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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Oroborous
    Joined:
    Lasts

    Robert Plant: Lullaby and…ceaseless roar
    Bonnie Rait: The BR collection
    Norah Jones: Come Away with Me
    Natalie Merchant: Ophelia
    Hamp & Getz
    p/o Bill Evans: Everyone Still Digs Bill Evans

    But that was last night, now Dave’s Picks 9 5/14/74 Rollin!

  • Vguy72
    Joined:
    Last Five....

    Jane's Addiction - Nothings Shocking
    JGB - Cats Down Under The Stars
    Donna The Buffalo - Positive Friction
    Trey Anastasio - Mercy
    Def Leppard - High 'N' Dry
    Hope everyone has a grate weekend.

  • KeithFan2112
    Joined:
    Rockin' The Rhein, Dark Star, Part II

    Coming after a 26 minute Part I, and then a Me and My Uncle interlude, I do declare this is a special improvisational jam piece, clocking in at 15 minutes. What sets it apart from most two part Dark Stars....hmmmm. Good question.

    For one thing, it's pure improv jamming with no meltdowns. The first five minutes I guess I would describe as steady melodic Space. It starts off with this really cool intro I won't even try to describe. In the first 6 minutes they trade off little bits and pieces, as though it was all written ahead of time. This opening segment is slow tempo, smooth, and cohesive. They explore ideas independently and it meshes nicely. There is a never a moment when they stall out and fill the void with noise or silence. And Pigpen plays the maracas - always a sign of good things to come.

    Phil does flirt with meltdown indicators as they approach the 6 minute mark. Jerry had begun to pick up the pace, but Phil seemed headed for Dark Dreamville (he throws in a few one note bombs during this minute, but nobody took the bait). I think Keith, Bobby, and Jerry walked him in off the ledge.

    They continue to explore for the next 10 minutes, but at a much faster tempo. Billy holds it together with some fast hard hitting that is more rock than the jazz, with lots of ride symbol for emphasis; while he's doing this, Keith and Jerry go in and out of several different melodies they discover along the way.

    Keith comes in with a nice little piece around 7:00 and another around 8:20; Jerry develops a couple of catchy phrases around 9:20 and just before 12:00. The jamathon continues... Bobby and Phil have been low in the mix during most of this, but Bobby does develop a nice theme of his own around 13:40 and goes on for a minute or so.

    Approaching the 15:00 mark, Billy finally takes his foot off the gas and Jerry comes in with the Dark Star theme, which is notably the only time we hear it during Part II - but only for a 15 second wind-down preceding the seamless transition into Wharf Rat. There is no second Dark Star verse; in fact, if not for this brief moment when Jerry plays the main theme for a couple of bars, there is no hint they're even IN a Dark Star. Bobby picks up on the main theme and continues another bar or two after Jerry kicks off Wharf Rat's opening chords; Keith plays a few repeating notes on the pinky keys (to great effect), and the whole thing is bliss. The Wharf Rat is fantastic, and runs straight into Sugar Magnolia, which is one of the best IMHO.

    So why all the fuss over Rhein Dark Star, Part II? Well, it's appealing to me because it is100% un-recycled improvisational playing. There is no reliance on themes like Feelin' Groovey, Tighten Up, and Mind Left Body - or Dark Star for that matter. They just get up there and do their thing for 15 minutes of pure synergy.

    There are no meltdowns. I have a feeling the cacophony-laden wanderings they often indulged in were much better to behold as a live audience member. I can deal with short durations, as they sometimes enhance a more melodic theme that rises from them; but for the most part I'm looking forward to the day when I have time to replace my defunct Roxio software with something that allows me to edit those atonal sections, and neatly cross-fade "the normal parts" together. Then I will make a Dark Star that goes on for 21 hours and 12 seconds.

    And I guess the last thing that does it for me is its uniqueness and duration. 15 minutes is a long time to carry on like this, and they keep it interesting by starting at a slow tempo for the first third of it, and then kicking it into high gear the rest of the way. None of the themes they conjure up last longer than a minute, but they fill the space between with well-crafted leads and runs. I haven't come across too many jams that fit this profile.

    And how about The Other One from the Paramount 7/25/72??? I demand this show be released at once.

  • PT Barnum
    Joined:
    Kerouac house

    Lots of good things happening today for Jack's 100th, look them up in Lowell and in Winter Park. We went to see the original scroll of On the Road back in the 90's. The Kerouac family had it on display at his abode where Jack lived in Winter Park, Fl. Touchstone for me and a whole generation.

  • PT Barnum
    Joined:
    purple haze in the air

    no wonder I could not figure it out. I have experienced that haze, it was in a field right after an afternoon rain, floated about 2 ft off the ground, buzzing with promise.

  • daverock
    Joined:
    Old Angel Midnight

    Today marks the 100th anniversary of Jack Kerouac's birth date. I've got my old copy of "The Scripture of the Golden Eternity" here to guide me through the day.

    Incidentally, I don't hate taxes. Depends what they are being used for, of course.

  • Vguy72
    Joined:
    We can run....

    ....but we can't hide from it.
    Brent was cool.

  • Oroborous
    Joined:
    Gas

    Yeah it’s going up but:
    A) it’s tge least we can do to support the cause. If you know anything about what many folks had to ration, sacrifice, and endure during WWII, it’s really not so bad is it?
    B) we all need to be more efficient and mindful of overuse/wastefulness anyway

    Remember: we can run, but we can’t hide!

    Ok, sorry, Friday buzz kill PSI over, and now back to yer normal scheduled programming/happy hour…

  • Vguy72
    Joined:
    Gas prices are getting ridiculous....

    ....I went online to check the value of my car and it asked if the tank was empty or full.

  • Vguy72
    Joined:
    I made a belt out of old wrist watches....

    ....only to find it was a waist of time.
    Nice avatar simonrob. 👌

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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First one in the door.

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nya nya

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11 years 5 months
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Khaaaaan!!!!!! Missed it by THAT much!

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11 years 5 months
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Yes! Finally no skeletons. The most stale album cover motif ever.... THANK YOU to the artist for not being lazy.

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As every year.

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I had just returned from six months in Germany with a pocketful of money. My friends and I left Glenmont in 2-3 cars, a bag of really good Colombian and some other goodies. When we got near the Calvert Whiskey sign in Baltimore the traffic slowed and this guy in a car next to me looked over, smiled, stuck his arm out the window and handed me a joint. The traffic began to move quicker and he went ahead. The Sugaree kicked ass. Little Feat played there a few days before if I remember correctly. Then Zeppelin played at the Capitol Centre in Largo, MD. a few days after this Dead show.

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then mentions "different eras." My money is on an '80s box. So unless it's '80 or '81 or from Red Rocks, that'll give me a year to catch up on llistening to my collection...

Ah, the tea leaves. Whatever makes me think I can read them? (I'd be guessing 50 years of hallucingens...)

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12 years 11 months
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Welcome to 2022!!!!!
PLAY DEAD
PLAY DEAD LOUD

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11 years 10 months
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Fancy meeting you all here...let's go! And yes to the no more tired skelly covers....and I'm just about completely recovered from my ice tumble from last month...thanks to all the well wishers here too...what a bunch!

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In reply to by nappyrags

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....Dave scared me at 9:55 in. I thought a meteor was heading his way!
Bald eagle though. Carry on.

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Dave's trivia:
Jack-A-Roe debuted 9 days earlier in Tuscaloosa. Similar intros; love that.
No summer tour with Mickey injured. Always wondered about that gap.
He's named the eagles.
And Baltimore Orioles on there too. Can I count that sighting?
Cheers

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In reply to by 1stshow70878

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I wonder if they were tempted to play a few shows in summer 1977 after Mickey fell off his hoss. If that's what happened-I forget. Would have been interesting if they had.

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In reply to by daverock

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Interesting you mention that juncture when Mickey was hurt.
A fascinating hypothesis of author Blair Jackson is the
big what-if - being what if Mickey hadn't had that accident
and Jerry had presented the next batch of Hunter songs in
the pipeline (Cats Under The Stars) and THAT became the basis
for which the Dead would have started the follow-up to
Terrapin as opposed the varied array of songs that make up
Shakedown Street. Interesting notion ...

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There were 60 shows in 77. By my count, including Roadtrips, this is the 31st '77 show to be released. So, it's not even in the top half of shows for that year? In comparison, there haven't been 30 releases from the entire decade of the 80's and that includes the 30 Trips box. Sorry. Not sorry that I'm passing. Maybe we need someone with a new perspective.

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In reply to by L. Mo.

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Nice nod to the ubiquitous Baltimore Hon beehive hair style from the 60s on the two turtles gracing the cover.The annual HonFest here in B'More has a beehive hair competition to this day.(Good food, funky vibes and lots of local music) I think the turtle on the right is sporting a John Waters mustache. Hairspray anyone...?

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Def a Hohn Waters reference. Also, anyone notice the crabs chests? One looks like a wolf howling in the left and the right a bird/eagle mid flap?

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Always love the '77 Shows, but have to say that, the 80's were much better than releases reflect, and are due some serious consideration for more releases. Perhaps the most overlooked show ever is Market Square Arena, Indianapolis, IN on December 5, 1981. UNBELIEVABLY hot show. Are you listening, Dave? If you are, give it a listen!! Space>Wheel>Playing>Stella Blue>Sugar Mags is still smoking in my ears 40 years later. The jam and transition from Stella into Sugar Magnolia is FLAWLESS. 12/6/81 in Chicago the next night is pretty good too . . .

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In reply to by L. Mo.

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I am not a great fan of the 1980s, myself, but that matters not - I do agree with L.MO. that it would be good if we had someone with a new perspective involved in Dead releases. In my field of work, it was unusual to have someone in the same post for more than about 5 years. Having said that, and for better or worse, I was in the same one for over 20 - but that wasn't typical. It was generally considered to be a good thing to have fresh eyes and minds involved.

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I agree with Muffin. Definitely a howling wolf on the chest of the crab on the left. I see a crow on the chest of the one on the right. Did some Googleing last night and the tie ins to Baltimore they used on the cover are really cool. Thanks for those of you who posted about the connections.
I would have had no clue. That's what I love about catching up each morning. It seems that no stone is left unturned here. I am sure we all subscribe to DPs for different reasons. So far, the second release with the bonus disc has been worth the price of admission for me. Everything else is just added enjoyment. Some more than others. But they all bring enjoyment!

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It would be nice if they could release a Dave's Picks from each decade each year, one from the 60s, 70s 80s and 90s.. They might not have enough material from the 60s to do that, but that would be the best way if it were possible.

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If they sounded good they would release them. I think the 1989-1990 shows and box sets demonstrate that there is a desire to release great Dead from any period. It's too bad the high quality reel to reel Betty Boards were on hiatus in the 80s, They appear to have lost interest or budget. It's not as though they have not tried. There are some horrific sounding shows that I think were released as crowd pleasers. Someone here described one of the 80s Dave's Picks sound quality as listening to them through the keyhole of a closed door. The show was all but unlistenable. It's a shame, but it's like the 2nd half of 1970. The shows just are not there in any sort of quality that can be called passable.

Happy New Year all!

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I have not heard this show, but have a hard time imagining it holds up to 5/25 at The Mosque. That show is the gold standard of May 1977. In Dave I trust though. I will put in some time at Th Mosque before #41 hits my door mat. The smoothness and lack of warts on 5/25 was exceptional even for May 77.

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In reply to by Dark-Star

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Not seeing the howling wolf, but that doesn't mean it's not there. I like the crab (Maryland is for crabs), the Baltimore Oriole, the Terrapin (University of Maryland, home of the Terrapins), the beehive and the John Waters reference. One of the orioles even looks like it has a bit of raven in it.

The street scene has a Shakedown Street vibe to it too. Perhaps a nod to Gilbert Shelton (who does not appear to have much to do with Baltimore, but certainly the Grateful Dead).

I'm a fan of this show. Excellent recording, tight show. It works and is sort of on par with Dave's Picks 1.

Fire Lemieux? I don't see that happening anytime soon.

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Oh Dave why did you have to lumber us with 4 glasses again!?!?

Or, why not make the glasses like DaP's,,, sign up once and get all four?

But noooooooo, now every 3 months I need to watch for the release of the new glass and hope I don't get snookered on one of the glasses.

Thanks Dave!

:-) ( I like the glasses)

OK, maybe the axe was better.

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Hey rockers!!

I let TPTB know, in no uncertain terms, that should DL be fired, I would, on a strictly temporary basis, step up and assume the reins.

However, fans of post-hiatus shows might force my early retirement.................

Doc
Making tough decisions that may make someone unhappy is something to get good at doing......

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....to Dennis' point, the frenzy to get a glass is a reminder that even for the stoudt hearted there still remains a challenge or two to overcome. These reminders are appreciated. I also dig this artwork, and I've hung out in Balti many a time (my younger bro used to live there for about a decade) so it's a nice reminder of good times.

This show is super tight as well, haven't listened in a while but do recall. I never rebuke an Estimated > Eyes.

Be Well People.
Sixtus

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billfgrady and DV had it right. First Jack-A-Roe 5-13-77 and second one 5-15-77 so 5-26-77 is goin' down the line.
Dave, how do you remember all those dates and shows? K for close on that one.
Cheers

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Does anyone know where to change your shipping address for Dave's Picks subscirption people since they will automatically get sent to us?
Thanks in advance!

Hey Now!

You can reach out to GD customer service via email with your updated info and they should be able to assist. I had to do this 2 years ago when we moved and it was pulled off without a hitch.

Sixtus

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There are certain jobs where you just have to accept it that you can't please everyone. President of the United States, Grateful Dead archivist, stuff like that.

Interesting to hear that this DaP marks the release of more than half (31 of 60) of all 1977 shows. But whether that glass is half empty or half full depends on how you slice the salami.

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Just think how much better the GD would have been if they’d replaced the lead guitarist in 1976. I mean 11 years is enough for anyone. (/sarcasm).

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With a little research I am seeing that John Waters’ Desperate Living was released in Baltimore on May 23 or 27, 1977. Not quite the perfect fit as found in the May 25 Richmond show coinciding with Star Wars but with this in mind, maybe Richmond was only selected for Vol 1 because of the all too perfect synchronicity for starting out the DaP series? And of the two, this is in fact the BETTER show???

I could give it much comparative thought when the release arrives…. and then my ears will remind me to simply enjoy.

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In reply to by Colin Gould

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Colin - I'm sure Dave would be chuffed at having his contribution to the overall scheme of things compared to Jerry's !
I wasn't trying to suggest that Dave should be "sacked", by the way - that would be unforgivable after all the great work he has done in preserving the Dead's legacy. Just that things could be refreshed if someone new was to have more input.
Having said that - 1977 may still be prioritised whoever is at the helm - its a popular year, and the main goal of Deadnet is to sell stuff. But to me it now sounds like very middle of the road Dead. As Todd Rundgren once sang - "You want the obvious-you get the obvious."

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Hey rockers!!

If we get the obvious, where are the 1970 shows?????????

Just asking.................

Doc
It requires a very unusual mind to undertake the analysis of the obvious.......

According to the crack customer service team at dead dot net, there is only one way to handle address changes. You must contact customer service and have the subscription address changed to:

JimInMD
Baltimore Civic Center, Box 1968
Baltimore, MD 21211

(or you could do as Sixtus suggests, up to you) :D

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Just one song? Just the US Blues from 13 years later? And 45 min of blank space? Why even bother putting a US Blues on there? None of the 5/22/77 material that was left off of DP3 is usable? Makes no sense to me. The Jack Straw, Ship of Fools and Other One> Stella Blue 5/18/77 could have fit, unless that show is a potential DaP, but that's why I allowed myself to hope that some of the missing 5/22 material would be used. Shame.

The Sugaree from this show is fantastic, and I liked the 2nd set Jam. The Jack a Roe sounds fantastic in the listening party, and love Jerry's use of the Octave Divider and MuTron on Uncle John's, a great sound.

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I concur both in reasoning and conclusions

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