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    18,000 happy Dead Heads could not be wrong. Deer Creek, my how you deliver.

    We're closing the books on DAVE'S PICKS 2021 with not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future. Sometimes there really is just too much good stuff.

    For now, we'll invite you to cozy up with two exceptional back-to-back shows, shows with precision and clarity, shows with more than a lion's share of exploratory jams, and most importantly, shows that were simply a damn good time for all. Highlights from night one include the bookends of a spectacular "Help>Slip!>Franklin's" and an epically intricate "Morning Dew" followed by a classic cover of "The Weight." Night two, is the sleeper hit, with flawless playing from start to finish, the set list inviting you to find new favorites in top-notch renditions of "Foolish Heart" or "Victim Or The Crime," and if that's not one of the finest versions of "Desolation Row" Bobby ever did do! We would be remiss if we didn't mention that these shows were among Brent's last and they are some of his finest of the era at that.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOL. 40: DEER CREEK MUSIC CENTER, NOBLESVILLE, IN 7/18 & 19/90 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

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  • Vguy72
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    The Beatles suck??....

    ....da fuq?
    On a side note, Watching the Dolphins/Panthers game, and Fox just played Estimated Prophet into commercial. 👍

  • daverock
    Joined:
    The Beatles weren't that bad

    Sorry for kicking dirt in your face there Mr Ones. Very unintentional, I can assure you. Obviously, it's very much down to personal choice what music we like. I am sure more people would agree with you than me about post 1967 Beatles - which is fine by me. I always listen and watch with an open mind though - and it's doubtful I knew that "Get Back" had a poor reputaion when I saw it. I just found it - and the "Let It Be " album a bit depressing. I am sure I wanted to like it when I firts came across it. But I don't feel like watching it again now - how long do you think I'm going to live anyway? I always liked the second side of Abbey Road - but again, it doesn't sail as high as the mid 60s records in my estimation. But that's a subjective statement, not an objective one.

    Incidentally, the blu ray film of The Beatles In India looks more like my cup of tea. There was a great documentary on televsion over summer on this subject, presented by and including music by Donovan. Now there's someone ripe for re-discovery.

    That "Other One " jam at Paris 5/3/72 is something to behold. Amazing how they could so completely and succesfully re-invent this after they had already been so succesful exploring it from 1968-1970. This version is almost a different song from how they played it in the earlier years.

  • Mr. Ones
    Joined:
    The Beatles Suck??

    Alright, huge disclaimer upfront: I am a Beatles fanatic. Bought my first Beatles record 56 years ago. Having said that, I would like to say this:
    A narrative became a fact shortly after Let It Be was released to theaters in 1970. And that narrative was that this was the Beatles breaking up on film, and was full of unpleasantness. And that(based on 1 review?? 2, 4??) whatever the case may be. I had not seen the film myself between say 1996 and 2005. A friend sent me a nice print on DVD(it had never been officially released after a brief exception on Laser Disc & Video Tape). So before watching the movie in 2005, even I was prepared to see this horrible example of a beloved group breaking up. After viewing the movie, I was astounded to come away with the impression that I saw mostly joy in the film.
    I believe ALL of this negativity was down to the 1 minute of film where George acts very snarky to Paul for trying to tell him how to play guitar. And yes, I think Paul was a pushy, opinionated ass sometimes, but he also drove the band forward when no one else was willing to do so.
    And I don’t think anyone can honestly say that their final piece of work, Abbey Road, was a piece of crap.
    So, the long standing negative vibes surrounding January 1969, at least as far as public opinion is concerned, is that it was a horrible time. It’s just not true. I challenge you to watch Let It Be, honestly, and say you came away with a negative vibe.
    So yes, I am a little sensitive about this issue, and biased(as I stated upfront), but it’s amazing how a couple of negative reviews can become a fact of life for millions.
    I have not seen Get Back yet, mainly because the Holiday weekend foiled all my plans to get together with friends and watch it together. But I am super excited to see it. I don’t believe Peter Jackson(NOT Disney!!) had to do any manipulation to create a false impression. He showed what the footage showed, plain and simple.
    If you don’t like the Beatles, I am fine with that, to each their own(kind of like with the Dead and “eras”). And if you want to comment on the Get Back movie, maybe try watching it with an open mind first(can you do that?).
    I really don’t care if people hate the movie, it just shows that nothing is loved by everyone.
    Just please don’t dismiss something based on 51 year old reviews(which I believe are distorted) and try to either watch it with an open mind. Or how about this: Don’t watch it if you don’t want to. No one is being forced to watch this film.
    Whew, I feel(a little) better!!
    Peace to all, we like what we like and that’s definitely OK!!

  • JimInMD
    Joined:
    5/3/72

    A great among the greats. It's been in rotation for more than a decade now. The key moments in the second set probably get four or more hits a year.

  • daverock
    Joined:
    Beatles Dead

    Cnkd - I don't know if " Get Back" has been out dvd/video before - I think I saw it on televison in the mid 70's. Already, at that time, it felt like watching a documentary on ancient history. I used to watch and listen to everthing I could find on The Beatles ( among many, many other bands) at that time - but that one did seem like a monumental downer - the overall vibe, the mawkish songs..no, not for me - especially at that time with that mindset. Could have been my age when I saw it. If you have never seen it before, and you like The Beatles, it's probably worth watching though.

    Crow-coincidence - I am half way through listening to that Olympia Paris show from 1972 on vinyl too. A great show with no filler. Even the less celebrated songs - Tennessee Jed, for example, are beautifully played. Whatever you pay for it, it's worth it.

  • JimInMD
    Joined:
    "Legalize Pot, Queen Says No..."

    I am quite enjoying this. No, it's no Revolver or Rubber Soul, but it takes a peek into the creative process of a creative band at the end of a great creative streak in a way that's not typically shown. Warts and all.. there's something there that's better left said than locked up another decade or five in a vault somewhere left unsaid and unseen.

    Just my point of view, I could be wrong.

  • icecrmcnkd
    Joined:
    Daverock, Crow, Beatles

    You lived through it and already know the story.
    Has this video been released before?
    It’s not as disneyfied as you would expect, swearing and off language was not edited out.
    Yeah, they smoke A LOT of cigarettes. I was wondering if they were smoking weed when the cameras were off.

    I think that it is interesting to see this this footage of them, even if it is presented in a positive way.
    Is it not accurate? I don’t know because I was still wearing diapers when it happened. But it’s interesting to see them read the reports and gossip about them in the newspaper and the story about them is an exaggeration from what was shown in the video. Maybe it really happened and the cameras didn’t record it.

    I’m not a huge Beatles fan but I like watching vintage concert/studio video of them. I have Ron Howard’s documentary on BluRay. Interesting tidbit of info from there, at the Hollywood Bowl concert one of the screaming girls in the crowd is Sigourney Weaver, they interview her for the documentary.

    Anyway, part 3 tonight which supposedly contains the entire rooftop concert which I want to see because I’ve only seen portions of it before.

  • billy the kiddd
    Joined:
    Anniversary show 11 /28 /87. Warfield Theatre

    34 years ago tonight, I was at the Warfield Theatre to hear Garcia kickoff the show with a great version of Swing Low Sweet Chariot. This was the 2nd show of a 3 night run, one acoustic set and 2 electric. Fun city!

  • proudfoot
    Joined:
    11 18 72

    Playin'

    Excellent

    Oregon v Oregon State on the telly
    Playing at
    AUTZEN STADIUM

    memories light the corners of my mind

  • Crow Told Me
    Joined:
    Disney Beatles

    I really need to watch the movie before I pass judgment, and I will watch it, eventually. But I have to say I'm suspicious of what seems like a pretty blatant rewriting of history to give us a nice, family-friendly, Disney version of the Beatles break up.

    Let It Be was Paul's baby, and it failed--by Beatles' standards, anyway. And the film that was issued at the time showed the reason why: the Beatles were barely speaking to each other, they could barely play together anymore, John and George had one foot out the door, nobody but Paul thought it was a good idea to try to write songs and record an album with a documentary team filming every cigarette and cup of tea and petty argument, and the music shows it.

    Now here we are all these years later, John and George are dead, the footage gets sold to Disney, and now we get the Disney-fied version, where it's all sanitized for maximum profitability, and golly gee, now it looks like everybody was actually having loads of fun and everything was going great, and the Beatles story now has a happy ending! Yay! And look, Paul was the real leader of the group, just like he's often implied!

    It's funny, but if the original film was such a horrible misrepresentation of what the whole experience was like for the band, nobody said so at the time. But Paul outlived John and George, so we get this Disney version of the latter day Beatles, something that probably would've never happened if John was around. Ah well, it's still probably fun just to see those guys in their prime, so I probably shouldn't be such a grouch about it. But like John said, just gimme some truth. No need to sugar coat it 50 years later.

    Anyway ... on a cheerier note: I finally got my hands on a copy of the Olympia '72 vinyl thing via discogs. As much as I complain about GD stuff selling for astronomical prices on the secondary market, I finally found a copy that was only a few bucks more that it would've been if I'd managed to score one on Record Store Day, so I jumped on it. I think everybody here knows that show so I suppose there's no need to ramble on about how great it is. But it's really fucking great!!! EVERYBODY is playing well, everybody is in good voice, Pig's still a force, the audio is excellent, it's just fantastic. I wish it wasn't a limited edition so everybody could have this.

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18,000 happy Dead Heads could not be wrong. Deer Creek, my how you deliver.

We're closing the books on DAVE'S PICKS 2021 with not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future. Sometimes there really is just too much good stuff.

For now, we'll invite you to cozy up with two exceptional back-to-back shows, shows with precision and clarity, shows with more than a lion's share of exploratory jams, and most importantly, shows that were simply a damn good time for all. Highlights from night one include the bookends of a spectacular "Help>Slip!>Franklin's" and an epically intricate "Morning Dew" followed by a classic cover of "The Weight." Night two, is the sleeper hit, with flawless playing from start to finish, the set list inviting you to find new favorites in top-notch renditions of "Foolish Heart" or "Victim Or The Crime," and if that's not one of the finest versions of "Desolation Row" Bobby ever did do! We would be remiss if we didn't mention that these shows were among Brent's last and they are some of his finest of the era at that.

Limited to 25,000 numbered copies, DAVE’S PICKS VOL. 40: DEER CREEK MUSIC CENTER, NOBLESVILLE, IN 7/18 & 19/90 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

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In reply to by wissinomingdeadhead

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Now that's a good guess. 5/25 is a Top Pocket show, good enough for the subscription opener.

70878, Road Trips Vol 4 #5, Boston Music Hall 6–9–76 you say? That one will turn some heads around here. A favorite of several benevolent tricksters that frequent these boards.

I don't think I've seen them referred to on here before. A couple of the best singles ever released-"I Had Too Much To Dream Last Night" and "Get Me To The World On Time." I first heard "Dream" on Lenny Kaye's seminal compilation of so called "garage bands" from the mid 60s, "Nuggets"-which came my way in the mid 70s. The first two Prunes albums are stuffed full of nuggets, too.

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Hey Doc, thanks for the shout out, I enjoy your write ups of the 1971 shows. My brother's first show was in 1971. 41 years ago today, I was at Winterland to see the Grateful Dead, I believe at least a couple of other folks on this forum were at this show. I thought it was a cool show, killer Black Peter. my first Dire Wolf and a Shakedown Street encore that sounded like the version on the album, there's a song that really improved with age.

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Thanks Jim, it is 6-9-76. I have trouble reading psychedelic fonts. Today many of those Dick's and Road Trips are already gone. Faster than Dave's 40. Although I complained about the sale prices they're probably better than the aftermarket and they're in new condition. And HF, it was hard to pass up some of those gems like the Prunes. They almost had me at Doris Day and the Bobby Vinton X-mas had me at just the cover with him sporting those classic Planert made in Chicago lake skates on his shoulder. I still have some of those from my Dad and they're great on a long stretch of ice like Blue Mesa Reservoir. Blades are longer than hockey but shorter than speed skates. Just wear a life vest in early season and bring a landscape spike to pull yourself out with if you have to.
Cheers

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The limited clamshell version comes with 180g vinyl discs, the "normal" version comes with 140g vinyl discs. So sez the Garcia family site.

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In reply to by 1stshow70878

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They almost always get me at Doris Day,,, what can I say, Que Sera, Sera?

Probably obvious, but I NEEDED the foil wrapped Jerry, with etching on last side,,,,, oh and it's limited!!!!

Now that George Harrison set,,,, I could let that pass! 1,000 bucks,,,, I don't think so! Sure I spent that much on the piece of tin foil Jerry used to chase the dragon,,,, but that was different :-)

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is that I was trying to make a joke out of the Electric Prunes reference.

And the responses (looking at you, daverock) are knowledgeable about the band and taking me seriously.

Although I had heard of that band and, just maybe, heard them, back in the '60s, now that I'm 64 any reference to prunes is supposed to be humorous. At least to me. So, now I gotta hit U Toob to hear them.

As is often the case, the joke -- my own joke! -- is on me. So be it.

FWIW, I did get the 3-CD All Things Must Pass, as I recall thinking when it came out that that would've been an all-time fabulous single LP release. The jams are pretty monotonous to me. So I re-sequenced 2/3 of the song tracks into a road trip treat and it is stunning. And I saved $970 off the big box. I mean, I'm seein' shit as it is, I don't need no stinkin' garden gnomes!!

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I missed out on the Blood Sweat and Tears CD. I started my order in the morning, couldn't finish, and by the afternoon it was sold out! Damn! I did get Freddie King, Dave Mason and Bob Wills CD's.
Both the Booker T CD's are great, I like the first one best. I also recommend the Rascals Cd and the Mama's and Papas's Cd from RG.

RIP Ron Tutt. I saw him a few times with the Jerry Band at the small club Stone scene in Berkeley, San Francisco and Palo Alto. Rolling Stone has an interesting interview with him talking about working with Jerry and how it was different than working with Elvis or Neal Diamond.

Thanks to everyone here contributing interesting conversation and music tips.

Music is the Best!

...76?
6/9?
Alarm bells go off.
This one is a humdinger, and it is a must have in my book. The perfect companion to the 76 Box from last year. It's drippy early summer '76 improv and ooze. Get any and all of those re-releases from RealGone; they're sharing lost treasure back out with the world to great effect. I've rounded out my DP series via that route, and was able to grab the last 2 or 3 I never had.

Sixtus

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Not to turn this into a Hoffman chat board, but how does the sound on the new All Things compare to the 2001 remaster, please? I need to know if the difference is worth the $30.

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Almanac should be up on the website any day now & we all know what that means, I'm ready for it.

Hendrixfreak- I did wonder if your Prunes reference was a joke after I posted. Neer mind-I likes them ! Those two singles
I mentioned are the tracks to hear - saying something is like "Bo Diddley on acid" is a bit of a cliche - but "Get Me To The World On Time" is that and more. "I Had Too Much To Dream" is even better - apparently a big influence on Syd's Floyd.

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Good to hear I got the right Road Trip. I know nothing about that show. And I really did almost add some of these gems to my cart:
Dave Mason - already got practically everything he did solo or with Traffic on vinyl back in the day.
Freddie King - the early stuff. Perfect. I need to know more about why SO many guitar greats credit him as an influence and may have to go back and get that if it's still there.
Bob Wills - I just got some of the sale vinyl from RGM last month after hearing good things from y'all. Texas swing always livens up the party no matter who is there.
Blood, Sweat & Tears - should have bought it for the wife.
Cowboy - where do I know this from? Somebody I know had this and liked it. The cover looks very familiar. More research is necessary.
So much sold out already but oh well. Didn't even know I needed it until I saw this eclectic mix.
Also rans: Chester & Lester (Chet Atkins & Les Paul), Fairport Convention (just read the sad story of Sandy Denny when I looked up who is the gorgeous female voice on Led Zep iv) and Richard Thompson, Larry Coryell with his family on the cover (all naked), Roy Buchanon, Cannonball Adderley, John Hartford, and so many more.
And for Proudfoot: I know they come in second to Eva dahling, but how about Barbara Eden or the Girls of Petticoat Junction?
Something for everyone. Cheers

Next it's on to the Garcia family site. I need to beef up my JGB selections. Any recommendations appreciated.

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We were at Red Rocks for Dead & Co. last night. It was fantastic! Great crowd, great vibes all around. Talked to so many people who had come in from all over the country. One thing of note, Kreutzmann was absent and Jay Lane sat in for him. I can't say I really noticed a whole lot of difference, except that of course I would have loved for Bill to have been there. They stated he had an undisclosed illness that was non-Covid related and that he was expected to recover.

Seeing this band at this venue reminded me of how special they are and what a blessing it is that this continues.

\m/

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We should get a deadhead gang like in the movie 'the outsider's' and have a rumble against thieves and catalytic converter punks. We'll do it for Johnny, man. WE'LL DO IT FOR JOHNNY!

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The Eyes intro. is an all-timer. Pretty sure I recall the return of St. Stephen fades in, which I think is a bit of a shame. On a tangentially related note, I would have preferred the weirder intro to St. Stephen be spliced in from the AUD on 6-15, too from the June 76 Box but they didn't do that. Not sure where they even lifted it from, even though it works. I know, opinions are like...

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So, you would be Ponyboy?

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Steve Miller 8-3-77. Multi-track, sounds great. Spinning it now. Got the CD but the liner notes say that they found video also when they found the audio tapes.

Lynyrd Skynyrd 8-21-76 Knebworth, CD/DVD combo, haven’t spun them yet.

Pink Floyd -Delicate Sound of Thunder, restored and remastered to BluRay. I got the VHS in ‘89 and played it extensively. Looking forward to checking out this new BluRay.

I’ll palate cleanse a bit with these, while I also continue to absorb the spectacular STL Box and wait for DaP40 to arrive.

Love that Steve Miller and the Skynyrd, and the Tedeschi Trucks Layla ain't too shabby. Also, how 'bout that Ron Wood tribute to Jimmy Reed? It's got a Big Boss Man.

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DeadHdBrewer, I've only ever owned the original vinyl, now long gone, and the new remaster. Can't say how this new one compares to previous mixes. Indeed, you might see that question answered on SHF. But the new one sounded clearer than what I considered a somewhat cluttered sonic landscape -- but the latter is just a memory of my vinyl copy from 50 years ago. Gettin' on in years here. And glad to be around.

Hey 1stShow, if you don't know Freddie King, you're in for a treat. I have maybe 7-8 CDs by him, from the early years to the Shelter years and some live stuff. Caught Freddie a few times and he was a large man with a large Gibson and he played his ass off at the Bottom Line in NYC. The other time was when Clapton played Roosevelt Stadium and was so drunk he laid down and tried to play but couldn't. To save the day, Ringo came out on drums and Freddie played the entire freakin' show to 20,000. Freddie was not just an ace gut bucket guitarist, he was the whole package: a black Texan with a deep blues voice, a large Gibson hollow body and he knew how to use both to have Big Fun. Get all the Freddie King you can and you will not be sorry. Check him out on U Toob, there's vid.

And to all you "Prune heads," sure hope your system is operating in a regular manner, if you get my drift.

Yeeeeehhhhhhiiiiiiiiiiiiiiiiiiii!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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What's this Ronnie Wood tribute to Jimmy Reed? Sounds like a must-have. Info, please.

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This is awesome! Two...yes TWO shows with Brent! I dig the diversity each year. I dig the Dead. I dig people getting along. I dig good deeds. I dig random acts of kindness. I dig shows with Brent. As always...GO BRENT!

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Yes.

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50 years ago today…..

October 21, 1971
Auditorium Theater, Chicago, Illinois

Set 1: Truckin'-Loser-Beat It On Down The Line-Tennessee Jed-Playing In The Band-Big Railroad Blues-Jack Straw-Cumberland Blues-Comes A Time-Mexicali Blues-“The Frozen Logger”-Cold Rain And Snow-One More Saturday Night

Set 2: Casey Jones-Me And My Uncle-Dark Star>Sitting On Top Of The World>Dark Star>Me And Bobby McGee-Brown-Eyed Women-Ramble On Rose-Sugar Magnolia-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: St. Stephen-Johnny B. Goode

Deadicated to kcollins1974, musicnow, estimating prof, The Good Ole Grateful Dead, proudfoot, outpost, hbob1995, gfink, brianhahne, and Oroborous, just because…….

The constant chatter and tuning up lends this show a fragmentary feeling. However, that being said, the opening Truckin’ sizzles, the new material sounds good, and there’s a Dark Star AND a Saint Stephen. What’s not to like about that? And who else but a logger stirs his coffee with his thumb?

The meat of the show was released as part of Dave’s Picks 3 in 2012, if you want to hear the potatoes as well, check out the very nice complete Miller remaster. Hard to believe it’s been nine years since the release. Frankly, when it first came out I didn’t give it much attention, but over the years both of the Chicago shows have, in my humble estimation, appreciated nicely………

Underrated, underappreciated, and recommended….

Rock on!!!

Doc
It is my meditation all the day, and more than my meat and drink, to know how I shall make the Saints of God comprehend the visions that roll like an overflowing surge before my mind…..

Conekid - I was at the that Lynyrd Skynyrd show at Knebworth in 1976. When They came on I was peaking on the heaviest trip of my entire life. We were right at the back when they came on, and one of my friends suggested we move through the crowd to get nearer the front. It was like a trip into the sulphur pits of hell - all I could see were thousands of faces looking up at me, as we waded slowly along. I think I trod on someones sandwiches which had tomatos in them-whatever the cause, all the faces around me seemed to be covered in blood at one point. The journey had lasted several days when we finally gave up, and waded back to safety. We could have been walking round in circles for all I knew.
About two months later, I heard "Freebird" at a party- I didnt know it at the time-and had a full blown flashback. Weird times. It seems really strange watching it now on blu ray, in the comfort and ( comparative) sanity of my current state. It was a great show-and that version of "Freebird" is stunning.

I think its on youtube-but there's a great dvd of Freddie King out there called "The!!!Beat 1966" It features the man himself playing 14 songs/instrumentals in front of a TV audience. The dvd I have then has three tracks from his more rock oriented period in Sweden 1973-also great.

That was a big crowd, I can see how a tripping person could get lost in there.

I watched the DVD last night and realized that I’ve seen a grainy version of the video before, so it’s nice to have a better copy. Also, I realized that a lot of the songs were on the double-length cassette “Gold and Platinum” that I got in 1985/86.

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Thanks Doc, always a pleasure to read your reviews.

It's Called "Mr. Luck", Ronnie Wood and the Ronnie Wood Band (featuring Mick Taylor) Live at the Albert Hall,
and it's available in both CD and vinyl at, er, um, amazon.

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43 years ago today I was at Winterland to see the Grateful Dead. Great Stella Blue, Lee Oskar sat in the 2nd set on harmonica. Great opening jam to start the first set into Promised Land. Dick Latvala had high praise for this show. I believe Cousins and some other folks on this forum were at this show.

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Great show indeed, Billy. Didn't expect the white-robed singers/tambourine shakers. A friend of my wife who didn't do any mind-altering substances freaked out in the middle of Stella Blue, whispered in my ears that a coupla' Hell's Angels were standing right behind us...turned around, sure enough they were there and looked so big they were like a couple of mountains, and somehow that made me laugh; he was terrified, told him to settle down and let us enjoy the show; that was his 1st and last show. Angels were a fixture at Winterland and at Jerry shows, always peaceful.

Freddie King: I believe he was the most technically proficient electric Blues player of his time; great technique playing with his thumb and index. Check out the original versions of Hideaway and The Stumble on King Records, some intricate fingering in there. Jerry did a very credible Hideaway for the Harding Theatre 11/7/71 show.

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I asked you that question, Hendrix, and then I later thought, "Duh. I have a subscription to Qobuz, a hi-rez streaming service." I remembered this fact at some point late last night, went there, and sure enough, there was the Super Deluxe version of All Things, right next to a copy of the 2014 remaster. So I pulled out my CD of the 2001 remaster and the headphones went on for some intense comparisons.

Wow. This is a reMIX, not just a remaster, so the levels can actually change from the original we all know and love, and they have. George's voice is now prominent, rather than fighting its way through Spector's soundwall (we'll reserve the term "Wall of Sound" for other use), there is now some audible bass guitar, and the other guitars are not so biting and up front. It DOES change the sound of the album, but to me, it's a marked improvement. It sounds like some Plangent Processing happened too, as my ears don't detect as much wow and flutter as on the older versions.

Instead of the guitars and Spectorisms being 7's (on a scale of 1-10) in the mix, with George's voice being a 4, and the bass being a 3, they all come in around the 5 mark, with more air ("heavy air"?) around them.

If you love this album, you'll surely want to hear this remix. You might decide that you really love the sound it used to have from your memory, but the whole thing now sounds more natural, like a Harrison album that Spector enhanced, rather than a Spector album that had George and the bassist sitting off to the side, hoping to get picked up by the microphones. There is a two-CD version for about $16, if you don't need all the alternate material.

We now return you to your regularly-scheduled GD chat, already in progress.

As for the bookmark made from English Oak.. I sometimes take red or white oaks from my property and use them to propagate and grow shitakes. If anyone needs a bookmark made of Quercus rubra or Quercus alba that felled from my estate.. it's yours for a buck, just send me a PM. It will be in the shape of a dollar sign.

But seriously.. the garden gnomes, that's where it's at. He had some really cool ones and it got me to research the history of the estate he lived on since 1970. I want that house.. can someone help me set up a go fund me? I'm sure most Harrison fans already knew this, but it was new to me.

Per Wikipedia:

"Friar Park is a Victorian neo-Gothic mansion in Henley-on-Thames, England, built in 1889. It was originally owned by eccentric lawyer Sir Frank Crisp and purchased in January 1970 by musician, and then current member of The Beatles, George Harrison.[1] The site covers about 62 acres (25 hectares).[2][3] Features include caves, grottoes, underground passages, a multitude of garden gnomes, and an Alpine rock garden with a scale model of the Matterhorn.[4]"

I'm not including the references, that would just piss off Crapatcha.

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BigBrownie, thx! Just ordered that album. I'm a nut for Jimmy Reed.

DdHdBrewer, glad to hear I purchased the correct remix!! That's a helluva record and much better than either Paul or John's first LPs after the Beatles.

JimInMD, you gotta read Al Kooper's book sometime, Backstage Passes and Backstabbing Bastards. George hires him to play on an album and has a henchman meet him at the gate to Friar Park, then leads him through the underground passages and grottoes in near darkness, when George leaps out of a doorway and screams and Kooper (in my imagination) soils himself. George gets rightly bashed for being a bit preachy and gloomy, but apparently he had a wicked sense of humor. Glad you, um, "embrace the gnomes."

P.S. I think it's the 12-31-78 closing of Winterland when Lee Oscar -- who I suspect had been dosed -- wouldn't or couldn't stop blowing his harp and the band was ready to move on. Check the video! Ken Kesey virtually pirouettes across the stage and, drawing on his wrestling heritage no doubt, body hugs Lee Oscar and spins away with him in his embrace. Most effective stage management for harp-player-on-acid that I've seen on film.

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SOLD OUT

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Collectors of Deadbase will notice that the immortal Dick LATVALA wrote an incredible review of 10/21/78, since DB volume 2 (still seeking DB volume 1) for years this tape always circulated as a very good AUD until the summer of 1995 when very HQ SBD's of the entire run From Egypt with Love shows finally hit tape trading lists while the meat of the show was officially released as RT Volume 1 #4 this entire show deserves the full Norman in fact I feel this whole run would make a most excellent choice for a box set 10/22 with Cippolina is just as good. Another show from 1978 that deserves "better" treatment is 11/20 Cleveland Music Hall, David Gans (GDH) featured the 2nd set (GDH 406) albeit in less than stellar quality in fact I've never heard a HQ recording of this show. While I'm on a 1978 kick does anyone have a 1st set SBD TAPE oF 5/5/78? Yes I still listen to tapes.

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You are spot on as always.

Had a two hour commute tonight and Dave played 10/21/71 on TIGDH.

Unbelievable Dark Star. Even more so considering it was Keith’s first. I mean it’s no peak 1990s Victim or the Crime or anything like that, but it’s listenable.

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