• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • Forensicdoceleven
    Joined:
    I am a magpie. My eye collects details............

    Yo! Rockers! And especially Keithfan...............

    If I recall correctly, the comparison was 12/5 vs 12/10. I know, just a small detail, but still.................it's probably because you listen to too many Dark Stars...................

    To me, 12/9 has always been an anomaly. For years it's been postulated that there was a missing reel. My guess is they were running late. I know, shocking for a professional band....................

    Every man's life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.................

    Rock on!

    Doc
    Once you hear the details of victory, it is hard to distinguish it from a defeat......

  • daverock
    Joined:
    Bad - no. Bumpy - yes

    It isnt all plain sailing for me between 1969 and 1972. Not by any means. How could it be-given the nature og what they did? For me, the first half of 1969 is stellar - a real peak in terms of material and performance. But things ran less smoothly from about June onwards when the "Working Mans" and country songs started getting introduced. To me, these early versions sound a bit awkward, and the energy of the first half of the year gets dissipated a bit. Plus, the "Lovelight's " get tediously extended. Typically, these are the only shows from 1969 represented in Dave's Picks.

    In 1970, its more of the same-interstellar jams, awkward short songs and interminable "Lovelight's". I should say though that I do like the acoustic sets from this period.

    1971 seems to be a complete reverse - they are now spot on with the country style-but what's happened to the jams? Look no further of course - in October, with Keith onboard they return, and the Dead became lords of all they survey. Every type of song they play they take ownership of. And the "Lovelight's" get shorter.

    That's a ridiculosly truncated summary of course-just a general impression I have this morning in repsonse to Keithfans post. I wouldn't descibe The Dead as rock n' roll, either. They sometimes played it , but only in the context of a greater whole.

  • KeithFan2112
    Joined:
    Forensic '71s

    Yes I'm onboard with Vguy: Doc's reviews are great reading, especially if I catch them in the morning with that cup if French Roast. And it's not just the show reviews - you also get some pearls of wisdom to stimulate thy waking brain. Heh. I said "thy". Been reading a lot of Tolkien lately.

    Sure get stoned at night Big Boss Man. Just tuning into 12/9 the past couple of days after reading about the predicament Doc found himself in, with the 12/9 vs 12/10 comparison request (kk

    I hope it wasn't me). Comparing Dead shows on back-to-back nights is especially difficult. Assuming the audio quality is the same, it's almost down to the set list.....almost. I don't think I've heard a "bad" show from '67 to '77. The factors that influence my replay likelihood are:

    Recording Quality - this affects me more than I like to admit, and sometimes my tolerance grows over time. As a headphone listener, an undercurrent of buzzing, drones, excessive tape hiss, or other anomalies will definitely impact the frequency that I play a show.

    Mix - If I can't hear Jerry, I'm not going to be happy, whatever else is going on. Sometimes it happens - not much you can do except move the balance a little bit to the left. The opposite is true for me too. If Jerry is high in the mix I'm going to listen a lot more (examples of hHigh Jerry: DP 23 from '72, DaP from Nassau 9/7/73, Road Trips '74, DaP from the Orpheum '76, DaP from Swing Aud 2/26/77, and pretty much most multi-track releases, to name a few).

    Performance / Energy - did they play well?/ I think pretty much every night before 1978 was at least an A- on the grading scale right? But most nights I think they had some extra rocket sauce and played extremely well - an A night. And then there were some nights where they had "the stuff". You know "the stuff". FW 2/2/69, 5/2/70, 4/29/71, 5/3/72, 11/11/73, 2/24/74, eckcetra, eckcetra). Sometimes there's this vibe that even the tapes catch. 12/10/71 feels like lightning in a bottle to me.

    Setlist - it somehow factors in sometimes, I suppose. If the tape quality and performance are top notch though, the setlist almost doesn't matter. What's that? Yes you in the back. What if it's Dark Star night? Well perhaps, yes, that can be special - but a Dark Star does not an A+ concert make.

    Thanks for all of the great insight Doc. It's only rock 'n roll but I like it.

  • Forensicdoceleven
    Joined:
    Man is a messenger who forgot the message......

    Yo! Rockers!!

    Speaking of messages, does anybody check PMs any more? Hint hint................

    As they say at my office, "Sure is dead around here......"

    Rock on rockers!

    Doc, paperwork day
    You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.....

  • Forensicdoceleven
    Joined:
    Love is a smoke made with the fume of sighs……

    50 years ago today…..

    December 2, 1971
    Boston Music Hall, Boston, Massachusetts

    Set 1: Bertha-Playing In The Band-Mr. Charlie-Sugaree-Beat It On Down The Line-Black Peter-Next Time You See Me-Jack Straw-Tennessee Jed-Mexicali Blues-Smokestack Lightning-Big Railroad Blues-Casey Jones-One More Saturday Night

    Set 2: Sugar Magnolia-Deal-El Paso-Brokedown Palace-Uncle John's Band-Not Fade Away>Turn On Your Love Light>Goin’ Down The Road Feeling Bad>Not Fade Away-Johnny B. Goode

    Deadicated to Ken Kirk and Joe Lydon, for all the shows we shared together……

    Maybe not a top-tier classic, but it has its own quirky gooey goodness. One of only two 1971 shows with both Black Peter and Brokedown Palace, and the only 1971 show with both Smokestack Lightning and Turn On Your Lovelight.

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Definitely worth a listen…………

    Rock on!!

    Doc
    There may be a great fire in our hearts, yet no one ever comes to warm himself at it, and the passers-by see only a wisp of smoke…..

  • Vguy72
    Joined:
    The Doc knows his stuff....

    ....good to know you're still healing Forensic.

  • KeithFan2112
    Joined:
    Re: China Rider 10/19/72

    Just to clarify, what I hear is a distinct increase in volume from China Cat to Rider.

  • proudfoot
    Joined:
    12 1 71

    I heard that one a few months back...nice and happenin'.

  • Forensicdoceleven
    Joined:
    The Earth is like a child that knows poems…..

    50 years ago today……

    December 1, 1971
    Boston Music Hall, Boston, Massachusetts

    Set 1: Truckin'-Sugaree-Mr. Charlie-Beat It On Down The Line-Comes A Time-Jack Straw-The Rub-Tennessee Jed-El Paso-Big Railroad Blues-Casey Jones-One More Saturday Night

    Set 2: Ramble On Rose-Me And Bobby McGee-Big Boss Man-Cryptical Envelopment>drums>The Other One>Me And My Uncle>The Other One-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    Deadicated to Albert, where ever he may be. Don’t go all existential on me…..

    There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered. After an absence of eighteen shows, Pigpen returns, albeit in a slightly subdued mode. But it’s good to have some grease back………..

    This was the first show with both Pigpen and Keith Godchaux. It includes the final performance of The Rub, which is actually a pretty decent, hard rocking version. The Other One reprise has some nice, energetic “interior jamming” before they return to the Other One theme and the second verse, after which they fairly abruptly stop. This is followed by extended tuning prior to the start of Not Fade Away.

    Hard to assess the first set due to “suboptimal sound quality” of the first set audience recording, but it seems well played and well received. The second set is very fine, highly recommended!

    Rock on!!

    Doc
    I have just returned from Boston. It is the only thing to do if you find yourself up there……

  • Forensicdoceleven
    Joined:
    So that we might have roses in December……

    Yo! Rockers!!!

    We’re in the home stretch. Cold winter beckons, warming music arrives……..

    This is not the winter of our discontent. The anniversaries of eleven fine shows await. Two bona fide classics, maybe more, all worthwhile. October good, November better, December best. Be prepared!

    Rock on!!

    Doc
    A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened…..

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6 years 4 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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15 years 2 months
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The transition from Sittin' on Top of the World back into the Other One on 12/10 is mesmerizing, they turned that corner so fast, I don't think two drummers would have been as smooth; Billy had that Jazz/swing down, Mickey not so much.
10/18/72: Bobby tries to tell his old Yellow Dog story, the band cuts him off while they play a few bars of Heart and Soul, fun stuff.

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15 years 1 month
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Daverock: Thanks for the Starday info, sounds right up my alley. Hoping Bear Family will do a King Records set in the future, a few actually, there's tons of killer Hillbilly and Blues in there.
Random note: the standalone release of 12/10/71 has a much nicer and sturdier slip case. Looking forward to the vinyl release.

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7 years 6 months
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I use canned air duster to get some dust particles off the cds that come from a new box or Dap. I noticed that sometimes you cant see any dust and it skips anyways, so I puff the disk for a second and 'voila' no skippy diskie.

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12 years 1 month
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I have made it through both 71 shows. The sound is impeccable. My new favorite Comes A Time.

My only complaint so far is the booklet. Pages 73-80 are missing. It seems a shame that with all the unused space in the box, they couldn’t have included those. Too be honest, I rarely read through all the liner notes. However, I would like to know how the story ends. No spoilers please.

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17 years 5 months
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I before I received my box today publicly wished for box #00420. Then, at 4:18 CST (which I thought to conveniently round to 4:20) my box arrived. I was painting, so couldn't grab it 'til around 7. I have an extra large mailbox so it fit in there easy, with Space to spare. :-) Coincidentally, my packing box (the box box) also has 4-2 written in black sharpie on it. I always save the box boxes. Anyway, my avatar is now a snapshot of the booklet. You'd have to save it to your computer to zoom in and see.

Oh, and yes I have already dumped the CDs out inadvertently all over the place. They fall out kinda easy. I look forward to perusing this a bit more in the coming days.

Gotta check my book for pages now though! 00420, baby! :-)

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17 years 4 months

In reply to by wilfredtjones

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....very cool.
Do you people think the remaining band members get these boxes?
And the 10.18.72 Dark Star is Phil Heavy. Very nice.

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17 years 5 months
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My box set arrived today. I love all of the extras that were packed in with it, it was a nice surprise. As for most important part, the music, I have only listened to 10/18/72 so far. I have a lot familiarity with that show, so started there. So far it sounds great. Mr. Norman and the Plangent (spelling?) Process really do wonders. I can't wait to get into the rest of the shows. I am familiar with 12/10/71, as I had it on tape back in the day. I have listened to 10/19/72 once so I can't say I really know that show. The rest will be first listens.

I have been going through all of my CDs, GD and otherwise, and I am removing them from those came packed in cardboard slipcases. Those slipcases can scratch the CDs when they are removed. Of course I found several that had the glue issue, where the CD got stuck in the seam where the glue separated. I also came across some slipcases that were loose, so as I as opened them, the CDs almost fell out. So I have been taking the CDs and placing them in individual plastic CDs cases. They don't scratch the CDs and they keep them secured. I don't want to have to replace any because the secondary market prices are nuts.

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7 years 3 months
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…of the great box hostage crisis. I’m starting to get a little antsy. Delivery was confirmed today for the 6th straight day, by 8, 7, 10, or any other O’clock, but no show. I still have plenty to listen to, but I’m starting to tire of hearing everyone’s great descriptions, and not being able to listen. Sigh.

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16 years 6 months
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Great concise box great shows ( on my 3rd ) thank you everyone! I could go for a 30 show box( hint hint ) but out of respect for those that have limits I can go for this.
Oh hell whom am I kidding give me every Greek show with a 5’ set lol

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17 years 5 months

In reply to by snafu

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As always, i get 2 boxes of every release because i always pay-it-forward to my older brother that first introduced me to the bus schedule before I jumped on!
So yea, we all love it, it is amazing... listening now :-)
...but have you all ripped and played from your digital player (laptop?)
My playback source is JRiver Media, and after i rip and begin playback, i can retrieve digital photo content that scrolls in DISPLAY when I select during playback... have you checked this out?
Great old pictures rotate... Dead through the years + Jimi, bob dylan with the dead, a VERY recent picture of Donna that i think is great + many other moments in time we all remember... Branford Marsalis and others.... this is just from discs 1 & 2 so far!
Anyone else experiencing this as well??
As always, iGrateful
Hope you are all well

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8 years

In reply to by Gratefulhan

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For those that are still wondering, just read the Producer's Note and all the shows are two track.

Sound quality is fantastic so far.

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7 years 6 months
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10/17/72 is like jerry said "I mean it was just like, it was just, crackling with energy!" I think we are pretty lucky with this wonderful box. I mean we asked and they listened. This box will be talked about for quite a long time. We should give DL, rhino, and the dead a 21 joint salute.

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10 years 2 months

In reply to by Gratefulhan

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Gratefulhan - paper sleeves are quite handy - and you can still store the cds in them within the original jacket of the cds sometimes. Saves even more space than the plastic trays. Another good way of creating more space is to chuck things out that don't matter anymore.

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7 years 3 months
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What an outstanding show. First time I've heard it. Awesome sound too. Today will listen to 121071. Received box yesterday, 05188 is in the house. Great package, Love it !

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10 years
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I cannot state it any more eloquently than other posters have, but having just received this yesterday, I have to say they really have created an amazingly beautiful box set, with GREAT sound!!! These box sets are a celebration of and for the fans, and they really celebrate what a monster force the Grateful Dead was. I've been fortunate to obtain some great box sets this year - Dylan's latest comes to mind - and they are just so great for the packaging, the pictures, the extras (nice touch here Rhino!), but especially the music!

I would say that they have upped their game on this box, but as I look at all the Dead box sets I have, all of them unique and incredible, I think it would be more accurate to say they have absolutely maintained a great standard of quality.

Mr Ones - Yours will arrive, and when it does, it will steal the face right off your head!

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13 years 9 months
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the lack of an other one/dark star my lead one to believe that10/17/72 is short (like 12/9/71 which is really short, i mean seriously did some of it not get recorded?), but at 3 h 40 m i would not classify 10/17/72 as short at all, whoa 31 songs (including the NFA reprise as a song), although i casually listened to this show on the archive shortly after purchasing LTTR i didnt realize how long the show was

oh and someone called out the 12/10/71 comes a time... gotta love the jerry falsetto on empty cup, i think he does that at felt forum too

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12 years
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Just plainly beautiful. My wife even gave it a spot in the living room and not the basement.

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10 years 2 months
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Too cool! Can you give us some lottery numbers to play?
Cheers!

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17 years 4 months

In reply to by 1stshow70878

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Hey, I know her! And a, their spectacular, but they ain’t real lol

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17 years 4 months

In reply to by Oroborous

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Firing one up as we speak…ok, now we need 19 others for the Ssssaaaaalllluuuuuuuute!

Howdy Mike!
Go Leafs lol

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11 years 11 months
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Got my box today really quickly just after 8 days receiving the shipping note.
UPS charges an extra of EUR 47 for taxes and fees in front of my frontdoor.
Second lowest number behind Dave's Pix Vol. 3 which has #242 but this
one was a replacement.
Sort out 10/19/72 during a drive and it looks like the show is in full lenght
with stage banters, tunings etc. All CDs are complete and looks fine.
With nearly 1000 shows in my collection there are now four more I've missed
in the past times. Will check them all out during the next week when I have plenty of time.
By the way - my last five:
GD- St. Louis 12/10/71 5-LP Box
Gov't Mule - Philly 09/11/21
Gov't Mule - Virginia Beach 9/17/21
Page & Plant - Unledded
Neil Young - Carnegie Hall 1970 2-LP

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10 years
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Hey Oro! How are you Bud! Bow before the Mighty Leafs, they actually won their home opener last night, only 81 to go! Like Lexie, they are all tease, and they end up breaking your heart. I hope you are enjoying the box set - they really did a hell of a great job on this. I’ve bashed them for some service issues in the past, but man, talk about making amends!
I hope all is well, see you in the playoffs.

Dennis, Nappy Rags - I know you guys love jazz, so I’d love to hear your thoughts on the Coltrane Seattle release next week.

Speaking of Seattle, how phucing cool are those new Kraken uniforms!! They will be a lousy team, but will look first class losing.

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10 years

In reply to by proudfoot

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MaryE chased her off with a broom!
“Scat! You harlot! This is a fan site, not a sight for a fan! Beat it, you and your tub!!!!”

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12 years 2 months
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Box number 00025 landed in Manchester UK today. It looks fantastic. That’s my weekend sorted!

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9 years 11 months

In reply to by Vguy72

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...if you are, then I am too. Mine's has gone *poof* also, in acknowledgement of your playful observation...

I suppose any comments related to missing some riff raff here or there aren't taken very kindly. We're all human...it's all good and it was all in good fun. Except captcha. Captcha is not human, and usually not too much fun.

Enjoy the shows people!
Sixtus

P.S. To reiterate my now lost/prior observation of immense enthusiasm: one pertinent/favorite moment so far has been the impeccable and intense transition from Dew back into Playin' on the 18OCT72 show....hadn't heard that before, and I will not forget it any time soon

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16 years 2 months
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07676 has arrived as promised by UPS> USPS.
On July 21, 2021, the dead DOT net store posted this "Listen To The River: St. Louis '71 '72 '73" box set, and a great and wonderful Head named "Dennis" was the first to poop a comment. Before the day was over, I laid my $219.00 greenbacks down for a box. I love these October '71 shows presented here, along with the Grateful Dead 1971 guru/cheerleader, forensicdoceleven, who relit the 1971 GD joint for me.

Time rolled on with some great comments and discussions, on topic and off-topics
of the GD, but music in general. I think I left a comment or two, also.

Mid-September rolls in and my anticipation builds. A little later a dreaded email arrives stating that there will be a delay in the shipping of this box later than October 1st. No big deal, I'll wait.

Good news with an email my box has shipped, and I may track its progress on the UPS tracker. A little bit later the tracker gives me a date of10/14/2021 as an arrival date via USPS.
A 10-day delay on this one, no big deal, my patience paid off.

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17 years 5 months
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One of the show's I caught I remember Bill leaving the stage during a Sugaree and Mickey as a lone drummer and he added his own unique textures. The classic Mickey and the Hartbeats boots are good examples that Mickey was also a great jazz stylist when given the platform.

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17 years
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I cant believe I'm at the age where I finally can't find the box number on my set. Embarassing. Where do I look? 🦮👽

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8 years

In reply to by direwulf

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It is on the back of the skinny book.

The older I get the harder it is for me to read small print and these books continue to shrink in size.

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10 years 1 month
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First show of the box I'm listening straight through. Dang if something didn't pop during BIODTL to clean up the sound-- started hearing much cleaner lines from Phil and Keith, Bobby settled a little more inward. Or maybe a left sided earwax plug finally cleared itself out (the cat sure is licking something....). Or I just turned it up a bit.

I'm not familiar with Fall of '72 and my initial impression is that the playing is a lot more ragged and loose. Tumbling rough. Not E'72 and definitely not yet '73. Like '71! Is that the flow Dave found in these shows? Will see.

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7 years 6 months
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The vicar. It might be the church police.

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10 years 9 months

In reply to by FiveBranch

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I would definitely agree that they are quite loose Fall '72, I'd argue that they played loosely and laid back, and more in tune with some of the tunes like He's Gone, Sugaree, and especially Bird Song and Playing in the Band. Bird Song is magnificent in Fall '72, and Playing is simply scrumtrulescent in Fall '72 (11/18, 11/15, 10/18, and 11/24, and hopefully 10/17 is as good as the next night's. They also played some great Dark Stars on that tour, partly because of the laid back vibe of the rest of the playing. You also will find a lot of extremely nice China Riders, Jack Straws, Boxes of Rain, and Black-Throated Winds. The Truckin's continue the years expansive versions, but an exceptionally well played tour. I love Europe '72, but a lot of those newer songs which evolved over that long European jaunt, then continued to take shape in Summer '72, were much better, to my ears, than those earlier versions. He's Gone on 11/17 and 11/18 are my two favorite versions ever, just absolutely gorgeous, and this is probably my favorite era for that one. I advise a deep dive into Fall '72, the waters are deep and wide, and this box set provides the literal starting point. 10/18 is a show I've had and loved for years, but have only listened to that massive Playing sequence for the most part for many years, looking forward to getting to that one for a fresh listen, and 10/17 and 10/19 are completely new to me, so I'm pumped for those. Hope the discs get you hooked, pretty sure they will.

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I am really enjoying this box set. I have had a good listen to 10/19/72. It sounds so good both in audio quality and musically. What i really like though is Dave L's concepts for this box set. This is the 3rd geographical box set and I have to say I really like this idea. Just like the Giants Stadium and PNW, I like how we get shows that span a few years. Yet each illustrates how the band played when at certain venues. Earlier my learning and tape trading days, the Fillmore East was, in mind, and reality one of those geographical powerhouses that brought out the best in the band. I had 2/13/70, and 4/28/71 on tape which confirmed it for me. There are so many more of these geographical power houses - The Spectrum, The Greek, etc... that i really hope Dave L sticks with this formula. That is not to say that getting complete runs of shows shouldn't happen. Still I feel like the method used for the St. Louis box gives a variety of great shows and makes the final product more interesting. Any time I can get some shows with PigPen, then of course the glorious year of 1972 in a box set, well I am happy. Those 1973 shows are looking great to me, so that is just the icing on the cake.

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In reply to by proudfoot

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....now do the Greek.
I'm going to dip out of rotation and spin Kiel 10.30.73.
I kinda feel bad not playing some of these shows on their respective anniversaries.
But not THAT bad.

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Yo! Rockers!!

Anniverseries coming up, just checking in . Fabulous box. Worth it all for the immaculate recording/reissue of the second set from December 10, 1971. I will comment on the 12/9/71 and 12/10/71 shows at the appropriate time, but for now let's be grateful and luxuriate in them......

Moving soon, much longer commute, have loaded up lots of Fall 1972 shows for my listening pleasure. Yes, my fellow rockers, stepping outside my comfort zone, a new and different kind of gooey Grateful Dead goodness, looking forward to the explorations...................

I am fortunate that I was born in a family where music was already a part of life........

Rock on!!!

Doc
When one has been touched by the stellar power and ethereal playing of a sublime musician, one is lifted, if only briefly, to a place beyond the realm of the temporal...............

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Enjoy the Bird Songs on your Fall '72 jaunt. What is it? A rocker? A ballad? I say neither. I say it's a Jammer. Son of Dark Star.

And to the rest of you Bolos: I've been listening to this box set a little bit differently. I'm going in order show-by-show, but I'm listening to each show 4 times each. I'm on my last go for 10/17. Looking forward to Light From Ashes next. I also want to re-visit 2nd set 12/10 now that Doc's given it an additional plug; I'll be focused on that thing like Animal House on double-secret-probation.

Yeah, this is a great box set theme. Really enjoying the span of years it covers - from a set list standpoint, we're getting a ton of variety. Europe '72 had roughly 55 different songs. I forget what I came up with for this one, but it was a lot more. Will have to do a recount.

I like that we get a Brokedown Palace from each year.

He's Gone is great this part of '72, but my personal favorites are the firstb three times they ever played it (E72 Tour): up-tempo versions from 4/17, 4/24, and 4/26. There's also a unique trippy version on 5/26 where Bobby breaks out the tremolo.

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On p. 5 of the LTTR booklet, Jerry's strumming on an unfamiliar to me guitar. Anyone know what that is?

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From the blurb: " . . . not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future."

I imagine we'll get the encore during November's 30 Days of Dead.

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