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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Dennis
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    Maybe I'm the April Fool

    ... or I missed it.

    Just brought to my attention, a new release of a rolling stones show from 1977. The vinyl is not cheap, but the cds were affordable. Looked like the "limited" color vinyl only available from the stones site.

    The sucker/fool that I am, I bit!

    I'm counting on these "limited" vinyl collections to fund my retirement. Hope they don't let me down. I planning on having bills no honest man could pay by then.

  • nappyrags
    Joined:
    DAVEROCK re Lisa

    Yes she was quite the Vocal Goddess! Have you seen "20 Feet From Stardom"?...it's a killer documentary on back up singers...it has Merry Clayton, Lisa, Claudia Lennear and others...way cool...on the 2013 Rolling Stones tour I went to see them in San Jose...we had killer seats and during a "quiet" moment I screamed out "Lisa!!! Lisa!!!" ...she smiled and waved...then I screamed out "I want to have your baby!!!" I knew she heard that too because she visibly started with a kinda "Huh?" look...

  • simonrob
    Joined:
    Vinyl prices...

    Back in the 1960s in England I remember buying singles for 6/8 (6 shillings and 8 pence) and LPs for 19/11 (19 shillings and 11 pence, just under £1). That was in the days of the old pounds shillings and pence. Younger readers will have no idea what I'm talking about. In those days they were called records, not vinyl, because that was the only format for recorded music. I'll stop now because I'm making myself feel old.

  • DeadVikes
    Joined:
    Big Announcement Coming

    Big Announcement Coming from Rhino today to tie you over until the next big release.

    Oh wait, the tube socks are already on the site for sale, nevermind.

  • PT Barnum
    Joined:
    vinyl

    I still have some, about 1000. Used to have about 5000 but during the 90's sold a lot of them as CD's were the new thing and only kept the old and favorites. I still will buy a vinyl record occasionally, the last one I purchased was Cat Stevens' soundtrack to Harold and Maude. A favorite movie of my wife's and there are several songs on the lp that are not released on any other Cat Stevens record or cd sprinkled in with tunes from Tea for the Tillerman. Purchased on record store day, it was 25 bucks for yellow vinyl. Also in my opinion, the colored vinyl doesn't seem to have the sound that black vinyl does, don't know why a color added to the vinyl would reduce or limit the sound, but it seems to do just that.
    IMO the Grateful Dead live really don't lend themselves to vinyl and the time limitations on said medium. But let's look at the cost of vinyl records now days. Is the cost of producing vinyl the reason that the cost is so alarming? or is it tptb just making the most out of what they have to offer? My first long playing record that I purchased cost .99 cents, of course, that was a very long time ago.

  • daverock
    Joined:
    Makes you think

    It's quite sobering, reading people's thoughts on vinyl. It feels a bit ridiculous at the moment, paying such a massive price for something I already have, and only play once a year-if that. I still might go for the Wembley show from Europe 72 when it comes out on RSD - which should be under £100.00. But even saying that....what an indulgence!

    My approach is similar to how Deadfeati describes his Dead listening now-in sips rather than chugs. And vinyl fits into this style quite nicely. 2 sides now. Maybe 2 later on. Carry on tomorrow. You can obviously do this with cds, too, but I'm more likely to collapse in a heap when I put one of those on, and wait till it's all over.

    Nappy - I always thought it would be great to see Lisa Fischer of The Stones do a solo show. Her singing with them is always a highlight - especially on Gimme Shelter. She easily had the best stage presence as well in the 90s and 00's. Like watching a Goddess in the presence of a bunch of oiks.

  • frankparry
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    Vinyl

    Apparently there is a worldwide shortage of vinyl and many releases, especially from smaller labels, are being delayed or having to be released at greater cost because of the shortage. Still doesn’t excuse big hikes or make it any more palatable but might be a contributing factor. Gasp, shock horror admission - I only buy vinyl when I absolutely have to or when the artwork is sufficiently impressive. I don’t have much money either for a large collection or for a system of sufficient quality to detect any noticeable sound improvement.

  • nappyrags
    Joined:
    MIM

    I've mentioned the MIM (Musical Instrument Museum) in Phoenix before...excellent place, mind blowing actually...anyway they sponsor a fairly eclectic concert series...It's where I saw Taj Mahal a couple of weeks ago...I've also seen Los Lobos there a few times, Albert Lee & Booker T Jones etc...one really cool gig was the night after The Stones played in Phoenix, a lot of the musicians that tour with them, the back up singers, Chuck Leavell, Karl Denson and Tim Ries along with other musician friends did a gig there, the highlight being Bernard Fowler's soulful rendition of Wild Horses....made me think it was how Otis would've done it if he had lived...made for a great evening of music...anyway, the Museum just released their Summer Series Line Up...mas cool stuff...what I wish I could go see is Pandit Vishwa Mohan Bhatt and Pandit Subhen Chatterjee...Subhen Chatterjee is a tabla player who kicks ass and Vishwa Mohan Bhatt plays a modified acoustic guitar lap style and gets the craziest sitar and sarod sounds with a slide...look them up on youtube, you'll dig it...they're playing mid August so it's a no go for me...I'll have just returned from a four state swing from AZ, UT, CO & NM for the Tedeschi Trucks Band/Los Lobos gigs at Red Rocks and besides, it would take the second coming of Jimi Hendrix to get me to go to Phoenix in August...

  • JimInMD
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    Re: Appreciate Garcia So Much More

    I couldn't agree more with this comment.

    I do like the after-carnations, but I think I am going to pass this summer. Sometimes it's great to meet old friend and groove to the music though.. music is healing, or as a very generous and kind person once said, music is the best.

    I do miss the Terror of Garcia on a good night. I read something recently that summed up my thoughts on this. Let me look for it, I hope to update with a Lancelot Linque (secret chimp).

    Found it.. on YouTube, search "Was Jerry Garcia a Good Guitarist?"

  • Angry Jack Straw
    Joined:
    Bob and his band

    Could not agree more. Way to slow. No juice at all. Same with Dead and Co. I caught one of Bob’s shows this tour and it was mediocre at best. Of all these iterations of the band, I still liked Futhur the best. Even then, all that did was make me appreciate Garcia so much more. After the Bob show, I had to pop in a CD so that I could listen to how the songs should be played.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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First one in the door.

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nya nya

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11 years 4 months
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Khaaaaan!!!!!! Missed it by THAT much!

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Yes! Finally no skeletons. The most stale album cover motif ever.... THANK YOU to the artist for not being lazy.

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As every year.

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I had just returned from six months in Germany with a pocketful of money. My friends and I left Glenmont in 2-3 cars, a bag of really good Colombian and some other goodies. When we got near the Calvert Whiskey sign in Baltimore the traffic slowed and this guy in a car next to me looked over, smiled, stuck his arm out the window and handed me a joint. The traffic began to move quicker and he went ahead. The Sugaree kicked ass. Little Feat played there a few days before if I remember correctly. Then Zeppelin played at the Capitol Centre in Largo, MD. a few days after this Dead show.

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then mentions "different eras." My money is on an '80s box. So unless it's '80 or '81 or from Red Rocks, that'll give me a year to catch up on llistening to my collection...

Ah, the tea leaves. Whatever makes me think I can read them? (I'd be guessing 50 years of hallucingens...)

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Welcome to 2022!!!!!
PLAY DEAD
PLAY DEAD LOUD

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Fancy meeting you all here...let's go! And yes to the no more tired skelly covers....and I'm just about completely recovered from my ice tumble from last month...thanks to all the well wishers here too...what a bunch!

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In reply to by nappyrags

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....Dave scared me at 9:55 in. I thought a meteor was heading his way!
Bald eagle though. Carry on.

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Dave's trivia:
Jack-A-Roe debuted 9 days earlier in Tuscaloosa. Similar intros; love that.
No summer tour with Mickey injured. Always wondered about that gap.
He's named the eagles.
And Baltimore Orioles on there too. Can I count that sighting?
Cheers

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In reply to by 1stshow70878

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I wonder if they were tempted to play a few shows in summer 1977 after Mickey fell off his hoss. If that's what happened-I forget. Would have been interesting if they had.

Interesting you mention that juncture when Mickey was hurt.
A fascinating hypothesis of author Blair Jackson is the
big what-if - being what if Mickey hadn't had that accident
and Jerry had presented the next batch of Hunter songs in
the pipeline (Cats Under The Stars) and THAT became the basis
for which the Dead would have started the follow-up to
Terrapin as opposed the varied array of songs that make up
Shakedown Street. Interesting notion ...

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There were 60 shows in 77. By my count, including Roadtrips, this is the 31st '77 show to be released. So, it's not even in the top half of shows for that year? In comparison, there haven't been 30 releases from the entire decade of the 80's and that includes the 30 Trips box. Sorry. Not sorry that I'm passing. Maybe we need someone with a new perspective.

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In reply to by L. Mo.

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Nice nod to the ubiquitous Baltimore Hon beehive hair style from the 60s on the two turtles gracing the cover.The annual HonFest here in B'More has a beehive hair competition to this day.(Good food, funky vibes and lots of local music) I think the turtle on the right is sporting a John Waters mustache. Hairspray anyone...?

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Wasn’t Jack-a-Roe debuted 5/13/77, and not 5/17/77, as Dave and others have mentioned? It’s a good one!

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Def a Hohn Waters reference. Also, anyone notice the crabs chests? One looks like a wolf howling in the left and the right a bird/eagle mid flap?

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Always love the '77 Shows, but have to say that, the 80's were much better than releases reflect, and are due some serious consideration for more releases. Perhaps the most overlooked show ever is Market Square Arena, Indianapolis, IN on December 5, 1981. UNBELIEVABLY hot show. Are you listening, Dave? If you are, give it a listen!! Space>Wheel>Playing>Stella Blue>Sugar Mags is still smoking in my ears 40 years later. The jam and transition from Stella into Sugar Magnolia is FLAWLESS. 12/6/81 in Chicago the next night is pretty good too . . .

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In reply to by L. Mo.

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I am not a great fan of the 1980s, myself, but that matters not - I do agree with L.MO. that it would be good if we had someone with a new perspective involved in Dead releases. In my field of work, it was unusual to have someone in the same post for more than about 5 years. Having said that, and for better or worse, I was in the same one for over 20 - but that wasn't typical. It was generally considered to be a good thing to have fresh eyes and minds involved.

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I agree with Muffin. Definitely a howling wolf on the chest of the crab on the left. I see a crow on the chest of the one on the right. Did some Googleing last night and the tie ins to Baltimore they used on the cover are really cool. Thanks for those of you who posted about the connections.
I would have had no clue. That's what I love about catching up each morning. It seems that no stone is left unturned here. I am sure we all subscribe to DPs for different reasons. So far, the second release with the bonus disc has been worth the price of admission for me. Everything else is just added enjoyment. Some more than others. But they all bring enjoyment!

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It would be nice if they could release a Dave's Picks from each decade each year, one from the 60s, 70s 80s and 90s.. They might not have enough material from the 60s to do that, but that would be the best way if it were possible.

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If they sounded good they would release them. I think the 1989-1990 shows and box sets demonstrate that there is a desire to release great Dead from any period. It's too bad the high quality reel to reel Betty Boards were on hiatus in the 80s, They appear to have lost interest or budget. It's not as though they have not tried. There are some horrific sounding shows that I think were released as crowd pleasers. Someone here described one of the 80s Dave's Picks sound quality as listening to them through the keyhole of a closed door. The show was all but unlistenable. It's a shame, but it's like the 2nd half of 1970. The shows just are not there in any sort of quality that can be called passable.

Happy New Year all!

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I have not heard this show, but have a hard time imagining it holds up to 5/25 at The Mosque. That show is the gold standard of May 1977. In Dave I trust though. I will put in some time at Th Mosque before #41 hits my door mat. The smoothness and lack of warts on 5/25 was exceptional even for May 77.

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In reply to by Dark-Star

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Not seeing the howling wolf, but that doesn't mean it's not there. I like the crab (Maryland is for crabs), the Baltimore Oriole, the Terrapin (University of Maryland, home of the Terrapins), the beehive and the John Waters reference. One of the orioles even looks like it has a bit of raven in it.

The street scene has a Shakedown Street vibe to it too. Perhaps a nod to Gilbert Shelton (who does not appear to have much to do with Baltimore, but certainly the Grateful Dead).

I'm a fan of this show. Excellent recording, tight show. It works and is sort of on par with Dave's Picks 1.

Fire Lemieux? I don't see that happening anytime soon.

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Oh Dave why did you have to lumber us with 4 glasses again!?!?

Or, why not make the glasses like DaP's,,, sign up once and get all four?

But noooooooo, now every 3 months I need to watch for the release of the new glass and hope I don't get snookered on one of the glasses.

Thanks Dave!

:-) ( I like the glasses)

OK, maybe the axe was better.

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Hey rockers!!

I let TPTB know, in no uncertain terms, that should DL be fired, I would, on a strictly temporary basis, step up and assume the reins.

However, fans of post-hiatus shows might force my early retirement.................

Doc
Making tough decisions that may make someone unhappy is something to get good at doing......

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....to Dennis' point, the frenzy to get a glass is a reminder that even for the stoudt hearted there still remains a challenge or two to overcome. These reminders are appreciated. I also dig this artwork, and I've hung out in Balti many a time (my younger bro used to live there for about a decade) so it's a nice reminder of good times.

This show is super tight as well, haven't listened in a while but do recall. I never rebuke an Estimated > Eyes.

Be Well People.
Sixtus

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billfgrady and DV had it right. First Jack-A-Roe 5-13-77 and second one 5-15-77 so 5-26-77 is goin' down the line.
Dave, how do you remember all those dates and shows? K for close on that one.
Cheers

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Does anyone know where to change your shipping address for Dave's Picks subscirption people since they will automatically get sent to us?
Thanks in advance!

Hey Now!

You can reach out to GD customer service via email with your updated info and they should be able to assist. I had to do this 2 years ago when we moved and it was pulled off without a hitch.

Sixtus

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There are certain jobs where you just have to accept it that you can't please everyone. President of the United States, Grateful Dead archivist, stuff like that.

Interesting to hear that this DaP marks the release of more than half (31 of 60) of all 1977 shows. But whether that glass is half empty or half full depends on how you slice the salami.

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Just think how much better the GD would have been if they’d replaced the lead guitarist in 1976. I mean 11 years is enough for anyone. (/sarcasm).

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With a little research I am seeing that John Waters’ Desperate Living was released in Baltimore on May 23 or 27, 1977. Not quite the perfect fit as found in the May 25 Richmond show coinciding with Star Wars but with this in mind, maybe Richmond was only selected for Vol 1 because of the all too perfect synchronicity for starting out the DaP series? And of the two, this is in fact the BETTER show???

I could give it much comparative thought when the release arrives…. and then my ears will remind me to simply enjoy.

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In reply to by Colin Gould

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Colin - I'm sure Dave would be chuffed at having his contribution to the overall scheme of things compared to Jerry's !
I wasn't trying to suggest that Dave should be "sacked", by the way - that would be unforgivable after all the great work he has done in preserving the Dead's legacy. Just that things could be refreshed if someone new was to have more input.
Having said that - 1977 may still be prioritised whoever is at the helm - its a popular year, and the main goal of Deadnet is to sell stuff. But to me it now sounds like very middle of the road Dead. As Todd Rundgren once sang - "You want the obvious-you get the obvious."

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Hey rockers!!

If we get the obvious, where are the 1970 shows?????????

Just asking.................

Doc
It requires a very unusual mind to undertake the analysis of the obvious.......

According to the crack customer service team at dead dot net, there is only one way to handle address changes. You must contact customer service and have the subscription address changed to:

JimInMD
Baltimore Civic Center, Box 1968
Baltimore, MD 21211

(or you could do as Sixtus suggests, up to you) :D

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Just one song? Just the US Blues from 13 years later? And 45 min of blank space? Why even bother putting a US Blues on there? None of the 5/22/77 material that was left off of DP3 is usable? Makes no sense to me. The Jack Straw, Ship of Fools and Other One> Stella Blue 5/18/77 could have fit, unless that show is a potential DaP, but that's why I allowed myself to hope that some of the missing 5/22 material would be used. Shame.

The Sugaree from this show is fantastic, and I liked the 2nd set Jam. The Jack a Roe sounds fantastic in the listening party, and love Jerry's use of the Octave Divider and MuTron on Uncle John's, a great sound.

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I concur both in reasoning and conclusions

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