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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • hendrixfreak
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    Just to clarify...

    Jim, you may not have heard the phrase "cosmic yawn" before because I made it up on the spot as I typed that comment. Good one, though, huh? Now that everyone is growing mushrooms in their closet, the supply is bounteous. Denver recently decriminalized them, a wholesome development. Though that won't help me in the rural counties, so I try to behave.....

    Daverock, a pronghorn is essentially an antelope, but not technically speaking, I believe. These freakin' things typically rove in bands on the Colorado Plateau and you have to watch out for them. They can run 60 miles per hour for fairly extended distances. In Wyoming, highway signs warn you -- a band could be streaking across the prairie and cross a paved highway at any angle at high speed.

    I once was returning from a sojourn and spotted a band off the road. I watched them for a half a minute, at 100 yards, wondering what they might look like close up. Oh boy. As I returned my gaze to the road ahead I saw to my momentary horror a pronghorn just clearing my bumper as it streaked right to left across the highway. I'm doing 75 probably. I probably missed it by two seconds. I got a real good, close-up look. And promised myself I'd never again take my eyes off the road for more than a milisecond.

    Yeah, sitting around, staring at a candle, listening to some self-appointed "guide" sounds like serious BS! I get the visceral attraction of tripping with the original Pranksters, but personally, I seek on my own.

    Now that #41 is tucked away on the '77 shelf, I've been looking at the shelf with the 1965-1975 shows and man oh man do I have some listening to do while it's still winter and I'm spending the evenings inside. If a big storm crops up, I'll microdose, take a long walk in the snow, come home, make a fire, and plug in a guitar. Last time I did that, I played for about five hours straight and my fingers hurt like hell. When that's over, I have a couple hundred GD shows and a stack of Miles and Coltrane for the stereo. Life can be good!

  • billy the kiddd
    Joined:
    3/1/69

    What a show, especially that 1st set! I wish the Dead would have played China Cat Sunflower at these shows .

  • daverock
    Joined:
    micro dosing

    I have been interested in the recent scientific and public interest in psychedelics, and the increasing evidence of their positive effects. It certainly seems true to my experiences with mushrooms. I would never have said that I was depressed prior to my experiences, but looking back, my life changed in all sorts of positive and unexpected ways during and after my time of taking them. It seems a bit contradictory, but they seemed to straighten me out. I also wonder now if L.S.D use in the 60's and 70's may actually have set psychedelic culture back decades.

    With acid ,I never knew how strong the stuff was before taking it. The differences between the strengths of the few trips I had on it were massive. Like with most drugs, the biggest danger in it, to me, lay and still lie, in it's illegality. As far as I could make out, no-one - certainly as far down the chain as me - had the faintest idea what they were taking. I can remember when I was on the social work course in 1991, the police gave us a list of all the drugs they had picked up one recent weekend that had been sold in clubs as "ecstasy". Everything from caffeine to STP. I remember one guy who told me he sold dogs worming tablets as ecstasy.

    At the end of the day, I feel it is important to take care of ourselves, and of other people, in the best way that we individually can. I wouldn't want to be a part of any group that disregards the welfare and happiness of it's most vulnerable members.
    And driving - I am sorry PT, you are a prince among men - but I have known several people-I am sure we all have - who have killed themselves or others in motor accidents. Horrendous experiences all round - for the victim, the family and friends left behind, and the perpetrator. Any activity that increases the possibility of creating such a tragedy should surely be ruled out.

    Incidentally, what the heck's a pronghorn ? I think if I had seen one of them in Oldham in the 70's I would have thought it was the devil.

  • JimInMD
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    Re: Cosmic Yawns

    I've never heard that term used before, but it happens to me every time.

    There was a period mid-career where I did not indulge, plus it seemed hard to get for a while. ..but I still seem to dip my big toe into the cosmos at least once a year.

    In terms of place and setting, early on I found myself either wanting to be in a small group and away from phones and random people or in such a large group as to be ambiguous. So it became nature, camping, backcountry or frankly dead shows. That seems to work.

    The last decade I find myself liking to be alone, mostly kayaking/hiking/biking where I won't run into some unexpected situation where somebody needs me. Concerts too when I don't have to drive or the show is long enough to fit it in. I want no responsibilities whatsoever. Oh, and headphones, music is good - almost a must. So I still explore when I can find the time and tranquility to pull it off. I can't speak for everyone, but I find it helpful for me. It gives me a chance to reformat my internal hard drive and reorganize thoughts, priorities and who I am.

    Those are my tricks.. but I have to admit the HF approach is quite appealing to me. If you notice some unexpected rando behind you on the trail, I'm the one with earphones and a tie dye (and the bad orange hair and pasty white complexion). :D

    Cosmic yawns.. so true. That cracks me up.

    There's a lot of great research on micro dosing that's come out lately. Encouraging to me.

    As to tripping with the pranksters or at an acid test, be it a good idea or not, I would do it in a heartbeat. But alas, I was born too late. That ship sailed while I was playing in the sand box out back. Babs.. I am here, once you come out of your heart injury, if you want to have one last foray into the unknown, give me a call. I'm all in.

  • PT Barnum
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    driving with your eyes closed

    driving under the influence can be fun, and frightening. I knew a guy who wanted to drive, he said he could see so well that anything that could have collided with the vehicle he could see long before it would happen. He was a great driver and drove us all to and back many a show. We in the back seat could only jiggle as he navigated the roadways so gracefully, with a huge grin on his face (aka Neil like). The road always seemed to get away from me whenever I tried, like a ribbon that would unravel. On deserted roads, it was fun, on the freeway, not so much.
    Back in the day when I first started (69) it was the thing to try and freak each other out, aka pranksters, with double talk and echo talk and endlessly trying to get each other to lose it laughing, especially in a crowd of er...non dosed. After hearing about Leary and his way of spiritualizing psychedelics it just wasn't as much fun sitting around trying to concentrate on any one thing for very long. Pranking and laughing was way more fun.
    Not being a musician, never really wanted to hang out with bands, but I always wanted what they were smoking, drinking or taking in any other form. Would have loved to hang with Kesey and Babbs, what a trip that would have been.

  • hendrixfreak
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    My own approach these days...

    may be (probably is) just one man's approach, possibly idiosyncratic. First off, know your materials well (potency) and decide if you want a micro-dose, a medium but significant journey or a little over the top approach. Because I'm in the backcountry alone, I need to be confident that I can get somewhere and back in a day, handle the terrain, maintain my orienteering skills, and calmly apply my behavioral knowledge if I run into a bear or cougar. (Don't surprise 'em, talk, wave arms, don't look 'em in the eye, give 'em room to avoid you, take the guard off the pepper spray, be sure you're upwind, etc.) I get moving early in the day and have an objective before dropping so as the agent (psilycibin for me) comes on, I'm in my element in terms of orienteering, body and mind synch and thus avoiding the initial, potentially debilitating awkwardness of the limbs and thoughts that comes with the cosmic yawns at "onset." And make sure I'm actively striding and finding my way as the peak comes and goes. I usually don't stop for any length of time. Occasionally I miscalculate the powder at the bottom of the bag and get a little walloped. But an 8-hour hike through spectacular terrain where I won't see humans -- this is trackless country, no trails -- typically does the trick. And there's nothing like a shot and a beer and a toke back at camp or, if camp is the truck, then a chair and guitar. Last fall I did just that across a wild plateau called East Cactus Flats, returning to my truck in a forsaken place called Disappointment Draw. I cracked a beer and started fingerpicking when I heard a strange noise. A good-sized pronghorn, traveling alone, approached to within maybe 50 feet and kept querying me -- no mistaking that querying sound. Essentially, who or what are you? What the hell is that sound you're making? And, have you seen my peeps? I've noticed that wild animals, as well as domesticated dogs, totally key in to a person who is psychedelic. The other major part of this approach is what I'd call "digestion." Take the time to fully absorb the lessons of the day and seek ways to incorporate those insights into your ordinary reality and dealings with others. Be patient and kind. (I do not always succeed; this is a work in progress after 50 years.) Too much repetition of the experience without "digestion" and, to me, it's just repeating the high without drawing the lessons. Note that I did none of this the first ten years. We'd find out the LSD's potency the hard way. Lessons might be impressed upon us without our consent(!) The chaos and human interactions could be frightening -- usually to others, but sometimes to me. (Don't try driving!!) But over the decades I kinda honed an approach that essentially comprises medicine for the soul, for me. I think the currrent surge in interest by scientists and the general public is good up to a point, as psychedelics, used constructively, can help bolster our humanity and -- perhaps -- ease difficulties. But I could not recommend them. Either they work for you or they don't. And finding out can be tricky. Sure makes me a better-adjusted person -- and now I'm echoing Paul McCartney, I believe!

    That's all the blathering for today. As you were........

  • daverock
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    Leary or Pranksters?

    If I had to choose.... I would choose neither of them. While the pranksters now seem a bit ghastly, Leary seemed a bit over ambitious. I still have some of his books -that one which is a psychedelic version of The Tibetan Book of The Dead comes to mind. I think the idea was that you read it to someone who was tripping, as a means of helping them locate the light. I wonder if anyone ever did that. That idea of set and setting does ring true though - and I would say that advice has stayed appropriate down through the years

    Mr Ones - I still haven't got round to listening to Planet Waves. I always assumed it was a weaker one, but I read recently that it was very much a part of a trilogy, with "Blood on the Tracks" and "Desire", so I am hoping to check it out soon.

  • Crow Told Me
    Joined:
    The Very First Word is How Do Ya Do?

    My sister lives in Mill Valley, and she used to see Weir around town all the time. (Not so much lately.) She’s not a fan, so it’s no biggie for her, but I’ve sometimes thought about what I would do if I saw Bob getting coffee or something while I was visiting her. I wouldn’t want to bother him, but I think I’d have to at least say hello, right? Say ‘thanks for the music’ at least? My other sister lives in Kauai, where Kreutzman lives now, and I’m going to be visiting her in a couple weeks. Wonder what I should say if I see BK grabbing a shave ice?

    I can definitely relate to what hendrixfreak sed: shows just got too big for my liking in the ‘80s. As a rule, I’d usually much rather see a decent band in a small club than go see some superstars in a sports arena: better sound, fewer assholes, fewer cops, room to breath. Throw psychedelics into the mix and the gap gets even wider. It’s one thing to be shrooming at the Warfield with 2,000 of deadicated Heads, quite another to try to deal with 50,000 people who seem like they just got bussed in from MTV’s spring break special. Not to mention all the security.

    In principle, I always thought it was cool that the Pranksters had such a wide open, “let’s get high and freak freely” approach to tripping, as opposed to the Millbrook thing of sitting silently in a room with a candle and saying Om or whatever. That said, I’m not sure I could’ve passed the Acid Test. My best experiences, aside from Dead shows, were always out in nature: a deserted stretch of shoreline on the Lost Coast, backpacking the Sierras, etc. I think if I would've had to try to simultaneously process Babbs' babbling, Cassidy's hammer juggling, the Dead, and 500 mics worth of Koolaid my brains probably woulda dribbled out my ears.

    Last thought: how lucky are we? The StL box continues to delight. Seven shows from three different tours, all in good-to-great sound. And the last two DaPs have also been great. I mean, millions of people love Zeppelin, the Stones, the Eagles, and other bands from back in the day, but nobody (well, except the ABB I guess) has anything like the Dead's archival release thing. Blessed be us.

  • Mr. Ones
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    Last 5

    Comus-First Utterance-Tip ‘o the hat to DAVEROCK!!
    Beatles-Get Back Rooftop Performance
    Elvis Costello-The Boy Named If
    Shuggie Otis-Inspiration Information
    Bob Dylan-Planet Waves

    It’s a crazy, mixed-up world, but Music is a consistent balm(for me at least!!).

    Dave’s 42 anyone?? It’s only about 62 days away!!

  • daverock
    Joined:
    Phil Zone

    Billy - thanks for jogging my memory - Viola Lee Blues from 4/26/69 is included on The Phil Zone too . I didn't know they interpreted What's Become of the Baby at this show either. Bit of a missed opportunity there - if that had been included, then this show, as released, would have been unique. In a way then, Dicks Picks 26 short changes 4/26/69 a bit.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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First one in the door.

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nya nya

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Khaaaaan!!!!!! Missed it by THAT much!

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Yes! Finally no skeletons. The most stale album cover motif ever.... THANK YOU to the artist for not being lazy.

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As every year.

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I had just returned from six months in Germany with a pocketful of money. My friends and I left Glenmont in 2-3 cars, a bag of really good Colombian and some other goodies. When we got near the Calvert Whiskey sign in Baltimore the traffic slowed and this guy in a car next to me looked over, smiled, stuck his arm out the window and handed me a joint. The traffic began to move quicker and he went ahead. The Sugaree kicked ass. Little Feat played there a few days before if I remember correctly. Then Zeppelin played at the Capitol Centre in Largo, MD. a few days after this Dead show.

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then mentions "different eras." My money is on an '80s box. So unless it's '80 or '81 or from Red Rocks, that'll give me a year to catch up on llistening to my collection...

Ah, the tea leaves. Whatever makes me think I can read them? (I'd be guessing 50 years of hallucingens...)

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Welcome to 2022!!!!!
PLAY DEAD
PLAY DEAD LOUD

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Fancy meeting you all here...let's go! And yes to the no more tired skelly covers....and I'm just about completely recovered from my ice tumble from last month...thanks to all the well wishers here too...what a bunch!

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In reply to by nappyrags

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....Dave scared me at 9:55 in. I thought a meteor was heading his way!
Bald eagle though. Carry on.

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Dave's trivia:
Jack-A-Roe debuted 9 days earlier in Tuscaloosa. Similar intros; love that.
No summer tour with Mickey injured. Always wondered about that gap.
He's named the eagles.
And Baltimore Orioles on there too. Can I count that sighting?
Cheers

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In reply to by 1stshow70878

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I wonder if they were tempted to play a few shows in summer 1977 after Mickey fell off his hoss. If that's what happened-I forget. Would have been interesting if they had.

Interesting you mention that juncture when Mickey was hurt.
A fascinating hypothesis of author Blair Jackson is the
big what-if - being what if Mickey hadn't had that accident
and Jerry had presented the next batch of Hunter songs in
the pipeline (Cats Under The Stars) and THAT became the basis
for which the Dead would have started the follow-up to
Terrapin as opposed the varied array of songs that make up
Shakedown Street. Interesting notion ...

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There were 60 shows in 77. By my count, including Roadtrips, this is the 31st '77 show to be released. So, it's not even in the top half of shows for that year? In comparison, there haven't been 30 releases from the entire decade of the 80's and that includes the 30 Trips box. Sorry. Not sorry that I'm passing. Maybe we need someone with a new perspective.

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Nice nod to the ubiquitous Baltimore Hon beehive hair style from the 60s on the two turtles gracing the cover.The annual HonFest here in B'More has a beehive hair competition to this day.(Good food, funky vibes and lots of local music) I think the turtle on the right is sporting a John Waters mustache. Hairspray anyone...?

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Wasn’t Jack-a-Roe debuted 5/13/77, and not 5/17/77, as Dave and others have mentioned? It’s a good one!

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Def a Hohn Waters reference. Also, anyone notice the crabs chests? One looks like a wolf howling in the left and the right a bird/eagle mid flap?

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Always love the '77 Shows, but have to say that, the 80's were much better than releases reflect, and are due some serious consideration for more releases. Perhaps the most overlooked show ever is Market Square Arena, Indianapolis, IN on December 5, 1981. UNBELIEVABLY hot show. Are you listening, Dave? If you are, give it a listen!! Space>Wheel>Playing>Stella Blue>Sugar Mags is still smoking in my ears 40 years later. The jam and transition from Stella into Sugar Magnolia is FLAWLESS. 12/6/81 in Chicago the next night is pretty good too . . .

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In reply to by L. Mo.

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I am not a great fan of the 1980s, myself, but that matters not - I do agree with L.MO. that it would be good if we had someone with a new perspective involved in Dead releases. In my field of work, it was unusual to have someone in the same post for more than about 5 years. Having said that, and for better or worse, I was in the same one for over 20 - but that wasn't typical. It was generally considered to be a good thing to have fresh eyes and minds involved.

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I agree with Muffin. Definitely a howling wolf on the chest of the crab on the left. I see a crow on the chest of the one on the right. Did some Googleing last night and the tie ins to Baltimore they used on the cover are really cool. Thanks for those of you who posted about the connections.
I would have had no clue. That's what I love about catching up each morning. It seems that no stone is left unturned here. I am sure we all subscribe to DPs for different reasons. So far, the second release with the bonus disc has been worth the price of admission for me. Everything else is just added enjoyment. Some more than others. But they all bring enjoyment!

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It would be nice if they could release a Dave's Picks from each decade each year, one from the 60s, 70s 80s and 90s.. They might not have enough material from the 60s to do that, but that would be the best way if it were possible.

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If they sounded good they would release them. I think the 1989-1990 shows and box sets demonstrate that there is a desire to release great Dead from any period. It's too bad the high quality reel to reel Betty Boards were on hiatus in the 80s, They appear to have lost interest or budget. It's not as though they have not tried. There are some horrific sounding shows that I think were released as crowd pleasers. Someone here described one of the 80s Dave's Picks sound quality as listening to them through the keyhole of a closed door. The show was all but unlistenable. It's a shame, but it's like the 2nd half of 1970. The shows just are not there in any sort of quality that can be called passable.

Happy New Year all!

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I have not heard this show, but have a hard time imagining it holds up to 5/25 at The Mosque. That show is the gold standard of May 1977. In Dave I trust though. I will put in some time at Th Mosque before #41 hits my door mat. The smoothness and lack of warts on 5/25 was exceptional even for May 77.

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Not seeing the howling wolf, but that doesn't mean it's not there. I like the crab (Maryland is for crabs), the Baltimore Oriole, the Terrapin (University of Maryland, home of the Terrapins), the beehive and the John Waters reference. One of the orioles even looks like it has a bit of raven in it.

The street scene has a Shakedown Street vibe to it too. Perhaps a nod to Gilbert Shelton (who does not appear to have much to do with Baltimore, but certainly the Grateful Dead).

I'm a fan of this show. Excellent recording, tight show. It works and is sort of on par with Dave's Picks 1.

Fire Lemieux? I don't see that happening anytime soon.

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Oh Dave why did you have to lumber us with 4 glasses again!?!?

Or, why not make the glasses like DaP's,,, sign up once and get all four?

But noooooooo, now every 3 months I need to watch for the release of the new glass and hope I don't get snookered on one of the glasses.

Thanks Dave!

:-) ( I like the glasses)

OK, maybe the axe was better.

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Hey rockers!!

I let TPTB know, in no uncertain terms, that should DL be fired, I would, on a strictly temporary basis, step up and assume the reins.

However, fans of post-hiatus shows might force my early retirement.................

Doc
Making tough decisions that may make someone unhappy is something to get good at doing......

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....to Dennis' point, the frenzy to get a glass is a reminder that even for the stoudt hearted there still remains a challenge or two to overcome. These reminders are appreciated. I also dig this artwork, and I've hung out in Balti many a time (my younger bro used to live there for about a decade) so it's a nice reminder of good times.

This show is super tight as well, haven't listened in a while but do recall. I never rebuke an Estimated > Eyes.

Be Well People.
Sixtus

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billfgrady and DV had it right. First Jack-A-Roe 5-13-77 and second one 5-15-77 so 5-26-77 is goin' down the line.
Dave, how do you remember all those dates and shows? K for close on that one.
Cheers

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Does anyone know where to change your shipping address for Dave's Picks subscirption people since they will automatically get sent to us?
Thanks in advance!

Hey Now!

You can reach out to GD customer service via email with your updated info and they should be able to assist. I had to do this 2 years ago when we moved and it was pulled off without a hitch.

Sixtus

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There are certain jobs where you just have to accept it that you can't please everyone. President of the United States, Grateful Dead archivist, stuff like that.

Interesting to hear that this DaP marks the release of more than half (31 of 60) of all 1977 shows. But whether that glass is half empty or half full depends on how you slice the salami.

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Just think how much better the GD would have been if they’d replaced the lead guitarist in 1976. I mean 11 years is enough for anyone. (/sarcasm).

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With a little research I am seeing that John Waters’ Desperate Living was released in Baltimore on May 23 or 27, 1977. Not quite the perfect fit as found in the May 25 Richmond show coinciding with Star Wars but with this in mind, maybe Richmond was only selected for Vol 1 because of the all too perfect synchronicity for starting out the DaP series? And of the two, this is in fact the BETTER show???

I could give it much comparative thought when the release arrives…. and then my ears will remind me to simply enjoy.

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Colin - I'm sure Dave would be chuffed at having his contribution to the overall scheme of things compared to Jerry's !
I wasn't trying to suggest that Dave should be "sacked", by the way - that would be unforgivable after all the great work he has done in preserving the Dead's legacy. Just that things could be refreshed if someone new was to have more input.
Having said that - 1977 may still be prioritised whoever is at the helm - its a popular year, and the main goal of Deadnet is to sell stuff. But to me it now sounds like very middle of the road Dead. As Todd Rundgren once sang - "You want the obvious-you get the obvious."

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Hey rockers!!

If we get the obvious, where are the 1970 shows?????????

Just asking.................

Doc
It requires a very unusual mind to undertake the analysis of the obvious.......

According to the crack customer service team at dead dot net, there is only one way to handle address changes. You must contact customer service and have the subscription address changed to:

JimInMD
Baltimore Civic Center, Box 1968
Baltimore, MD 21211

(or you could do as Sixtus suggests, up to you) :D

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Just one song? Just the US Blues from 13 years later? And 45 min of blank space? Why even bother putting a US Blues on there? None of the 5/22/77 material that was left off of DP3 is usable? Makes no sense to me. The Jack Straw, Ship of Fools and Other One> Stella Blue 5/18/77 could have fit, unless that show is a potential DaP, but that's why I allowed myself to hope that some of the missing 5/22 material would be used. Shame.

The Sugaree from this show is fantastic, and I liked the 2nd set Jam. The Jack a Roe sounds fantastic in the listening party, and love Jerry's use of the Octave Divider and MuTron on Uncle John's, a great sound.

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12 years 2 months
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I concur both in reasoning and conclusions

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