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    We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

    *2 per order. Very limited quantity available.

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  • icecrmcnkd
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    Lemieux and Norman

    What’s the scoop?
    Is the HDCD logo on the releases just false advertising?

    Have you considered doing a few releases of awesome sounding Plangentized reels as BluRay Audio, 24/192?
    Led Zeppelin did that with the Song Remains The Same soundtrack.

  • 1stshow70878
    Joined:
    Maybe You Know

    Wow! First time I've heard this. I love it. Kind of Loose Lucy sounding. Will have to pay more attention to the lyrics but at first listen was most impressed with Jerry's chording like Chuck Berry. A special treat in a show where Jerry is hitting an amazing number of notes. Arpeggio maximus. How did he just keep getting faster even as his health was declining?
    Cheers all!

  • icecrmcnkd
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    Sorry that was so long

    I would have just posted the lynk if I could.

    It came from a site called audio asylum.

  • icecrmcnkd
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    Thanks for the info

    Arthur,
    What you posted appears to be from VLC. If you used VLC to convert a 16 bit CD to 24 bit FLAC you just put 16 bits into a 24 bit container. That’s not the equivalent of playing a 720p DVD in a BluRay player that upconverts to 1080p.
    If you used actual software that decodes HDCD please tell us what software that is.

    Ziffle,
    What you said is in line with what I’ve read online.

    Simon,
    I thought you had a CD player that let you toggle between CD and HDCD.

    Since I can’t post a lynk, here’s the text.

    Huge misconception regarding HDCD
    Posted by Charles Hansen (M) on June 12, 2017 at 23:26:28
    In Reply to: RE: MQA vs HDCD posted by Jeff Starr on June 9, 2017 at 02:03:01:

    >> HDCD was a way to get 20 bit sound out of a redbook CD. <<
    That is what Pacific Microsonics (PM) *claimed* for HDCD. The truth is that was simply marketing hyperbole. PM built an A/D converter designed by Keith Johnson, called the Model One. The later Model Two was similar but added support for both dual- and quad-sampling rates. There were three unique features of the PM A/D converters that comprised the HDCD system:

    1) Peak Extend (PE) - was a compansion algorithm that compressed the top 9dB of audio signal during recording into the top 3dB of digital codes on the disc. When played back through an HDCD-enabled DAC or CD player, a "sub-code" that replaced some of the audio signal in the 16th bit (LSB) would instruct the DAC to expand the compressed signal and restore the full dynamic range.

    2) Low-Level Extension (LLE) - was a method to automatically boost the gain as the audio signal dropped, starting when the signal level fell to -45dBFS. It was boosted in 0.5dB steps as the level fell, reaching a maximum gain shift of 4dB if the signal ever fell another -18dB to -63dBFS. Again when played back through an HDCD-equipped DAC or CD player, the instructions mixed in the LSB of the audio signal would instruct the DAC to lower the gain (and background noise) by the appropriate amount.

    3) Transient Filter (TF) - was a method whereby the A/D converter measured the amount of high-frequency energy in the top octave. When it passed a certain threshold, the HDCD system would select from one of two available anti-aliasing filters (ie, "digital filters"). The original plan was apparently to have a complementary process during playback, but this never materialized. My best guess is that this was because Ed Meitner (then of Museatex) had beaten PM to the punch and already patented a DAC that switched reconstruction filters (ie, "digital filters) during playback, again by sensing the amount of high-frequency energy in the top octave.

    The problem is that the claimed 20 bits of resolution is a horribly distorted representation of the truth.. It was one of the greatest marketing misrepresentations in the history of high-end audio. In actuality, both PE and LLE could be *optionally* applied by the mastering engineer, and the instruction manual warned that there were specific reasons for not doing so on certain types of music. Also there never was any way to decode for the TF feature (which was always engaged). However every single CD made with a PM A/D converter would light up the mandatory "HDCD" logo light on a licensed DAC - even when there was no decoding of the disc even possible - apparently in an attempt to scare people into purchasing a new CD player or DAC that had HDCD decoding (and from which PM received royalty payments).

    The truth is that PE (*if* engaged by the mastering engineer) could only ever provide a maximum dynamic range increase of 6dB - and even then only if the recorded signal reached 0dBFS. In the very extreme case, this only adds 1 bit of resolution, to 17 bits.

    The truth about LLE is even more underwhelming. *If* the mastering engineer chose to engage it, it only became active when the audio signal dropped below -45dBFS. I have analyzed scores of HDCD discs using the tools available in Foobar. For popular music LLE was *only* ever engaged during song fadeouts. It turns out that -45dBFS is an extremely low level, nearly 8 bits below the maximum. Even with classical music recorded using LLE, the gain-shifting only activates infrequently - specifically during very quiet passages when only 1 or 2 instruments are playing. I have never seen an HDCD track ever use the full 4dB range of level shifting, as the signal level would have to fall to -63dBFS, nearly 11 bits below the maximum. The *theoretical* maximum gain shift of 4dB amounts to about another 0.6 bits of dynamic range.

    If *both* features were engaged by the mastering engineer, and everything completely optimized in an extremely unlikely real-world scenario, the most that HDCD could boost the dynamic range would be 1.6 bits to 17.6 bits. In more realistic situations, engaging both features would increase the effective bit depth between 0 and roughly 1.2 bits with classical music, and between 0 and roughly 0.9 bits with popular music.

    At this date we have all had chances to hear the differences between 44/16 files and 44/24 files. The most common example was the 2009 remaster of The Beatles box set. The CDs were dithered down to 16 bits, while the "green apple" thumb drive contained the original 44/24 files (reduced from the 192/24 tape transfers made with Prism A/D converters). Yes there is a difference in sound, but it is hardly "jaw-dropping" or "transformational". So if adding 8 true bits of resolution only improves the sound slightly, one wonders how much improvement would be heard with only 1 extra bit of resolution - *if* the HDCD features were even engaged by the mastering engineer.

    So where did PM come up with the "20 bits of resolution" claim? Simple - they added the extra bits as the A/D converter also had optional dither algorithms. This is where it gets weird. Prior to the PM converters, by far the most common alternative was the Sony PCM-1610. While it did not have any dither built into that converter, the incoming audio signal was always dithered anyway - by the tape hiss present on the analog tape that was being transferred to digital. There is no tape recorder on the planet that has an unweighted S/N ratio greater than 96dB, which is what would be required to create the need for external dither to be added.

    The next question is why was HDCD so enthusiastically received by the audio press and many mastering studios? Again the answer is quite simple - it sounded far better than the competing Sony unit. *Not* because of the HDCD features but simply because it was designed to a far higher "audiophile" standard by Keith Johnson, an extremely talented designer.

    The A/D converter is simply one box in the chain between the recording microphone and the playback speaker. We have all heard the difference made by replacing (say) a cheap preamplifier made with very old, low cost op-amps, electrolytic coupling capacitors, and low quality parts throughout with a mega-buck preamplifier made by one of the top designers on the planet using fully discrete circuitry, state-of-the art parts throughout, and designed for the absolute maximum performance.

    A change like this can completely transform the sound of a home stereo system. And a similar change to the A/D converter can completely transform the sound quality of a CD.

    That is the real story of HDCD - a superior sounding product that was sold through deliberately misleading marketing strategies and false comparison setups. For example at the 1997 CES, PM gave out free CDs with "comparison" tracks purporting to show the differences made by HDCD processing. The natural assumption was that the tracks were made with the same converter and simply engaging and disengaging the HDCD processing. But no, instead PM made three tracks with the PM A/D converter and three "comparison" tracks with a Sony PCM-1610 converter.

    In addition HDCD was dreamed up to be a money-making machine. The converters were sold to the studios for $20,000 each (I'm unsure if there were licensing costs there.) On the playback side each manufacturer had to pay a $5,000 licensing fee up front (later raised to $10,000), plus purchase a special decoding IC from PM. The IC was priced artificially high so as to constitute an easy-to-track royalty payment for each player sold.

    It fooled a lot of people for a long time. There were two separate events that led to the demise of HDCD. The first was that only a couple of years after HDCD was available to the public, both DVD-Audio and SACD offered true high-resolution formats, obviating the need to "hop up" the out-of-date Redbook CD format (by only a single bit of actual resolution). The second was that PM had paid roughly $500,000 to develop their custom decoding IC chip. It was made on a 600 micron process. (By comparison we are now down to the 12 to 16 micron range with semiconductor processes.) By 2002 or so that technology was so out of date that the fabrication house was dismantling the line and halted production. It would have cost another $500,000 to make a new version. There was an aborted attempt to fabricate it as a pre-programmed Motorola (?) DSP chip, but apparently there was only one sample batch ever made before PM sold the entire thing to Microsoft, where it died off fairly quickly.

    The only positive note to the whole story is that there are still a good number of mastering houses that still use the PM A/D converters. Even though the Model Two is over 15 years old, there are only a handful of other brands that can compete with it sonically. It is still one of the best sounding A/D converters ever made, just as the Marantz 9 was one of the best sounding power amplifiers ever made. Good sound never goes out of fashion.

    As far as any similarities between the 20-year old story of HDCD and the current story of MQA, I will leave that up to the reader to judge.

    As always, strictly my own opinions and not necessarily those of my employer or guru.

    EDIT: The above post was dashed off quickly and likely contains some minor errors. For example the units used in the discussion of semiconductor fabrication should have been "nanometers" and not "microns". Nevertheless I believe the overall arch is historically accurate. Corrections are highly welcomed.

  • Dennis
    Joined:
    That Mike and Ornette

    Saw Ornette at Town Hall in NYC when he was doing the Song X tour with Methany.

    Didn't understand one bit of it!!!

  • Dogon
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    Dennis, Joe and Lee

    I dont think you will be disapointed when it arrives.
    There is a rumour that a Lee Morgan 60s set is in the works, unfortunately you have missed the Hank Mobley 60s set, but keep your eyes open, it might turn up used, if it does, pounce!
    Also in Japan a whole slew of Lee Morgan reissues are being released in conjunction with the Live at the Lighthouse box.
    CD Japan is your friend, and if you were to order from them you will be surprised, after dealing with all the highs and lows of dealing with Deadnet, of the smoothness and efficiency of the transaction!
    I always pay for shipment via DHL, a bit more expensive, but 2, max 3 days delivery from Tokyo to my door in Sweden.

  • ArthurDent
    Joined:
    Encoding Info

    Artist Grateful Dead
    Title Let It Grow
    Album 1983-04-26 - Dave's Picks Vol. 39 - The Spectrum, Philadelphia, PA
    Track 10/10
    Disc 1/3
    Genre Rock
    Year 1983
    Rating
    Composer
    Size 79.88 MB (58% Compressed)
    Original Size 189.63 MB
    Length 12 minutes 31 seconds
    Channels 2 (stereo)
    Sample Rate 44.1 KHz;
    Sample Size 24 bit
    Bit Rate 2,116 kbps (DVD)
    Encoder FLAC reference libFLAC 1.3.2 20170101
    Encoder Settings
    Audio Quality Perfect (Lossless)
    Contains CRC, ID Tag [Vorbis Comments]
    Channel Mapping
    File 10 Grateful Dead - Let It Grow
    Type FLAC Audio File (VLC) [.flac]

  • Forensicdoceleven
    Joined:
    Only the guy who isn't rowing has time to rock the boat………….

    50 years ago today……

    August 7, 1971
    Golden Hall, San Diego, California

    Set 1: Big Railroad Blues-El Paso-Mr. Charlie-Sugaree-Mama Tried-Bertha-Big Boss Man- Promised Land-Hard to Handle-Cumberland Blues Casey Jones

    Set 2: Truckin'-China Cat Sunflower-I Know You Rider-Next Time You See Me-Sugar-Magnolia-Sing Me Back Home-Me & My Uncle-Not Fade Away>Goin' Down the Road Feelin' Bad>jam>Johnny B. Goode

    Deadicated to Seth Hollander, Oxford 88, Mr_Heartbreak, gcdeadhead, Shafts Of Lavender, Gratefulpeds, Gbow22, frampton, jpdonn1, chilly1214, and deadyettipa, because nothing fixes a thing so intensely in the memory as the wish to forget it…..

    Released as part of Dick’s Picks 35 in 2005, one of the so-called “houseboat tapes”, somewhat of a revelation at the time, as not all summer 71 shows circulated. Not the greatest show but I will always take whatever 71 is officially released!!

    There’s not a “big jam”---although there is an interesting but short jam between GDTRFB and Johnny B Goode---but it’s OK. What I call “the three R’s of live Dead”----rockin’, rowdy, and raucous!! Needless to say, worth a listen!!!

    Rock on!!

    Doc
    We are imprisoned in the realm of life, like a sailor on his tiny boat, on an infinite ocean……

  • simonrob
    Joined:
    HDCD...

    I have no idea if HDCD encoded discs sound better. I only have one CD player and that has no possibility to turn the HDCD on or off, so making a comparison is not possible. My player, like most, has the DAC built in. A comparison using my player and another with a different DAC and no HDCD would reveal the differences between the DACs as well as any differences with HDCD on or off, making such a comparison pointless. I can only read discussions on this by others, such as Ziffle, who are (or at least claim to be) better informed than me on the subject. I don't lose sleep over this as there is nothing I can do about it- I just put CDs in the player, hit 'Play' and the magic begins.

  • Angry Jack Straw
    Joined:
    Satisfaction

    Wharf - I believe you are referring to the 8/8/82 Alpine Valley show. The whole show is awesome stuff.

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We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

*2 per order. Very limited quantity available.

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My guess on the disc 2 running order would have something to do with disc capacity limits and set time. Set II of 4/26 wouldn't fit on 1 disc according to my back of the napkin timing. I may be right or wrong but that's my guess. Have a Grateful Day all! :-)

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Nice Dark Star at Woodstock last night. That's not a joke, by the way.

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What do you call a Hobbit party? A little get together.
When do you kick a Hobbit in the balls? If he's standing next to your wife saying her hair smells nice.
Why don't you ask Hobbits for money? Because they're always a little short.
What do you call a kid who can't find his snap-together Death Star toy?Lego-Loss.
Why was Gandalf always smoking that pipe? Because he had a bad Hobbit.
What do they call Gandalf at the local tavern? The White Whizzer.
I had a college professor named Gandalf once. Needless to say he didn't let me pass.
I would make another Lord Of the Rings joke, but all the good ones Aragorn.

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Any guesses? Any requests.

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Nanci Griffith - Lone Star State of Mind
Iris Dement - Infamous Angel
Gillian Welch - Revival
Jeb Loy Nichols - Just What Time It Is
MV & EE - Green Blues

Stellar shows from November that year, both acoustic and electric. I wouldn't care if the sound quality was substandard, the power is irrepressible - like a force of nature. Those shows are my last 5, along with
Green Steve Hillage
Jug of Love Mighty Baby
Zoom Club Frankfurt 4/14/71 King Crimson

Man what I wouldn't give to have the Fall of 1970 masters (all of 1970 really).

I haven't listened to the Warehouse shows in New Orleans for a while.

Still, I'm guessing 69 or maybe 91.

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In reply to by billy the kidd

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Hey, what kind of beer is that?

91 Shoreline would be great. A lot of really good shows to pick from Shoreline. Let's get them out.

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Malo-Malo
Hardin & York-Worlds Smallest Big Band
John Sebastian-John B Sebastian
Dead-5/17/77(Thanks Dennis!!)
Monterey Pop Festival-Disc 2

Music is the Best!!

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Deadvikes,, the beer in the photo is an Old Rasputin, (Russian Imperial Stout,), one of my favorites.

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You imagine me sipping champagne from your boot
or a taste of your elegant pot

Seriously!!

clever. quite clever and worthy of guffaws.

i also enjoyed the myriad hobbit jokes for what's its worth.
oh yeah, my Dave's glass arrived too, all in one piece!

be well people!
Sixtus

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Guffaws!!! Had a terrible case once,, but one shot cleared it up!

FYI - Mosaic's Joe Henderson in the house!! Sounding great.

FYI 2 - If anyone has an interest. They're releasing a vinyl Richard Thompson Mirror Blue. If this sort of thing interest you.

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I was at a river picnic Sunday for someone's birthday; lots of swimming and Bocce . . .

Started talking to the husband of one of the invitees, and he mentioned living in S.F. for twenty years, from 1973-1993. I said, "Well, being a huge DeadHead, I HAVE to ask if you are into them . . . " His eyes lit up, and he enthusiastically said, "Yes! I saw them something like 150 times!" So we chatted.

Eventually I asked when his FIRST show was, and he started thinking, then told me it was in the winter of '72 in Michigan. I said, "Was it perhaps 12/14/71 at Hill Auditorium in Ann Arbor?" I thought he was going to swallow his tongue, he was so surprised! (partially because he could likely tell that I was one year old at the time) He decided that THAT was actually the year, NOT 1972, and then he shouted to his wife, "Honey, you're not going to believe this!"

I mentioned that he might want to check out a new box set that had music from the two shows just prior to his first . . . Now I'm getting his e-dress from the birthday friend, so that I can send him an amalgam of 12/14/71, from the official release and some high-quality boots.

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In reply to by Sixtus_

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My favorite lyric misquote is something I heard for the first time here from one of you kind folks.. Wake up to find out that you are disguised as a squirrel.

I also enjoyed the hobbit and star wars jokes and enjoyed a four pack or two of Old Rasputin, so much tastier than their new IPA Young VladPutin. I have heard from many people the great, great grandson of RasPutin.

I do think I am going to squeak in one more listen to #39 before it gets retired for a while. Perhaps not the whole thing but at least the highlights....

Happy Wednesday all..

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OK, so I'm a pretty conservative looking dude. Short hair, finance industry, glasses… I do NOT look like a deadhead - just ask Sixtus. Last week a buddy of mine invited me to golf with a friend of his who very clearly looked like a Deadhead.

Over beers after golf, the conversation turned to live music and he mentioned that he was a big dead fan. I mentioned that I also am really into the Dead, and he gave me a look as if to say "Right...." Not rude, but he was clearly not taking me seriously. He then said that he saw a great show in Denver soon after Brent died with Bruce Hornsby. "I think it was 1988" he said. I piped up "Actually, pretty sure that was 1990. Brent died summer of '90". He says "No, 1988." I again, politely but confidently, said "No really, it was 1990. I have the recordings. The Dec. 12th was a great show with a China>Rider and a Dark Star." He still was looking at me funny, not taking me seriously.

Then he mentions his favorite show was at Englishtown, NJ. "I think 1978?" I said "Actually 1977 - Sept 3." He eyeballs me suspiciously again like I'm making shit up. He then says "It was a great show, the warm-up act was..." and I say "Marshall Tucker". Suddenly he looks at me and smiles and says "Holy Shit you really do know this show." I say "Yep - One of my first bootlegs since I lived locally and it was an FM simulcast - killer Peggy-O, Half Step, Eyes, and an amazing Truckin' > He's Gone > NFA". I then mentioned all the tractor-trailers used as fencing, first show of the summer due to Mickey's broken arm, Raceway Park, the John Scher intro... he just looked at me like he was being punk'd. One moment he's vaguely recalling a random concert from 44 years ago, and suddenly I was rattling off minute details like it was yesterday.

Another thing happened 2 years ago when a woman told me and a few folks that her first Dead show was in Des Moines, Iowa before she was even born - she was still in her Mommy's tummy. She said she was born soon after the show, in 1974. I said "Oh, that was June 16, State Fairgrounds - your first was a GREAT show - one of my favorite 'Eyes'!!!". Everyone looked at me like I was a witch.

Not trying to brag. It's easy to come off as condescending on this stuff, and I try to not be obnoxious about it. But it IS kinda like having a cool magic trick up your sleeve when you can blow people's minds like that.

Corroborated.
I believe it's safe to say, we all have our looks I suppose; we just all happen to have our ability to be enchanted, too - a nice overlap. And those are fun encounters, to find out we're all part of the same awesome Venn diagram. The associated kindness and authenticity of those whom I have had the pleasure of meeting in person is consistently awesome.

Had a very similar experience a few weeks ago; met a guy out of the blue who lives in my town, we were watching a Phish show on my buddy's poolside outdoor screen, and I come to learn this total stranger's first show was back in '79 and he saw Keith and Donna and I was like whoa......hold on. Let's put this one in reverse and start over. He's seen like 115 Dead shows....enjoys Phish too. Now I have a cool new best bud from my town...same Venn diagram.
What are the odds? Indeed, we are everywhere.

Peace and Grateful Dead to All.
Sixtus

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If you put me in a police lineup.. I'd be the one that looks like a narc with a receding hairline. Thankfully.. it isn't true.. (..my hairline's not thinning.. is it?? reaching for a mirror, gasp!!)

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When I go out wearing Dead t-shirts I'll often get a "like the t-shirt" comment from strangers at stores or wherever. So I started doing the same thing. First question I usually ask is if they have an E72 steamer trunk they don't need anymore.

Englishtown is that show that everyone's bumped into somebody who attended. For me it was a guy at work. Dude's funny. Huge ABB fan, has all their releases, but says he doesn't have the attention span to listen to music anymore. He gets in the car for his 40 minute commute and ends up listening to talk radio. Bizarre.

Was just at the beer store and got 3 cases of Oberon. Will go back for 3 more cases in a day or two, have to stock up before it’s gone.
That store had Octoberfest about 2 weeks ago but I didn’t get any, not a big enough fan that I need a 6-pack. When it first came out years ago I drank a lot of it, don’t know why I don’t really like it now.

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...So I’m an older newcomer to the Dead. I missed some of their early 70’s performances. Example - I was going to the Capital Theatre in Port Chester to see the Allman Bros., Traffic, Delaney & Bonnie, Edgar Winter, etc. and remember seeing the Grateful Dead on the marquee but nothing ever clicked.

Fast forward…now I live in Denver. I see of few in the forum reside here too. Do you ever get together for a beer…or two?

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....a pain I know all too well.
I also do what keithfan does. When I was in California recently, I saw a guy with a dead shirt at the Santa Monica Pier. Told him "cool shirt!"
He answered with, "cool taste!"

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You give me a 40 min commute every day, and I'd get through a ton more shows. I might even get a second listen to some of the 30 Trips that got just the one spin. Or give all of Europe '72 a third full listen. I'd probably broaden my listening habits again, rather than get in my fixation periods of days/weeks/months. As it is, my typical commute is about 10 min, 8 if I catch every light just right. It does accentuate the experience when I have to go to another office when I'm guaranteed at least 20 min of listening. And I'll usually take the Lazy River Road route home giving me maybe enough time for the 11/18/72 Playing in the Band (just shy of 26 min). You give me that much time listening to talk radio, and I'd probably snap after a week.

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I told this here a few years ago, which was back when it happened, but in that same circle of people I was with the other day, I had a similar experience two years back. A guy I knew somewhat, a guy who is about fifteen years my elder, was wearing a Dead shirt or hat or something. I commented on it, he mentioned that he liked them a lot, but only got to see them for two or three shows in one run, some time in the early 70s, maybe in Boston . . . he wasn't quite sure. I looked at him and said, "Was it November 30th, and December 1st and 2nd, 1973?" His eyes bugged out of his head, and he stammered something about how that HAD to be it, because that WAS the fall he lived out there . . . I explained that I had just been listening to the official Dick's Pick release of those shows, and that if he was only going to get to three shows, that those were pretty good ones to get to. Like with this guy from Sunday, I'm sure that part of his shock stemmed from the fact that I was three when he saw those Boston shows.

I should get his e-dress from our mutual friends and get him copies of THOSE shows, now that I think about it . . .

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Went I went to work at the head shop, the first day a kid asked if I really was a cop! (say no more!)

Thin, where did you grow up? I went to school in Old Bridge NJ,,, Englishtown was around the corner from our high school. (the race track is gone, btw)

My wife was at Englishtown show,,, their car was towed and had to call her parents to come get her. Apparently a LOT of cars were towed away.

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30 years ago five shows were played between 8/13/91 & 8/18/91, without repeating a song. (almost 6 shows if not for Promised Land on 8/12).
This seems like a real anomaly. Anyone know of another stretch of shows with such diversity?
I don't log in here much, but this seems so unusual I wanted to ask. Thanks, take care.

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Great story, Thin. Being a Brit and only having seen shows in Europe I should remember each occasion as well as you but I’m afraid advancing years means I have to look up the set lists more often than not! I do remember the ambience and sense of seeing something special, though.

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Yo rockers!!

Happily married Doc here. Seventh anniversary, four days off, dogs are walked, awesome coffee, life is good!! My wife, Faith, is definitely NOT a Deadhead (she kinda sorta grudgingly sometimes likes Touch of Gray LOL), but she is the best thing to ever happen to me!! So Faith, eternal thanks for your love and support!!!

I have been working on the "1971 Challenge" asked of me. Compare and contrast (and post the "results") for two awesome December 1971 shows. Interesting challenge, tougher than I thought it would be. Don't wanna post a totally premature spoiler, but check back in around the end of November, and anybody who wishes to offer input, criticisms, comments, etc, feel free to pm me.

Rock on rockers!!!

Doc
True love cannot be found where it does not exist, nor can it be denied where it does.....

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To answer the question directed at me, I grew up in Connecticut, not far from New York City. I was only 10 years old when Englishtown happened, but it was my older brothers first show. As I said, it was one of my first bootlegs because it was one of his first bootlegs. Heard all the stories about the show from my brother, I've read all the reviews in the base and the tapers compendium, then the liner notes from the actual release of that show. So yeah, I remember more about the show than some people who were there, LOL!

And Brewer, I now live in the Boston area and have had many similar conversations about 70s Boston shows.. "I think I saw them and 73, (or 76, or 77...."). Depending on the venue, it's usually pretty easy to pinpoint when they saw them, identify key songs from the Setlist... Wall of Sound?.....

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This was discussed years ago on this thread, but it never ceases to amaze me how so many people have so much history with the dead, and have so many memories of the scene, yet they don't follow the new releases or even listen to the dead themselves at all anymore. I understand it, because I sometimes go long spells without listening to the dead (like, for the last three years I have hardly listen to them at all until new releases come out, then I'll only listen to it once or twice.). I am only just getting back into it after three years of pretty much focusing on locally performed music and small venues - Boston is thick with talent.

The older brother I mentioned who went to Englishtown? He never listens to the dead anymore, could care less about the Dave's Picks releases and prefers Dave Matthews Band these days. Last week he actually started kind of shaming me for not listening to Dave Matthews Band, and he got very indignant when I said "sure, they're good, but not really my bag". He got very defensive - like I just told him his kids are ugly. He will come back to the dead eventually, but I guess my point is that peoples' passion for Jerry and the boys can come and go, and that's I like a lot of things in life, I suppose.

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10 years 1 month
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In England, I think you would have been more likely to have been stopped and searched by the police in the 70's for wearing a Dead shirt than have anyone complement you on your sartorial elegance. I can't remember people wearing them much when I saw them in 1981, either - but in Fall 1990 the London Underground was swamped with colour. And that was the Deadheads.

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In reply to by daverock

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You should have just told him your name was Thin.

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I didn't "Almost Cut My Hair," I DID cut my hair... after getting nailed on five felonies, all related to cultivation, in '85. So I chopped off the ponytail for the judge, kept the beard. Long story short, I mostly got "off" the rap. But after living in the wooded mountains for years by the Colo-N.M. border, I had tired of long hair so I never grew it back. Last ten years or so have kept it short, so comfy for (non-cultivation) backcountry exploits. I do have a certain look in my eye... But I used to run into young guys with dreads or ponytails who eventually asked me if I'd "ever heard of the Grateful Dead?" The question always makes me look off into the distance as myriad scenes crowd my mind, but all I can manage is "Um, yeah. Hot band." Same with cannabis. Been a cultivator since '79 and the kids in Colorado have no idea that people used to dodge felony raps for, well, terracing a hillside in the back of beyond.

Kids these days......... Good thing my office window overlooks my front lawn so I can tell 'em to get off it!

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Prior to the time of Covid, I would schedule my meetings in NYC to coincide the Phil & Friends shows at the Cap. The theater would be mostly full of folks wearing the traditional gear, but with a good number of people still in their suits, swaying to the music with a drink in one hand, joint in the other, reliving the days of old. You can never tell.

On weekends we would often go to Mario Batali’s fancy restaurant prior to the show, sit at the marble bar in our tye-dye shirts, enjoy some nice wine and a fine meal. Invariably the wait staff were friendly and engaging. I would pleasantly remind them that if it were 30 years ago, you wouldn’t even let us use the bathroom. You can never tell.

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11 years 2 months
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Englishtown was about 4 miles down the road from me in Monroe. I was too young at 11 years old (barely) to see the Englishtown show but my Dad was in the local First Aid squad back then (first responders you would call them now) and he had to assist in helping "hippies" that were having "issues" with their current state of health/mind. I remember seeing them camped out everywhere for miles away from the racetrack. At the time I thought it was so cool and little did I know that I would be one of them several years later.

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17 years 4 months
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I took a scan through the setlists of the run from 8-12 to 8-18 1991. Interestingly enough, although maybe no repeats as you mentioned, unless I misread, no Shakedown Street either. With as large enough a repertoire as the Dead had that they could go a stretch like that for a week with no repeats and not even touch upon a fairly often enough played tune like Shakedown is exceptional. Thanks for bringing that stretch up. I might tune into some of that stuff now.

P.S. BTW, no Cumberland Blues either...!

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17 years 4 months

In reply to by wilfredtjones

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....my disappointment is immeasurable and my day is ruined.
Edit. Phish once played 13 shows in a row with no repeats. Fan or not, impressive feat.

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17 years 4 months

In reply to by proudfoot

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....now, where did I leave it again?
Another edit. Revisiting 39. First time checking out the 4.25.83 bonus on disc two. Has anyone posted how cool The Wheel transition into Playin' Reprise is yet?? If not, you should.
If you're stuck on pre-hiatus love, you would have missed The Wheel. Among others. Off the cuff statement that I'll probably regret later. Whatever.
Cheers.
Edit. There is a lil Run For The Roses tease when GDTRFB goes into Sugar Magnolia. I hit rewind just to be sure. Yup. Jerry did.

I think you're talking MSG shows, the baker's dozen.

If I remember right, past no repeats, which is incredible, There were songs they started one night and finished off a few nights later. NOW, that is "into" power (->). A multi night sandwich!

Quite likely The Stones never played two consecutive shows in their career without repeating songs..ever. I'm not going to check, but it wouldn't surprise me if they played songs from the 1969 tour of America in the last show they played some 50 years later. And played them at every show in the intervening years in that timespan, too. Still great, of course.

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I'm not a big Phish fan, but a huge fan of the Rollling Stones.

...indeed was 13 shows, a total of 237 unrepeated songs played; and yep the final "Is this still Lawn boy?" question that was asked by Page McConnell (Phish's virtuoso pie-anner player who happens to sing that song, Lounger-Singer Style).....self-replied, "It is.". So this Lawn Boy sammich spanned the 4th show until the end of the 13th show; the only repeat they did was that reprise of Lawn Boy (which, btw, on the album is two-and-a-half minute affair, while this version (on Jam Donut night, no less) morphed into a 30-minute behemoth, some of the most magical improvisation I've personally ever witnessed. I'd post the You Tube locale, but alas. It's worth it to check out.

Now back to your regularly scheduled Dark Star St. Stephen The Eleven Turn On Your Lovelight.

Sixtus

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