Thanks,
Great show!

SWING, not sure what it is, but perhaps my fav 77?
Did 6/8/74, meh, awesome second set sequence, but overall just ok for 74 anyway.
Hoping to finally hit 5/25/74 this WE!

Oh, long story short, servers drives dead again...it’s maker is frustrated as supposedly he gets more and more new drives that are fucked outta the box etc. so He’s becoming unsure which drives to use, forget what he ended up going with?

First operating drive was spinning disc, spent after about 2 years, so “we’ll replace with SSD as there more reliable”
Well that died too, now “SSDs are shit etc, we’re using spinners now”....Replaced OS drive, but now thinks Music drive is dead too?
This is why I fucking hate computers and thus never learned about them. There is no consistency or reliability at all, no one seems to know what their doing, they just seem to guess, by parts, and hope, and if not, repeat with different parts etc, etc... worse, it’s 6-7 hours round trip (in summer) and because it’s a custom boutique instrument, shipping’s out...

But what’s a freak to do, this running up stairs every 45 to 80 minutes and then having to stand in front of a wall of music and have to CHOOSE! is for the birds. @#&*+% technology, like women, can’t live with em, can’t live without...
anyway, my question is what kind of drives y’all using, or what kind would you recommend, and what kind would you denounce? I mean both which format, and what brands etc?
Can’t believe drives dying every year or so is status quo, then again...

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In reply to by Oroborous

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I have Western Digital HD’s for storage and backup. Multiple backups, various size HD’s.

In fact, tonight I’m going to assemble a Thunderbolt 3 RAID mirror system using 4 x 10TB WD Gold HD’s.

Also have three Thunderbolt 2 RAID mirror setups: 2 x 6TB WD Black HD’s (two of them, one has GD in AIFF format, the other non-GD AIFF, and all bands in ALAC format), and 2 x 12TB WD Gold to backup all files (AIFF, ALAC, FLAC, AAC-320).

You can never have too many backups.

If you use your HD to actually play and listen to the files then you should expect the HD to die every few years due to heavy use. Regular consumer HD’s are designed for moderate use. Heavy use requires gaming/video editing HD’s (WD Black) or enterprise (WD Gold).
Seagate also makes enterprise and gaming HD’s along with lower performance consumer HD’s.

WD Blue is a moderate use consumer drive and is probably what is inside the black plastic case of the WD MyBook drives at Best Buy, Amazon, etc.
I have a lot of those black plastic consumer drives that I use for audio and video storage and processing, but have made the higher end RAID systems for redundant backups.

I play music on music players that use micro SDXC cards and plug the player into my stereo.

The HD’s are just for storage and backup, and they are unplugged when not in use.

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In reply to by icecrmcnkd

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I passed that on....though I think he’s mentioned much of that....I’m just getting bad at retaining...
Luckily I do have a backup drive, but thinking I might get another....
The server is custom made for high end audio, it’s the only thing I use the machine for, no internet etc...so it is the unit I stream from. So I guess replacing these regularly is an unfortunate necessity of life : (
The price we pay to attempt to “get it just exactly perfect”

EDIT: I guess he’s going with Western Digital BLACK 0.5TB for Windows 10 drive., and Storage drive is an Enterprise 4TB NAS-specific hard drive from Seagate called the "Ironwolf".
We’ll see how long we get this go round...
Thanks Again!

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I've had ok luck with Western Digital and Seagate. Had a very bad experience with Maxtor ten years ago or so.. It's a crapshoot though.. you can never tell.....

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5/25/74: one of those shows that you can just tell right outta the gate. Ok matrix, would love to hear a proper source!
Man those 74 Truckins are powerful! All this show neede was a DS, or phat PITB...or a 74 Eyes, that’s what it’s missing!

Good ole Downhill from Here last night. Been hitting all the summer 89 vids lately.
I’d put 89 on my Memorial Mountain!

Hoping to hit that 4/16/78 today. Ever since DaP 37, I think spring 78 is my new niche place?

EDIT: 4/16/78, nice little show, sure sounds good! Not on the same level as it’s neighbors, but enjoyable non the less.
Another notch in the deadbase...

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In reply to by Oroborous

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Who has a pick for today?

The Downhill from Here DVD video is fantastic. So much energy in those shows. Might be best of the July 89 run.

Should be a big week with the Dave's Picks #39 announcement coming through Email. Some people should start receiving shipping notifications at some point this week. Seaside chat on July 30.

We are on a roll.. why not continue and finish with 7/19/89. It get's less love than 7/17 but it's a classic nonetheless.

If it ain't broke, don't fix it.. right? I say we keep going.

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In reply to by DeadVikes

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I was already planning on watching the video.
Almost watched it last night but decided to hold off until today.
Had set 2 on VHS in the late 90’s. If you haven’t seen the video before Cutler applied the “Cutler Video Protection System” where he overdubs himself talking in a few places because, as he says, “ I can’t have videos going out there with good mixes on them”.

I’ve got the complete show on DVD-R now.
It’s also on Utooob I believe.

Hopefully I’ll soon be able to watch all 3 nights on BluRay……
Yeah Dave, that’s a hint/request.

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I didn't know it at that time, but this was my last show. And it was spectacular! The mix I listened to isn't perfect, but it is still really good. And I do remember most of this show. I remember at the time, I told myself to take it easy for the last night of this tour. Nice Sugaree, loved the Desolation Row, which sounds much better on DHFH, Deal is a rocker. Chills still for several songs in the second set, Box of Rain, LLR and that Terrapin. Great Morning Dew and the Lovelight encore. Great trip down memory lane.

We would all benefit from cleaned up released versions of the 89 Alpine run. Let's get it out.

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In reply to by JimInMD

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You got that right Jim. I remember in 95 I was ready to go Chicago and something came up and I couldn't go. ☹️

Tomorrow's Pick. How does 10/26/80 sound to you all? There is a great soundboard available for the entire show. The sound evens out mid way through Iko Iko.

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Hey POTD crew!!
We've got a Box Set Announcement!
Pretty stoked. I sure do like some 71, 72 & 73 :)
Who called it?

Hope all are doing well.
I haven't been on Dead.net for a bit, got sucked into a big huge music collecting wormhole and something had to give.
It's been really fruitful so I figured you all wouldn't hold it against me.
Totally out of the loop, but glad to see you all are still Truckin'!

Hot Dog Good Stuff!

and throw in some Kiel for good measure

mind blown, grand slam, another dream realized!!

Jim - you were on it and I was like - love it, hope you're right, and no, really, no way its happening.

and its amazingly even bigger and better

ha - wrong again!!

GOGD!! Glad you're okay out there. Was wondering. Music collecting wormhole?? Tell us more. Really.

If anybody's looking for a pick after 10/26/80, may i suggest DaP 18 from Orpheum July 76. Got that sweet, delicate and carefully crafted, 1976 groove. Disc 2 craziness - Comes A Time > Drums > Other One > Space > Eyes of the World > Jam > Other One > Going Down The Road Feeling Bad > One More Saturday Night. The second encore Not Fade Away.

Stay safe out there everyone.

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it would burn off both of your little ears BlueCrow!

Did Jimbo call the box?
I haven't read through the months of action that have gone on since I checked out, so whoever wants to give me a synopsis of what I missed that'd be great ;)
But yeah I actually went on a collecting spree the likes of which I hadn't quite experienced before (and I was already hardcore).
Completed my GD lossless collection and then moved into some outer realms of collecting madness, which was dominated by a Huge bender with The Replacements and The Beatles.

I had to give TGOGD a rest for awhile after over a year of super intense listening.

A nice pallet cleanse as OB/Jim would say.

But you all were in my heart and mind and I'm glad to see you're all carrying on.
I'll try and keep better tabs, but this collecting music thing takes up all my time!

XOXO
TGOGD

I've been calling for both a Fox Box (72) and BCT Box (72) since give or take since Ventura came out. ..but when that pre-release Amazon tell came to light.. I did post I hope it's a Fox Box.

I think a few years ago I scripted a Dr. Seuss like chant calling for a Fox Box. I don't think I deserve any credit though.. lots of people love both this venue and the shows performed there including Garcia himself who raved about the Fox and the Capitol Theatres in an interview long, long ago. Just dreaming.. the place is legendary and we all knew the tapes existed.

It's a good day on dead.net, I'll take the win.

Good to see you, GOGD.. we have all done a terrible job trying to fill in.. big shoes to fill.. special shoutout to dvikes, the steady heartbeat that helped keep this all together. Sort of like the glue that kept this house of cards together recently.

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In reply to by JimInMD

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What a Box! Wouldn't it be great to be Dave L. To have access to all that unbelievable music! We are so lucky. Super excited to have another box set to look forward to in October.. ...

Great to hear from you GOGD and Bluecrow.
Jim, appreciate you and all you have done for this thread and this site, such a positive influence for all of us.

So when you have time, check out 10/26/80, because these 1980 shows will never be released in a box set. Anyway, recording is A+.
So funny Bluecrow, I had Dave's #18 going in the car the other night. Yes, disc 2 is so mellow, I want to kick it back and fill in the blanks.

Stay well.

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In reply to by DeadVikes

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So in celebration of the Fox Box.. perhaps tomorrow we should pull a show from the other infamous Fox Theatre (the one in Atlanta).

That shouldn't be too hard.. anyone have a date they want to hit from the other Fox?

How does 4/11/78 sound?
I thought Dave would release this one at some point, but since he just released #37, I am not so sure it will be anytime soon.

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Sounds like me right now.. just got back from a rather fun birthday party, so I am seeing multiples.. Yes, there are Fox's all over the place. I am sure the GD played at more than two, but St. Louis and Atlanta had some mighty fine shows..

I am cool with 78. We should consider 77 and 90 at some pint in the future too. Fun times to enjoy GD music. I am really psyched for this box. The Fox Box. Low hanging fruit to be sure, but man these are some really good shows. Might as well let the fun ouzo into this thread.

Thanks to all of you for keeping it fun.

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Thanks DVikes.. These April shows sound so good.. why, oh why.. did they let Ms. Cantor-Jackson stop recording these shows???

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In reply to by JimInMD

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Yes Jim. To my ears this might be the best April 78 show! Sound quality is A++. Performance is outstanding. For those of you that have never listened to this show check it out. I won't ruin it for you.

Still no word on #39. Given the latest news, I am hoping for a 1980 release. 🤠

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Yowsa!
Great Pick!
Not familiar enough with this tour to pick a “best” but this bad boy outshines the bits of 4/18 I’ve heard, and 4/16, but still think I’m partial to 4/15, perhaps just because of that one caught me by surprise and knocked me off my feet?
This tour (April 78) is definitely my new favorite hardly explored niche.
And man, what a amazing sounding show! Not too much of that low mid bass/drums that sometimes plagues Mickey Godchaux Band occasionally (imho). Nit pick would be it gets a little thin near the end as they get LOUD...but that’s actually probably “accurate” for that era.
Kudos again to Miss Betty! Wow!

Did the first of the 6/86 Greek as it got the PF seal of goodness. Another great surprise, gonna have to finish that run off...

Murphy’s damn law, every time!
I’ve been getting all kinds of (new to me, or replacing copies with actual) music and several shows cued up on Relisten, but no damn time! Uuugghhh, this always happens lol. I know, good problem to have.

Oh, and currently spinning this Dave McMurray disc that just arrived...SWEET!

Hopefully new Dave’s next week, and RT 2.2 that I’ve been waiting on big time since I passed it up back when, idiot!
So can’t wait for that one to drop as I’ve never heard it!
Onward!

Oh, PS, a big how do to Bluecrow, KCJ, Exile, and many others on the Box thread, and of course our spiritual Scout Master, GOGD! Awesome how many “ir-regulars” have popped up recently...glad to see ya all!
Hope everyone stays safe/well as things are getting Stranger again...

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Not too bad either with that Shakedown out of an Ollin Arageed Space. Some funny banter during the show about a moat or alligator pit too somewhere in the first set. There's a radio interview Weir does adjacent to this show that's up on the archive. I'd say at least it's a worthwhile juxtaposition with 4-11. Jacksonville 4-8 is interesting, too with that butter Betty sound. Some of my best tapes BITD.

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12 years

In reply to by JimInMD

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I thought they didn't stop letting her record shows as much as she couldn't afford to do it for free any longer.

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In reply to by Dennis

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They didn't pay her? I didn't think she was getting much.. plus she had to pay for her own tapes, but for free?

Say it wasn't so!!

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In reply to by JimInMD

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She was definitely part of the paid Grateful Dead staff. Had different jobs or responsibilities through out the years and after Rex died. I think it ended after an issue with Brent in the early eighties.

However I think it is true that she was not paid for recordings she made with her own equipment. I believe the ABCD LLC transaction kicked some money her way, however, I have no idea how much.

Still planning on getting to 12/17.

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There is a cut at the end of the tape rendering Sugar Magnolia and the encore Johnny B Goode in AUD sound. This show is a nice example of the post-Egypt '78 sound. Overshadowed I suppose by the slightly more appreciated 12-16 and 12-19 (both also available only in AUD sound if memory serves). I like 12-12, too. We already listened to that here. Nice board of that. Wasn't Garcia jamming on the Bean in some of these December shows? At least the Nashville show I think. I gotta tune into 12-28 Golden Hall again sometime soon. Nice board of that around (and around) too.

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In reply to by wilfredtjones

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An aud patch? Outlandish, I'm out.

(kidding of course).

Nice little underrated gem and my first listen. I enjoy how delicate Jerry's voice is in this era, in fact all of '78 after his January laryngitis. Nice opening and Peggy-O plus a strong MNS show closer in the first set. I guess the wild card is the post space Shakedown, what's not to love there.. it almost seems like they are going into Morning Dew right before the Ollin Arageed jam. An interesting show.. patch and all.

I like this Fox themed diversion.. good way to show support for the new box set.

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In reply to by JimInMD

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Thanks for Fox Pick. Version I listened to was a little rough, but that is the deal sometimes. 78 was such an interesting year for the band. A lot of changes...

Looking forward to a 1980 pick being announced this week.

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In reply to by DeadVikes

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His pick of the day a little over two weeks ago is the next Dave's Picks... Spectrum, 4/26/83. I thought it was super hot.

That show was hot, and I believe it was a good Healy mix?
Totally just stumbled on it trying to check off that tour.
Sometimes you get shown the light.....oh, and Dave’s first Shakedown!
It will be interesting to see what this one sounds like...

Sorry no time yet for the 12/17.....but it’s on “the list”

Did do 6/21/86 recently, following PFs recommendation of the run.
Was distracted, liked it, but probably first night better?
I think the third night is what PF suggested?...

FOX ON THE RUN, man, I’m thinking that 4/10/78 looks interesting, on paper anyway?
Might have to hit that soonish...
But RT 2.2 has arrived, wooohoooo, so hopefully that’ll be my Wednesday night batch night as the Mrs works late.
...and hopefully Dave’s for next weekend! So much Dead, so little time!

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In reply to by Oroborous

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So 4/10/78 Oroborous?

Let's give it a go.

Congratulations on another Philly show.

I guess Dave plans on living until 150.

No shipping notice here.

Everybody hang loose.

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In reply to by DeadVikes

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Think I’m going to try and sneak that 12/17 in here at work, and save 4/10 for the big system as these spring 78 Beatty’s have been blowing my mind...if I get out early maybe I’ll try tonight?
But ASAP fo sure as I’m itching to hear it and have a wave of new stuff to get too. I know what I’m doing this WE (hopefully)...

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In reply to by Oroborous

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It's amazing to me what a difference a good recording makes. Especially when you are into it and turn it up to 11.

I am not an era hound, bound to certain years or band configurations.. but my comfy shoes seem to groove better to 68 through 74.. I can call it home to any show from any era. But good recordings do make a difference, which makes this head think the 80's and beyond would fare better through the eyes of history if Betty (or Kid or whoever [RIP Rex and Bear]) had been behind the controls, loaded up the Ampex and hit the red button.

There were some fine shows along the way that fell in the wayside simply because the recordings were not AAA+.

Great to see this thread move beyond barriers, I have learned a lot. (and to my dismay or great pleasure, worked a little less as a result).

Jim, you are not a Healy fan?
I think the move to cassettes also hurt the process. The reel to reel recordings in most cases really held up over time.

Because it looks like Dave is in no hurry to release shows from 1980, I thought I would recommend another show from 1980, 10/2/1980?

Hope you all receive your copies of #39 soon, I am looking forward to receiving mine as well, but it looks like it is not happening this week.

Edit: I am a huge fan of Pearson and John Cutler. Cutler did a great job in the late 80s and early 90s.

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In reply to by DeadVikes

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Nothing personal.. but no, I am not a big fan of the ultra-matrix. I like my soundboards crisp.

To be fair, there may be reasons beyond Dan's control that influenced how the cassette master era came to be. I still enjoy them but wonder what could have been....

Certainly no hard feelings, bygones...