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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
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    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I was there. Correct me if I'm wrong, but I bet Cousins, Bolo, Marye, and many other folks on this forum were also there, having a blast. I wonder if Nappy was there, I saw a picture of him in a parrots costume at the Greek ,might have been 1982. Great fun.

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Billy.. you're my brother from another mother. I wish I was there.. but I made it eventually and can say I peaked at the Greek. What a venue, my favorite by far.. I have to admit.. I am envious of all the shows you guys got to see that I did not, envious in a good way.

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One of the all time greats IMO. Sunday afternoons at the Greek had a lot going for them.
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Can’t be wrong with those kind of recommendations!
I think I’ll jump off the Doc train and do a 82 twofer today.
Thanks for the additional voices and good to see good ole Marye, especially since the poor girl must be exhausted from hand delivering all those boxes, AND now a new Dave’s .weren’t we going to set up a go fund me to at least get her an ebike? ; )

EDIT: Phil shows. For sure, I’ve been meaning to catch more. Hopefully I can check some more out later on?
Streamed the 3 Colorado shows as well as the last Capitol Quintet show. Good sheet Mon! Not familiar with this lineup, though hear Niki is awesome!

DBL Edit: wow, just finishing up 5/23. Funny thing is I caught this, actually the whole run, probably from the same good folks who recommended it, but I didn’t write anything down, and a, ahem, being memory challenged ahem, I often
Remember I saw, heard, read something, but will forget what happened. My other half gives me a hard time about it, but I hey, this way I get to enjoy it all over again!
Anyway, glad I hit it again, really good show, 82, it’s like the new 81!
So I’m guessing that was an Angel adding the Harley to drumz?
So bummed we never made it to the Greek, or Frost, or Ventura, or a hula Vista etc, etc to see the boys.
Fortunate to have at least made it to Cal X and the Garbage heap, and hit those, as well as Veneta, Irvine, Ventura, and Irvine working Furthur 96, which was cool, but added to the disappointment of not seeing the Dead there.
Oh, same with the rocks: saw many great “after” shows, but sigh, no Dead, idiot!
Ok, going to catch up with RT 4.4.

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In reply to by marye

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Yes, another great show and some of you were there, which is cool.

30 years of archival releases and not one Greek yet? We are due.

Happy Halloween 🎃

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We did get a 68 Greek in 30 Trips. Hoping for me.. alas, the recordings for the one year I made the pilgrimage are not great.

This 82 sounds nice though.

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Got both 5/33 and 4/6 in yesterday!
As I say, 82s the new 81 lol.
Thoroughly enjoyed both!

Hitting 10/29/71 now, which is resonating nicely.
Hoping to hear the full 10/31/71 later. Not sure I’ve ever heard the first set?
Happy Halloween to y’all, wish I had some candy for DP 2 later lol.

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I didn't even think the first set existed.. I never looked once the Dick's Picks came out. How wrong I was.. I do seem to remember someone commenting that the first set was not in the vault, whether that's true or not who knows.

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Jim, that’s what I recall hearing too.
They didn’t have the first but the 2nd, well, sure most have read Dicks feelings on the 2nd so…

The 10/29/71 shows was a standout for me. Really dug that one.
Going out of sequence to do 10/31 today. Will hit 10/30 asap…

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In reply to by Oroborous

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Sounds good to me. I will get it going soon, as the trick or treaters hit my door.

At some point I would love to know about the Dats provided by Rob Eaton and David Gans.

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In reply to by DeadVikes

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Really good show. I enjoyed it. Great first set. Deal, Loser, BRB, El Paso, Cumberland! Fantastic. Start the second set with a groovy Dark Star, nice St. Stephen, great finish. Thanks for the pick on this one.

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It was Booooooo T ful!

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After I finish the fox/st. louis box and Deer Creek, I promise to get back on track with the pick of the day.

Plus.. it's been raining here pretty much non-stop as far as I can remember.. so I started to build an ark. Now I need to fill it with two of each strain before the heavens open up and the shit really starts to hit the fan.

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Hang in there and stay dry buddy!
I’m in the same boat (pun intended), just too much going on and not getting any tunes in at work.
Except that damn oompah accordion music these boys dig lol.
Also trying to get to all the 71s, slow but steady when I do get a chance.
Definitely will be back onboard if/when life allows!

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In reply to by Oroborous

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Did you get your #40 Jim? I think OB got his yesterday??

Mine is scheduled for Saturday November 6. Not sure why, but the pattern continues.

I am ready for new picks or repeats whenever you all are.

Oh and don't forget to pick up your Dark Star hoodie!

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In reply to by DeadVikes

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stopping in to say hello to all the POTD friends - Hi everyone (been "busy")

def need to revisit DiP 2. As for that '82 thang Oro, look no further than DiP #32 Alpine 8/7/82 - I was "there" back then plus on a late night revisit a few weeks ago with the whole sound space open, a thing of beauty, what a gorgeous night. And that next night was out of this world.

picked up the discs from Dead&Co from shows I saw at Wrigley this past Sept and that's where my head and ears are at right now - night 2 and really digging Mayer's sound,

haven't had proper time for Listen to the River yet. Dave's 40 #23534 showed up yesterday and in the long queue

was playing a lot of Stepping Out in the truck. I always thought that Big Railroad from Skull and Roses was the "one" but I will say that the Big Railroad on Stepping has a groove, especially Jerry's guitar leads, that is also just exactly perfect.

sorta wigs me out in these plague times when some regular folks don't check in for awhile - comprende GOGD and Strider??!!

and once again - one of my "for the faithful" POTDs is 7/16/72 Dillon with the raw audience up front e.g. Cold Rain & Snow

Hey Bluecrow,

Yes, that show sounds good to me. I was actually looking at the show a couple of days ago.

And add Bolo to your list as well.

I gave it a go Bluecrow, a little rough around the edges for me.

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yea its a pretty raw upfront, but the energy really captured me despite that. It's a show that would definitely benefit from some newly found reels. glad you gave it a shot - not really expecting anyone to rave about the audio for the audience portion but I think its your usual well played '72 show - a diamond in the rough.

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11-4,5,6-77

11-2-77% has been playing in my car since Tuesday. That should end today, then I’ll start the 4th and play the 5th and 6th this weekend in the house.

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In reply to by icecrmcnkd

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Coincidentally, ( or maybe not, it being the anniversary) I decided to give these shows a listen too. It must be a good few years since I played any of them, and I am well impressed. Very high energy-Jerry really standing out with that great sharp as a knife tone. The dynamics are so different for the pre 1975 years - more straight between the eyes, with the up tempo tracks coming off really well. Great guitar work on Estimated, and Lazy Lightning/Supplication too, though, which are more up in the air. This is 11/2 I am talking about, by the way.

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Since I have listened to these shows too.. might have to fit that in.

When I finish digesting the box and #40 I planned to toss up a few neglected official releases myself, looks like you beat me to it. Dave's Picks 25 anyone? It's old enough we can call it a vintage release already.. where did the time go?

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In reply to by JimInMD

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This is one of my favorites. I am in.
Just love the half step opener and the rest of the show. Even the funky Scarlet Fire.

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I agree with everything that hasn't been posted on here in the last 4 days.

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With the Doc train through 11/11/71. I’ll try to hit 11/12, 11/14, and 11/15 this WE.
Virginal Dave’s 40 completed too!
Now if only I could sneak a show or 2in during work!

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In reply to by Oroborous

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Hey OB, 11/15/71 or RT3. 2 is a five star show. The sound quality on this release is one of the best 71 shows I have heard. I will definitely put this one on the list this week. The bonus disc form 11/14 is also great.

Just got my #40 and still working my way through it. Loving it so far.

You can tell who is the captain of this ship.

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Glad you received 40 DV, play it loud and proud brother!
Yep, looking forward to the RT this WE.

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Thought it would be fun to check out 3/19/90 Hartford. How does it stack up against our new #40? I think the last two years Dave is really releasing nostalgia picks, which is okay. He is the Captain. So, how about some 1988? At long last release the 89 Alpine shows.
It will be interesting to see what he does for #42. Will he continue the pattern of a 74/73/69/70 shows? Will he break the mold and completely surprise us with a 79 or 80 release?
I don't know, I don't think it will be 73/74.

I received an Email from Dave, I think yesterday. Did you guys get it?

Are you still out there Jim?

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Yes, I am still here.. Hartford sounds good and I have just finished a full decent listen of Dave's Picks 40 so there is some synergy there.

I really enjoyed Deer Creek. Very good sound for a two track, the credits Healy as the person who recorded it, but it's a big step up from the Ultra Matrix days. Most are siding on the second night being a stronger, more even performance. I guess I agree with this, the second set is very strong. I like the powerhouse opening for The Other One too.. Phil just thunders it almost from out of nowhere, then into a calming end of the world crescendo in Morning Dew. Perhaps I will comment on the 40 thread but the first night speaks to me.

Moving right along, there is another show that caught my attention last week that I want to hit. It's a new one for me. 1982-04-12 Nassau Coliseum. Not sure why this caught my eye, but I think it's worth hitting. After Hartford?

Then I do want to hit a few released shows that are both spectacular and have fallen out of my rotation. There are so many of these.. and I like to take care of my orphaned stepchildren.

I hope all are doing well in this mad, mad world we live in. I am very grateful for the escape and entertainment mechanism that is music, more specifically Grateful Dead music.

Be good all. Play Dead.

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In reply to by JimInMD

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You go DV!
Glad y’all digging 40!
Harshferd and 4/12/82 sound good. I’ll try and mix those in with the big Doc fest this WE!

Buurrrrrrrr, 23 this AM, no bueno!
It’s funny how your feelings on winter are influenced by whether you go up the mountain or not.
When I still did, it couldn’t snow enough, now…not so much lol.

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In reply to by Oroborous

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Perfect, I will hit this one up tomorrow. Thanks for the pick Jim.
Yes, #40 is great. Best Desolation Row?? I don't know. I always thought the 89 Alpine version was pretty damn good as well.
Yes, back to reality here in MN as well OB, snow moving in tomorrow.

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The '89 Alpine version is the pillar that all the others rest upon. It's flawless.

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It’s the extra emphasis that Jerry throws in on the vocals, on top of an already well played song.

Alpine ‘89 CD/BluRay Box time Dave.

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I do really like #40. Two great shows.
It was interesting to then go back to 3/19/90. Wow! This is a fantastic show. Great first set and love that second set with the Box of Rain, Foolish Heart, Playing into Eyes. Nice finish and you get a Brokedown Palace encore.
So, this show and the rest of the first box used the Cutler two track down mixes from the 24 track recordings. I think these were also used in Dozin at the Knick as well. They sound great to me. The sound is so full. I would like to know how this down mixes work? Does anyone know? They are definitely a different beast.

Okay,on to 82.

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Just like any multitrack album or recording.
The studio engineer mixes, adjusts etc, the individual channels to get the right blend/levels between all the different channels (instruments, vocals, effects etc) and routes, pans or positions those individual channels in a stereo mix. Like JG coming more out of the right speaker and Bob outta the left for example. These signals are then routed to the final main stereo output of the mixing board, where the main output levels are set and recorded on a stereo or 2 channel device: tape, HD etc.
The studio mix is where individual eq adjustments, effects etc are done.

This final mix is then sent to the Mastering engineer who sweetens the overall sound or sometimes adjusts the overall eq so it will sound best on the physical product. LPs usually have specific eq curves applied to compensate and maximize sound for that format. If the studio mix was done very well, the mastering can be relatively simple, but often there is much more happening in mastering than people realize. All of this is truly art.

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Appreciate the information on this process, Oroborous. That makes sense. I guess that explains why they were able to use Cutler's downmixes. They were that good. Recorded and mixed live by Cutler.

Loving 4/12/82. Still working my way through it. Good call Jim.

Edit. Finished it. Five dancing bears. Great sounding recording, even the last two songs that are audience patches sound good.
Start the show with an Iko Iko and finish with Satisfaction. Great Peggy O, Birdsong, Sugaree, Stella. Man, you would have to think this show is a contender to be released if Dave ever releases any more 82 shows.

Yes, that sounds like a winner to me. Never listened to this show, so I will get it going. Thanks for the pick Vguy.

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I’ve always wondered about 5/7/78?
My cousin was going to RPI at the time. Now I’d normally doubt he would have gone to the Dead as he’s pretty conservative, (believe he was into the Boss then?) but hey it was collage and he was young so who knows?
I’ve always ment to ask him but rarely talk to him so I forget.

VGUY always finds nice off the path picks!

But first I’m currently spinning 4/12/82, which is nice. Brent laying some sweet jazz pi-an-ner down on this Bird Song as I eat my Bfast to a glorious Rocky Mountain morning.

Hit 11/12/71 on the Doc train last night. Short but sweet!
Then Tried to get 3/19/90 in. Does it count if you slept through half of it lol.
90, that is a year I truly need to dig deeper. Perhaps my biggest year and yet I’ve only been aquatinted with it.
Need to get nekked and roll around in the mud with her!

Ok, the list is getting daunting, hup hup.
4/12/82 spinning currently
5/7/78
11/14/71
11/15/71
and need to get back to St Louie, Louie!
Didn’t get much time with the 73 shows…..
Oh, and still have ideas Bluecrow and others contributed back aways that we never hit.

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In reply to by DeadVikes

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New one for me, I will queue it up.

I really enjoyed the last two picks.. 3/19/90 is rock solid and 4/12 was an interesting show. Perhaps one day we will have to hit Providence a couple nights later.

So where are we today? ah...5/7/78. And the beat marches on.

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In reply to by JimInMD

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Ssssssscccoooooooorrrrrrreeeesssss!!
4/12/82 enjoyed
5/7/78 preoccupied working in the garage, but solid spring 78 if not more? Really have to ask my cousin now lol.
11/14/71 had never heard the first set so streamed that, now cranking the RT 3.2 Bonus, yowsa! Can’t wait to hit 11/15 mañana! Perhaps a St Louie 73 and ??
Onward!

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In reply to by Oroborous

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The elusive DHBHT. I take it you slept well last night.. might even wake up a bit sore.. What most people do not realize is how much training and deadication it takes to prepare yourself for a such a major accomplishment.

With a little training one can finish the Boston Marathon in a little over four hours. At best, a DHBHT takes almost twice that.

Good work, take the rest of the week off.

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In reply to by JimInMD

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Time off, blasphemy!
The other half is working again today so though I’m getting a late start, I think I’ve got at least 2 in the tank, and at least the possibility of another DHB. Hey, have to get my fill on the weekends since no tunes at work lately : (
Probably try for 11/15/71, something suggested by BLUCROW, perhaps 9/25/81? from a few weeks ago, and then perhaps 10/29/73 as I’ve only hit the 73 Louie’s like once or twice, but in the blur of the overall box.
Onward!

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Didn’t get the third one in yesterday. Was running outta time since I still had to watch Football, speaking of, GO VIKS! Lol Also was getting a little burnt after 7 shows this WE, needed a little Jazz.
Did enjoy Bluecrows suggestion of 9/25/81, another nice, long, solid 81. Think I’d still give tge nod to the next night, but I’m biased on that one. And of course the glory of 11/15/71. I know DV likes the sound of this one but I still hear parts that are oversaturated. Not like Dave’s 38, but it doesn’t sound as nice as the St Louie box 71s, to me anyway…
Curious DV, is your copy a GDP or aReal Gone? The one on my server is ripped from an original GDP, I have a Real Gone version still in the rapper, but didn’t think it was worth redoing etc?
I was going to hit 11/17/71 on the iPad at work, but remembered that’s a Dave’s, so I’ll have to wait fir a chance on the stereo.
Maybe I’ll hit1/18/78 off of Dave’s possible list?

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In reply to by Oroborous

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Oroborous, I have the grateful dead productions release that I bought this year with the bonus disc after a kind soul on this site sent me an electronic copy and I was blown away. Had to have the original physical copy.
Listened again today and it is just crackling with energy and the sound quality to my ears is A++. I put this one up there with the three February Port Chester shows, as far as my favorites of the year.

Yes, hey the good old Vikes won one on the road. Look out.

Edit. 9/25/81, haven't heard this but you should read Miller's notes on this show. I cracked up. I won't ruin it for you.

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In reply to by DeadVikes

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After briefly being caught up, I am behind again. It's 11/15/71 for me today. I have a bit of a drive, which is perfect...

I did finish both DaP 40 and the St. Louis Box.. but I admit I need to give the two Kiel shows another spin. In fact, I don't think this box will begin to collect dust just yet..

Then hopefully.. I will become a more active participant again. I have a bit of work to do, then a small adventure of sorts, followed by a few hour drive and 11/15 will get it's time in the sun. We are approaching mid week.. hope everyone is keeping on keeping on..

No DHBHT for me today, but I am content with what I have. Be good all.

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In reply to by JimInMD

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Life is such that it’s not a great time for lots of music. So trying to binge out on the WE.
All goood, just that time of year here, GO Time! But it affords an opportunity to cleanse etc.
hoping with the new year things will settle back. Hoping they’ll let me sit out at least part of the winter which means daily home binging lol.

Plus, though I’ve enjoyed riding the 71 Doc train, it will free up more listening time. And no, I’m not going to try for all of 72 next year lol.
I made it through first set yesterday of 1/18/78 off of Dave’s “list”. It was good but not so sure it’s one I’d hope for a release, which means he will lol. JG sounds pretty froggy still, which is weird as the next night I think I recall he doesn’t sound too bad? So going to finish 1/18, then?
DV: it’s not the overall sound that distorts? I specifically remember in SSDD or Sugar Mags when they get loud. Could be just the amps distorting etc, but I think the tape maybe over saturates a little on some if the peaks also?
Glad you don’t experience it! Somewhat common for those days.

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In reply to by Oroborous

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I don't think we ever listened to this show, 1/23/70, Dave's Picks #19, Honolulu!

Hope you all can check it out.

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In reply to by DeadVikes

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..and I'm in on 1/23/70.

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In reply to by JimInMD

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My Dead listening has been pretty limited last little bit, primarily in the ride. So I'll load this up. Sorta under the radar DaP I think.

Gotta say that I'm still obsessed with board CD of Dead & Co 9/18/21 from Wrigley. So in those somewhat rare headphone listens back home I keep coming back to this. One of those shows that went straight to the heart and soul.

Spent last weekend out in the Henrys - first time camping since out there last Spring. It was real good.

Be well everyone.