• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • Born Cross Eye…
    Joined:
    How many boxes are left?

    Years ago, it was possible to "order" a whole lot of these limited releases and if you ordered above a number of units, you'd get something like "unable to order the number you requested" or something like that. Then you start over with a lower figure and keep trying again and again until you came close to the correct number of boxes left. Or something like that.

    With this current system, it appears that you cannot do that with this release.

    However, I am patiently waiting for that shipping email to be sent and more importantly the box itself.

    I have 12/10/71 a bootleg cd set;
    10/18 & 19/72 as downloads (I think I still have them)

  • Deadheadbrewer
    Joined:
    We are everywhere . . .

    I was at a river picnic Sunday for someone's birthday; lots of swimming and Bocce . . .

    Started talking to the husband of one of the invitees, and he mentioned living in S.F. for twenty years, from 1973-1993. I said, "Well, being a huge DeadHead, I HAVE to ask if you are into them . . . " His eyes lit up, and he enthusiastically said, "Yes! I saw them something like 150 times!" So we chatted.

    Eventually I asked when his FIRST show was, and he started thinking, then told me it was in the winter of '72 in Michigan. I said, "Was it perhaps 12/14/71 at Hill Auditorium in Ann Arbor?" I thought he was going to swallow his tongue, he was so surprised! (partially because he could likely tell that I was one year old at the time) He decided that THAT was actually the year, NOT 1972, and then he shouted to his wife, "Honey, you're not going to believe this!"

    I mentioned that he might want to check out a new box set that had music from the two shows just prior to his first . . . Now I'm getting his e-dress from the birthday friend, so that I can send him an amalgam of 12/14/71, from the official release and some high-quality boots.

  • LedDed
    Joined:
    El Posto Cinco

    El Posto Cinco

    Concrete Blonde - Bloodletting
    Los Lobos - Kiko Live
    Kool & The Gang - Light of Worlds
    Pink Floyd - Live At Knebworth 1990
    Billy Gibbons - Hardware

    Saw Guns N' Roses again last night in Denver. Nothing new, but a rowdy crowd loud and ready to party. Felt absolutely great to be back out on the tiles again!

    Cheers everyone, be well.

    \m/

  • daverock
    Joined:
    Gibson Les Paul Specials

    On some of the pictures in the booklet for Dicks Picks 35, chronicling shows in August 1971, it looks as though Jerry is playing a a Gibson Les Paul Special - in glorious TV yellow at that. I have always liked this guitar - it is one of the few Gibsons that has single coil pickups - P90s. Keith Richards used one live on Midnight Rambler for decades, and in England it seemed to be used more by rhythm players in hard rock - but not metal - mode. Humble Pie and Mott The Hoople used them sometimes, as well as various punk bands. I think Johnny Thunders played one.

  • KeithFan2112
    Joined:
    8/14 & 8/15 1971

    Yeah Proudfoot, especially the 14th. As I mentioned on the other page, Jerry's playing a Gibson Les Paul at these shows, which gives them a completely different / unusual flavor than anything I've heard after they started playing songs from the WMD, AB, Ace, and Garcia records. I love this guitar from years of listening to hard rocker guitarist Ace Frehley play it (pretty much his trademark axe). Just listen to that thing sing while he's picking away under Weir's vocals on El Paso. I guess headphones help. And The Other One => Jam => Other One Reprise on the 14th is some top shelf jamming.

    I don't recall any official releases from '71 forward with the Les Paul. I certainly don't recall hearing the unusual texture enough to look it up like I did with this one. I know he used it on and off prior to those above-mentioned records, but he primarily stuck with the SG when it came to Gibsons in this era. As best I can tell from the Jerry guitar site, the 30 Trips show from 11/10 1967 is the only official release featuring it from the '60s/'70s. It looks like he had been playing a few different Les Paul models throughout 1967-1968 and switched to the SG the very night of the famous show at the Greek on 10/20/68 (also in the 30 Trips box of course). So yeah Doc, these are special shows to this guitar geek.

  • proudfoot
    Joined:
    August 71 should get a lot of attention

    8 5
    8 6
    8 14
    8 15
    8 23
    8 24
    8 26

    14 and 15 deserve a lot of love

  • Forensicdoceleven
    Joined:
    Truth is the cry of all, but the game of few…..

    50 years ago today…..

    August 15, 1971
    Berkeley Community Theater, Berkeley, California

    Set 1: Big Railroad Blues-Playing In The Band-Mr. Charlie-Cumberland Blues-Sugaree-Promised Land-Big Boss Man-China Cat Sunflower>I Know You Rider-Me And Bobby McGee-Casey Jones

    Set 2: Truckin'>drums>The Other One>Me And My Uncle>The Other One>Wharf Rat-Turn On Your Love Light

    Encore: Johnny B. Goode-And We Bid You Goodnight

    Deadicated to the420bandito, MLavallee, blueboy714, Roguedeadguy, chilly1214, Moses Quasar, kevinbrandon, UncleBill'sBand, gruesom, skantor, Lightfoot510, JJJJJ, msmiranda, bchar, JackS, luis, clovett, and Dead Ahead, because memory is a complicated thing, a relative to truth, but not its twin…..

    Requests for White Rabbit, and a critical envelope…………..

    As with the previous evening, a show that doesn’t get a lot of attention. A little less grease, and a bit more jamming. A worthwhile trade-off? You decide………..

    Rock on!!

    Doc
    So long as I confine my thoughts to my own ideas divested of words, I do not see how I can be easily mistaken……

  • Forensicdoceleven
    Joined:
    I like living in Berkeley, but I know Berkeley's not the world….

    50 years ago today…..

    August 14, 1971
    Berkeley Community Theater, Berkeley, California

    Set 1: Bertha-Me And My Uncle-Mr. Charlie-Sugaree-El Paso-Big Railroad Blues-Big Boss Man-Brokedown Palace-Playing In The Band-Hard To Handle-Cumberland Blues-Loser-Promised Land

    Set 2: Truckin'>drums>The Other One>Me And Bobby McGee-Sugar Magnolia-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    Encore: Johnny B. Goode-Uncle John's Band

    Deadicated to Serpent of Dreams, droidmec, WhatsbecomeofRosemarysBaby, Fogle, MilesM, NWScarletFireGuy, Old Chief Smokem, mdboucher, Quodlibet, Thats_Otis, and Pancho Pantera, because memory is the treasure house of the mind wherein the monuments thereof are kept and preserved……

    One of the better summer 71 shows, with a decent dose of first set Pigpen and a nice big jam to open the second set. Phil is very active. The second set seems to be dominated by Bobby, with four straight Weir songs to kick it off. One never hears a lot about the two Berkeley shows, but they are worth a listen!!

    Rock on!!

    Doc
    Sometimes I can think of nothing more blissful than going to Berkeley and reading Byron for three years……………

  • Oroborous
    Joined:
    He’s not dead

    he’s just resting...

  • alvarhanso
    Joined:
    Slipcase slipcase second generation

    I'm curious if it's more Sunshine Daydream or Get Shown the Light slipcase, the pic in the email makes the object coming out appear more substantial than those thin, etched paper cases of GSTL, which was just 11cds. SSDD was just 3 plus DVD or BluRay, so that kind of slipcase was nice for that. This is the biggest box set cd wise since PacNW, which was 19cds. Other than 30 Trips's gargantuan 80cds in 2015, this the biggest since 2014 Spring '90 The Other One's 23cds. I'm expecting some heft to this thing. If you could do Europe in a steamtrunk, maybe taking a steamboat on the mighty Mississippi, one may need a valise or briefcase? Whatever it is, however large it is, it shall be adorning a spot on the shelves, but I simply can't wait for the goodness within. I'm pining for these shows like a Norwegian Blue parrot that's most definitely not pushing up the daisies. The plumage of the box may be lovely, but the glory is in the music of the Dead 1971-73.

    Hoping somewhere along the way we get a Listening Party featuring at least one of the three Brokedowns giving the box its name.

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What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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17 years 5 months

In reply to by icecrmcnkd

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I'm a fan of the more modestly sized June 76 and July 78 boxes, and not really the larger sized Spring 90's or E72. Just personal taste I suppose. The music's more important than the goodies/ephemera etc. IMHO. YMMV.

-edit- No box yet here, either. Just going off the reports I'm reading...

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17 years 5 months

In reply to by wilfredtjones

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Yes HF I was thinking the same thing about the 71 shows: they sound a lot like E72!
I had to check a couple times to make sure I had the right disc lol.
Keithfan might get stumped guessing at his family BBQs lol.

Have mostly heard the first five shows so far. (On 10/19 now)
Overall, Great audio, though there are a few splices. Only the SOTOTW one was tough...lots of repeats, otherwise music solid all around, but perhaps not a lot of “extraordinary” moments, except disc 2 from 10/18/72.
So far, to this DS freak, that’s worth the price alone! Really looking forward to the 73s and specifically disc 20!

BOXES/Space: yep, slightly smaller than a LP..like the small pizza box analogy!
I don’t think it’s tooooo big, but agree there is a lot of extra space...
Agree with most that GIANTS, 76 etc are just right size, though I really love the art etc of the PNW box as I love the PNW native art in general. Saw a great exhibit of it at SAM in 2013.
Agree I wouldn’t want em all that big though...

Oh ps: Does Keith not sound as good or prominent in the mix as you’ve ever heard, especially the 71s which sound like he’s playing the upright and not a grand..

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7 years 1 month
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Just got my set in, but I can't find the serial number. Is it hidden somewhere? Am I missing something? Can anyone tell me where it is located? Any help is appreciated.

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4 years 4 months

In reply to by Shrewnews

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Glad/hope you got/get yours

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10 years 9 months
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I had to look around myself.

Daverock, you hit on a real key insight into eras of any kind. Like the '60s began ~ 1964 with the Beatles, post JFK, etc. The entire "decades" thing doesn't really hold up upon examination.

Other folks have pointed out that GD eras don't neatly fit into years and, of course, that's right. The band's eras really map to specific tours, the introduction of new players or new songs or new instruments or effects. Here's an idea: what if someone actually mapped out all the tours by dates, then noted the intro of new players, new songs, new instruments so one could grasp the overlays? Then there's the elusive time/age factor as teenagers (Bobby at least) or very young men whip past 30, then 40, then 50, and Bobby that focker is hitting his 70s and still going, just sans the bevy of groupies these days (I assume).

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17 years 5 months

In reply to by proudfoot

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....we need the number!!
And yes. Yes it is. Devoting mucho time to it. Might call in sick tomorrow.
The second disc of the first '72 show was so good, I played it twice.
Cumberland. You know me.
Playin'. A monster.
Casey Jones. Check.
GSET. Whoo-hoo!!!
Don't Ease. Bouncy.
Mexicali. Reprieve.
Black Peter. Sublime.
Bobby McGee. Perfect slot selection.
Bertha. No comment required.
I love this particular disc. Granted. I'm biased as hell regarding Cumberland.
But wait, there's more!!

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12 years 2 months
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Got two loads of wood delivered today. Dumped, as always, in the road right in front of the house. I spent all afternoon loading and stacking the wood in the garage. Axe in hand, chopping the larger cuts into a more manageable size. I was called foolish for installing a wood burning fireplace. Too much work. Too dirty. Too smelly. Years later all the neighbors look on with envy and ask to borrow wood for their newly installed fire pits. Don’t you just flip a switch or something I always reply.

I come inside after finishing and my daughter hands me the box. Sunday delivery is quite nice. Can’t wait to grab a beer and fire it up. “Mom’s napping.”

So, hopefully tonight I can listen.

First comment. As others have pointed out. The box is way too big. A ton of unused space. And very difficult to remove a single show. They all slide out. How about adding a few more millimeters to make access to the discs easier. You clearly had the extra space.

Time for a Magic Hat #9 and nice little fire.

Happy listening to those who have their copies.

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10 years 9 months
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also, AJS. Picked up one pickup load yesterday, about 800 lbs stacked into the truck, then 800 lbs stacked in various locations around the perimeter of the house. On a cold, dark winter night, snow swirling, I'll pop a little psylocibin, pour a whiskey, grab a guitar and dream on the fire. Yeah, fall is the best as the cooler temps push you to race to get ready for the snow and darkness. Beautiful! And perfect for listening to loud music as doors and windows are closed.

Paz, brothers.

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11 years 7 months
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Burning wood... local product, have depended on it for forty years, see behind those sunflowers. Stacked a fresh load of beech, maple and ash just a few minutes ago. PITB in some ways, but there's nothing like a wood fire. I cook on the stove, heat water, its the iron beast magnet altar in winter. While awaiting the new box, went to my first live music indoors since February 2020 this afternoon. Host and composer Bill Cole presented a new work, Margaret and Katie... he taught at Amherst and Dartmouth, chaired the department of music, retired a few years ago. Tomorrow is his 84th birthday. Held at a small recital hall at Dartmouth (photo ID, vax certificate, student escorts), limited to forty by invitation, plus a few students, video will be posted to YT after some digital mastering. Seven musicians, everything from tuba, marimba, sax, flute, cornet, conch shell, kora, percussion, various reeds and didgeridoo. As Dartmouth was founded 1769 to educate and Christianize Native Americans, a few moments of quiet reflection on that upside down mistake this eve of Indigenous Peoples Day.

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4 years 1 month
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Came home yesterday after hiking Pt Reyes to find the StL box ensconced behind the ˜petunias and safe from porch pirates. Woohoo! That's 8 days after the official release date, for everybody keeping score at home, so despite all the rigamarole about delays, the box actually made its way to me just about exactly as fast as the more recent DaPs have.

The packaging is lovely. Have only had time to audition two random discs, and they sounded great on every level. It's going to take a good long while to explore all 20 discs, but I'll be loving every minute of it.

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15 years 2 months
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Mine has just been delivered in the UK. Obviously, I should have more faith in UPS.

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17 years 5 months
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While waiting for my UPS delivery I’ve been reading the latest issue of Uncut. It has a short article and interview with the sax player Charles Lloyd whose music began with playing with the blues greats like Howlin’ Wolf and later hung out with the Grateful Dead who apparently loved his music. For those of us in Blighty he has a show on November 20 as part of the London Jazz Festival at the Barbican.

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15 years 8 months
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Mine has just arrived in Sweden, plaudits to Deadnet for finally using a carrier which gets our stuff to us in a timely manner, for once we in the first world dont have to wait around for 6 or more weeks!
Daverock/Simonrob/ Gratefulgerd, I suppose you now also got yours, enjoy!

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17 years 4 months
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3847 just arrived here in Scotland. Got hit with £63.15 in charges/taxes. Like others have said the box is too big and you can’t get a show out without them all falling out. I prefer smaller boxes. Weird shaped book but mine is in perfect condition. Now for a mammoth listening session.

Number 9426 also arrived in Scotland but with nothing to pay!!

Very nice package in perfect condition and some nice extras hidden away.

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17 years 5 months
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Mine’s just arrived but cannot find the number!

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17 years 4 months

In reply to by frankparry

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It’s on the back cover of the book.

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17 years
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My box arrived Saturday and overall it is a drop dead gorgeous box. However, the lower right corner of the slipcase for 12/30/73 was mangled, as though someone attempted to shove it in, failed and bent it all up, and then just said f*** it and pushed it back in. There were some significant scratches on the disc that went into that part of the slipcase. Almost *half* of the 20 discs had at least a few hairline scratches on them. I get the environmentally friendly aspect of them, but I despise those cardboard cases.

I’ve sent an email to Customer Service and hopefully they can make it right. They were good about providing a replacement for DaP 39, which also had a bunch of scratches on one of the discs, which was surprising since those are at least in plastic trays. Seriously, does Rhino hire chimps to pack and run QC on their products?

“Karen” rant over. Back to the music!

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3 years 3 months
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FrankParry, Charles Lloyd played with the Dead on 8/3/69 at the Family Dog, he plays on a great version of Dark Star. You probably already knew that. I see he plays on the same gig as the Dead on 10/1/67 at the Greek Theatre. I didn't know that he played with Howlin Wolf , but I don't know a Lot of things, Howlin Wolf is one of my favorites.

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17 years 5 months
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Just listening to the last cd from 73 and half way through Eyes it looks like there’s a giant patch for about twenty seconds. Doesn’t spoil the enjoyment at all though - great version and a truly out there version of Dark Star.

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17 years 5 months

In reply to by Dogon

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mine has arrived about an hour ago. UPS did a good job. Very reliable tracking from A to Z. Nothing out of control!
Well, I think it's gonna be a long night.
Proudfoot probably would say: Es wird eine lange Nacht.
I'm excited.
Enjoy yours
G.

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7 years 4 months
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It’s great to hear our European Head friends are getting their boxes so quickly. I would be bummed mine hasn’t shown yet, but I have SO MUCH freakin’ stuff to play before the box arrives. I’d be a fool to complain.
Listening to, among many, Bill Evans, Black Sabbath(Technical Ecstasy), Elvis Costello, and Dave’s picks from ‘73 shows.
I was informed I’d have my box on the 9th, 10th, 11th, and now 12th. Pretty sure it WILL arrive eventually.
No matter……Music Is The Best!!

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14 years
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is alive and well and is playing in Santa Barbara this Saturday.

Just got started with the box. First up: disc one from Kiel Aud. 10/29/73.

So far, so good.

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6 years 7 months
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Im not sur what to say to those stuck on the packaging. I just finished listening to 7 flawless, incredibly well recorded shows, flipping through a solid hardcover booklet, and enjoying some pretty cool extra treats. Not once during all the times Im going to replay these amazing shows am I going to be thinking "But shoot - if only they utilized that extra space deeper into the box or added ribbon to get the discs out quicker". I feel for you folks stuck on that stuff. I really do. Youre seeing a lot of stem and tripping on it, but there is a big bud sitting there to enjoy.

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For this box only, Dead.net changed unilaterally the shipping from "UPS Mail Innovations Priority" (UPS>USPS>local post) to "UPS Worldwide Saver. "
At least for me in Greece, this means that it will not be delivered to me by the local Greek Post (low customs clearance fee = 20 EUR), but by UPS Greece (80 EUR = 60 EUR UPS fee plus 20 EUR UPS handling).

Dead.net please use only UPS Innovations like all the time previously. Thank you.

Best wishes,

Alex

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17 years 5 months
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In time for a 5 hour White Sox game last night. Perfect listening for a wild game. I love the box, art, extras and most importantly so far, the music!

For those who don't like the box, here's an idea. Throw it out. The slip cases didn't come with an umbilical cord. Amazing that people complain about this. Its called a box(ed) set. It comes in a box. If it makes your action figures look small, that's ok.

...If ya don't state your preferences ain't nothing gonna change. Space counts. At least for me.

Highly looking forward to my box. Still hangin' out near Bong.

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10 years 3 months

In reply to by Dogon

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I'm well pleased with it, too. I like the box - sturdy and well made-it has gravitas befitting the music inside it. Considering it holds 20 cds, it doesn't seem that big to me, either. The last box I bought- "The Starday Custom Series" is bigger, and only holds 10cds. Though it does have a king sized book, too.

Anyway - I like the sound on the first one and a half cds. Rock steady. Also good that "Playing" crops up no less than 5 times, twice in 71 and 72 and once in 73, so its development can be appreciated across the years, if you have the mind. "The Other One" also features in each of the three years. I liked hearing Pigpen sing the Chuck Berry number instead of Bob, too.
The book looks a bit weird-I thought the pages were going to come tumbling out when I first opened it-but it has remained intact. Careful handling needed, I would say.
But overall- great stuff!
Mr Ones-sorry your's hasn't pitched up yet. It sounds like you have plenty to be going on with !

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If I was picky about this kind of thing, I would probably a little miffed that the corner of my StL is arrived a little smooshed in. It's not a big deal, but just for example, if I ever wanted to sell it, I couldn't list it as mint condition.

Fortunately, I'm not planning to sell it. And though I've only had time to test 3 discs so far, I haven't have any problems with the CDs so far, which is the most important thing.

As for the packaging? It looks fantastic, just a work of art to behold. But it's not super practical: it takes up a lot of space, even for a 20-CD set, and there's no easy way to see which shows are which or what songs are on a given CD without actually pulling the CD's out of the case. Which isn't super easy, either.

But that's nit picking, because the MUSIC is fucking great.

I'm so glad we had this time together, just to share a laugh and sing a song.

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4 years 4 months

In reply to by Oroborous

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Harvey Korman
Tim Conway
Vicky Lawrence
and
Owsley Stanley as the BBBBBBBEEEEEEEEAAAAAAAAAAVVVVVVVEEERRRRRRRRRRRRRRRRRRRRRRRRRRR

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In reply to by proudfoot

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we Deadheads are indeed a picky lot.

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10 years 9 months
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Right on, SteveGold, I'm tossing the box and shelving the shows in my chronological shelf.

And Proudfoot, dooood, I'll have whatever you're having!

Tonight: more from the new box, with a dash of Tequila and Indica and maybe a Guinness....

Enjoy, all!

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10 years 2 months
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While I would prefer a size that can fit into a standard bookcase, like June ’76 or July ’78, what we have displays the artwork beautifully. And is exceptional. My only qualm is leaving the slipcases generic. I think it was likely assumed most of us will rip the discs and then rarely will they see the light of day again. With that said, my bet would be that the box was designed for this time when vinyl reins for physical product. In some way it mirrors the original multi LP box sets, where the front opens for a tray that houses the records.

Sound wise, an earlier comment mentioned how three dimensional these releases get. My thoughts exactly when spot checking the discs yesterday. I actually listened to some of the Archive recordings prior to purchasing. By contrast quite proper. Something is done to really bring a stage-presence to the sound. A quality that isn’t there without the Norman magic. Very comfortable to settle into and let the band do their thing. Just add popcorn.

Looking forward to working through these shows in their entirety! Is it Thursday yet????

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5 years 1 month
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I received Box Set #3840 on Saturday afternoon. I inspected the box, book and CDs - all are in good shape! Sunday I spent some time ripping the 20 CDs. I'm on a few days of vacation, so I will spend the next few listening to the shows in their entirety after I load them on my iPod. I'm pretty stoked!

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17 years 5 months
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I wonder how many of these releases were recorded on Ramrod's reel to reel that's up for auction? Just browsed the whole listings. So much history. Jerry's Starfire Guild is a big ticket item. His Mutton is listed as well. My attention is drawn towards Jerry's Macintosh power amp though. Some high end vintage gear. Anybody got an extra million laying around?

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11 years 6 months
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9454 has landed and I really like what I see. So if I’m gone for awhile, well you know…

product sku
889198321643
Product Magento URL
https://store.dead.net/special-edition-shops/st-louis-collection/listen-to-the-river-st-louis-71-72-73-20-cd-1.html