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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • daverock
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    Who he?

    I was confused by the names of blues authors too. Who was this "McDaniel"? If they meant Bo Diddley, why couldn't they say Bo Diddley. He did. Often. Also curious that Robert Johnson's " Love in Vain" was credited to "Payne" on my old "Let It Bleed" album. It has been credited to Johnson on the most recent ( and definitley last) version of the album I got-the 50th Anniversary cd.

  • deadegad
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    Go to Nassau 1980 tapes?

    Any Dave's picks is good news to me so another 77 is welcomed and the sound samples sound great to my ears; but, I do understand the clamoring for more 80s/90s or even 60s. With the quality issue of the 1980s tapes in mind I do wonder What's become of the three night 1980 Nassau run? I think all three were recorded for the King Biscuit Flower Hour Radio. Did The GD, likewise, record them -- or other shows from that time period.

    Perhaps an expanded Go to Nassau with all three nights could be released? They were strong shows as the excerpts on the official Go to Nassau demonstrate. That could scratch 'The more inclusive years' itch. I would buy it despite already having Go to Nassau which I love. If there are other shows of similar sound quality from that period. . .. Spring 1980 Selections Boxset!!! A compromise could be a matrices of boards and tapers copies? Go with what you got to include more years.

    And Dave if you are reading a Fall September 79 New York City @ Madison Square Garden would be a great official release! These were Brent's first N.Y.C. shows and solid were those shows. It's a sell-out mini box waiting to happen.

    I dream of Radio City/Warfield tapes being rediscovered in that Raiders of the Lost Ark Warehouse for complete box sets. Let's manifest these dreams.

    Melkweg 1981anyone w/Grugahalle??

  • carlo13
    Joined:
    Stellablue

    I like the new artwork. I think it is a lot different. Stella, if you want to surround yourself in Hendrix, and the slew of 60s icons, along with the dead playing viola lee, I would highly recommend the complete Monterey pop fest 67' on criterion dvd box. It is chock full of beautiful music and hot chicks too. It also contains the full dvd 'jimi plays Monterey' with 49 minutes of hendrix. If you are younger than the rest of us on this site (sorry guys) you may not have seen it. This will put to rest the whole 'trey' fiasco to bed. I love fish, but only the haddock, and tuna variety.

  • hendrixfreak
    Joined:
    I was walkin' through the woods......

    So, like many, I got my first Beatles album in about 1964 and my first Stones album a year later. On the latter, I could see on the credits that "(Jagger/Richards)" meant that Mick and Keith had written the song.

    But what the hell was "(Chester Burnett)" or "(McKinley Morganfield)"??? These "names" seemed so foreign, I didn't understand that these were people's names. (How stately, how dignified: "McKinley Morganfield"!)

    But I decided, based on the blues sound, that I had to find out. So in my teeny bopper years (say, 10-13) I sought out the truth: the basic blues I loved was written by Howlin' Wolf and Muddy Waters. Major discovery. Even while I turned on the Hendrix and (yes, sadly) Grand Funk Railroad, (better) Ten Years After, and Janis, I began my journey to the blues. At first, the R&B and soul on the radio: James Brown, Ray Charles, Aretha Franklin. Then BB King, Albert King, Freddy King, Buddy Guy, Hubert Sumlin, finally Robert Johnson and Lonnie Johnson.

    I feel privileged that I got to see BB several times (his call-and-response with the audience, powerful horns!), Freddy several times and Albert just once (but in Chicago from the lip of the stage).

    Without 400 years of oppression, torture and murder, no blues. No blues, then no jazz, no rock 'n roll. In short, no blues, no nothing. Nothing to move the soul or the feet. And it's global, in the context of world music. Would that we could have gotten there without those 400 years and their crimes against humanity. But that stretch will reverberate on this Earth until humans die out. Which may not be all that long, the way we're going. OMG! Best put some world-weary Lonnie Johnson on and sing along.

  • Dennis
    Joined:
    crow told me and innovation

    My buddy summed it up years ago for me, 2 types of musicians.

    Refiners and definers.

  • daverock
    Joined:
    blues and blues rock

    The first time I saw a real blues singer/band /guitarist, as opposed to a rock band that played blues songs was B.B. King around 1980. It was, not put to fine a point on it, a revelation. I'd only heard a couple of his 1970's albums by then-"Midnight Believer" was one-and although it was alright - it was only alright. But live it was a different world.

    I saw a few after that - Albert King, Memphis Slim, John Lee Hooker and Buddy Guy come to mind. The most recenet I can remember seeing was The North Mississippi Allstars, about 3-4 years ago. Well worth checking - quite trance inducing.
    Also Catfish Keith. He is an American who came over to England quite regularly in pre-pandemic times, bringing with him his trusty National Resonator. Mainly blues/gospel in the Blind Willie Johnson style. The singing might be a bit ropey - but he's got the guitar style down pat. Nice guy ,too.

    Must have been something to see Big Mama Thornton live.

  • kevinbrandon
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    Green Bay game and The Grateful Dead tonight

    going into the commercial a 70's? One More Saturday night....very nice

  • billy the kiddd
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    Introduction to the Blues

    The first time I heard Blues music, was in 1969/70 when my brother bought the Chess l.p. Bummer Road by Sonny Boy Williamson. The first time I heard Blues music live was at a Blues festival at U.C. Berkeley in the early 70s, Sonny Terry & Brownie Maghee, Big Mama Thorton, and George Harmonica Smith were all on the bill.

  • daverock
    Joined:
    Introduction to the blues

    For me it was listening to The Stones - and Keith Richards in particular. In interviews he gave he would name check Muddy Waters and Robert Johnson - and where he went, I was sure to follow. Not always the best policy perhaps - but alright in this context.
    Seeing the film "Performance" turned me on to Ry Cooder and slide guitar. That's probably the best soundtrack to any film I have ever heard.
    And then seeing Rory Gallagher live - he was wild.

    Just going off the records, I didnt really pick up too much on The Dead's blues roots. My favourite interpretation of theirs that I heard - hands down - was "Death Don't Have No Mercy" on "Live Dead". Incredible.

    Also in 1974, I saw an English band called Dr Feelgood, featuring the extraordinary Wilko Johnson. No lengthy guitar solos here - they played r'n'b fast and punchy, with the emphasis on rhythm, not virtuosity.

  • Crow Told Me
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    Jimi Uber Alles

    Hendrix is beyond comparison. He changed completely the way people play electric guitar, and what he did was so powerful it also changed other instruments, and music in general.

    Listen to electric guitar playing prior to Hendrix and you realize that nobody was taking advantage of the full potential of the instrument. People played it the same way they played acoustic. There were lots of great players (especially in jazz) who could play fast, but nobody was taking advantage of the unlimited range of tones offered by an electric instrument. With Hendrix, everything goes from black and white to technicolor. The guitar can sound like a flute, or a thousand cellos, or a set of bongos, and it can even sound like a helicopter, or wind, or an explosion, or lots of other things that weren't usually considered music. That's pretty revolutionary.

    One problem with musical innovators is that, after they show everybody how it's done, their innovations become the new normal, and people forgot how incredibly different they were when they first appeared. Once people saw and heard Hendrix, they copied him. His sound became part of mainstream, and people nowadays generally don't get how incredibly ahead of his time Hendrix was.

    I don't mean that as a put down on anyone: it's not anyone's fault. This is just how music evolves. There are a few people who come along with something new that changes everything (Coltrane, Hendrix, Dylan) and they there's lots of great players and singers and songwriters who take what they did and bring it to the masses. In my mind, we can't compare the two. But that's just me.

    FWIW, I think the GOGD belong in the class of innovators, as a group, because they came up with a style of ensemble playing that nobody had done before, and which became widely copied once it was heard. Just like you can't really compare other guitarists to Hendrix, you can't compare other jam bands to the GD, even though those bands can be very enjoyable.

    Standard disclaimer here: this is all just my opinion, your opinion is just as valid, blah blah.

    No shipping notice for me yet on #41, maties. I did, however, pre-order the vinyl 3.1.69 from Amazon, so we'll see that goes. I am in the midst of a major '69 bender, pulling out Two from the Vault and DiP 16 and 26 and whatnot. This is all YOUR fault, all youse who keeps demanding a '69 box. And I'm with ye if you want storm the vault to get one. Nothing like '69. Huh huh.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Now I have Jack Nicholson's face plastered on my mind's eye of JimInMD's appearance.

So you made those shows at the Rocks and Telluride in '87, too? Excellent.

I was the guy with the whitewalls and tombstones in my eyes.......

frost (Ampitheatre) on my windshield
go out to scrape and warm up my highly collectible 2005 Prius
in the car 4/7/72 Playin' while inner windshield clears
daybreak on the land indeed
OOOOHHHHHHYYYYYEEEEEAAAAAAAAHHHHHHHHHYYYYYEEAAAAAAHHHHHYEEAHHYEEAHHHHH....
also crescent moon and Venus in the sky

Careful with that axe, Eugene Oregon...my only attended 87 show...which SUCKED except for the Dylan set

2/3/79 I have 2nd set
comin' around after "Steppin' Out" is heard/experienced

almost February folks

some coworkers need a smack in the head

Dave's 41 is on the way

Wallet found? that's cool.

Onward, my fellow Deadheads

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Got mine yesterday.

I already own way too much 1977, so did not give it a full listen. The sound is exceptional of course. NFA is probably the musical highlight so far.

However, my favorite part of this release is the newspaper article comparing this Grateful Dead concert to one performed by Led Zeppelin a week or so earlier in Baltimore.

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11 years 2 months
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for the first time, i've had a pick lost in the mail. I was hopeful someone who's had this unfortunate experience could point me in the right direction. What is the best email/contact to get a new one sent out?

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send me a PM with the details and I will ask the Doc to get on the case.
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Doing some pre-spring cleaning, so I figured it's time for everyone's favorite game, "Guess The Show(s)"! Winner will get some lovely GD schwag items that I find around the house, including one guaranteed to be unique (that's called a teaser). Amuse yourself and your party guests with stuff I send you that will most certainly encourage conversations and may lead to long-lasting, meaningful relationships!

Maximum of two guesses allowed per screen name (no names created today or later). State date(s) of show(s), venue, and how you deduced the answer. Send your conjecture to me via PM here, first correct answer wins the loot.

Here's the clue:

Fishnets Banana

Good luck!

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35 years ago today , I was at the S.F. Civic for another night with the Good Old Grateful Dead. The Dead pulled out Get Back that night. I heard that Bob Weirs dog had died that day, he must have been really sad. My favorite Dead show in 1987 was the Dylan/Dead show in Oakland, the Dead played a great show and Garcia played pedal steel, that was very special. My favorite shows of the year were the Jerry Garcia acoustic / electric shows at the Warfield Theatre and the Eel River.

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Bolo that's a pretty tough clue, maybe others can guess but not me.

Billy you called out all the shows I was at in 1987, except that Jerry show with Bonnie. I was wrapping up an edit on a documentary and couldn't go. 1987 was a great year, we drove out to Red Rocks and Telluride, seven of us in a van and a car, what an adventure!

Last six:
Dick's 16 11/8/69
So Many Roads box discs 2 and 3, with special attention the the Watkins Glen Jam and the extra texture Eyes of the World from 10/19/74 Winterland
Gram Parsons with the Flying Burrito Brothers, live at the Avalon Ballroom 4/4,5/1969 (recorded by Bear)
Garcia Live 17 - Norcal 76 - this has that gooey guitar sound from 76. I liked disc 2 best with a lovely Russian Lullaby. Kieth can be heard really well in this Betty Recording, and takes some creative solos.
Greek Theater 5/21/82 - from my original audience recording, as I digitize it to upload to Archive.org.

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I got the show:

Flibberty Jib on the Bippity Bop

3/11/93……that must be it

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That was a great show. She joined Jerry (or vice versa?) for a tune or 2. They traded guitar licks for a bit until Bonnie did the "I'm not worthy" bow to Jerry. I remember they touched foreheads - sweet moment. I'll be seeing her perform in a couple months.

I also met her around that time backstage at the Oakland Coliseum. She was with Jane Fonda, who was dressed head to toe in black leather (wow!). Jane was a bit stand-offish, Bonnie was quite friendly. While we were talking, Bear came over and tried to sell us some jewelry. I'm familiar with his enamel stealie pendants, but I'm pretty sure he was peddling one made of sapphires and rubies for $5000 - unless I imagined that. Wish I had the dough back then!

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In reply to by bolo24

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nah...can't be.

"I'm not Fonda Hanoi J..."

oops, nevermind

what will the Captcha be THIS time? How about identifying nubile maidens? (apologies to Marye)

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In reply to by bolo24

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You saw Jazzercise Jane in black leather?
Past teenage me is drooling.
And talk about young me in the 80’s, who could imagine that Chrissy from Three’s Company could make thigh exercises so entertaining on tv?

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In reply to by icecrmcnkd

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Got it at a local brick and mortar record shop for $75 (including tax) tonight after work.
Haven’t listened to it yet but that is the plan for tonight.
Credits say Plangent.

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In reply to by icecrmcnkd

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3/1/69 was delivered here today - I noticed a card on my mat to say a box had been left behind my front wall-about 6" away from the street and with no gate to protect it. It was still there whan I looked thankfully. I have removed the cardboard cover, but not the cellophane - it's propped on my mantlepiece next to the "Think I'm Going Weird" and "Sun Blues Box" at the moment. What a great thing - irrespective of the playing, I love the fact that it focuses on self penned material from Anthem and Aoxomoxoa - with Dark Star of course. The other nights are fantastic too - but I have always thought of this one as the jewel.

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I'm glad you got your box, mine is coming on .Monday. That 1st set is a real knockoiut, like you, I like all 4 shows. My two favorites are 3/1/69 & 2/27/69., The Dark Star on 2/27, is The Dark Star that all other Dark Stars are judged against. Kick in 5/2/70, and you have my top 3 Grateful Dead shows of alltime.

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In reply to by billy the kiddd

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Listened to 3/1/69 last night and it sounded great. That’s It For The Other One is spectacular.
The 3rd album had a lot of static and crackling that I couldn’t remove with a small hand held cleaner so I’m going to run it through the Spin-Clean system today.

If you have a lot of vinyl I recommend a Spin-Clean, it works great. I bought 5/8/77 vinyl factory sealed but long after it had been released and when I opened it the album with Scarlet->Fire had a huge smudge across it that I couldn’t get off with dish soap. I eventually got a Spin-Clean and that worked.

My DaP41 was accepted by USPS from UPS this morning. Hopefully it was handed off to my postal worker before they started their route. Otherwise it will be Monday, although I have received a Sunday delivery before when USPS was out making Amazon deliveries. Fingers crossed for delivery today.

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I had the same problem with my 3.1.69 vinyl: lots of crackle of disc two. Hopefully the Spin Clean will fix it. The music is effing great, but you knew that. The Cosmic Charlie from this show is a hoot, a solid dose of rowdy garage rock blues that got me thinking: whatever happened to the original Aoxomoxoa studio recordings?

My understanding is that the Aoxomoxoa we know is actually the second version they recorded (because they decided they needed to re-do it using the then-new 16 track recording tech). So, whatever happened to those original tracks? I assume they're lost, or they probably would've been issued on the 50th anniversary edition. There's people here know Everything. Anybody know That?

My copy of #41 is wandering around central Cali. It'll get here, eventually.

New ones coming as the old ones go, everything moving but much too slow.

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Greetings from blizzard island... Anyone have any issues at all with 3rd disc not playing. Lucky I got mine in mail yesterday... no luck getting 3rd disc working... have a good weekend. bob t

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Disc 3 is working better than I am... sorry to post!!! "What a maroon"..... Bob t

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In reply to by bob t

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if you are a Sugaree fan, you might want to check out 11 14 78.

The band must have found some crank.

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Just type in Aoxomoxoa studio outakes and they come up on the Archive. Barbed Wire Whipping Party, is that a top ten hit?

Yes, 3/1/69 vinyl sounds superb - every note, from acoustic guitar to organ to bass sound crystal clear. Also one of the best guitar tones I have ever heard.
I haven't played the 3rd disc yet - but that's useful information, Cnkd, about tbe cleaning device you use. I've just got a little brush, so I could do with something a bit more substantial.

Looking at my "Live Dead" cd, it's amazing that none of the performances here were deemed worthy of inclusion. Just goes to show what an incredible peak they had reached at this time. As Billy said, Dark Star, and then St. Stephen are from 2/27/69 and the The Eleven and Lovelight are from 1/26/69. I wonder when that one's coming out?

Incredible opening Other One into New Potato Caboose. And that introduction to Cosmic Charlie fair rips out of the speakers.

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I have this on vinyl, plus many other bootleg vinyl's (numerous live GOGD, NRPS, Bowie, even Mott the Hoople) that I ordered from somebody in NJ back in the mid-70's. I'm in the Midwest. "Barbed Wire Whipping Post", according to Jerry, was recorded on 16-track recording gear, tanks of nitrous, and, in his words, "it turned into total gibberish". This song was never played live. I don't understand why.

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I know this has been stated here before, but -1 on the choice of filler. So uncreative! Why not 5-22-77 leftovers? Seemed like a ripe opportunity. Oh well. Here's hoping they can redeem themselves with 5-18-77 if there's room on that one...YMMV...As you were... :-)

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In reply to by wilfredtjones

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The DaP41 filler didn’t fit on DaP40, so rather than not give it to us at all, Dave gave it to us on 41.
He explained it on the seaside chats.

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I got that. Still uninspired and a rather non-sequitur choice IMO. YMMV.

P.S. Could have simply distributed via 30 Days or otherwise. Maybe free via email download?

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Cleaned all 3 albums and the crackles were still there. Under bright light it looks like micro scratches. Fortunately they’re near the edge and can only be heard during quieter parts. On side 5 St. Stephen the crackles are in the Dark Star end overlap so not really a big deal.

Sounded awesome the second time through, and I noticed parts I didn’t remember noticing on the first listen.

Looking forward to 3/2/69 vinyl. That will give me the complete Box in vinyl format.

No DaP41 today, looks like Monday.

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When first announced I said that a download should have been the method of distribution of the Useless Blues.
If someone gets DaP41 but doesn’t have DaP40 they are going to be “WTF is this business?”

Whatever the case, I’m glad that Dave gave it to us since complete is always better than incomplete.

And even better, when Dave discussed it in the DaP41 seaside chat he said that it could be a model going forward where a show that requires more than 3 CD’s wouldn’t get chopped but would have it's end as filler on the following release.

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In reply to by icecrmcnkd

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Wow, appears that Katie likes mushrooms.

Hope that can be traced back to when Mayer brought her to 7-4-15 FTW.

Rasta5Ziggy - shouldn't that be "especially" Mott The Hoople? On the other hand-maybe you got it right first time. Get a couple of them and you would never complain about the sound of a Dead recording again.

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52 years ago today, the Dead were busted down on Bourbon Street in New Orleans. They played in New Orleans on 10/18, & 19/80 at the Saenger Theatre ,acoustic & electric shows. I think these Saenger Theatre shows would make a great official release

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Sheesh, all this time all I had to do was google "Aoxomoxoa outtake" and I could hear 13 tracks of vintage GD that I'd always wondered about? Well blow me down.

Not surprisingly, the outtakes are not as good as the finished record. If the digital music age, with all its reissues and barrel scrapings, has taught us anything, it is that 90% of the time the artists and producers in question made right decisions and issued the right takes. But that doesn't mean we don't want to hear them, and I've certainly head worse outtakes than these. Now, having heard them, I'm really surprised they didn't clean 'em up a little and issue 'em with the Aoxomoxoa 50th reissue.

Sick today. It's not Covid--we have tests, and when I woke up with a fever I took one, and it was negative. Still feel like Shite. Ah well. Since I can't really go anywhere, I guess I'll run my 3.1.69 vinyl through the cleaner and give it another listen. And some Neil (still sticking it to the Man all these years later!) Won't be bbqing as I'd planned (the notion of spicy food is kind of nauseating at the moment) but I can still watch football. Go 9ers!

GD should take a stand and pull it's tunes as well.

Not a spotify member, never have been and I don't aspire to be. Freedom of speech until you start hurting other people.

Did you see what happened to the state trooper lemay from WA? Wonder what was going through his mind at the end.

We are in trouble as as nation. Good luck all.

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In reply to by icecrmcnkd

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HH had a steal your face thingie on his microphone. "An always reliable source, the GD"

Re state trooper...you cant fix stupid. One of our state senators.. same thing. It would have been such poetic justice if a certain other person who got covid had...well whatevs.

Spotify: JR what a dweeb. So many ignunt doofusses in this world.

Got second shingles vaccine yesterday been wasted tired ever since

Bengals win! Didnt watch, but wow.

For you, Dwayne G!!!

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17 years 4 months

In reply to by proudfoot

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....kewl.
Hesseman passed on the day the Bengals reached the SB.
I have no words.

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In reply to by Vguy72

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Seattle

Good show

Worth a listen

Never used it and up until yesterday had never heard of Joe Rogan. Inconceivable that someone should take the comments of a guy like he seems to be seriously. About anything. He's not an authority on anything, is he?

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In reply to by daverock

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the way I know him is as a support character on an old sitcom called Newsradio (1995-2000)

no, he's not an authority on anything but publicity, apparently

"the truth will set you free"

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Cancelled my Spotify account (blows against the empire, I 'spose).

Pretty sure some of the tracks from AoxomoxoA Outtakes on the Archive were cleaned up and included as bonus tracks on recent re-releases of Aoxo (2003 reissue; 50th Anniversary edition).

...according to the all powerful USPS website I should have my 41 by tomorrow...and speaking of '77 I was in Phoenix this past weekend to attend a Los Lobos show in Scottsdale on Saturday...I went to my fave music shop and plopped down the ca$h for Dickus Pickus 34...it helped plug a hole in my collection...I need about ten more to complete the series...also went Sunday went to an Imax there to see "Get Back - The Complete Rooftop Concert"...great stuff and crazy good sound...kudos to Peter Jackson & Giles Martin for this...

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17 years 5 months

In reply to by nappyrags

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How is your back/knee? I hope you are on the mend. Take care, take it easy and be well...

BTW, enjoy your new Dickus Pickus and DaP 41 once it arrives! :-)

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In reply to by nappyrags

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What is the name and location of your favorite record/cd shop in Phoenix? I have never been to Phoenix, but, given the cold snowy weather here in the north east USA, I would love to visit Arizona and this music shop. Thanks.

product sku
081227881610
Product Magento URL
https://store.dead.net/dave-s-picks-vol-41.html