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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Who Summer '72 boots, Miami '74, etc.

    I have several liberated bootlegs of The Who in Summer '72, of course not clean SBDs like we have with the Dead stuff, but most are quite listenable. (A variable term for sure, depends on one's experience listening to hissy audience tapes, but there are definitely decent ones to be found.) And I like collecting them to get those sort of tunes that they played with Moon for very brief periods. Who boots will vary from awful to great, you just gotta poke around.

    If I had a Mt Rushmore of Dead shows, 6/23/74 just about makes it on mine. Maybe not the best show from the Wall of Sound era, but to my ears, it is by far the best sounding tape of that era. Jerry's picks are all a little odder than usual, but all are perfectly chosen. The Ship of Fools (and it's intro Jam) is a fantastic way to get back from the weirdness of Seastones. And that Dark Star> Spanish Jam> US Blues is just magnificent.

    And to the post about the actual Mt Rushmore and FDR over Teddy: we wouldn't have had any sort of President like FDR without TR. We'd likely still be a smallish country with no great impact on the world without Teddy. Similarly, one could say the same of Cornell or Veneta or 2/14/70, because for a lot of people the tapes of legendary shows introduced them to the wonderful music and led to the discovery of the bounties awaiting the collector of more tapes. Those shows may not endure as favorites, but they are still signposts to a new space, to steal a title from a Jerry interview/book. And if I were to switch out a face on Mt Rushmore, it would def be Jefferson for Madison. (In keeping with ones who had served by the end of construction.)

    If I have to choose 4:
    11/8/70 (so wish there was a SBD of this one)
    5/7/72 (just bc Dark Star & The Other One)
    6/23/74
    5/8/77 (my George Washington, where it started for me)

  • Forensicdoceleven
    Joined:
    I've always had an eye for the oddities in life.....

    Yo! Rockers!!

    “We’re tuning up a little bit for you folks, make it sound better cuz nothing’s too good for you………”

    12/2/71, it's a bit of an oddity. One of only two 71 shows with both Brokedown Palace and Black Peter. The only 71 show with both a Smokestack Lightning and a Lovelight. And unusual for 71 in that it didn't have a Truckin', Good Lovin', The Other One, or Dark Star........

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Think I'll listen to it on my way to work.......

    Rock on, my friends!

    Doc
    Odd how the creative power at once brings the whole universe to order......

  • Vguy72
    Joined:
    I went with the '74 Miami show.....

    ....you know. The one with the best segue from Dark Star into US Blues I have ever heard.
    Majestic....
    I learned to duck

  • KeithFan2112
    Joined:
    72 Who and 12/2/71 Dead

    Gratefulgerd - I looked up the set list for your 8/11/72 Who show. That must have been incredible - I would love to hear Relay and Long Live Rock with the gang in their live prime. Those two songs were freshly written at the time, and then quickly dropped from the set list. I doubt any relreasable tapes exist of the '72 tour you saw, but I found a decent YouTube show from later in the month with the same set list. Good stuff.

    Proudfoot - I checked out your 12/2/71 recommendation. Some hot spots in there. I like those late '71 Smokestack Lightnings with Keith in the mix. The piano suits that song. Brokedown Palace is nice - they nail the vocals at the end, which is always the icing on the cake. Also like this UJB. Solid version and Phil really nails the backing vocal on the "crow told me" verse. He used to sing some cool parts in those early days.

    Also checking out other December 1971 shows after Doc's 12/14 recommendation. Currently listening to DaP 22 at the Felt 12/7. After Tennessee Jed someone in the crowd hollers out "St. Fucking Stephen!" and Jerry impatiently responds with "Aw, Fuck your own St. Stephen!" So glad they leave the stage banter in these releases. These guys sounded like they had a LOT of fun at work. What a way to spend your life.

  • proudfoot
    Joined:
    12 2 71

    :)))

  • daverock
    Joined:
    Dicks 23 and 36

    Keithfan - yes, thanks, I'll bear your comments in mind next time I listen. I will try the two El Paso's, and look out for the contrast.
    I should say that my immersion in Dicks 36-9/21/72 - has been stimulated by its release on vinyl, and that's the version I listen to now. It sounds amazing to my battle worn ears-but I haven't compared it to the cd version. Price it cost, I'm a bit scared to!

  • KeithFan2112
    Joined:
    Daverock

    Hi Daverock. Yeah, that was a tough choice, DP 23 over DP 36. They have very similar set lists. If I had to choose between one or the other to bring as the only Dead CD to the desert island with the coconut rum and bikini women, I would go with DP 36, based on the Dark Star, Wharf Rat, and Morning Dew. I'm not sure which Bird Song I prefer; maybe I'll put that to the test later. But anyway,
    I like the performances and the recording of DP 23 more. Jerry is consistently loud throughout DP 23. On DP 36 he's certainly not low, but he tends to get washed out a bit when the whole band is playing and he's not swinging away at chords. You can hear what I mean for example with El Paso. If you compare the first minute of DP 23 to DP 36, you can hear Jerry loud and clear on 23 when he's doing all of that cool picking; meanwhile he gets buried by the band on 36. I also hear more flashes of brilliant playing from Jerry on 23. Another thing about DP 23 is the backing vocals sound better to me in a lot of places, like they're "blended" together more evenly. And then there's the monster 40 minute Other One - lots of great jamming here, and they almost jam out The Eleven at one point (Jerry starts it but nobody hops onboard).

  • BigDeadFan
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    anybody home?
    5 day sale…

    anybody home?

    5 day sale sign is still on web after a week?

    no box set announcement? No dave's picks announcement?

    is anyone there?

  • Gary Farseer
    Joined:
    Heavy Metal

    Did it, done it, occasionally revisit for nostalgia. I worked at the movie theater when Heavy Metal came out. Never watched the whole thing thru but saw all of the scenes in pieces. I have the Movie recorded on my DVR. Maybe today will be the day I revisit it. May try to watch twice before I erase it. If memory serves there were some other rock bands I uncertainly wouldn't call heavy metal. Let's see, Journey and Donald Fagan and others on there should never been associated with heavy metal.

    So I started thinking about it. I had written the first paragraph about 5 hours ago. Thinking about metal and some concerts I saw, when I started thinking about Judas Priest. I remember wow it was 1981 when I first saw them. Then it hit me that it was in summer July or August. I have the ticket but chose not to go digging through stuff. I check and 40 years ago right now, this music freak was preparing to go see Judas Priest, with Whitesnake opening and then Iron Maiden, at the Fox theater in Atlanta. Drove into town and heard the concert announcement on the rock radio station the night before. During afternoon next day went down the Fox Box Office and scored tics. Went back to room to chill out. Headed down to the show. All three of the bands were completely known to us. I had copies of British Steele and Point of Entry by Priest. I also had Iron Maiden Killers, and this was on the Killers tour, as well as their first album. Hard to believe 40 years went by like that. It was a true heavy metal concert. Well Whitesnake at this point was a heavier blues unit in the Zep and Purple line of hard rock. But damn did both Maiden and Priest drive that place hard. BTW, Maiden was the original maiden before Dickinson and the second drummer.

    Any way within 12 months I was clearly leaving metal behind and casting my gaze elsewhere.

  • gratefulgerd
    Joined:
    The Who

    saw them in Frankfurt, August 11, 1972.
    Wow, the loudest band I've ever heard in concert, indoor Festhalle Frankfurt.
    I mean extreme loud!!!!
    My biggest mistake in '72: I could've seen the Dead in April, 26, Jahrhunderthalle.
    But I didn't. Why?
    Too young and to far away from what was really going on in the international music scene.
    Simply said, I didn't know GD.
    On May 2nd in 1972 I saw John Mayall, at the same location, Jahrhunderthalle Frankfurt.
    Great show, wouldn't mind to trade it for a show a week earlier.
    Life happens

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3 years 6 months

"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Killer start! And it came with a CSNY opener. There's even an (un-linq-able) Charlie Miller Ultra Matrix to commemorate the occasion. I'm jealous. . . BTW – there's gotta be a story or two. Right? Onward.

(That's some ride Vguy – tie dye, shrooms, terrapins, bears, the works. Can it do time travel too?)

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I hadn't thought of supply chain issues with this year's box, because... how would the situation be different for the Dave's Picks series since, say, March 2020? A box set introduces an issue of scale, yes, but wouldn't similar materials be involved? Unless the box itself -- literally, the effin' cardboard box that holds the set -- is a hangup or, as you mentioned, perhaps a printed book?

I hesitate to go full-on 'Treasure of the Sierra Madre,' but we don't need no stinkin' book! While I really dug the Pacific NW box art, we didn't really need that large outer box. I know this is a GD legacy issue and I've been in favor of whatever packaging they feel the music deserves. I'm sort of going along to get along in that respect. But the elaborateness of some boxes seems a tad over the top. And the essays, some by Nic Meriwether, can be tedious in attempting a synthesis of what was going on in the world or the US during the period the performances/recordings took place. Better to have fan reminiscenses -- if they can be gathered -- than another egghead attempting to weave socio-historical context. Hell, I was alive during the duration of the GD career, so I remember what the hell happened in the headlines. But I digress...

I'd say the perceived delay in announcing the box must be production issues, which begin with the tapes themselves, their transfer, clean-up, mixing, mastering, then the production run of CDs and related goodies, booklet, box, etc.

All speculation, though I did note recently that last October Dave said the prep for the 2021 box was underway. So I'd guess the tapes are not the issue, but delays may be more in line with what 'Brewer suggested.

Okay, now I'm pissed! So the dang virus is delaying my 2021 GD box set extravaganza?? Say it ain't so!

Trying to face forward and keep a stiff upper lip, no offense intended to anyone. I've lost family and friends to covid and that's no woe-is-me, but just general woe, especially for those who we've lost or remain ill.

Okay, I'm a jerk for even being concerned about the effin' box. If we all took a year off without releases, that'd give me time to explore the phenomenal shelf after shelf of GD releases I already have. In fact, that's a pretty good idea.

I thought the same thing. Plus.. I believe they have been manufacturing in Mexico (or other similar countries) that might not have really been vaccinated, especially the factory workers. There might be a serious reliability issue.

In any case.. I am a patient man, they will make up for it. Don't spend your box set money on scratch off lottery tickets and that arcade game with the claw that reaches down and pulls (or doesn't pull up) a prize.

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The Giants Stadium box set, wasn't announced until August 1st. Dave said we will have 3 more releases, not counting Dave's Picks. So that means a big1968/ 1969 box set or a Complete Winterland Oct 1974 box set and 2 more releases.

WMG/Rhino demonstrated their unreliability long before Covid arrived.

If the arcade claw game had FW69 Box, E72 Steamer Trunk, etc in it there would be a line of Deadheads waiting to insert their money and test their skill.

Box delays:
It needs to be ‘just exactly perfect’, or as close as WMG/Rhino can get before release.
Take note, the Jerry RSD release was pulled from tomorrow because it wasn’t the quality it should be.

....could be the wizard behind the curtain. Covid has been running rampant through my workplace the past couple of weeks.
You don't want to catch it. First hand accounts from my friends. It indeed effects everyone differently.
One, unfortunately, is on a vent at an ICU. She's 31 years old.

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In reply to by Vguy72

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Just wondering how many of your colleagues that caught the virus have been vaccinated?

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In reply to by Angry Jack Straw

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That's the latest catchphrase. My general suggestion, if not a scientist don't spout (faux) science. I think free stuff and testimonials should help increase jab numbers. A double lung transplant sounds shitty to have. Good luck and godspeed to your colleagues VG.

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Missed out yesterday, so if this was already mentioned, I'm not yet caught up: I was reminded of the anniversary of DaP 18 via email by one of our regulars here. Man I love the mix on this one. Jerry has pretty much the whole left channel to himself. When I listen I feel like I've put the CD on and Garcia is actually in the room with me, plugged into an amp and playing along with the CD. Well shit, if I'm going to take it that far, he may as well be passing the Persian as well. Now...I did cheat a bit. There were a number of duplicate tracks on the Bonus Disc, so I picked the the better versions and made one long show out of it (but no longer than any number of '72 -'73 shows, so I'm going to have to ask you to get all the way off my back about the editorial liberties). Oh...and I threw in Help / Slip / Franklin's from a near Production quality soundboard from opening night at the Orpheum. Now we have a release! In this format I'd take it over the entire 1976 Box Set (except for the 6/11 show of course, because Sixtus's world could come crashing down all around him if he heard blasphemy of that sort). The 8 minute Comes a Time outro jam completely melts my face every time. Keith sounds like whoever plays piano with the Vince Guaraldi Trio (probably Vince, right?). Playing in the Band may be my 2nd favorite post-hiatus, maybe my first- Cow Palace NYE is very strong too). It's all good.

ttps://youtu.be/6pp-X3_ZQT0

Just copy and paste in your browser and put an h in front

Maybe DL got the Cove? The box set is one thing, but Aug 1 is two weeks away and we don't know what DaP 39 is. All is not well on Shakedown Street, Deadville, USA.

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In reply to by Vguy72

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The vinyl reissue of Two From The Vaults keeps getting postponed, too. I've just checked, and I bought it in October 2020. The current date for its release on Amazon is 7/30/2021. The 50th package of Skull and Roses seemed to get through okay, though.

Strange times within strange times at the moment. Restrictions are being lifted in England on Monday, and already over hyped sporting events have taken place this summer, attracting vast crowds.There is even a festival taking place round here somewhere soon. And all the time, infection rates are rising.

On the bright side, I bought a double cd called "Yardbirds 68" earlier this week. The first cd features a reissue of the legendary show at The Anderson Theatre 3/30/68. It was always one of those live albums that had a terrible reputation-with crowd noises apparently dubbed on to give the impression everyone was having a great time. Anyway-Jimmy Page has cleaned it up - and it now sounds phenomenal. It sounds way better than I expected - one of the best live recordings I have ever heard from a British band in this timespan.
I really like the music, too. It still has the pop/psych leanings of the Jeff Beck years, but it is also heading into the future with a bullet. If you can accept the fact that The Yardbirds had a tendency to take blues songs, add new lyrics and pass them off as their own songs - the cheekily title "Drinking Muddy Water" included here is credited as a band composition, but is basically the same song as "Rolling and Tumbling" - then this is highly recommended. As is anything they recorded with Jeff Beck.

Incidentally, it was half the price on the Jimmy Page website compared to the price quoted on Amazon.

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Yo!! Rockers!!!

Proudfoot: Rochester? Really?? I'm impressed..................

Charm is a way of getting the answer 'Yes' without asking a clear question............

Rock on!!

Doc
Off to morgue

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Now that’s Truckin’!!
Plague over? Afraid not.

At least the good news was first.

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Covid Liquor Fund, nearly depleted..................... winq winq, linq linq.....................

Vguy, best wishes to your co-worker. One of my best buds got the virus just before vaccinations became available, and in January, he left this earth.

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Just a snippet from the AllMusic review of Dave McMurray's forthcoming "Grateful Deadicated" (rated 4.5 out of 5 stars): "All emphasize the sometimes hidden but always attractive melodies in the Dead's tunes; he understands them as songs first. Grateful Deadication is as sophisticated as it is musical in presenting this complex and sometimes speculative music as welcoming, accessible, and danceable."
While I await this one, I have the TTB "Layla" Redux discs that came in last night to review, among others. I am beginning to think any potential Dead box DL may have queued up should be called "Bigfoot", more myth than reality. The Pandemic has some serious reverbs on production, especially vinyl.
On that note, my condolences HendrixFreak for the loss of your friend to this terrible damn disease, and likewise, best of health VGuy to your coworkers, and safety to all of you reading this.

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Here’s a list of some of the release dates taken from Wikipedia, pardon any errors...

11/7/99 So Many Roads
10/16/01 Golden Road
10/26/04 Beyond Description
10/21/10 Warner Studio
11/24/17 GD Records
10/10/00 Ladies & Gentleman
9/25/01 Nightfall of Diamonds
10/22/02 Go to Nassau
11/11/03 Closing of Winterland
11/25/05 FW
9/30/08 Rocking the Cradle
10/1/09 June 77
9/7/10 Warlocks
9/1/11 E72 Complete
9/17/13 SSDD
9/9/14 Spring 90 TOO
9/18/15 Boxilla
11/10/17 RFK
9/7/18 PNW
9/27/19 Giants

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17 years 4 months

In reply to by Oroborous

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To Sixtus on the Anniversary. Great cherry poppin’ show fo sho!

VGUY: the misses needs a rig like that only in tie dye Knights colors with their logo on the hood!
Be safe, I’m with AJS wondering if any of the infected were vaxed? Our thoughts are with all those still suffering from this scourge.
I sure hope this thing works cause of my work conditions (construction sites equal lots of young people and young Hispanics, both demographics with high unvaccinated populations)...the Mrs too, she’s a librarian and they do these summer programs where up to a hundred kids are present! None vaccinated!
It’s deplorable that people who hide in offices or work elsewhere determine the fate of others, and for what?
But I digress, sorry.

Think I need to spin Downhill From Here tonight and feel some of that summer loving in the spring fall and winter that JG and Brent have going on!

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In reply to by daverock

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Wow Daverock, it’s £15 on Jimmy Page’s site (+£10 to ship to the U.S.) and $52 + $3 shipping on Amazon.
Guess I’ll pass, saving those funds for the long-delayed 2020 second Box…..

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Great data, which kinda establishes that we're premature in declaring the box announcement late. No doubt we perceive this box as "late" due to the early (and Dave made clear it was "early") announcement last year or year before (?) of the June '76 box.

So, I'm WAY early in demanding info. That's certainly a break with tradition in which I'm always WAY late on everything, plus that proverbial dollar short.

That Mike, thanks for your thoughts. Still grieving here, my buddy Tom used to spend an hour on the phone with me talking music every week or two for 20+ years. He was the world's greatest Roy Buchanan fan. It's not about me, though, it's about his wife and kids. Oh man.

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In reply to by hendrixfreak

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Senior HF. That’s heavy, I think losing friends and pets can be as hard as family.
It angers me extremely to think we could be near the end of this if people would of just gotten vaxed, now, I’m not sure this darkness is gonna give soon...

Speaking of loses, long story short think both my drives are dead: OS and music...been too dam many failures, so wondering which format, and what brands y’all would both recommend and avoid etc
I would of posted separately but this captcha BS! IS OUTTA CONTROL AND STUPID!
Took me 10 times to finally post on other thread! Why? We still get spam...

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Hey Oro! There you are! I was going to get a posse out searching those higher Colorado altitudes to make sure all is well, but it sounds like you are doing good, and keeping safe from this virus. As usual, you come through with the facts, or to quote Sgt Joe Friday, “Just the facts, ma-am”. It appears Box Fever was a little premature.

The vaxx I was given was the Astra Zeneca vaccine, formulated in conjunction with Oxford U. Some neighbours have given me a bit of Vaxx Snobbery, because this AZ has a minute number of instances where blood clots may form, sometimes stroke, but very rare. They are either vaxxed with Pfeizer or Moderna. Even my wife kept asking me repeatedly if I was ok. My retort is simple: Oxford U was established in the 12th century, so Medieval time. It has been the launch pad and employer of brilliant minds such as Sir Isaac Newton, JRR Tolkien, Aldous Huxley, and Stephen Hawking. This is not some regional fourth tier public college. Life has risk, but this vaccine is not a risk. Being not vaccinated endangers not only yourself, but your work and social circle. Sleeves up, get the jab.

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In reply to by That Mike

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....one of them was vaccinated, but her symptoms are very mild. Staying home just to be safe.

You’d need John Wayne in that posse pilgrim to find me at this ranch I’ve been working at, sweeeettt! Literally “end of the road”, surrounded by lush forest and high peaks, post card stuff, but yet it’s only 10-15 minutes to town! Kinda place I always dreamed of, but you learn quick here that such places are only for the rich...

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In reply to by Oroborous

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That place sounds pretty idyllic Oro! I am getting a little stir crazy being stuck around here for the better part of 18 months now, but things are opening up for travel again, so better times ahead. Always glad to hear things are well with you, Amigo¡¡

Random - For jazz fans familiar with trumpeter Lee Morgan, there is a complete 12 LP/8 CD “reissue” from Blue Note (Don Was) called Live At Lighthouse. Originally released in 1970 as one disc, later as 3 discs, this is Maximum Dosage Lee Morgan. A great trumpeter before meeting his early demise (see the DVD “I Called Him Morgan” - fascinating) to his girlfriend, this box ain’t too cheap. I’m really thinking hard on this one.

I did get the Allmans “Live At The Atlanta Pop Festival” reissue - I never get enough of the ABB.

Ginger Baker on the cover of his “Why” album - is he not about THE grumpiest looking sob you never hope to meet!? Lighten up, Ginger. Apparently he and Jack Bruce had legendary fights, and I often wondered how a mild mannered guy like Clapton kept it together around these two??

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Thanks, Oro for the insight on previous box release times. That does provide perspective.

I might have mentioned this before, I have many audio cassettes to digitize through usb onto my IMAC. I want to share concert recordings I made at shows myself upon Archive.org. I want high quality wav files or aaf at up to 192kHz resolution. I have a Nakamichi cassette deck. So far I'm looking at pro products like the Berenger UCA202 and the Focusright Scarlet 2i2 as the interface, but those are a little pricey. I've also seen little consumer dongle "audio cards" that purport to interface with a computer, but I am skeptical due to the price and some reviews I have read. Do I convert the files to WAV once they are digitized into my IMAC with a program like Audacity? Thanks, Scott

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9 years

In reply to by nitecat

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WAV is for PC, Macs use AIFF.

If you get a USB adapter for your tape deck you can use Audacity to capture the audio. Audacity will save the data in its own file format that ends in .au or something like that. After you use Audacity to make any edits, splices, etc. you will then export the audio file from Audacity and can choose the file format then.

For the archive you will need to make the file FLAC.

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In reply to by icecrmcnkd

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“I just want a little drink of water, but you just won’t let Jerry stop”

Think Jerry was giving a hint that he needed to take a break from touring?
Or did he just have cotton mouth?

....but I am a huge Phish fan as well. There are posts on the r/phish sub on reddit where fans are going back and forth about being vaccinated or not and attending the upcoming tour.
It starts in Arkansas and moves to Georgia. The most unvaxxed parts of the country. Fascinating yet sad reading for sure.
Vegas is a current hot spot. Both in temps and positive results. Ugh.
My current listening? Bob Dylan More Blood, More Tracks. Bootleg Series Vol 14. Simple Twist Of Fate.

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Fun show, Garcia was just singing the words to the song , except instead of singing Jimmy ( Jimmy Reed) he said Jerry.

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Just spotted Dave L's reply on Twitter to a question about the next box:
David Lemieux
@lemieuxdavid
Replying to
@robwade and @GratefulDead
YOLO!

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11 years 9 months

In reply to by billy the kid

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Thanks for the Lee Morgan heads up...$72 for an eight disc box is very reasonable...will probably jump on it when it releases in August...saw many a fine show at The Lighthouse, faves being Bobby Hutcherson & Woody Shaw together killing it and The Hollywood Fats Band backing Big Joe Turner...

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In reply to by nappyrags

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As I watch “Downhill From Here”, and wonder why the last 3 songs from the first set are replaced by the last 3 songs from the 7/19 first set, it’s obvious that that gross error and misconduct can be rectified by releasing the “Complete Alpine Valley 1989” Box Set which includes all audio and video.

Credit card in hand and waiting Dave……

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In reply to by icecrmcnkd

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That previous post took me about 15 reCRAPTCHA tries to get it to go through.
I even copied the text, logged out, cleared the history, logged back in, and pasted the text. And then it took another 3 attempts.

It’s almost as if they are trying to discourage us from hanging out here and talking to each other……

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Then tune into 12-26-81, same run. Classicly "plain" setlist on paper, but monster energy in the music.

Vguy, More Blood, More Tracks, that's where it's at. Especially Tangled Up in Blue, a song that really talks to me.

I've only got the basic Blood on the Tracks album, but I bought the Mono box set of his 60s recordings recently. Stunning quality, I have to say. I wasn't sure about whether it would be worth it - it is. The acoustic sides really shine, but the sound of each album is superb.

Recent post saying that Ginger Baker was grumpy - potentially dangerous too, by the looks of things. See the way he attacks his interviewer with a walking stick in the doc "Call me Mr Baker" ( I think). Great drummer, but you wouldn't have want to have crossed him.

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Yo! Rockers!!

But what is happiness except the simple harmony between a man and the life he leads?

Been a rough couple of days in the land of the dead...........

Here in the land of the Dead, all is well. Walked dogs, coffeed up, cranking May 26 1972 .............

Rock on!!

Doc
Life is a mirror and will reflect back to the thinker what he thinks into it.......

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The powers that be should let us know what 39 is at this point ... you don't need to make it for sale ... but just a simple announcement as to what the show is.

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The first Dark Star on this video is great. Sounds like 1970 as there are maracas but barely any of that scratchy guiro thing that Mickey used to play (or maybe it was Pigpen). Also absent is that early Dark Star repeating keyboard melody. Definitely pre-Keith. It just sounds 1970 to me, but I can't figure it out. I've listened to 20 released and unreleased Dark Stars trying to figure it out.

ttps://youtu.be/Jk61PLdFaZs

Just put the h at the beginning and copy / paste in your browser if interested in the Dark Star challenge.

The great underrated DaP 17 anniversary is tomorrow (Coattail Skeletons). Some great stuff in there, just gotta poke around. Only China Doll I enjoy.

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Hey rockers!!!

Sunday Morning Grateful Dead Guessing Game, I'll play!!!

To these tired, rock-and roll damaged ears, sounds like 1968 or maybe early 1969........

Those who write clearly have readers, those who write obscurely have commentators......

Rock on!!

Doc
Truly fertile music, the only kind that will move us, that we shall truly appreciate, will be a music conducive to dream, which banishes all reason and analysis........

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10 years

In reply to by daverock

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I saw that Ginger Baker doc, I forgot about that cane incident. I recall he was a horse owner, polo enthusiast, and a real acerbic jerk. Great drummer in his day, but I’m still amazed Clapton lasted with Baker & Bruce. Maybe that is why Clapton started easing out with Delaney & Bonnie, into the Dominos and Duane Allman and all?

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In reply to by That Mike

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Thanks from me also on the Lee Morgan mention. I've always loved "the Gigolo". Lee is solidly my type of jazz. Will be nice to have 12 live sets of his in stock. I didn't get the vinyl, but may go back later and get.

Layla vinyl came in yesterday.

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That Dark Star may be earlier than '70. Initially I thought the absence of that old Pigpen keyboard Melody from as early as Two From The Vault and prior (which TC adopted in'69) was an indication that it was post-TC but pre-Mickey exit. You know the melody:

Di-doo-doot Di-doo-doot Di-doot
Di-doo-doot Di-doo-doot Di-doot

But after listening to a bunch of 1969 Dark Stars this morning, I noticed that TC stopped playing it all the time at some point in mid 1969.

This is really driving me nuts; I want to put this version in my "Jam" mix.

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