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    Srinivasan.Mut…
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    Grateful Dead (Skull & Roses) 50th Anniversary Expanded Edition 2CD

    “For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (‘Johnny B. Goode,’ ‘Not Fade Away’), showing off their authentic Bakersfield bona fides (‘Me & My Uncle,’ ‘Mama Tried,’ ‘Me & Bobby McGee’), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (‘Bertha,’ ‘Playing In The Band,’ ‘Wharf Rat’). Of course, the Dead were never defined by one specific ‘sound’ and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook with an entire side dedicated to their 1968 masterpiece ‘The Other One.’ This is one of the most deeply rich and satisfying tracks preserved on an official Grateful Dead album, up there with LIVE/DEAD's ‘Dark Star’ and EUROPE '72's ‘Morning Dew.’ SKULL & ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971.” - David Lemieux

    Not only did SKULL & ROSES serve up supremely fine tunes, it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.

    DEAD FREAKS, old and new, get ready to reunite on June 25th with the release of GRATEFUL DEAD (SKULL & ROSES): EXPANDED EDITION. In celebration of the 50th anniversary, the 2CD set will feature the album’s original 11 tracks, newly remastered from the stereo analog master tapes by Grammy® Award winning engineer David Glasser using Plangent Process Speed Correction. We're topping it off with more than an hour of previously unreleased live recordings taken from the much-requested July 2, 1971 performance at the Fillmore West, the band’s final performance at the historic San Francisco venue. Standouts include the 17-minute Pigpen spectacular “Good Lovin’,” an achingly beautiful take on Merle Haggard’s “Sing Me Back Home,” and a spell-binding version of “The Other One” that rivals the one captured on the original Side 2.

    Looking for something more byte-sized? The GRATEFUL DEAD (SKULL & ROSES): EXPANDED EDITION and the original edition will also be available for HD digital download in FLAC and ALAC, exclusively at Dead.net, on release day. You can pre-order it now.

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  • snafu
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    Joined:
    Skull & Roses bonus

    Does anyone know why they're only putting 10 songs from the 7/2/71 show out?

  • nappyrags
    Joined:
    tick tock

    waiting waiting waiting...

  • Forensicdoceleven
    Joined:
    The graveyards are full of indispensable men.....

    50 years ago today…..

    May 30. 1971
    Winterland, San Francisco, California

    Set 1: Bertha-Me And Bobby McGee-The Rub-Loser-Playing In The Band-Next Time You See Me-Morning Dew-Promised Land-Good Lovin'

    Set 2: China Cat Sunflower>I Know You Rider-Sugar Magnolia-Cumberland Blues-Big Boss Man-Me And My Uncle-Deal-Truckin'-Turn On Your Love Light-Uncle John's Band-Casey Jones

    Encore: Johnny B. Goode

    Sonically similar to May 29, yet oddly different enough as well. Rare Rub, unusual late first set Dew, crankin’ Good Lovin’ to close the first set, nice China/Rider to open the second set, rappin’ Lovelight. Not a lot of big jams, decent dose of grease, not the worst and not the best……

    A poor to fair audience recording circulates, for completists only. Miller’s circulating soundboard copy has a portion of Know You Rider, and the remainder of the second set, but without the encore. Most of the second set and encore was released on vinyl LP in conjunction with Record Store Day in November 2012.

    Rock on!!!

    Doc
    Personally I have no bone to pick with graveyards

  • Forensicdoceleven
    Joined:
    We need to work to keep from getting rusty

    50 years ago today…………….

    May 29, 1971
    Winterland, San Francisco, California

    Casey Jones-Me And Bobby McGee-It Hurts Me Too-Promised Land-Loser-Playin' In The Band-Hard To Handle-Me And My Uncle-Truckin'>drums>The Other One>Wharf Rat-Sing Me Back Home-Cumberland Blues-Sugar Magnolia-Deal-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    Over the years, there has been some disagreement over the true dates of the May 1971 shows and the setlists. Deadbase AND the Dead’s own website list them as the 29th and 30th. While there is some dispute from eyewitnesses, for now I think I’ll go with what the Dead themselves claim.

    Apparently the acid flowed like water, described as a mini-acid test by some, creating psychic problems for others. The music itself is fairly straightforward, hard rocking, mid-1971 Dead, no bells & whistles, and probably not enough greasy Pigpen………..

    A poor-to-fair audience recording of the complete show circulates. There are fades/edits at the beginning and ends of virtually every individual song. There are no audible between-song banters or set break announcements. A soundboard recording (Miller remaster) of Truckin’ through the end of the show does circulate. Not first tier, or even second, but still worth a listen………..

    For excellent documentation/discussion of the show, see: http://deadsources.blogspot.com/2012/07/may-29-1971-winterland.html

    Rock on!!!

    Doc
    The moment a musician doesn't play, things start to get a bit rusty……

  • daverock
    Joined:
    In the house

    GOGD - thanks ! My order went through okay, so I am back in the house. I haven't received order confirmation yet, but I'm not worried. Lets hope all who want this release are as lucky.

    Listening to the Dead in the 80s - I had all the albums by then, but there was so little coverage of them in the music papers that I assumed they had split up sometime in 1982. No access to tapes, no live shows obviously - bleak days indeed. 1987 was In The Dark of course, then finding the Dead fanzine Spiral Light, and through them the taping scene. By the time they hit England in 1990 I wasn't listening to much else.

  • The Good Ole G…
    Joined:
    @DaveRock

    I hear ya!

    It's definitely a combination of a number of factors.

    Best time ever for collecting this music.

    Good luck with that DaP V38.

    Dick Latvala was excited about this one!

  • daverock
    Joined:
    Where is it then?

    Thanks, Colin . I'm beginning to wish I'd subscribed now. Hope yours arrives soon.

  • Colin Gould
    Joined:
    18:00 BST

    DaP #38 should be available to order from 10am PT which is 18:00 in the UK (BST). Presumably, that will be when the seaside chat and #38 comments will appear.

    I have had an email shipping notice overnight but UPS haven’t got the package yet. Something to look forward to.

  • daverock
    Joined:
    Best time ever...now!

    GOGD - ironically, living in England, it has been a better time to listen to The Dead since 1995 than it was before, when they were a fully functioning band. I started collecting tapes about 1987, but much as I loved them, the sound quality was obviously variable. And that's being charitable. Friends taped the first two vaults releases and initial Dicks Picks for me, and then about 1995 I got kitted out with a cd player. I have always delayed getting into new fangled things.

    I'll be glad when Dave's 38 goes up for sale.

  • The Good Ole G…
    Joined:
    @KeithFan OFTV > Further

    I remember OFTV coming out in 1991 and being pretty stoked.
    At the time, I was hoping we'd get like 4-6 releases a year and they'd just start hooking us up with killer archival recordings. (sound familiar?)
    By the time TFTV was released in May '92, I was into other stuff.
    21 and living at the beach, there was a whole lot of other fun things going on.
    There was some pretty great music happening around that time too, stuff you could see in smaller venues & clubs.
    Caught one GD show in '93 when they came to town, it was fun.
    But after that dropped out of the Dead scene for quite awhile.

    Popped back in for a spell after Jerry past, there were like 6 or 7 Dick's Picks, Hundred Year Hall, etc, found out all kindsa good tapes were circulating.
    Collected a bunch of fresh tapes... again.
    Then the bros I was hanging with started "upgrading" to CD & Dat.
    I didn't want to deal with CD trading, it was a pain in the ass, and Dat seemed like it was for pretty hardcore peeps back then, expensive too.
    Dropped out again.
    Did a bunch of other cool shit.

    Then one fateful day, as luck would have it, working a job that provided lotsa web surfing time (in around 2010-2011), I saw something that caught my eye.
    It read "HOLY S&%T the Grateful Dead to release complete Europe '72 Tour" (or something to that effect).
    This! I had to find out more about.
    I hadn't listened to the GD in around 10 years.
    I was pretty excited and a little shocked they were going to release the complete Europe '72.
    The price tag was steep.
    That's cool, I thought.
    About time! I thought.
    Then, as I looked a bit more into it, I found out the Fillmore West '69 box set had been released.
    Goddamn!
    I really want to hear that, I thought.
    That was it, I was back in.

    Started collecting again, was hardcore in no time.
    Here we are around 10 years later, I got a lot of the GOGD!

    It's definitely the best time ever to be a Grateful Dead collector.

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Grateful Dead (Skull & Roses) 50th Anniversary Expanded Edition 2CD

“For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (‘Johnny B. Goode,’ ‘Not Fade Away’), showing off their authentic Bakersfield bona fides (‘Me & My Uncle,’ ‘Mama Tried,’ ‘Me & Bobby McGee’), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (‘Bertha,’ ‘Playing In The Band,’ ‘Wharf Rat’). Of course, the Dead were never defined by one specific ‘sound’ and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook with an entire side dedicated to their 1968 masterpiece ‘The Other One.’ This is one of the most deeply rich and satisfying tracks preserved on an official Grateful Dead album, up there with LIVE/DEAD's ‘Dark Star’ and EUROPE '72's ‘Morning Dew.’ SKULL & ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971.” - David Lemieux

Not only did SKULL & ROSES serve up supremely fine tunes, it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.

DEAD FREAKS, old and new, get ready to reunite on June 25th with the release of GRATEFUL DEAD (SKULL & ROSES): EXPANDED EDITION. In celebration of the 50th anniversary, the 2CD set will feature the album’s original 11 tracks, newly remastered from the stereo analog master tapes by Grammy® Award winning engineer David Glasser using Plangent Process Speed Correction. We're topping it off with more than an hour of previously unreleased live recordings taken from the much-requested July 2, 1971 performance at the Fillmore West, the band’s final performance at the historic San Francisco venue. Standouts include the 17-minute Pigpen spectacular “Good Lovin’,” an achingly beautiful take on Merle Haggard’s “Sing Me Back Home,” and a spell-binding version of “The Other One” that rivals the one captured on the original Side 2.

Looking for something more byte-sized? The GRATEFUL DEAD (SKULL & ROSES): EXPANDED EDITION and the original edition will also be available for HD digital download in FLAC and ALAC, exclusively at Dead.net, on release day. You can pre-order it now.

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50 years ago today…..

November 7, 1971
Harding Theater, San Francisco, California

Set 1: Truckin'-Brown-Eyed Women-Beat It On Down The Line-Hideaway-Sugaree-Jack Straw-Tennessee Jed-Cumberland Blues-El Paso-Big Railroad Blues-Comes A Time-Mexicali Blues-One More Saturday Night

Set 2: Ramble On Rose-Me And Bobby McGee-Loser-Sugar Magnolia-Dark Star>drums>The Other One>Me And My Uncle>The Other One>Deal-Brokedown Palace-Playing In The Band-Casey Jones-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encores: Johnny B. Goode-Uncle John's Band

Deadicated to bolo24, because I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail……

Great and classic show and a long-time personal favorite. It has pretty much everything you could ask of the Dead in this era. Rockers, Cowboy songs, hot jams, the unusual coupling of Dark Star and The Other One, an unbelievably smoking NFA transition jam (maybe the best ever?), plus even the often-expected equipment difficulties, AND jokes from the audience! The circulating broadcast copies are excellent quality and highly recommended. The band sounds loose, and the crowd sounds juiced. OK yes there’s no Pigpen, but still highly highly recommended, a classic of the first rank!!

Rock on!!

Doc
It is requisite for the relaxation of the mind that we make use, from time to time, of playful deeds and jokes

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50 years ago today……

November 11, 1971
Atlanta Municipal Auditorium, Atlanta, Georgia

Set 1: Bertha-Me And My Uncle-Sugaree-Playing In The Band-Tennessee Jed-Jack Straw-Casey Jones-Me And Bobby McGee-Big Railroad Blues-Mexicali Blues-One More Saturday Night

Set 2: Truckin'-Sugar Magnolia-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away-Johnny B. Goode

This is deadicated to John McCook…………

With the right vibes and the right people, it's easy to create something magical…..

Ah, what might have been! Sometimes, radical politics and rock and roll don’t mix well. And sometimes, the vibe effects the music……

Based on first hand accounts, as well as the audible stage banter on the circulating soundboard tape, this may be one of the most “unpleasant” shows of 1971. This is a difficult show to evaluate. Unlike some shows like Chateau d’Heronville and Terminal Island, which at least have “venue novelty value”, here the vibe is cold, confrontational, even hostile. Did the negative vibes effect the music? Hard to judge nearly fifty years after the fact, but I think that somehow it did.

The first set is about as long as most from this period. The “continuity” or “flow” is severely disrupted after Bertha. As usual, there are “equipment problems”. The second set is markedly shorter than most second sets from the Fall tours (six songs), there is no big jam number, and there is no encore. All that being said, overall the playing is pretty decent, and the Truckin’ and the NFA are strong. Still, I think this show generally falls well below the level of the other November 1971 shows. In fact, I’ve always thought of it as a somewhat oddball show, but maybe it’s just me……………

Rock on!!

Doc
Beautiful things can happen when you act intuitively and instinctively in a moment of anxiety and do something radical…..

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50 years ago today……

November 12, 1971
San Antonio Civic Auditorium, San Antonio, Texas

Set 1: Truckin'-Loser-Beat It On Down The Line-Sugaree-Jack Straw-Tennessee Jed-El Paso-Brown Eyed Women-Mexicali Blues-Black Peter-One More Saturday Night

Set 2: Ramble On Rose-Me & My Uncle-Cryptical Envelopment>drums>The Other One> Cryptical Envelopment reprise>Big Railroad Blues-Sugar Magnolia-Casey Jones-Johnny B. Goode

Deadicated to claney, fadedin7, Chris Grand, rodrigodiaz, twoxdad, deadegad, Eric3000, Forward, Dennis, and dharwin, because of the persistence of memory….

After the pandemonium of Atlanta the Dead rebound quite nicely here in San Antonio. A longer show, with a looser feel, a minimum of technical difficulties, and nice Texas-via-Bakersfield flavors. The second set includes a massive, 21 minute Other One that ranges from soft and spacey to raucous and rockin’. What some might call “a nice little show”, definitely underrated and worth a listen!

We have deep depth…..

Rock on!!

Doc
It gets late early out there……

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50 years ago today……..

November 14, 1971
Daniel-Meyer Coliseum, Texas Christian University, Fort Worth, , Texas

Set 1: Bertha-Beat It On Down The Line-China Cat Sunflower>I Know You Rider-El Paso-Sugaree-Jack Straw-Big Railroad Blues-Me And Bobby McGee-Loser-Playing In The Band-Tennessee Jed-You Win Again-Mexicali Blues-Casey Jones-One More Saturday Night

Set 2: Truckin'>drums>The Other One>Me And My Uncle>The Other One>Wharf Rat-Sugar Magnolia-Johnny B. Goode

Deadicated to Matt's_On_The_Way, boblopes, Hoopsie, lowspark75, muleskinner_blues, Gary Farseer, DaveStrang, Guss West, Ridin that Train, and Coconut Phil, because gratitude is when memory is stored in the heart and not in the mind….

This show was relatively unknown until it was partially released as part of the Road Trips series in February 2010, and now, eleven years later, one still hears very little about it.

The 16 song first set, one of the longest of the year, is very fine, with major Bakersfield flavors. Nice early first set China/Rider. Serious dose of country-western-Weir material. The first live version of Hank Williams’ You Win Again, a cover song I always enjoyed. I thought Garcia did it well………..

The second set is slightly shorter, with a more convoluted Other One than in San Antonio, with the somewhat typical Other One/MAMU/Other One sandwich leading into Wharf Rat.

Very solid show, underrated, definitely worth checking out!

Rock on!!

Doc!!
No matter how I struggle and strive, I'll never get out of this world alive…..

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50 years ago today…..

November 15, 1971
Austin Municipal Auditorium, Austin, Texas

Set 1: Truckin'-Bertha-Playing In The Band-Deal-Jack Straw-Loser-Beat It On Down The Line-Dark Star>El Paso>Dark Star>Casey Jones-One More Saturday Night

Set 2: Me And My Uncle-Ramble On Rose-Mexicali Blues-Brokedown Palace-Me And Bobby McGee-Cumberland Blues-Sugar Magnolia-You Win Again-Not Fade Away>China Cat Sunflower Jam>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: Johnny B. Goode

Deadicated to cedarview, GR8FL22, rhodymike, Mr. Jack Straw, Nanno-1974, lebowski99, glynnt54, stoltzfus, dancin dean, and Zomby D Wulf, as memory may be a paradise from which we cannot be driven, it may also be a hell from which we cannot escape……

Back in the day this was one of the first Fall 71 tapes I ever had, and it was an instant favorite. While yes San Antonio and Fort Worth are very fine, Austin may be the penultimate 1971 Texas Dead show. It oozes quirky gooey goodness, from the blazing opening Truckin’, through a first set Star AND a spontaneous jam, to a great NFA suite with even more jamming. And if you’re a fan of Cumberland Blues (like I am!), this is one smokin’ version! Extremely solid, great show, get it!

Rock on!!!

Doc
The darkness of death is like the evening twilight; it makes all objects appear more lovely to the dying.

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50 years ago today…….

November 17, 1971
Albuquerque Civic Auditorium, Albuquerque, New Mexico

Set 1: Truckin'-Sugaree-Beat It On Down The Line-Tennessee Jed-El Paso-Big Railroad Blues-Jack Straw-Deal-Playing In The Band-Cumberland Blues-Me And Bobby McGee-You Win Again-Mexicali Blues-Casey Jones-One More Saturday Night

Set 2: Ramble On Rose-Sugar Magnolia-Cryptical Envelopment>drums>The Other One>Me And My Uncle>The Other One>Wharf Rat-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Deadicated to Strider Brown, because memory is a net full of holes, the most beautiful prizes slip through it…..

And all around is the desert; a corner of the mournful kingdom of sand…….

A very fine show and another personal favorite. I’ve advocated for this show for decades, and always hoped a good FM or SBD copy would someday magically appear. Yes, until that day came, at least once a year I would break out my old, not-entirely-but-almost-unlistenable copy and revisit it. Strong playing, good songs, nice jams. Highly recommended, especially now that it’s available in impeccable sound quality!!!

You should not see the desert simply as some faraway place of little rain. There are many forms of thirst……

Rock on!!

Doc
The rules of survival never change, whether you're in a desert or in an arena…..

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“Every calculation based on experience elsewhere fails in New Mexico.”
Lew Wallace
11/17/71 is perhaps the 1971 holy grail.

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50 years ago today…..

November 20, 1971
Pauley Pavilion, University of California @ Los Angeles, Los Angeles, California

Set 1: Bertha-Me And My Uncle-Sugaree-Beat It On Down The Line-Tennessee Jed-Mexicali Blues-Brown Eyed Women-El Paso-Big Railroad Blues-Jack Straw-Cumberland Blues-Playing In The Band-Casey Jones-One More Saturday Night

Set 2: Truckin'>drums>The Other One>Ramble On Rose-Sugar Magnolia-You Win Again-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Deadicated to sepp the promoter, mikegordon, mickyfun, desertgirl, maisenberg, double-zero sol, jamesegal, uptownww, tubeguitaramps, dickelliott, csteitz, ortise, blue planetary storm, rlbilsky, progguy, stevehcohen, martyweinberg, andychatfield, drummingclown420, and jackstrawfrommaine because memory narrativises itself……..

Who am I? Where am I? What am I doing here and what does it all mean? And he may look at you and say something weird but y’know it’s all in the game of life and there’s nothin’ you can do about it………….

Some where between Albuquerque and Los Angeles, Truckin’ went straight to the top of the charts in Turlock, California………

Sure wish the commonly circulating soundboards of this show were better quality. Perhaps some day it will be cleaned up and officially released, so that it can get the respect it deserves. Solid, well played, underrated and underappreciated…………….

Nothing in life is to be feared, it is only to be understood. Now is the time to understand more, so that we may fear less………

Rock on!!

Doc
We must be willing to let go of the life we have planned, so as to have the life that is waiting for us……

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Fifty years ago today…………

It was a day between, a travel day, now, fifty years later, giving us time to ponder the deeper mysteries of music, because there is geometry in the humming of the strings, there is music in the spacing of the spheres…..

I have been asked by a fellow traveler in 1971 Grateful Deadness to post a comparative analysis of two December 1971 Dead shows. I won’t tell you where his own tastes lead…….

Monet or Renoir? Joyce or Dostoevsky? Ellington or Mingus? Whitman or Frost? Wells or Bradbury? Rubies or emeralds?

Second Felt Forum or Second Fox Theater????

Every precious gem radiates and luxuriates in its own unique brilliance. One mustn’t necessarily outshine the other. Must we be forced to choose that single one that touches our hearts, and ears, most deeply?

The "1971 challenge" is a lot more challenging than I thought it would be. I generated a single page/single post rough draft ezrly, and while it's nice, I'm not totally satisfied with it. After all, 12/5 vs 12/10 is serious 1971 Grateful Deadness. LOL it's like Ali vs. Frazier, Cowboys vs. Steelers, chocolate chip cookie dough vs. pistachio.

The analysis itself isn't that hard, as long as you try to apply uniform criteria to both shows. And in attempting to be "objective" (always an issue while trying to analyze/criticize any art form), one has to try to put aside personal, subjective feelings and opinions. Which in this case, is truly difficult. I'm very familiar with both shows, but 12/5 has been a favorite of mine for a long long time.

When comparing different years, one comparative factor is "style". Here, that's not an issue since the shows are only 5 days apart. Which is actually good, because that factor is quickly eliminated and therefore one can concentrate exclusively on "content". Which means things like lengths of first and second sets, characteristics of the big jams, encores, etc. Naturally, the two shows have a lot in common, but there also have some very important differences as well.

For any and all who wish to weigh in, vote early, and often!!

Tomorrow: Felt Forum---how much does weirdness count?

Rock on!!!

Doc
What art offers is space - a certain breathing room for the spirit…..

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Felt Forum December 5 1971

Set 1: 15 songs. Opener: Bertha. Closer: One More Saturday Night. 7 Garcia, 5 Weir, 3 Pigpen.

Substantial, top notch first set. Perhaps the greatest one-off ever, revealing Garcia’s old soul. Muddy Water sounds so well rehearsed, as if it had been in the repertoire forever. Garcia’s picking is so so sweet. Solid Weir and Pigpen material. Excellent first set.

Set 2: 15 songs, plus one ‘loose jam”. Opener: Truckin’. Closer: NFA reprise. 5 Weir, 7 Garcia, 1 Pigpen, 2 “group” (NFA, NFA reprise). Encore: Johnny B Goode. Big jam: Dark Star.

A Truckin’ for the ages. A nonverbal—but certainly not silent---version of their signature psychedelic opus. Fine jamming in the NFA suite. Really fine second set.

We should revel in the gooey exotic weirdness of the Felt Forum show. Twists and turns, peaks and valleys, Pigpen and Bakersfield, rock and roll, Grateful Dead. In December 1971, did it get any better than this???

Overall rating: classic of the first rank.

Tomorrow: Second St Louis, Rodney Dangerfield’s favorite December 1971 show…..

Rock on!!

Doc
Embrace your weirdness!

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Fox Theater December 10 1971

Set 1: 12 songs. Opener: Bertha. Closer: Casey Jones. 6 Garcia (including two back-to back), 4 Weir, 2 Pigpen.

Well played, somewhat Garcia-centric first set. No major surprises or weirdness. Appears “typical” for late 1971, which still means “excellent”. Even so, clearly, on this evening the goodies were delivered in the second set.

Set 2: 14 songs. Opener: Good Lovin’. Closer: NFA reprise. 5 Garcia, 5 Weir, 1 Pigpen, 2 “group” (NFA, NFA reprise), 1 loose jam (sometimes labelled “China Cat” jam”, which lasts perhaps one minute, does that count as a song?).

Encore: One More Saturday Night. Big jam: The Other One.

Really fine Good Lovin’ to open, here Pigpen reveals his old soul, the only time it was played this month. Excellent big jam, as the Other One bobs and weaves along, seamlessly transitioning into and out of Sitting On Top Of The World. Typical fine late 71 jamming in the NFA suite. Rockin’ Saturday Night to close the show.

Now, after all these decades, we are treated to the full sonic majesty of the second Fox Theater. Now, without doubt, it shall get its due respect………..

Overall rating: Excellent!!

Rock on!!!

Doc
To the living we owe respect, but to the dead we owe only the truth……

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I’m not big into analyzing—or choosing--one show over another. I like what I like, but I am interested in what criteria folks use to judge what is “best”. The ultimate authority must always rest with the individual's own reason and critical analysis.

Style? Content? Quantity over quality? What is the value, if any, of weirdness? Whose tunes are “better”? Decisions, decisions, decisions, every song is like a painting. Speaking of which, Renoir-Dostoevsky-Mingus-Frost-Bradbury-Rubies. Just for the record….

Honestly, I love BOTH shows. One is “merely excellent”, while the other is “quirkily classic”. Which one is which? The only difference between a rut and a grave are the dimensions. By constant contemplation of excellence, we clear our selfhood of all dross and impurities. Freedom comes with the impossibility of choosing…..

This may surprise no one, but if I had to choose a “desert island show”, it would not be either of these shows, although clearly, both are exceptionally fine, and worthy!!! Music is the best means we have of digesting time…..

Tomorrow brings December, be prepared! He who marvels at the beauty of the world in summer will find equal cause for wonder and admiration in winter……

Wisdom is the reward you get for a lifetime of listening when you'd have preferred to talk. Sorrow is knowledge, those that know the most must mourn the deepest, the tree of knowledge is not the tree of life……

Rock on!!

Doc
Truly fertile music, the only kind that will move us, that we shall truly appreciate, will be a music conducive to dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate reason.

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Yo! Rockers!!!

We’re in the home stretch. Cold winter beckons, warming music arrives……..

This is not the winter of our discontent. The anniversaries of eleven fine shows await. Two bona fide classics, maybe more, all worthwhile. October good, November better, December best. Be prepared!

Rock on!!

Doc
A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened…..

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50 years ago today……

December 1, 1971
Boston Music Hall, Boston, Massachusetts

Set 1: Truckin'-Sugaree-Mr. Charlie-Beat It On Down The Line-Comes A Time-Jack Straw-The Rub-Tennessee Jed-El Paso-Big Railroad Blues-Casey Jones-One More Saturday Night

Set 2: Ramble On Rose-Me And Bobby McGee-Big Boss Man-Cryptical Envelopment>drums>The Other One>Me And My Uncle>The Other One-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Deadicated to Albert, where ever he may be. Don’t go all existential on me…..

There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered. After an absence of eighteen shows, Pigpen returns, albeit in a slightly subdued mode. But it’s good to have some grease back………..

This was the first show with both Pigpen and Keith Godchaux. It includes the final performance of The Rub, which is actually a pretty decent, hard rocking version. The Other One reprise has some nice, energetic “interior jamming” before they return to the Other One theme and the second verse, after which they fairly abruptly stop. This is followed by extended tuning prior to the start of Not Fade Away.

Hard to assess the first set due to “suboptimal sound quality” of the first set audience recording, but it seems well played and well received. The second set is very fine, highly recommended!

Rock on!!

Doc
I have just returned from Boston. It is the only thing to do if you find yourself up there……

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50 years ago today…..

December 2, 1971
Boston Music Hall, Boston, Massachusetts

Set 1: Bertha-Playing In The Band-Mr. Charlie-Sugaree-Beat It On Down The Line-Black Peter-Next Time You See Me-Jack Straw-Tennessee Jed-Mexicali Blues-Smokestack Lightning-Big Railroad Blues-Casey Jones-One More Saturday Night

Set 2: Sugar Magnolia-Deal-El Paso-Brokedown Palace-Uncle John's Band-Not Fade Away>Turn On Your Love Light>Goin’ Down The Road Feeling Bad>Not Fade Away-Johnny B. Goode

Deadicated to Ken Kirk and Joe Lydon, for all the shows we shared together……

Maybe not a top-tier classic, but it has its own quirky gooey goodness. One of only two 1971 shows with both Black Peter and Brokedown Palace, and the only 1971 show with both Smokestack Lightning and Turn On Your Lovelight.

Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

Definitely worth a listen…………

Rock on!!

Doc
There may be a great fire in our hearts, yet no one ever comes to warm himself at it, and the passers-by see only a wisp of smoke…..

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50 years ago today…..

December 4, 1971
Felt Forum, New York City, New York

Set 1: Truckin'-Sugaree-Mr. Charlie-Beat It On Down The Line-Tennessee Jed-Jack Straw-Run Rudolph Run-You Win Again-Me And Bobby McGee-Comes A Time-El Paso-Smokestack Lightning-Cumberland Blues-One More Saturday Night

Set 2: Ramble On Rose-Me & My Uncle>The Other One>Mexicali Blues>The Other One>Wharf Rat-Casey Jones

Encore: Johnny B Goode

Deadicated to evilyn2003, Mr.Dc, dissident1980, Maine Dave, Across the Rio, cosmicdavid, Lost Dantian Tapes, Dantian's Wei Lu, Heart of Dantian, Sydney Prentice, and Grayteful, because how cruelly sweet are the echoes that start, when memory plays an old tune on the heart…….

The food that feeds us all, the Grateful Dead………

We shouldn’t let the intense cosmic quality of December 5 overwhelm the other shows from this fine run. Here is a solid, well played show that you almost never hear about. The first set is long, well played, and has some nice, slightly oddball tunes like Run Rudolph Run, You Win Again, Comes A Time, and Smokestack Lightning. Equipment difficulties appear to be at a minimum. Admittedly, the second set is short, but does have the quirky, heavily Weirish jam sequence. Maybe not a top tier show, but certainly worth a listen…………

Rock on!!

Doc
To have no time for philosophy is to be a true philosopher…..

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50 years ago today…..

December 5, 1971
Felt Forum, New York City, New York

Set 1:Bertha-Beat It On Down The Line-Big Boss Man-Brown-Eyed Women-I Washed My Hands In Muddy Water-Jack Straw-Mr. Charlie-Tennessee Jed-El Paso-Deal-Playing In The Band-Next Time You See Me-Comes A Time-Casey Jones-One More Saturday Night

Set 2: Truckin'-Ramble On Rose-It Hurts Me Too-Sugaree-Sugar Magnolia-Dark Star Jam>Me And My Uncle>Dark Star Jam>Sitting On Top Of The World-Me And Bobby McGee-Big Railroad Blues-Mexicali Blues-You Win Again-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: Johnny B. Goode

Deadicated to jrpaulson2009, canonico, pauldaley1, pony, b o, dirtrider5, alain, neveralull, ed.head, ords120, djaspen, manofort, zygster, mistercharlie, saintstevie, rockysgraetful, the tailgunner, doctorpat, and punster61, because weirdness accrues….

A new member of the family, a vote for male chauvinism, the youngest old timer, the erudite strong backbone of the organization, a very very youthful, ebullient and a very very dirty softball player, and the godfather of rock and roll play a show for the ages……

Was there something in the water? One of the greatest, weirdest, most loved, and most bootlegged shows of 1971, which has just about everything 1971 Dead that anybody could reasonably expect---equipment problems, rowdy crowd, rock and roll, Pigpen, cowboy songs, soulful Jerry, ethereal Truckin’, Dark Star, fiery Not Fade Away suite. I have probably gone through more versions of this broadcast than any other single Dead show I’ve ever had. If a clean soundboard were to suddenly surface---and circulate!---I could die a happy man. Truly very, very deserving of official release. Please, TPTB, make it so!!!!

Who was Uncle Sal???

Rock on!!

Doc
This whole world is wild at heart and weird on top…..

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50 years ago today……

December 6, 1971
Felt Forum, New York City, New York

Set 1: Truckin'-Loser-Mr. Charlie-Jack Straw-China Cat Sunflower>I Know You Rider-Run Rudolph Run-El Paso-Tennessee Jed-Mexicali Blues-Black Peter-Next Time You See Me-Casey Jones

Set 2: Big Railroad Blues-Me And My Uncle-Ramble On Rose-Playing In The Band-Cryptical Envelopment>drums>The Other One>Me And Bobby McGee>jam>The Other One>jam>Wharf Rat-One More Saturday Night

Encore: Uncle John's Band

Deadicated to GM and JF, because music is essentially built upon primitive memory structures….

Beneath all the madness, a bundle of joy, the Grateful Dead…..

It can be really tough being the show that comes immediately after a classic. While this one isn’t as weird and cosmic as the previous evening, it’s a well played, high quality, enjoyable December show. Not top tier, but still recommended………

One recognizes one's course by discovering the paths that stray from it…..

Rock on!!

Doc
He who binds to himself a joy
Does the winged life destroy
But he who kisses the joy as it flies
Lives in eternity's sun rise…..

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50 years ago today…..

December 7, 1971
Felt Forum, New York City, New York

Set 1: Cold Rain & Snow-Beat It On Down The Line-Mr Charlie-Sugaree-Jack Straw-Next Time You See Me-Tennessee Jed-El Paso-Brokedown Palace-Run Rudolph Run-You Win Again-Cumberland Blues-Casey Jones

Set 2: Sugar Magnolia-Ramble On Rose-Big Boss Man-Mexicali Blues-Brown Eyed Women-Me & My Uncle -Smokestack Lightning-Deal-Truckin'-Not Fade Away>Goin’ Down The Road Feelin’ Bad>Not Fade Away

Encore: One More Saturday Night

Deadicated to Alan Richman, because some men's memory is like a box where a man should mingle his jewels with his old shoes…..

A solid, well played, if unspectacular show. For some, the lack of a “big jam” might knock this two a notch or two. There’s some good stuff here, but you have to dig for it. Decent dose of Pigpen (including a rare Smokestack Lightning, which, while good, is not “rave worthy”), cowboy tunes, and an up tempo closing segment. Definitely worth a listen.

You cannot create experience. You must undergo it……

Rock on!!

Doc
The natural effect of sorrow over the dead is to refine and elevate the mind…..

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