• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • Forensicdoceleven
    Joined:
    We are all living memorials……

    50 years ago today…..

    October 27, 1971
    Onondaga War Memorial Auditorium, Syracuse, New York

    Set 1: Casey Jones-Me And My Uncle-Deal-Jack Straw-Tennessee Jed-Beat It On Down The Line-Sugaree-Playing In The Band-Comes A Time-Mexicali Blues-Big Railroad Blues-Cumberland Blues-One More Saturday Night

    Set 2: Bertha-Me And Bobby McGee-Ramble On Rose-Sugar Magnolia-Brown Eyed Women-Truckin'-Not Fade Away>drums>jam>Goin' Down The Road Feeling Bad>Not Fade Away

    Deadicated to stopbath, sherdeep, Butch, Syracuse78, unkle sam, snoone, seabird17, iGrateful, baltimoretool, and Erikandjenn , because hump day…….

    Even an “average1971 show” has its high points…………

    Speaking of which, here the Dead start off high. Decent doses of country-western-Weir-Bakersfield. Fine, hard rockin’ conclusions to both sets. Maybe not classic, but certainly worth a listen!

    Rock on!!

    Doc
    But what is a memorial, when you come right down to it, but a commemoration of wounds endured……

  • Vguy72
    Joined:
    Patching tapes and tape decks....

    ....tapes broke. Taped. Connecting several tape decks together recording shows. There was always one guy who wanted to record double speed. He was kicked out unceremoniously.
    I recall the Nakamichi Dragon being the big dick on the block back then.
    Everyone loved that guy.
    I still have all my tapes btw.
    Just Googled the Dragon tape deck. For $2100, you can own one!!

  • icecrmcnkd
    Joined:
    Tape-munching car tape deck

    My problems were all with commercial cassettes I bought in the 80’s.

    I started collecting GD shows in 91 and had a different car that didn’t wreck any ‘valuable’ tapes as far as I can remember. By the late-90’s I had built a pretty decent sounding cassette collection and used the older cassettes with crappier sound to make copies of my better sounding cassettes and then kept those copies in the car. That way if they got wrecked they were just copies.

  • icecrmcnkd
    Joined:
    Song order

    1 more CD?
    There’s enough empty space in the interior of that Box for another 15-20 CD’s.

    Adding another CD so that the songs could have stayed in order would have actually made room for some filler…..

    But I’m not griping, this Box is awesome and I corrected the song order when I copied the CD’s to my computer and then loaded the shows onto my music players.

  • Crow Told Me
    Joined:
    I Was Only Following Orders

    I can understand it if they have to shuffle the song order sometimes to make things fit, although I think it’s a little surprising they did it with the 10.30.73 show in this set. By the time we’re all spending $200 for 20 CDs, I don’t think anybody would’ve complained if had to pay a couple bucks more for one more disc, even if it had a short running time. But yeah, that feels nitpicky to even notice, given all the good and great music they just dropped on us.

    As long as I’m picking this particular nit: I actually wondered about the song order for 10.18.72. Just because it seemed weird to go from that incredible PITB>drums>DS>MD>PITB sequence and then into Deal and Promised Land, before closing with Brokedown/Saturday/Casey. Also, the guitars are pretty out of tune by the end of that long sequence, and there is a tuning break before Brokedown. Which made me think: I wonder if the actual song order went from the long PITB sammich into Brokedown and then the two rockers at the end? And maybe Deal and Promised were earlier in the second set?

    That kind sorta makes sense, but then I checked the set lists posted online for that show online, and they seem to have the songs in the same order as presented in the StL box. So it was just my imagination, running away with me. Again.

    Time, he’s waiting in the wings, he speaks of senseless things.

  • Sixtus_
    Joined:
    re: tape woes/ConeKid & Others

    ...same exact thing with the distortion on this end; in particular, I recall having a really good copy of the 7/8/78 Red Rocks show, and right during the start of Eyes of the World, the tape got messed up and flipped over, but remained in tact like that; so there is a bit of a warble at that spot and then for like 6 seconds, it's the other side of the tape playing which happens to be during a segment of Space, and Donna sounds like she's quietly 'WoooOOOooing' for a few moments; then the tape flips back over, and into the first verse of Eyes.
    That awesome tape was forever warbled with a backward flip - but it still worked.
    Ahhh, cassette days of yore. We all can relate I'm sure.

    Be Well People!
    SIxtus

  • Jason Wilder
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    Joined:
    Re: Oroborous post

    That mirrors my experience listening to the box.

    The '71s really stood out. I had a prior bootleg copy of the Fox show (radio broadcast) but these sound better. Keith is just amazing. I usually give the boxes a once over listen to make sure the discs are OK, but I had to go back & listen to the '71's twice!

    Which may have led to the '72s kind of blending together. Lot of song repetition as well. Though the bend towards more jazzy/spacey jamming 8s evident (Bird Song, Playin', Eyes in '73, etc).

    There was a funny moment in a Playin' where Donna is about to scream as the Reprise crescendo's, but her voice crumbles & she cannot scream, so Bobby does it for her. Think it was the '73.

    I'd much rather have patches than songs missing. No issue there. The out of order last show bugs me a touch, but that is nit picking. Excellent stuff.

    We got a lot of full '71s the last couple years. 2/18/71 on the AB 50th with Mickey and the show a couple nights later without him on the AB 50th. Plus the 7/2/71 chunk on Skull & Roses 50th. And now these with Pig & Keith. Last Keith only was Dave's 26 8n 2018.

  • proudfoot
    Joined:
    re 10/26/71

    I heard that show over the summer

    the 2nd set is a monster

    it isn't a two hour set, but it is potent

  • icecrmcnkd
    Joined:
    I also spliced cassette tapes with scotch tape

    My car tape deck ate a lot of cassettes.
    I got pretty good at smoothing out the wrinkled portions that weren’t destroyed, cutting out the ruined part, and making the splice.
    I always put the scotch tape on the back side so that it didn’t drag over the head.
    The wrinkled parts of the tape would then be all distorted when it played.

  • Forensicdoceleven
    Joined:
    The art of living is more like wrestling than dancing…..

    50 years ago today…..

    October 26, 1971
    The Palestra, University of Rochester, Rochester, New York

    Set 1: Bertha-Playing In The Band-Sugaree-Me And My Uncle-Tennessee Jed-Big Railroad Blues-Me And Bobby McGee-Cumberland Blues-Cold Rain And Snow-Mexicali Blues-Loser-Beat It On Down The Line-El Paso-Comes A Time-One More Saturday Night

    Set 2: Ramble On Rose-Sugar Magnolia-Truckin'>drums>The Other One-Johnny B. Goode

    Deadicated to Nugent7453, Lovemygirl, 1stshow70878, CaseyJanes, Born Cross Eyed in 1956, 80sfan, Vguy72, jminner, and woodstock950, because Tuesday’s gone……..

    For some reason, there was a weird dip in western New York…………

    Solid, if unspectacular, first set, followed by a weirdly short second set. Go figure,,,,,,

    For some strange reason, in 2005 it was officially released as part of the Digital Download Series. Go figure…,.,..

    Still, the Truckin’ and Other One are nice. Here, Garcia’s tone and approach are different than the usual creamy smooth late 71----ragged, jagged, angry, chaotic. Not first tier, or even second, but still worth an occasional listen…….

    Rock on!!

    Doc
    I've been wrestling with Kafka since I was an adolescent

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Member for

6 years 2 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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So I'm curious, those of you who received the box, anyone live on the east coast? Just wondering how far they've made it. I also have a Sunday delivery scheduled. Post office only delivers Amazon on Sunday. Not to mention they are closed Monday. Which means only Amazon then as well. They may deliver priority on Monday but I doubt this box is priority.

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8336 arrived in Denver today.👍

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17 years 2 months

In reply to by jp1119

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....shipping update never changed to "out for delivery". Stayed in "on its way" mode. Delivered by UPS, no USPS. I'm still at work. Will report back later. The digital download comment page is still a shitshow.
Edit. I'm west coast.

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13 years
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This has got to be the worst box set packaging yet. Unnecessarily large, just for the sake of making it look impressive from the outside, I guess. It's not HUGE, but way bigger than it needs to be. There is so much wasted/unused space that you could fit 5 or 6 more digipacks inside. If you haven't received yours yet, you will see what I mean. Very poor design. I'm disappointed. In my opinion, the ideal package/box design is doing it like the July 1978 box or the first May 1977 box. Keep it minimal! I know I'm not the only one who feels this way as I've read other similar comments about box size/style preferences. No comment on the shows themselves. As long as all the discs play without issues I know what to expect - lots of hours of primo GD listening enjoyment.

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11 years 4 months
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Anyone seen Dave? He must be down by the water doing a lot of nature watching and videoing! Looking forward to all the details of St. Louis and Dave’s Picks!

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8 years 10 months

In reply to by WharfratWhitey

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A rabid pack of sea otters may have gotten him while he was recording the DaP40 announcement.

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17 years 2 months

In reply to by proudfoot

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....and, while I agree somewhat on smaller boxes, this one is indeed beautiful and not too big.
Somewhat spoiler. The banter before the 12.9.71 Truckin' is hilarious and somewhat foreshadowing. You'll know what I'm talking about when you hear it. Sounds grate!! Time to change my avatar and turn it to 11!

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11 years 7 months

In reply to by Vguy72

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#05451 it is...and I do like the box...The digi-paks themselves though, that's another matter....

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5 hours ago my box set was in Kentucky. UPS now say it will be delivered, to me in the UK, on Monday 10th. Still seems unlikely given all the custom clearance that will be needed. I may never leave the house again!

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17 years 3 months
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Mine also arrived in Kentucky early this morning and has an estimated delivery time of Monday morning. I haven't received any request for payment yet so I will be surprised if I see it on Monday. At least it is heading in my direction so I have no reason to complain.

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10 years

In reply to by simonrob

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Simonrob-not often you can say that! Not you personally, I hasten to add-not often "one" can say that. Still, the day is young.

I'm 10-45am-2.45pm on Monday now, too. I must say, I am looking forward to getting this one more than I have been with any other parcel this year. And there have been a few.

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15 years 11 months
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yet? anyone listen to these shows yet? searching for the sound, is it all there? dropouts? patches? pristine beauty? Bueller? I hear the 72 vinyl is fantastic, sure hope these cds are as phenomenal.

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13 years 2 months

In reply to by daverock

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I will go out on a limb and mirror your remarks. I listened to this run a few years ago, and that's my memory. That PITB/Dark Star Morning Dew sandwich is indeed the special sauce from the whole sequence.

..but in fairness, I have not gotten any of this yet, so no fully cleaned up listens. I could change my mind, but I doubt it.

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15 years 5 months

In reply to by simonrob

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My box now in Philadelphia with a UK delivery time of Monday 12:00 - 15:00. No ransom note yet but I expect I'll get one.

If you believe you have been charged excessively then you can contact UPS Postflights Department to clarify the charges on 0345 7 877877 or send an email to ukpostclearATups.com attaching the dead.net invoice, and make the subject your tracking number.

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11 years 10 months
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Was here when I got home from work last night!.

The box is nicely printed on and I don't mind the size. What I don't like is the way the cds are in the big box, you have to tip the box over to get them out (or have very long finger nails!) Not a big thing, since I'll only be taking them out to rip. The swag is cute.

Now on to the music!

Oh,,, somebody mentioned wasted space in the box,,, it's not wasted. If you push the hidden button the space will open up into a replica of the stage in 71,,,,, very impressive!!!

..... he's lying! Every time some white reporter shows up he says he box does something special.

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9 years 5 months

In reply to by Dennis

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1431 has landed in PA. I won't be able to listen until tonight but i'm so excited it's here.

Was surprised to hear the comments about the size - when it arrived i actually thought it would be bigger. It's basically the size of a personal-sized pizza box. Not bad at all. Enjoy, everyone!

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17 years 2 months

In reply to by 80sfan

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....that's what my wife says anyways and everyone loves pizza.
As far as the sound, I'm through the '71 shows so far and they sounded excellent 👌. Going to see the new James Bond movie this afternoon then will dip into 1972, which were recorded by Bear, so I'm sure they will be auditory bliss.
Btw, if anyone wants to check out some nifty Grateful Dead playing cards, go to theory11 dot com for some quality ones they offer, among others.
Obligatory joke.
What does James Bond's doorbell sound like?
Dong. Ding Dong.
Have a grate weekend everyone!!

Ian - thanks for that-I think I'll give them a ring on Monday morning and see if they can account for the £63.15 charge. I've already paid it, but....well, see how far I get.

Jim - yes, my comments are pure speculation, of course, although I have heard 10/18/72 before. For me it is one of the great shows - and about to get better, if the vinyl is anything to go by. The dark horses for me in this set are the 1973 shows. Not much has been said about them so far.

As to the size or look of the actual box-I don't really mind about that. As long as the cds play ok I'm at peace.

Happy to finally get a delivery email. Arriving this coming Tuesday, can’t wait to start listening. I don’t care about the size of the box, I just care about the music. For those who already have it… enjoy your weekend.

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Box set dimension is worrying me
I can't hardly sleep at night
'Cause of box set dimension

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6 years
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Just got back from a very windy bike ride to find that #00154 (lowest number yet...must mean I am cool) had landed on my door step. Still no shipping confirmation email, but I am here for the tunes not the emails. The rest of my Saturday has been spoken for! Yippeee!

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4 years 1 month

In reply to by proudfoot

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A Deadhead's life for me

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In reply to by proudfoot

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Listened to Yes Relayer all the way through

Some sections were out there

Some was good

Some was....meh

A pretty thick chunk of musical meat all around

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7 years 3 months
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Where is the number on the box, I looked all over the external box and internal box. Also, the corner of the box got bent in a little during shipping, not a huge deal, but I would prefer perfect. Live with it?

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The Apollo has landed... the set opens with a great deal of witty banter before a 12/9/71 "Truckin'" with Phil telling people they can go across town and listen to Grand Funk Railroad... so far so good, great era, great set list, great vibes.

The limited edition # is stamped in foil on the back of the book. This is indeed a beautiful set, if there's one thing Rhino does well it is package art design. A thin, slim volume that is very bookshelf friendly, the inks are beautiful and I give it 5 stars out of 5. I am rarely disappointed by the design of these boxes, each unlike another and this one is no exception.

Glass of Jack Daniel's in hand and EVH Frankenstrat on my lap, I now leave you to embark on an hours long listening binge.

Bon Voyage!

\m/

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17 years 2 months

In reply to by LedDed

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....apologies ledded. But you really need to step up your whiskey/bourbon game. Other than that, rock on.

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7 years 3 months

In reply to by rowjimmy7

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I see it. Executed to rip and play the music. Can’t get enough 71.

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17 years 2 months

In reply to by rowjimmy7

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....what's the number? We're waiting.
You joined on my birthday btw. Cool.
Firing up 10.12.72 now.
I'm excited.
Ledded brought up a good point regarding the boxes. Every one of them is different. Even the Spring 90 and Spring TOO don't exactly match.
It's like the island of lost toys, but in Dead Box fashion lol.
Bird Song in the second slot on 10.12.72? That works. The sound is impeccable and no skips so far.
Thanks Bear!! Truly a magician/scientist. Onward!!

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7 years 3 months

In reply to by Vguy72

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2655. All 3 are good years and look like good shows. I love these early 70s shows. The packaging on this one is reasonable too, although hard not to slide out all the disks.

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17 years 2 months

In reply to by rowjimmy7

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....yup. Should have included some
ribbons. Minor complaint though.
Felt inserts in the digipacs wouldn't hurt either.

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17 years 3 months
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Got mine. The hardcover book has a whole section of pages that were manufactured upside down from page 5 through page 12. Page 4 goes to an upside down page 12. Anybody else have this printing mistake? If so than someone forgot to proof read the final product. If it's just mine I received a misprinted book.

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13 years 7 months

In reply to by SPACEBROTHER

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2252 and all the pages in the book are right side up (not upside out or inside down). Spacebro, I think you got the special collector's edition.

Disk 1 had some minor scratches on arrival. That would have helped. So far the other disks all look good. Again, they all play fine, just not quite perfect. My Giants Stadium box was the same. One of the digipaks wasn’t glued so the disk slid to the bottom. Minor issues though. As long as the disks are ok.

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In reply to by rowjimmy7

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....I have a poster from the 1999 Bob Dylan/Paul Simon tour that says Las Vegas, CA.
Walked up to the merch stand after the show and the vendor said "All we have left are these misprints."
I should've bought three.
Lucky Bro.

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10 years 6 months
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if the band in the first set of 12-9-71 -- Brown-Eyed Women, Mr. Charlie, and Tennessee Jed -- doesn't sound almost exactly like the Euro '72 band of four months later with Keith in high gear after two months in the keyboard chair. I know that shouldn't be astonishing -- only four months from St Louis to Europe -- but the sound quality and the playing were so close I had to comment.

As for the book, I had multiple pages glued together by a tiny area near the binding and the pages got damaged as I easee them apart. Otherwise, nice packaging, although I'll probably toss the box itself and shelve the individual shows chronologically in my '66 to '75 shelf.

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Did anyone else notice that the first set on 12-9-71 begins with quite muffled sound on Truckin'? At first I was taken aback, but the sound quickly improved to astounding quality -- but right at the start it's sub-par.

That is all for now. Finishing the first show tonight and taking a few days' break til 12-10-71.

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6 years 3 months
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Looking forward to this.
Surprised that we really have not seen the box set.
It is the level of creativity to these packages that keeps winning me over.
Has anyone done an unboxing YouTube video yet?
The Dead.net web site really is not showing much.

USPS left it at my front door before 1pm.

Did a quick inspection and the box itself is an epic waste of space. Approximately 3/8 of the interior is just air. So, not just a waste of shelf space but also a waste of materials and resources.
Looks like my book was printed correctly.
CD cases are paperboard like 30 Trips and Road Trips.

Overall dimensions, for those who haven’t received it but want to know, it’s a little bit smaller than an LP vinyl case and about 3 inches thick.

Will give a first listen tonight.

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10 years

In reply to by hendrixfreak

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No box yet, but thinking along the lines of Hendrixfeaks last but one post, I would say that when I think of 1971, as a year, I tend to think of the 5 man and not the one with Keith and Donna in it. From the moment Keith joined the sound changed to that explored in 1972. So 1972, for me starts in October 1971 and ends with Pigpens last show in summer 1972. Which is when 1973 starts.
The same argument applies to earlier years to some extent, too. The division of the bands progress and sound as being typified by particular years is quite arbitarary, when you come to think about it.

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