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    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • #1241
    Oroborous
    Joined:
    Jerry/Hiatus

    I’ve said for a long time, probably since Brentski checked out, that they should of taken another hiatus or 2.
    Look how well that worked out in 75. Best thing they ever did!

    And yes JG was also a playing junkie, but compare his posture, demeanor and sometimes even his playing with the Dead, to all the cool work and side projects he did near the end. JGB was awesome, his stuff with Dawg, and a bunch of cool studio work with Ornette, Sanjay, Bruce etc. He was really shining everywhere else except the Dead!
    I guess it’s the ole difference between doing things because you want to, versus you have to...
    Yeah, looking back you have to wonder what if....

  • #1242
    alvarhanso
    Joined:
    Happy Jerry Day

    I would hope if he had lived a bit longer, he would have been able to take a year or more away from touring. We're lucky we got as much time out of him as we did. But I just listened to the digital single of Sugaree from 12/10/71, and WOW, fantastic sound! The single, by the way is 24 bit 192 kHz. It sounds like a multitrack, because things are so well balanced, Keith's piano has a fantastic sound. And right there in the center of it all is the man of the hour himself, singing his heart out and already playing blistering leads on the soon to be staple.

    Sidenote: I've been watching the Ken Burns miniseries Jazz after neglecting it for years (who knew it was damn near 20 hours?), and the tales of genius of Louis Armstrong and Bix Beiderbecke and many many others who revolutionized their instruments and gained some of their fame and notoriety when they recorded the standards that had already been standards by the 20s and 30s and reshaped them as their own. Jerry and the Dead did that, and added the Duke Ellington thing of composing your own library that makes an amalgamated new style, such as the case with Sugaree and the song was about to succeed it, Jack Straw. Sugaree fits into the mold of a heartbreak song, but is darker and the loping rhythm is precisely the Dead swing that set them apart as Louis Armstrong's swing invented a larger genre built upon improvisation and feel or groove rather than rote performance in perfect cadence. Jack Straw has such an authentic western feel and historical folktale vibe that people can be forgiven for questioning whether the Dead really wrote it. Like the miner that unwittingly praised Robert Hunter by remarking on the Dead odd choice of an old miner song Cumberland Blues, not realizing Hunter had written the "old standard". Jerry was the heart of that, but it took all of the weird characters to make the Dead into the unique beast they were. And I can't wait for this box set to unleash that beast's most potent furies and Plangentized!

    Two months is a long wait, and I still have 5 days wait on DaP 39, which the Shakedown sounded good on tablet speaker. Shame the Touch> Playing> Terrapin from 4/25 was missing, but looking forward to the He's Gone> Bob Star. I perpetually forget about that song until somebody brings it up and then I listen to one, this time I chose the Merriweather one Jim caught, def Weir'd, but pretty cool with that Other Oneish riff going on around it. We'll see on the Rochester one.

  • #1243
    KeithFan2112
    Joined:
    Happy B-Day

    What would you have been doing today? Still touring with the Dead I suspect.

    I read 8/1/73 was the last time he played the Strat.

  • #1244
    Oroborous
    Joined:
    Happy, happy, joy, joy

    to Mr G, hope yer having a great jam somewhere/somespace...

    Saw his 52 in 94. Two pretty good shows actually. He seemed to be enjoying himself.

  • #1245
    hendrixfreak
    Joined:
    Jer's birthday, 1973

    Still clearly remember a woman on a man's shoulders with a cake. The crowd parted to let them reach the stage. A roadie leaned over the stage lip and secured the cake, which he paraded on stage for a cheering crowd. I was 15 years old and had just 'experienced' a few days getting to, into, and from Watkins Glen. 48 hours after arriving home, burnt to a crisp, and we took off for a two-nighter with the GD and The Band. Vivid memories of many moments at the Glen, but not so much the two nighter that followed.

    But we did sing a crazed 'Happy Birthday' to Mr. Garcia. who turned 31 that night. I would turn 16 two weeks later.

    Misspent youth? In spades, my friends. In spades.

    Just sharing the news........

  • #1246
    Cousins Of The…
    Joined:
    Saw Jerry's 1982 birthday..

    ...on 22nd in Fairfax, still billed as Jerry's birthday show and there were a coupla' huge birthday cakes which prompted some weird, rowdy food fight in the middle of that very small place. John Kahn did not make the show, Phil took his place and as added bonus, John Cipollina was running the soundboard. Show was good but not memorable except for the general weirdness; I remember Phil playing the chorus over the verses during the opening How Sweet It Is. Very strange show altogether; there was an opening act, and I swear I've never seen a band perform on such a small space: all of JGB's gear was onstage, there was nowhere for the singer to move, poor guy looked a mixed of angry and disbelief.

  • #1247
    Vguy72
    Joined:
    I saw Jerry play on his 50th birthday....

    ....JGB 8.1.92. Irvine Meadows. There was a giant birthday card in the concourse. I signed it of course.
    .
    Set 1.
    Cats
    Mission
    Waiting For A Miracle
    Mississippi Moon
    No Bread
    Sisters & Brothers
    Somebody To Love
    .
    Set 2.
    Shining Star
    Tore Up
    Waiting For A Miracle
    Drove Dixie Down
    Lay Down Sally
    Midnight Moonlight
    .
    No encore.....
    .
    He was supposed to be going through rehab at that time. The Deads tour was canceled due to it, but he just couldn't help but to play. Rumors swirled that he blacked out backstage after the show, but played the next night in Chula Vista anyway.
    I only caught the JGB 4 times, but that one was special of course.
    If any of you checked out the Phil show the other day, he looks great for 81.
    Still looks younger than Jerry at 53. Sigh............

  • #1248
    daverock
    Joined:
    Music Never Stopped

    This talk of Ventura reminds me of the great opening chapter in Blair Jackson's book "The Music Never Stopped." Its all about a show the Dead played there in 1982, and describes the Deadheads mingling in the area and hanging out before the show actually starts. I found it quite transporting when I first read it on a train coming out of Manchester one rainy afternoon in the early 80s. I couldn't have been further away-although I was there in my mind.

    Half way through the June 1977 box, which I normally never get to. Trying to follow anniversary shows, by the time I have finished May its already September. This year I missed out the second May 77 box. I thought the first two shows in the June box were excellent. The 1st set seemed better than the second on the 8th-something I have felt with other 1977 shows. Like 5/9.

  • #1249
    proudfoot
    Joined:
    7 31

    71...I love this show. Playin' > Dark Star > Birdsong. Ja, gerne!

    83...I was at this one. I think this one has the audience chanting "one more set! one more set!"

    Either the 30th or the 31st has the first Touch of Grey I ever heard, and I recall it standing out to me as a great song.

  • #1250
    billy the kid
    Joined:
    Anniversary show 7/31/83. Ventura County Fairgrounds

    38 years ago today I was down in Ventura to see the Dead. The crowd sang Garcia happy birthday a day early. They opened up the show on 7/30 with China Cat. Ventura was a non-stop party, from the the time you left your home to last note played.

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6 years 5 months
Submitted by Srinivasan.Mut… on
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Dead Store Products

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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6 years 9 months

Submitted by Shadeyguy on Fri, 10/08/2021 - 15:57

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So I'm curious, those of you who received the box, anyone live on the east coast? Just wondering how far they've made it. I also have a Sunday delivery scheduled. Post office only delivers Amazon on Sunday. Not to mention they are closed Monday. Which means only Amazon then as well. They may deliver priority on Monday but I doubt this box is priority.

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4 years 7 months

Submitted by jp1119 on Fri, 10/08/2021 - 15:57

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8336 arrived in Denver today.👍

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17 years 5 months

Submitted by Vguy72 on Fri, 10/08/2021 - 16:33

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....shipping update never changed to "out for delivery". Stayed in "on its way" mode. Delivered by UPS, no USPS. I'm still at work. Will report back later. The digital download comment page is still a shitshow.
Edit. I'm west coast.

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13 years 3 months

Submitted by FMR on Fri, 10/08/2021 - 17:44

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This has got to be the worst box set packaging yet. Unnecessarily large, just for the sake of making it look impressive from the outside, I guess. It's not HUGE, but way bigger than it needs to be. There is so much wasted/unused space that you could fit 5 or 6 more digipacks inside. If you haven't received yours yet, you will see what I mean. Very poor design. I'm disappointed. In my opinion, the ideal package/box design is doing it like the July 1978 box or the first May 1977 box. Keep it minimal! I know I'm not the only one who feels this way as I've read other similar comments about box size/style preferences. No comment on the shows themselves. As long as all the discs play without issues I know what to expect - lots of hours of primo GD listening enjoyment.

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11 years 7 months

Submitted by WharfratWhitey on Fri, 10/08/2021 - 17:52

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Anyone seen Dave? He must be down by the water doing a lot of nature watching and videoing! Looking forward to all the details of St. Louis and Dave’s Picks!

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9 years 2 months

Submitted by icecrmcnkd on Fri, 10/08/2021 - 18:15

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A rabid pack of sea otters may have gotten him while he was recording the DaP40 announcement.

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17 years 5 months

Submitted by Vguy72 on Fri, 10/08/2021 - 18:55

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....and, while I agree somewhat on smaller boxes, this one is indeed beautiful and not too big.
Somewhat spoiler. The banter before the 12.9.71 Truckin' is hilarious and somewhat foreshadowing. You'll know what I'm talking about when you hear it. Sounds grate!! Time to change my avatar and turn it to 11!

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11 years 10 months

Submitted by nappyrags on Fri, 10/08/2021 - 23:01

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#05451 it is...and I do like the box...The digi-paks themselves though, that's another matter....

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15 years 3 months

Submitted by Colin Gould on Sat, 10/09/2021 - 00:02

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5 hours ago my box set was in Kentucky. UPS now say it will be delivered, to me in the UK, on Monday 10th. Still seems unlikely given all the custom clearance that will be needed. I may never leave the house again!

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17 years 6 months

Submitted by simonrob on Sat, 10/09/2021 - 01:06

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Mine also arrived in Kentucky early this morning and has an estimated delivery time of Monday morning. I haven't received any request for payment yet so I will be surprised if I see it on Monday. At least it is heading in my direction so I have no reason to complain.

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10 years 3 months

Submitted by daverock on Sat, 10/09/2021 - 03:28

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Simonrob-not often you can say that! Not you personally, I hasten to add-not often "one" can say that. Still, the day is young.

I'm 10-45am-2.45pm on Monday now, too. I must say, I am looking forward to getting this one more than I have been with any other parcel this year. And there have been a few.

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16 years 2 months

Submitted by unkle sam on Sat, 10/09/2021 - 05:25

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yet? anyone listen to these shows yet? searching for the sound, is it all there? dropouts? patches? pristine beauty? Bueller? I hear the 72 vinyl is fantastic, sure hope these cds are as phenomenal.

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13 years 5 months

Submitted by JimInMD on Sat, 10/09/2021 - 06:32

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I will go out on a limb and mirror your remarks. I listened to this run a few years ago, and that's my memory. That PITB/Dark Star Morning Dew sandwich is indeed the special sauce from the whole sequence.

..but in fairness, I have not gotten any of this yet, so no fully cleaned up listens. I could change my mind, but I doubt it.

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15 years 8 months

Submitted by IanM on Sat, 10/09/2021 - 07:43

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My box now in Philadelphia with a UK delivery time of Monday 12:00 - 15:00. No ransom note yet but I expect I'll get one.

If you believe you have been charged excessively then you can contact UPS Postflights Department to clarify the charges on 0345 7 877877 or send an email to ukpostclearATups.com attaching the dead.net invoice, and make the subject your tracking number.

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12 years 1 month

Submitted by Dennis on Sat, 10/09/2021 - 08:26

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Was here when I got home from work last night!.

The box is nicely printed on and I don't mind the size. What I don't like is the way the cds are in the big box, you have to tip the box over to get them out (or have very long finger nails!) Not a big thing, since I'll only be taking them out to rip. The swag is cute.

Now on to the music!

Oh,,, somebody mentioned wasted space in the box,,, it's not wasted. If you push the hidden button the space will open up into a replica of the stage in 71,,,,, very impressive!!!

..... he's lying! Every time some white reporter shows up he says he box does something special.

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9 years 8 months

Submitted by 80sfan on Sat, 10/09/2021 - 09:16

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1431 has landed in PA. I won't be able to listen until tonight but i'm so excited it's here.

Was surprised to hear the comments about the size - when it arrived i actually thought it would be bigger. It's basically the size of a personal-sized pizza box. Not bad at all. Enjoy, everyone!

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17 years 5 months

Submitted by Vguy72 on Sat, 10/09/2021 - 10:47

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....that's what my wife says anyways and everyone loves pizza.
As far as the sound, I'm through the '71 shows so far and they sounded excellent 👌. Going to see the new James Bond movie this afternoon then will dip into 1972, which were recorded by Bear, so I'm sure they will be auditory bliss.
Btw, if anyone wants to check out some nifty Grateful Dead playing cards, go to theory11 dot com for some quality ones they offer, among others.
Obligatory joke.
What does James Bond's doorbell sound like?
Dong. Ding Dong.
Have a grate weekend everyone!!

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10 years 3 months

Submitted by daverock on Sat, 10/09/2021 - 11:07

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Ian - thanks for that-I think I'll give them a ring on Monday morning and see if they can account for the £63.15 charge. I've already paid it, but....well, see how far I get.

Jim - yes, my comments are pure speculation, of course, although I have heard 10/18/72 before. For me it is one of the great shows - and about to get better, if the vinyl is anything to go by. The dark horses for me in this set are the 1973 shows. Not much has been said about them so far.

As to the size or look of the actual box-I don't really mind about that. As long as the cds play ok I'm at peace.

Happy to finally get a delivery email. Arriving this coming Tuesday, can’t wait to start listening. I don’t care about the size of the box, I just care about the music. For those who already have it… enjoy your weekend.

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15 years 3 months

Submitted by Cousins Of The… on Sat, 10/09/2021 - 11:34

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Box set dimension is worrying me
I can't hardly sleep at night
'Cause of box set dimension

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6 years 3 months

Submitted by tershj on Sat, 10/09/2021 - 14:56

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Just got back from a very windy bike ride to find that #00154 (lowest number yet...must mean I am cool) had landed on my door step. Still no shipping confirmation email, but I am here for the tunes not the emails. The rest of my Saturday has been spoken for! Yippeee!

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4 years 4 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:11

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A Deadhead's life for me

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4 years 4 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:14

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Listened to Yes Relayer all the way through

Some sections were out there

Some was good

Some was....meh

A pretty thick chunk of musical meat all around

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7 years 7 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 16:46

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Where is the number on the box, I looked all over the external box and internal box. Also, the corner of the box got bent in a little during shipping, not a huge deal, but I would prefer perfect. Live with it?

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7 years 10 months

Submitted by LedDed on Sat, 10/09/2021 - 18:42

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The Apollo has landed... the set opens with a great deal of witty banter before a 12/9/71 "Truckin'" with Phil telling people they can go across town and listen to Grand Funk Railroad... so far so good, great era, great set list, great vibes.

The limited edition # is stamped in foil on the back of the book. This is indeed a beautiful set, if there's one thing Rhino does well it is package art design. A thin, slim volume that is very bookshelf friendly, the inks are beautiful and I give it 5 stars out of 5. I am rarely disappointed by the design of these boxes, each unlike another and this one is no exception.

Glass of Jack Daniel's in hand and EVH Frankenstrat on my lap, I now leave you to embark on an hours long listening binge.

Bon Voyage!

\m/

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17 years 5 months

Submitted by Vguy72 on Sat, 10/09/2021 - 20:09

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....apologies ledded. But you really need to step up your whiskey/bourbon game. Other than that, rock on.

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7 years 7 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 20:31

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I see it. Executed to rip and play the music. Can’t get enough 71.

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17 years 5 months

Submitted by Vguy72 on Sat, 10/09/2021 - 20:39

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....what's the number? We're waiting.
You joined on my birthday btw. Cool.
Firing up 10.12.72 now.
I'm excited.
Ledded brought up a good point regarding the boxes. Every one of them is different. Even the Spring 90 and Spring TOO don't exactly match.
It's like the island of lost toys, but in Dead Box fashion lol.
Bird Song in the second slot on 10.12.72? That works. The sound is impeccable and no skips so far.
Thanks Bear!! Truly a magician/scientist. Onward!!

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7 years 7 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 21:09

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2655. All 3 are good years and look like good shows. I love these early 70s shows. The packaging on this one is reasonable too, although hard not to slide out all the disks.

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17 years 5 months

Submitted by Vguy72 on Sat, 10/09/2021 - 21:29

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....yup. Should have included some
ribbons. Minor complaint though.
Felt inserts in the digipacs wouldn't hurt either.

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17 years 6 months

Submitted by SPACEBROTHER on Sat, 10/09/2021 - 21:48

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Got mine. The hardcover book has a whole section of pages that were manufactured upside down from page 5 through page 12. Page 4 goes to an upside down page 12. Anybody else have this printing mistake? If so than someone forgot to proof read the final product. If it's just mine I received a misprinted book.

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13 years 10 months

Submitted by Shrewnews on Sat, 10/09/2021 - 22:48

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2252 and all the pages in the book are right side up (not upside out or inside down). Spacebro, I think you got the special collector's edition.

Disk 1 had some minor scratches on arrival. That would have helped. So far the other disks all look good. Again, they all play fine, just not quite perfect. My Giants Stadium box was the same. One of the digipaks wasn’t glued so the disk slid to the bottom. Minor issues though. As long as the disks are ok.

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17 years 5 months

Submitted by Vguy72 on Sat, 10/09/2021 - 23:10

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....I have a poster from the 1999 Bob Dylan/Paul Simon tour that says Las Vegas, CA.
Walked up to the merch stand after the show and the vendor said "All we have left are these misprints."
I should've bought three.
Lucky Bro.

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10 years 9 months

Submitted by hendrixfreak on Sun, 10/10/2021 - 08:19

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if the band in the first set of 12-9-71 -- Brown-Eyed Women, Mr. Charlie, and Tennessee Jed -- doesn't sound almost exactly like the Euro '72 band of four months later with Keith in high gear after two months in the keyboard chair. I know that shouldn't be astonishing -- only four months from St Louis to Europe -- but the sound quality and the playing were so close I had to comment.

As for the book, I had multiple pages glued together by a tiny area near the binding and the pages got damaged as I easee them apart. Otherwise, nice packaging, although I'll probably toss the box itself and shelve the individual shows chronologically in my '66 to '75 shelf.

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10 years 9 months

Submitted by hendrixfreak on Sun, 10/10/2021 - 08:30

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Did anyone else notice that the first set on 12-9-71 begins with quite muffled sound on Truckin'? At first I was taken aback, but the sound quickly improved to astounding quality -- but right at the start it's sub-par.

That is all for now. Finishing the first show tonight and taking a few days' break til 12-10-71.

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6 years 6 months

Submitted by Weavie on Sun, 10/10/2021 - 09:23

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Looking forward to this.
Surprised that we really have not seen the box set.
It is the level of creativity to these packages that keeps winning me over.
Has anyone done an unboxing YouTube video yet?
The Dead.net web site really is not showing much.

USPS left it at my front door before 1pm.

Did a quick inspection and the box itself is an epic waste of space. Approximately 3/8 of the interior is just air. So, not just a waste of shelf space but also a waste of materials and resources.
Looks like my book was printed correctly.
CD cases are paperboard like 30 Trips and Road Trips.

Overall dimensions, for those who haven’t received it but want to know, it’s a little bit smaller than an LP vinyl case and about 3 inches thick.

Will give a first listen tonight.

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10 years 3 months

Submitted by daverock on Sun, 10/10/2021 - 11:17

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No box yet, but thinking along the lines of Hendrixfeaks last but one post, I would say that when I think of 1971, as a year, I tend to think of the 5 man and not the one with Keith and Donna in it. From the moment Keith joined the sound changed to that explored in 1972. So 1972, for me starts in October 1971 and ends with Pigpens last show in summer 1972. Which is when 1973 starts.
The same argument applies to earlier years to some extent, too. The division of the bands progress and sound as being typified by particular years is quite arbitarary, when you come to think about it.

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