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    Srinivasan.Mut…
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    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • #1391
    Vguy72
    Joined:
    Now that the box is finally announced....

    ....it's time to release an Alaska mini-box. $99.95. I want one. Call it Baked Alaska and put a Kodiak Bear somewhere on it. If the powers that be read these forums, and I'm sure they do, you're welcome. Just put Vguy72 on the credits.
    An Alaska box WILL happen. It's just a matter of time. Right Dave?

  • #1392
    Oroborous
    Joined:
    Drop outs

    I did that once!
    Colin 😉

    As the disclaimers used to say, these ARE NOT “professional” recordings. Today, their artifacts from a long time ago.
    Snap shots using legacy limited technology to attempt to catch a glimpse...
    Their intent was for reference, as a learning/measuring tool, not for commercial release!
    So anything that was recorded other than on multitrack, is going to have anomalies on the actual tape that cannot be removed etc.
    I’ve never been at, or heard a dead show, except perhaps remixed multi tracks, that you couldn’t hear the often dramatic changes of both the musicians messing with their sound on stage and even more so, on going changes in the house mix. Most of it was a very subtle process that would often take most of the first set before things were fully dialed in, up and running.
    I’m sure many folks can’t or wouldn’t notice much of this, but to a trained ear it’s pretty obvious.
    Thus, many of us understand this and so just except it as part of the process. The price for getting it just exactly perfect lol.
    What I think is funny, is how folks don’t seem to notice the constant outta tune vocals and guitars that often were part of early seventies shows, but an occasional mix anomaly will drive en nuts lol.
    Personally, the only release that I’ve had a real audio problem with was this last DaP 38. But I won’t rehash that again.
    The rest I love for their individuality, worts and all! But hey, that’s just me. Some are definitely better than others...
    I agree that that the PNW has some more prominent examples than usual, but it is what is is....so I ask, would it have been better to cut those songs, or even to have not released those shows at all?
    I think usually, whenever possible, it’s not good removing authenticity from a historical document , but hey beauty is in the eye of the beholder?
    Caveat emptor indeed.

  • #1393
    Colin Gould
    Joined:
    Dropouts

    Surely they’re just following Leary’s advice. Turn on, tune in, drop out.

  • #1394
    Oroborous
    Joined:
    The Spoils

    I’m sure after expenses and being split up, it’s probably not a huge payoff per person, but this is only ONE release. Add on the different LP configurations and other related merch of just this release. Now multiply that by ALL the boxes and releases other than Dave’s....yeah, I bet their real glad someone recorded all the shows....

    Then, add Daves into the mix at 25,000 x $100 (or more for ala carte) = at least $2,500,000 pretty much guaranteed annually. And I don’t think the costs for these are anywhere near other projects.
    Plus, I think they got a big payoff for the contracts?
    So yeah, perhaps one persons cut of one release might not be huge, but when you start adding it all up over the last twenty years or so....cha-Ching!

  • #1395
    daverock
    Joined:
    Evolving songs

    That Mike - your post, which I thought was a good 'un, made me think that it would be great if they released a box set featuring shows from different eras, but all containing a Dark Star ( or Playing in the Band, The Other One) to show how it evolved over time. It couldn't be definitive-it changed during the course of a run - but it would be a neat concept.

    Alvarhanso - the fact that I keep mentioning the vinyl 5/19/74 clearly indicates I need more Dead vinyl - Light to Ashes looks a likely contender. Its only the duty and the distance from The States to the UK - hopefully it wouldn't get damaged in transit-that is putting me off.

  • #1396
    proudfoot
    Joined:
    Dropouts

    They probably most likely I think from the sound person tweaking this and that.

  • #1397
    nitecat
    Joined:
    That Mike

    Well said, That Mike.

  • #1398
    That Mike
    Joined:
    Podium Placement

    It is so difficult to grade anything Grateful Dead as best or least best, because a measurement of quality was never their reason for being. This, instead, was a rare performance vehicle that laid all their cards down on creating a visceral experience, taking much of their cue from their audience in the moment; it could almost be said that if there was a poor quality show, it was as much due to the audience as it was the band.

    This box set provides one of those interesting perspectives where we can watch the band evolve over a set time, and we can examine select numbers and styles to see how this performance changes, is molded, and later dismantled, for there was never equivocation with the Dead - they were always about the experience.

    Favorite passages, songs, jams? Of course. But by choosing one over the other, we are merely announcing how dramatically this piece of music shakes our bones to the core; every performance, even of the same song, is delivered differently, from a different angle, for a 360 degree Dead experience.

    You can be a band that performs your “Hotel California” note perfect, night after night on your 85 date tour, with your guitarist hitting this note here, and have your audience go Wow, or you can play the Dead, who never played the same show twice, each performance a degree or degrees different than the one before. Songs were introduced, dropped, brought back, repackaged, never played the same way twice (Ok, maybe the tedious Me And My Uncle…).

    These box sets are the best, and I have no doubt this St Louis set will have some real Ooohs and Ahhhs, because that is what the Dead did best.

  • #1399
    icecrmcnkd
    Joined:
    All this PNW talk

    Got me to play 5-17-74 last night.
    And I enjoyed it very much. The dropouts accounted for less than 1% of the total show.
    The Playing in the Band was mighty fine, and it only clocks in around 25 minutes.

    That prompted me to listen to the monster from 5-21, which was spectacular. I love the spacey, jammy goodness of ‘74.
    I’m glad I grabbed that RSD vinyl release. Also have 5-19 on vinyl.

    I probably should order Light To Ashes.

  • #1400
    Jason Wilder
    Default Avatar
    Joined:
    Not just the 20 CDs

    But the carve outs & digital releases as well.

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5 years 11 months
Submitted by Srinivasan.Mut… on
Forums
Dead Store Products

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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Submitted by Shadeyguy on Fri, 10/08/2021 - 15:57

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So I'm curious, those of you who received the box, anyone live on the east coast? Just wondering how far they've made it. I also have a Sunday delivery scheduled. Post office only delivers Amazon on Sunday. Not to mention they are closed Monday. Which means only Amazon then as well. They may deliver priority on Monday but I doubt this box is priority.

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4 years 2 months

Submitted by jp1119 on Fri, 10/08/2021 - 15:57

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8336 arrived in Denver today.👍

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17 years

Submitted by Vguy72 on Fri, 10/08/2021 - 16:33

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....shipping update never changed to "out for delivery". Stayed in "on its way" mode. Delivered by UPS, no USPS. I'm still at work. Will report back later. The digital download comment page is still a shitshow.
Edit. I'm west coast.

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12 years 9 months

Submitted by FMR on Fri, 10/08/2021 - 17:44

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This has got to be the worst box set packaging yet. Unnecessarily large, just for the sake of making it look impressive from the outside, I guess. It's not HUGE, but way bigger than it needs to be. There is so much wasted/unused space that you could fit 5 or 6 more digipacks inside. If you haven't received yours yet, you will see what I mean. Very poor design. I'm disappointed. In my opinion, the ideal package/box design is doing it like the July 1978 box or the first May 1977 box. Keep it minimal! I know I'm not the only one who feels this way as I've read other similar comments about box size/style preferences. No comment on the shows themselves. As long as all the discs play without issues I know what to expect - lots of hours of primo GD listening enjoyment.

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11 years 1 month

Submitted by WharfratWhitey on Fri, 10/08/2021 - 17:52

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Anyone seen Dave? He must be down by the water doing a lot of nature watching and videoing! Looking forward to all the details of St. Louis and Dave’s Picks!

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8 years 8 months

Submitted by icecrmcnkd on Fri, 10/08/2021 - 18:15

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A rabid pack of sea otters may have gotten him while he was recording the DaP40 announcement.

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17 years

Submitted by Vguy72 on Fri, 10/08/2021 - 18:55

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....and, while I agree somewhat on smaller boxes, this one is indeed beautiful and not too big.
Somewhat spoiler. The banter before the 12.9.71 Truckin' is hilarious and somewhat foreshadowing. You'll know what I'm talking about when you hear it. Sounds grate!! Time to change my avatar and turn it to 11!

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11 years 5 months

Submitted by nappyrags on Fri, 10/08/2021 - 23:01

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#05451 it is...and I do like the box...The digi-paks themselves though, that's another matter....

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14 years 9 months

Submitted by Colin Gould on Sat, 10/09/2021 - 00:02

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5 hours ago my box set was in Kentucky. UPS now say it will be delivered, to me in the UK, on Monday 10th. Still seems unlikely given all the custom clearance that will be needed. I may never leave the house again!

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17 years

Submitted by simonrob on Sat, 10/09/2021 - 01:06

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Mine also arrived in Kentucky early this morning and has an estimated delivery time of Monday morning. I haven't received any request for payment yet so I will be surprised if I see it on Monday. At least it is heading in my direction so I have no reason to complain.

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9 years 9 months

Submitted by daverock on Sat, 10/09/2021 - 03:28

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Simonrob-not often you can say that! Not you personally, I hasten to add-not often "one" can say that. Still, the day is young.

I'm 10-45am-2.45pm on Monday now, too. I must say, I am looking forward to getting this one more than I have been with any other parcel this year. And there have been a few.

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15 years 8 months

Submitted by unkle sam on Sat, 10/09/2021 - 05:25

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yet? anyone listen to these shows yet? searching for the sound, is it all there? dropouts? patches? pristine beauty? Bueller? I hear the 72 vinyl is fantastic, sure hope these cds are as phenomenal.

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13 years

Submitted by JimInMD on Sat, 10/09/2021 - 06:32

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I will go out on a limb and mirror your remarks. I listened to this run a few years ago, and that's my memory. That PITB/Dark Star Morning Dew sandwich is indeed the special sauce from the whole sequence.

..but in fairness, I have not gotten any of this yet, so no fully cleaned up listens. I could change my mind, but I doubt it.

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15 years 3 months

Submitted by IanM on Sat, 10/09/2021 - 07:43

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My box now in Philadelphia with a UK delivery time of Monday 12:00 - 15:00. No ransom note yet but I expect I'll get one.

If you believe you have been charged excessively then you can contact UPS Postflights Department to clarify the charges on 0345 7 877877 or send an email to ukpostclearATups.com attaching the dead.net invoice, and make the subject your tracking number.

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11 years 7 months

Submitted by Dennis on Sat, 10/09/2021 - 08:26

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Was here when I got home from work last night!.

The box is nicely printed on and I don't mind the size. What I don't like is the way the cds are in the big box, you have to tip the box over to get them out (or have very long finger nails!) Not a big thing, since I'll only be taking them out to rip. The swag is cute.

Now on to the music!

Oh,,, somebody mentioned wasted space in the box,,, it's not wasted. If you push the hidden button the space will open up into a replica of the stage in 71,,,,, very impressive!!!

..... he's lying! Every time some white reporter shows up he says he box does something special.

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9 years 2 months

Submitted by 80sfan on Sat, 10/09/2021 - 09:16

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1431 has landed in PA. I won't be able to listen until tonight but i'm so excited it's here.

Was surprised to hear the comments about the size - when it arrived i actually thought it would be bigger. It's basically the size of a personal-sized pizza box. Not bad at all. Enjoy, everyone!

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Submitted by Vguy72 on Sat, 10/09/2021 - 10:47

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....that's what my wife says anyways and everyone loves pizza.
As far as the sound, I'm through the '71 shows so far and they sounded excellent 👌. Going to see the new James Bond movie this afternoon then will dip into 1972, which were recorded by Bear, so I'm sure they will be auditory bliss.
Btw, if anyone wants to check out some nifty Grateful Dead playing cards, go to theory11 dot com for some quality ones they offer, among others.
Obligatory joke.
What does James Bond's doorbell sound like?
Dong. Ding Dong.
Have a grate weekend everyone!!

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9 years 9 months

Submitted by daverock on Sat, 10/09/2021 - 11:07

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Ian - thanks for that-I think I'll give them a ring on Monday morning and see if they can account for the £63.15 charge. I've already paid it, but....well, see how far I get.

Jim - yes, my comments are pure speculation, of course, although I have heard 10/18/72 before. For me it is one of the great shows - and about to get better, if the vinyl is anything to go by. The dark horses for me in this set are the 1973 shows. Not much has been said about them so far.

As to the size or look of the actual box-I don't really mind about that. As long as the cds play ok I'm at peace.

Happy to finally get a delivery email. Arriving this coming Tuesday, can’t wait to start listening. I don’t care about the size of the box, I just care about the music. For those who already have it… enjoy your weekend.

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14 years 9 months

Submitted by Cousins Of The… on Sat, 10/09/2021 - 11:34

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Box set dimension is worrying me
I can't hardly sleep at night
'Cause of box set dimension

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5 years 9 months

Submitted by tershj on Sat, 10/09/2021 - 14:56

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Just got back from a very windy bike ride to find that #00154 (lowest number yet...must mean I am cool) had landed on my door step. Still no shipping confirmation email, but I am here for the tunes not the emails. The rest of my Saturday has been spoken for! Yippeee!

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3 years 10 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:11

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A Deadhead's life for me

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3 years 10 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:14

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Listened to Yes Relayer all the way through

Some sections were out there

Some was good

Some was....meh

A pretty thick chunk of musical meat all around

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7 years 1 month

Submitted by rowjimmy7 on Sat, 10/09/2021 - 16:46

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Where is the number on the box, I looked all over the external box and internal box. Also, the corner of the box got bent in a little during shipping, not a huge deal, but I would prefer perfect. Live with it?

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7 years 4 months

Submitted by LedDed on Sat, 10/09/2021 - 18:42

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The Apollo has landed... the set opens with a great deal of witty banter before a 12/9/71 "Truckin'" with Phil telling people they can go across town and listen to Grand Funk Railroad... so far so good, great era, great set list, great vibes.

The limited edition # is stamped in foil on the back of the book. This is indeed a beautiful set, if there's one thing Rhino does well it is package art design. A thin, slim volume that is very bookshelf friendly, the inks are beautiful and I give it 5 stars out of 5. I am rarely disappointed by the design of these boxes, each unlike another and this one is no exception.

Glass of Jack Daniel's in hand and EVH Frankenstrat on my lap, I now leave you to embark on an hours long listening binge.

Bon Voyage!

\m/

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Submitted by rowjimmy7 on Sat, 10/09/2021 - 20:31

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I see it. Executed to rip and play the music. Can’t get enough 71.

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17 years

Submitted by Vguy72 on Sat, 10/09/2021 - 20:39

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....what's the number? We're waiting.
You joined on my birthday btw. Cool.
Firing up 10.12.72 now.
I'm excited.
Ledded brought up a good point regarding the boxes. Every one of them is different. Even the Spring 90 and Spring TOO don't exactly match.
It's like the island of lost toys, but in Dead Box fashion lol.
Bird Song in the second slot on 10.12.72? That works. The sound is impeccable and no skips so far.
Thanks Bear!! Truly a magician/scientist. Onward!!

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Submitted by rowjimmy7 on Sat, 10/09/2021 - 21:09

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2655. All 3 are good years and look like good shows. I love these early 70s shows. The packaging on this one is reasonable too, although hard not to slide out all the disks.

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17 years

Submitted by Vguy72 on Sat, 10/09/2021 - 21:29

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....yup. Should have included some
ribbons. Minor complaint though.
Felt inserts in the digipacs wouldn't hurt either.

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17 years

Submitted by SPACEBROTHER on Sat, 10/09/2021 - 21:48

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Got mine. The hardcover book has a whole section of pages that were manufactured upside down from page 5 through page 12. Page 4 goes to an upside down page 12. Anybody else have this printing mistake? If so than someone forgot to proof read the final product. If it's just mine I received a misprinted book.

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13 years 5 months

Submitted by Shrewnews on Sat, 10/09/2021 - 22:48

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2252 and all the pages in the book are right side up (not upside out or inside down). Spacebro, I think you got the special collector's edition.

Disk 1 had some minor scratches on arrival. That would have helped. So far the other disks all look good. Again, they all play fine, just not quite perfect. My Giants Stadium box was the same. One of the digipaks wasn’t glued so the disk slid to the bottom. Minor issues though. As long as the disks are ok.

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17 years

Submitted by Vguy72 on Sat, 10/09/2021 - 23:10

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....I have a poster from the 1999 Bob Dylan/Paul Simon tour that says Las Vegas, CA.
Walked up to the merch stand after the show and the vendor said "All we have left are these misprints."
I should've bought three.
Lucky Bro.

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10 years 4 months

Submitted by hendrixfreak on Sun, 10/10/2021 - 08:19

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if the band in the first set of 12-9-71 -- Brown-Eyed Women, Mr. Charlie, and Tennessee Jed -- doesn't sound almost exactly like the Euro '72 band of four months later with Keith in high gear after two months in the keyboard chair. I know that shouldn't be astonishing -- only four months from St Louis to Europe -- but the sound quality and the playing were so close I had to comment.

As for the book, I had multiple pages glued together by a tiny area near the binding and the pages got damaged as I easee them apart. Otherwise, nice packaging, although I'll probably toss the box itself and shelve the individual shows chronologically in my '66 to '75 shelf.

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Submitted by hendrixfreak on Sun, 10/10/2021 - 08:30

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Did anyone else notice that the first set on 12-9-71 begins with quite muffled sound on Truckin'? At first I was taken aback, but the sound quickly improved to astounding quality -- but right at the start it's sub-par.

That is all for now. Finishing the first show tonight and taking a few days' break til 12-10-71.

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6 years

Submitted by Weavie on Sun, 10/10/2021 - 09:23

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Looking forward to this.
Surprised that we really have not seen the box set.
It is the level of creativity to these packages that keeps winning me over.
Has anyone done an unboxing YouTube video yet?
The Dead.net web site really is not showing much.

USPS left it at my front door before 1pm.

Did a quick inspection and the box itself is an epic waste of space. Approximately 3/8 of the interior is just air. So, not just a waste of shelf space but also a waste of materials and resources.
Looks like my book was printed correctly.
CD cases are paperboard like 30 Trips and Road Trips.

Overall dimensions, for those who haven’t received it but want to know, it’s a little bit smaller than an LP vinyl case and about 3 inches thick.

Will give a first listen tonight.

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9 years 9 months

Submitted by daverock on Sun, 10/10/2021 - 11:17

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No box yet, but thinking along the lines of Hendrixfeaks last but one post, I would say that when I think of 1971, as a year, I tend to think of the 5 man and not the one with Keith and Donna in it. From the moment Keith joined the sound changed to that explored in 1972. So 1972, for me starts in October 1971 and ends with Pigpens last show in summer 1972. Which is when 1973 starts.
The same argument applies to earlier years to some extent, too. The division of the bands progress and sound as being typified by particular years is quite arbitarary, when you come to think about it.

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Product Magento URL
https://store.dead.net/special-edition-shops/st-louis-collection/listen-to-the-river-st-louis-71-72-73-20-cd-1.html