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    We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

    *2 per order. Very limited quantity available.

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  • Oroborous
    Joined:
    60s

    It is puzzling that so few sixties have come out?
    Yes their very repetitive, but look at this box, obviously that doesn’t stop em...
    And yes many are short,
    And there probably not as many good recordings,
    but I’ll bet there’s still enough quality there to do something?
    Been way too long fo sho!

  • hendrixfreak
    Joined:
    Thanks gents

    Icecreamed I appreciate your logic. I'd agree that ABCDs will continue to come out, interspersed with what's in the Vault. Clearly, for this St Louis box, that one ABCD reel enabled the entire box. Frankly, the list of returned Bettys is rather stunning. I'm still panting for every release and that's 50+ years after hearing AB and Skull & Roses for the first time. (Actually, I borrowed Live-Dead from a friend when it came out -- I was only 12 and couldn't make sense out of the opening to Dark Star, so I took it off the stereo and returned the LP unheard!!) And I'll leap at any '80s shows that are hot, after all, I did attend my share. Agreed, cassettes of hot shows beat multi-tracks of lacklustre performances.

    Here's a curveball: whatever happened to the tape stash that Mtn Grl turned over? Those were Jer's tapes and Dave did release that killer April '70 acoustic show with the Pigpen set. But I haven't heard anymore about them, nor ever seen a list. (That probably doesn't exist outside Dave's files.) Then there are the tapes that the roadie's ex turned in, which helped create the Fox Theater/FW 69-70 release (DaP 6) and an undisclosed source of returned tapes that enabled Thelma 12-69 (DaP 9). There's a bunch we simply don't know about. And primal stuff, too. I'd think they still have a fair amount of '69 suitable for release. (DaP 40???)

    Though thinking about the Vault holdings can drive me a little crazy, I'm kinda glad that Dave doesn't release a list. It keeps the surprise factor going and my earlier posts about the Vault -- how many excellent shows remain unreleased -- run to the optimistic side because Dave has many aces up his sleeve and, as I surmised earlier, he's looking for commercial patterns that could lead to a box and one-offs that work for the DaP series. I must say, while I really don't want his job, it's gotta be mighty fun. A couple tokes and a tour of the Vault would probably leave me quite worn out.

    As to preservation, it's not clear to me what the process or pace is. I did get the impression from Dave's description of his DaP process that he selects a show, and THEN it gets digitized and a technical once-over to see if will stand up to release quality. I'd love to hear Dave talk about his process, which shouldn't reveal anything he doesn't want to reveal.

    Meanwhile, it's been established that the OSF still has reels of GD. I asked them to keep an eye out for 9-19-72, which is in the Vault, but missing a reel. Fingers crossed, that was my first show. I did sponsor a reel myself of 1973 NRPS. OSF told me that they had opened a box marked NRPS, only to find it empty -- disaster! Yet it seems they've recovered quite a few reels somehow (mislabeled, misplaced?) since then because, obviously, they did that early NRPS box and, presumably, more NRPS releases to come in the future. Johnny Cash at the Avalon is coming out soon! They must have feelers out to innumerable artists for permission to release and they've been careful to go outside the San Francisco bands to broaden our palate. I'm, grateful.

    Man, I never tire of this stuff.

    And Icecreamed, the new box is pretty sweet. The setlists are mindblowing. You're gonna love it, I'm sure. I'm gonna stretch it out into the early winter just so I savor every skull fuck.

    Edit: P.S. Yeah, the demographic angle (Giants box sell-out) is a strong one. I suspect that each era has its fans. I didn't see any '60s shows, but I'm on 'em like white on rice. I caught one '91 and two '92 shows after leaving the GD concert scene in '87, and I'd love to have those properly restored. And I caught shows in every year, 1980-1987, which of course I'd love to hear again. Think of it this way: if you were 25 in 1985, you're ~61 now. Still rockin'. I kinda doubt that, except for Billy the Kid, that any of us did catch '60s shows, but we're hot for 'em. Crazy good stuff.

  • Oroborous
    Joined:
    Cone kid DL

    maybe that’s it Conekid, save up the working capital from profits now so they can afford to fix up and digitize, then add a DL series, but one that not only works, but excels. Ya know, something the Dead used to be known for: cutting edge, leading technology...

  • Oroborous
    Joined:
    As far as as digitization

    now that Plangent can be used on cassettes, wouldn’t they want to wait on digitization?
    I agree that they should get digital back up ASAP for everything, starting with the best sounding good shows as ICCK suggests, but it seems like they wait to cover the production costs until they have the years submoney in hand?

    Remember this was one of the big riffs that happened between band members: some wanted to “sell out” to some corporation who would have the financial resources to digitize the whole collection, so you could get any show ala carte, but Phil was like “I’m not turning on the TV and hear Truckin’ during a Chevy commercial” not an exact quote, but he wasn’t about just selling out, he wanted to maintain control and do it their way, well maintaining the respect the music deserved. Or remember the whole Terrapin Station debacle, where Mickey said there’d be a kiosk, so you could put your order in at arrival, and pick up your shows after you toured the museum etc,
    So there has been talk at least of trying to make the vault more accessible. But now that Rhino has bought at least some level of control, I don’t think their in a hurry to do any of that, which sucks.

    Now if there was any forethought, Rhino et el would of been reinvesting some of the profits from all these years of windfalls to build up enough scratch so if/when the Beatty well etc runs dry, they have the cash to fix up the better cassettes, properly!, and then start pushing them out en masse? Not sure if it’s true, but a reasonable theory, that they could be marketing to the “older” crowd currently, assuming that more of the 80/90s market is younger and thus will be around longer. That seems limiting to me, but what do I know?
    Personally, I’m in the All The Years combined camp: let’s get all the multitracks from any year out first, or say one box of multi’s a year at premium rate, so they can milk it along, combined with say DaP series of Beatty’s and predominantly older stuff, (perhaps with some “normal” boxes mixed in), and also offer a no frills 80/90s outlet for everyone else to enjoy, you could call it Pedro’s Picks as I’m available ; )
    Sure they might not sell as much of any particular individual format/series, but cumulatively they could be selling more total! And no offense, but their doing this to make money!

  • icecrmcnkd
    Joined:
    Giants Box is a grate one

    Multi-track and a BluRay.
    We need more video!

    80/90’s multi-tracks should all be released.
    And the 2-track DAT Masters if they sound good and the performance doesn’t have any major meltdowns.

    As for the 80’s cassettes, if they sound good and the band is on, then release them. Especially since Plangent can now do cassettes. I would support and 80’s cassette download series, but not until Rhino figures out how to run a download service.

  • Oroborous
    Joined:
    ABCD/80s etc

    They needed to get returns on their investments.
    I believe I read there is a NDA?

    Theory: using say just four years of DaP only with 20k subs at $100 per sub = $2Mil per year (not including extra ala carte $, boxes, aprons, hatchets etc)
    So that’s 8 million in four years just for DaPs...
    So my theory is that after production costs and corporate profit etc, it’s taken a few years to pay some or all of that investment off, thereby loosening things up a bit. I’m sure you’ll see ABCD reels being used more then less until their either mostly gone, or the shows aren’t up to par. Hey, a well recorded lousy show is still a lousy show...
    As for 80s shows, I’ve said it all along: have 2 series!
    I think you snobs would be surprised how well a series dedicated to 80s and 90s “cover band” shows would sell.
    I think there’s a huge army of silent heads just waiting...GIANTS box anyone? Sold out way quicker then 78, 76, PNW or the current one!

  • icecrmcnkd
    Joined:
    HF, speculation

    My speculation regarding the rate of ABCD releases is based on the speculation I read on these boards. I have no additional knowledge.

    Regarding the STL Box, in the seaside chat Dave explains how this Box came to be. I don’t recall the details but I think it was something like most of the shows had been selected for release at some time, and he wanted to do another regional Box, and this one came together at this time, although another Box could have also come.

    I think that digitization of all the analog recordings (presumably starting with the best sound quality) is a constant process because getting digital copies stored in multiple locations is an insurance policy to keep the releases and revenue coming well into the future.
    You don’t want to pull a Universal Music and lose everything in a fire.
    So, I think that the library of digitized shows is constantly increasing and that Dave has an ever growing selection to choose from, and then he picks a show that appeals to him at the time. In seaside chats in the past he has said how he has more than one show in mind for an upcoming release, and then makes a decision for whatever reason.

    Regarding 80-85 cassettes, we basically know what sounds good because you can get copies from the torrents. There are a lot of people who do want shows from those years released, but also a lot of people who will not buy them. The Rhino business plan may be to generate as much revenue as possible from the pre-Brent years while the people who only like those years are still alive and spending money.

    This has all been speculated on in the past on these boards, and I’m just respeculating.

    The USPS app says that my Box is out for delivery…..

  • hendrixfreak
    Joined:
    The Vault conversation, part XXIV...

    So, Icecreamed, I'm curious why you say that Dave has to deal "first" with returned Bettys? I have openly speculated here that the initial plethora of ABCD-related releases in years just passed might reflect some arrangement with the gents who are ABCD to get the material out more or less immediately. Do you have any argument or evidence that that's true? Being sincere here, not snarky.

    I say this because I note that only one reel in the St Louis box is from ABCD. I don't know how many reels per show were used, but is it safe to say more than 20 reels for 20 CDs' worth of music? So the St Louis box benefited from one returned reel but is by far mostly composed of reels they had in the Vault. Neither DaP 39 or 38 were from the ABCD stash.

    So I'm genuinely wondering: if there is/was a deal with ABCD to get out those returned Bettys, did the initial slew of ABCD shows (spring '77, Red Rocks, etc.) in the past 2-3 (3-4?) years satisfy that agreement and now Dave is free to intersperse Vault shows with returned Bettys? That scenario seems kinda likely, in that I can imagine an ABCD deal as described above but not one that would shackle Dave for any length of time from freely choosing shows after an initial burst of ABCD releases.

    I guess we can only speculate, as a confidentiality agreement probably exists.

    As for speculation that we're being softened up to accept '80s shows on cassette -- a world of difference from a Betty, I think many would agree -- that is ... disturbing, to a degree. I'd probably keep subscribing even then, because as in this year, when Dave did '87 and '83 shows, he also gave us 9-73 and 4-78. The '73 shows are a must-hear, must-have for me. So I'd suck up a few '80s cassette shows to get what to me is the really good stuff. My storage situation reflects my personal approach: I've got prime shelf space in my office for '66 thru '75 GD. '76 thru '90s shows are in a tall oak bookshelf in the basement (along with 3/4s of my Jimi, all my Dylan, and other top artists, so no disrespect, just space issues).

    Blah, blah, blah! My guess is that the ABCD agreement has passed its initial phase and we're now in potpourri territory. Yes, "potpourri territory"... mmm, need more coffee...

  • icecrmcnkd
    Joined:
    The Vault

    GD renewed the 10-year contract with Rhino a couple of years ago and will probably renew for a third term when that time comes.
    So, Greek, Frost, Ventura, and others will probably get sifted through for release.
    But, Dave has the returned reels to deal with first.
    I think that the 80’s DaP’s we have received so far were selected so that the ‘better’ 80’s shows can be used later when there are few pre-Brent shows remaining.

  • hendrixfreak
    Joined:
    Don't be too grumpy...

    I think the Vault has quite a few iconic shows tucked away, as well as tons of shows we attended and haven't heard squat from.

    I'm not a natural optimist, but remember that Dave thinks the DaP series will go for 20 years. That's 100 shows, counting bonus disc. Plus he's putting out another 7-8 shows per year in a box. Another decade of boxes is another 80 shows.

    All I'm saying is that, to accomplish that, Dave has to have a long-term plan, not just plucking the occasional show out of the Vault for release. I have no actual knowledge of his m.o., but it would seem to me he's got to come up with box themes that'll fly tape-wise and business-wise. So he may very well have Frost, Greek, Shoreline, Red Rocks (that's my personal desire) shows staying intact, under the radar, to enable future boxes.

    Notice I didn't say something like, "Have patience..." because I want that Rocks box NOW!!

    Just sayin', there's hope.

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We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

*2 per order. Very limited quantity available.

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Hey Nappy, on your north rim adventure, did you take the 75-mile dirt road out of Pink Coral State Park, Utah, south past Vulcan's Throne to the campground with the awesome organic toilets?? I've got a great Vulcan's Throne story for you...

Angry One, ah the good old daze, which imprinted more at the time than we could appreciate. And there's nothing like looking back 48 years later to make the old daze seem like the "good old daze," eh? I mean, they definitely were, but it was rugged at the time... the paradox of time...

Vguy, you're KILLING ME!! Dancing to the GD with a shrimp cocktail in your hand.... man, when we were little kids at our first GD shows, we grew wary of the Hum Zone (aka Phil Zone), which was the first 20-30 feet back from the stage where everyone was tripping madly and packed in tight. You show up there with a shrimp cocktail, circa 1972, and you'd a been without shrimp cocktail in seconds! Why they'd a taken the flesh right off your bones!! Yeeehhhiiiii! What a great image, though.

Yeah, that "luxury box" thing is, I think, only for events you don't give a hoot about. If it's a show you want, you go down to the floor and get some. And being barred from smoking, toking, vaping?? Nah, give me KAOS on the floor (with Siegfried) instead!

Oh, and I did enjoy DaP 39, especially West LA Fadeaway, which made me curious to hear a few of the '80s shows from the Rocks, just to hear what I saw... We were impudent young scalliwags back then, old enough to know better but too young to quit.

I gotta stop reading this forum, cuz I keep ordering CDs that I suddenly "need," including Coltrane '65. Will you guys cut it out for, say, 30 days??

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That was the whole point of the story.

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In reply to by Angry Jack Straw

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....duly noted. I agreed.
And I love shrimp cocktails.
Luxury boxes are stagnant and boring imo. Had a box during a hockey game. Was fun for ten minutes, then I got bored and left.
Found a seat in the lower bowl. Much better.
Even if I was rich, which I am not, I would still mingle with the "unfortunate souls".

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Absolutely.

A bunch of us husbands have season football tickets just so we can hang out, catch up on old times and drink a few beers. Our seats, by choice, are in the very last row. With the “commoners” as you put it. We have a blast.

Invariably, at every game, one of the attorneys in the group invites us to his firm’s luxury box. No thanks is the universal response. We’re fine right here.

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In reply to by Angry Jack Straw

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....you don't need to be concerned about some asshole behind you trying to start shit. YouTube sports fans fighting in the stands. Back row is a safe spot.
I'm proud to be a humble knave.

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Just got home after a week on a Greek island. There it was 34° (93° F) with endless sunshine whereas here it is 17° (63° F) and grey, overcast and raining. What a shit summer it has been here in north west Europe. It was easy adjusting to lashings of Greek food and litres of ice cold Mythos beer. Now I'm home I'm wondering why I didn't stay there. At least it helped to pass the time while waiting for the box set.

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The thing I always liked about uphill seats, no security!!!

You could have a damn bong up and smoking and no one was gonna come up to get you. Even if they did you had an unobstructed view of those coming up!!

Always somebody I intended to listen to, but sadly never did. That goes for Jamaican and dub music as a whole really. It was very popular in mid-late 70s England - I can still remember a poster of the cover Peter Tosh's album "Legalize It" in the window of a shop opposite where I lived circa 1977. I've got that, Bob Marley's "Catch a Fire" and a smattering of compilations from Studio 1 - which I think pre-dated reggae slightly.
So much to get into, so little time !

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In reply to by daverock

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Don't tell it again. Get lost, whoever the (n(^ you are.

addendum 2 hours later...

Thank you for getting rid of that interloper, GD/Marye

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...no I didn't take that route...I live on the South Rim so I just drove east out of the park to Cameron...then north to the 89A cutoff, over Navajo Bridge on the Colorado River to Jacob Lake and then south to the rim...Might have to look up the route you're talking about, sounds delightful....I almost took the road to Point Sublime but after a few miles of the road steadily worsening I did a quick U and headed back to paved roads...I had about another 15 miles to go...

...just looked it up on google maps...Vulcan's Throne looks awfully close to the Toroweap Overlook which suggests the campground you're talking about is the Tuweep Campground....

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Nappy, sounds about right. Man, we hammered down that dirt road, which was pretty well maintained. I had Bonnie Raitt blasting and did some hoovering of Peruvian marching dust along the way. My buddy was in another vehicle, so as fellow lunatics we raced each other at times, passing in bad places. So, to Vulcan's Throne... we parked just off the road and, immediately, I noticed a large, dessicated rattle from a diamondback sitting on the ground. It's still on my desk, probably ~25 years later. So we proceed to clamber down a do-able outcrop and make our way across a valley to Vulcan's Throne. Ahead of me, my buddy yelps really loudly and I look up to see him catapulting through the air, impressively high off the ground. I was just getting off on the shrooms so I laughed really hard. He looked so funny! When we caught up he pointed out an absurdly large diamondback, fat as your forearm and maybe 6-8 feet long. A sobering sight, but not for long, as the shrooms did their magic. So we climb to the summit of Vulcan's Throne; it's a cinder cone, formerly a volcano (its flows formed Lava Falls on the Colorado River below, sometime in the last 2 million years), so sight lines were good. We're on the summit, peaking, and I said casually, for effect (not believing it myself), "You know, there could be large snakes under any one of these rocks," pointing to a handful of summit rocks maybe 2-3 feet high and 5-6 feet wide. We'd sat on one after reaching the summit. I point my walking stick at the nearest rock and we look underneath: there's another fat diamondback wrapped around the underside, staying warm. We looked at several other rocks: diamondbacks under nearly every single one. We were aghast: we'd just been sitting on one of those rocks. We managed not to panic, but we decided rather swiftly to exit the area, and to do so very carefully. My entire being is now fully programmed for visual identification of diamondbacks. My buddy tried to get conversation going as we hiked back to the car but I told him to stop because I didn't want sound to interfere with my visual scan of the terrain ahead. We encountered a few more rattlers in the valley, but if undisturbed, they're harmless. The key concept here being "if undisturbed." Here in Colorado we have small prairie rattlers (which can still put you in the hospital) and nocturnal faded midget rattlers (diamondbacks only in Las Animas County on the NM border), but the size of your neighbors, Nappy -- truly fat diamondbacks -- definitely intimidated me and I'll never hike the North Rim again without paying FULL attention to every single step. (Good practice anywhere.) We spent 5-6 days out there, truly stupendous country. (The Tuweep toilets were a marvel of Scandanavian design; love me a good outhouse!) Managed to locate some very primitive rock art nearby that suggested they were more than 1,000 years old -- crude symbols with lots of patina.

That's the easy answer as to why cowboys wear cowboy boots, I can say that. And I'll say this: the road trip from Grand Canyon to Grand Junction is one loooong drive. As you probably already know, keep your eyes peeled when you're on foot in northern AZ!

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Sometimes I wish there was a consumer protection law that would require that classic rock bands have to include at least 51% of their original members if they’re going to perform under their original name. Kind of like how Taco Bell has to have a certain percentage of its ground beef if they’re going to call it ground beef.

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In reply to by nappyrags

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....my thoughts. But homemade tacos can't be beat. Jerry's quote wouldn't work regarding....
"Not everyone loves licorice, but the ones that do really loves licorice."
Everyone loves tacos.....

Believe it or not, but google ShaNaNa law, a suit that was started in NJ where none of the original members of the band performed under that name. Now there must be at least one surviving member in the band of it to call themselves that. Like at Queen. They have only two original members. Sorry I used to work as a booking agent ans that was part of our licensing test.

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Got the new email for th download for Playing In Ther Band from the St Louis Box Set but it isn't working...not just me but others too...no problems with the first two that were made available...this kinda stuff is getting really really old fast...

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I had the same problem trying to download my FLAC of PITB. I hope TPTB are on this.

While we wait, maybe somebody can explain to me why they don't just make your downloads available as soon as you buy the box set? What's the point of releasing one song, and then waiting a month, and releasing another, and then waiting another month for the next one? Maybe it's kind of like kindergarten, where sometimes they just want you to practice waiting for things?

Glad to hear about the Sha Na Na law law law, but we would have to agree that's a pretty sad standard: you only need one of the original 12 members? What's that, a mere 8%? I expect more beef in the burrito.

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In reply to by Crow Told Me

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It's good to have a house
It's good to have food
It's good to have intellect
It's good to have a job
It's good to work in a school
It's good to have the GD
It's good to have this little outpost of the internet
It's good to have Listen To The River arriving soon
It's good to have health

"rejoice, rejoice, we have no choice but to carry on"

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How about the one on the way to Taos High Bridge:

"Do Not Throw Litter"

Of course, it's perfectly okay to carefully place toxic waste on the ground, just don't THROW it?

Or my fav from Alaska: "At Your Own Risk Road." We did not go down that one.

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The saddest part will be when the whole band is gone, is it just tributes then? ESP since we are now at a point where the first rock and rollers are going faster and more often. Copeland just died and how Mick and Keith outlasted him is beyond me. Jagger just had a hip replacement and his youngest SON just turned 4. He is also a greatgrand father!!!

A contribution to best sign,
Reported in UK Guardian many years ago.
Sign in an otherwise empty field reading ' do not throw stones at this sign'.

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Sotheby's is auctioning off some of the wall of sound, including a McIntosh amplifier with a rolling parts box. The other items include owlsleys LSD original chemistry set given to 'ramrod' before bear went to the kink. The chem set is estimated to go for $10.000-15,000. Let's start a collection for that chemistry set, guys.

King Crimson have only had one original member playing on stage with them since they split up at the end of 1969. Lyricist and sound mixer Peter Sinfield stayed on board up until 1972.
Hawkwind have only had one original member with them since 1976, and Gong have literally none, although they had the blessing from founder Daevid Allen before he slipped this mortal coil.
All three bands still performing live under their original name.

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:Dogon, that's a classic example of a sign that will invite stones to be thrown.

Out here in the American West, it's practically any sign that is riddled with bullet holes, large and small. Except, thankfully, on the Interstate.

One sign that is fairly ubiquitous is: "Speed monitored by aircraft"! Yeah, right! Maybe that was true for like 15 minutes 40 years ago, when the cops "realized" that that was not cost effective, now they're just a punchline.

O-kay, t-minus 29 days and counting... yes, I know I'm on the wrong thread. Story of my life..............

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Thanks to D. for hooking me up with the RTR show. What a show.

Reminds me of the school of thought that suggests that legislating against something often makes the thing being legislated against more attractive than it would otherwise have been.

Dogon - I think you referred to Help Yourself as being a bit like Quicksilver in a recent post, and I have just noticed that a new box set by them has been released of their complete studio recordings. I have never heard them, myself, but they sound worth checking out. If that makes sense.

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A fine, fine band. Certainly worth anyone's time and effort to check out their music. The new 6 CD box set anthology has to be considered essential.

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12 years 4 months
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I saw that there is a vinyl box set that is or has been released that will include Wake of the Flood, From the Mars Hotel, Blues for Allah and Steal Your Face in a slip case. It's called Box of Dead Gems.

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In reply to by simonrob

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Good enough for me. Maybe not today, but definitley before the night draws in.

that I was in a record store and found some GD bootlegs (true bootlegs) with weird nonsense song titles. I think they were from 76.

On the drive to work I checked to see if my "no GD right now" rut was still in place. First two tracks of 11/30/79 rocked nicely. So, hopefully that rut is over.

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12 years 1 month
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Ordered a while back, but Richard Thompson's Mirror Blue, in limited CLEAR vinyl came in today.

The clear is really cool!!!

Forgot they were limited to 1200!

Anyone else get this one?

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10 years 11 months
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The highs are really high, and the rest is good stuff for an end of tour show in the bustling metropolis of Binghamton on November 6, 1977. I particularly enjoyed the St Stephen> Not Fade Away> Wharf Rat> St Stephen Truckin' segment much more this time 'round. The ending of the Truckin' is really strong, and they really nail the ending, and I swear for a moment in the ending, it sounded like Jerry wanted to reprise St Stephen, perhaps forgetting they had already done that after Wharf Rat, which admittedly had rocky lyrical moments. Jerry was also forgetful on Scarlet Begonias, but that's only part of why I've never connected with this Scarlet> Fire, and still didn't this time. Dire Wolf was also an excellent choice in the 1st set, and somewhere I thought I heard Jerry teasing the Dire Wolf lick, maybe Truckin'. Clearly from the tape, they were having fun in the last shows for almost 2 months.

Dave's 26 (11/17/71 & 12/14/71) came up next and I went with it to prepare to Listen to the River in a month's time. Remarkable how different, yet also the same, Truckin' was in those intervening 6 years. And they had to restart Sugaree, and Jerry begs the crowd's forgiveness seeing as "We're new around here", alluding to their New Mexico debut. I listen to The Other One from this show every few months and usually the absolutely incredible Not Fade Away> GDTRFB> NFA. Billy's intro on the drums is just exquisite. First time in New Mexico and they destroy it where Buddy Holly recorded it and Dan Petty gave himself a co-writing credit for producing.

10/18/72 is coming...

My last listen was Dicks 31-the compilation of tracks from 8/4/74-8/6/74. Incredible sky high jams that seem to leave the songs they grow out of behind.
Earlier in the day I finished off 6/9/77, which is also great - very bright and breezy. Skims across the surface a bit compared to the 74 shows. The Help-Slipknot-Franklins is the centre piece of this one for me.

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10 years 8 months

In reply to by daverock

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Has always been a favorite of mine, as well, Dave. The only flaw being the shows are incomplete. But we definitely get the meat. Arby's has nothing on that Playin - Scarlet - Playing on CD 4. (As a brit, DaveRock, you likely don't get that joke, unless Arby's has made it's way across the pond. And if so, on behalf of all Americans, I'm truly sorry.)

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16 years 2 months
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David Crosby is releasing IICORMN which will include outtakes from the session. Do believe Jerry was involved big time with this release and some new unreleased gems will be included in this 2 cd set. The second cd will be all out takes and demos and some new unheard tunes. Always loved this lp and I need to add it to the list of cd's to pick up when it is released in Oct.
Would love some 1970 for Dave's 40.

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11 years 10 months

In reply to by carlo13

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as regards Owlsleys LSD original chemistry set...I wonder how much they'd charge to just lick it?

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12 years 3 months
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Just finished listening to this again. I must say, I liked it much better the second time around.
That is all.
Have a wonderful Saturday!!

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10 years 3 months

In reply to by lebowski99

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Lebowski99 - no, I'm afraid I don't get it. But I can tell by the tone of your post that there is nothing to apologose for!

Sam - yes, that's a classic album by David Crosby - one more reissue to look out for.

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17 years 5 months

In reply to by daverock

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....until my first concert since Iron Maiden in September 2019.
Billy Strings in on tap.
Such a long long time to be gone, but a short time to be there.

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It’s amazing to me how fantastic some of these releases sound after putting them on the shelf FOR YEARS!! We used to discuss having time to go back and listen to the “oldies”, but I certainly haven’t spent much time doing that lately.
The Dark Star>Sitting’ ’ On Top>Dark Star is a gem to me, given it’s mere 17 minute length. The places the boys go in that first 14 minute section are time travel to me. On to Dave’s Vol.5!!
I do wish all a safe and healthy Labor Day weekend.
Music is the Best!!

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