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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Mr. Ones
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    Just what nobody wants(my 2 cents)

    I love the discussion of live shows vis a vis, shows we attended vs. shows we love to listen to. I will always enjoy having a cd of a show that I attended, regardless of which band we’re talking about. It’s just the ultimate souvenir.
    But when it comes to the Dead, my first show was 8/31/80, and while I would flip my lid if it was ever released, what I really want more than anything else, are shows from 1967-1974, with 67-70 being the real hot spot for me.
    I realize that there are most likely not too many shows of that era in a releasable form. Do I like shows from all years. Yes. To a point. If it is a superbly played show, I’ll give it many listens. If it’s not, it’s probably a 2 and done for me.
    While I’m perfectly ok with that, it’s human nature to want what I want(and right NOW).
    ANY show is desirable for me between 67-70, regardless of how sloppy or how much repeat of set lists, because they were absolutely PRIMAL at this time!!
    Of course, that just one idiots opinion. I gladly take whatever Dave gives me. I don’t feel the need to ‘threaten’ him by saying I’ll stop buying stuff. If I were to stop, there are certainly many punters ready to take my place. My music addiction does not seem about to subside anytime soon.
    As far as box sets go, I don’t see me buying anything from after ‘74. Again, that’s just me, I know I’m in the minority.
    I think I’ll let Dave worry about choices and sales figures, and I’ll just keep subscribing, and pick and choose which boxes to buy.

    Anyway you look at it, my opinion only applies to me, and I welcome opinions from any and all who contribute to this site.

    And keep the Last 5’s and other recommendations coming, because I sure as hell want to be on the receiving end of your much anticipated suggestions/favorites!!

  • hendrixfreak
    Joined:
    Daverock, thinking, thinking....

    So I saw the band 1972 to 1992, with a ton of shows in '73. I have found that magical '73 sound to be my favorite in many ways, probably because I tripped out back then as a very young man and the sounds made an indelible impression. Yet I'm a stone Pigpen fan and love the early band's energy. I bemoan the lost of ... "spirit" let's say in the later years that to me reflected Jer's decline due to H. That said, something some folks call "attendance bias" or something like that suggests that people do enjoy hearing the shows they attended. Therefore, if they released the two '92 shows I went to, I'd dig it. But I'd go apeshit for a release of my first show in Sept '72 because that would overlap with the band's best year(s).

    I'm babbling but I guess it must be difficult to intuit what the GD fans will purchase. Some suggested that younger fans (those under, say, age 55!) might have snapped up the Giants Stadium box (I skipped it, always looking for opportunities to stop spending on GD music, though not really succeeding). Are older heads (I'm 65) really a monolithic force jonesing for '60s shows? I do not pretend to know.

    I suppose they can always analyze the sales for any given release, but who's to say what the demographics behind the sales #s really are? We're currently fixated on chronology and specific years for the band, which seems natural, but does that really influence sales? It has to, but how much of a factor is it? Versus, say, longtime buzz about a certain show and its circulation on tape, etc. (Example: Barton Hall '78, said to be "the greatest of all time" show doesn't really impress me... As in, I have NO IDEA what the hype is all about. It's a fun show, that's all -- for me.)

    The whole thing is a mystery to me. And for Dave, and Rhino, how much of their release decisions are based on data and how much on intuition and wishful thinking?

    I'm going to solve this conundrum by immediately retreating to my music room with a whiskey and spleef and play around on slide in standard tuning on my 1964 Gretsch as the day's last light slants across the room... Hey, I sincerely appreciate the opportunity to kick stuff around and goof off on this forum. Thanks gang!

  • daverock
    Joined:
    Age related

    HF - your comment that older heads might prefer 67-69 shows and younger heads 80's and 90's shows got me thinking. I only saw The Dead in 1981 and 1990, but my taste in listening to live recordings has always been 1967-1974. With different years within that timespan being my favourite at different times. It was 67-69 that originally got me interested in them.
    Curiously perhaps, I don't really relate listening to their live recordings to my experience of actually seeing them. It doesn't feel nostalgic when I listen to them - a forever now band.

  • That Mike
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    Bobby (Bobby?) Weir & Wolf Bros

    “Live In Colorado” just arrived!
    New persona, Bob!? Asking for a friend.

  • Jason Wilder
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    Prognosticating: Box + Last 2 Dave's

    Well, we know that #42 is 2/23/74. Making this another year where Dave has selected at least 1 show from both the late Keith & Donna era (with Mickey post-hiatus) and the early K&D era (post Pig pre-hiatus). The only exception was 2018 with no early K&D. 2 late K&Ds + Brent + Pig/TC. Also got PNW Box that year, so plenty of early K&D.

    On the chat Dave said a good year for variety. Pig, Brent, & Vince/Bruce are the other eras. Hope the Box + 2 DPs touch them all. Have not had a Pig Dave's since 2019. Have had 2 Brent's the last 2 years, the only times Dave has done that.

    Last 5 boxes: STL 71/72/73, June 76, Giants 87/89/91, PNW 73/74, May 77 GSTL. I think we are gonna get early (Carousel '68?) or late (Brent 80s or MSG fall 90).

  • Atron
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    .

    .

  • hendrixfreak
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    OMG! I just had ANOTHER thought........

    Perhaps this is too obvious, but the Listen to the River box is just so good in concept, execution and content, that
    WHAT IF ... ole' Dave decided to couple up shows from
    - fall '67
    - spring '68
    - fall '68
    - spring '69

    To show the early band's evolution. Fall '67 to spring '69 is quite the arc in their ability to deliver, from surging beast to well-oiled psychedelic band. That approach could be done in 5-6 discs. I think the barrier to my own "ideas" relates to Dave's story on how "Listen" came together. He went to Rhino, if I recall correctly, with the "Listen" concept but only a 10 or 12-disc product and they responded, "could you do a 20-CD box?" I guess we'd have to review the history -- shorter boxes have been issued -- to see what the pattern is. Or maybe 20-disc boxes are Rhino-favored going forward? For my money, it'll be tough to surpass the "Listen" box because '71-'72-'73 is prime material for me. Okay, maybe older heads want primal 67-69, younger heads might favor 80s-90s? My thrashing about here confirms that I don't belong in merchandising. Just purchasing...........

  • Oroborous
    Joined:
    Primal box

    Said it before, I’ll say it again: only have fragments of primal, no problemo, center the box around some primo 69, say April 69 Avalon/Ark, and tack a few discs of 67-68 on it, voilà!
    Say frags of 67 on one or two discs depending on quantity/quality, three or four short 68 shows, and the majority of the Avalon and Ark shows…

  • Oroborous
    Joined:
    Norman et el

    I don’t really compare or pay that close attention, but it does seem overall like they’ve gotten better with time/experience. I try to judge each show singularly, on their own merits.
    Later, I might compare to other shows within that tour, but any other than that it seems futile to me.
    The only recent one I’ve thought was audibly subpar was the 73 from last year, and I think that was more to do with the recording. Most folks couldn’t even tell though, I think you need certain ears/equipment?

    Think sonics the last couple years have been great except the above mentioned, and perhaps a smidge too much ambient mic on the 87? (But I really prefer a good matrix! SBs don’t sound natural to me)
    Still blown away how well the 78 (37?) sounds. 41 too.
    Really, all formats have marked improvement, If you compare apples to apples: meaning i.e., say 40 to other summer 90 DATs, and say, 41 to other May 77 Beatty reels etc, and Philly 83 to other cassettes, there seems to be an audible improvement over early releases of similar formats.
    My only complaint Is that sometimes Dave picks a good city and street, but goes to the wrong house…

  • Slow Dog Noodle
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    Phish 12-5-91 (phew - almost through all the 1991 shows!)
    Phish 12-4-91
    Phish 11-30-91

    Dub Apocalypse 5-6-18
    Grateful Dead - Dave's Picks 41

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Now I have Jack Nicholson's face plastered on my mind's eye of JimInMD's appearance.

So you made those shows at the Rocks and Telluride in '87, too? Excellent.

I was the guy with the whitewalls and tombstones in my eyes.......

frost (Ampitheatre) on my windshield
go out to scrape and warm up my highly collectible 2005 Prius
in the car 4/7/72 Playin' while inner windshield clears
daybreak on the land indeed
OOOOHHHHHHYYYYYEEEEEAAAAAAAAHHHHHHHHHYYYYYEEAAAAAAHHHHHYEEAHHYEEAHHHHH....
also crescent moon and Venus in the sky

Careful with that axe, Eugene Oregon...my only attended 87 show...which SUCKED except for the Dylan set

2/3/79 I have 2nd set
comin' around after "Steppin' Out" is heard/experienced

almost February folks

some coworkers need a smack in the head

Dave's 41 is on the way

Wallet found? that's cool.

Onward, my fellow Deadheads

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Got mine yesterday.

I already own way too much 1977, so did not give it a full listen. The sound is exceptional of course. NFA is probably the musical highlight so far.

However, my favorite part of this release is the newspaper article comparing this Grateful Dead concert to one performed by Led Zeppelin a week or so earlier in Baltimore.

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for the first time, i've had a pick lost in the mail. I was hopeful someone who's had this unfortunate experience could point me in the right direction. What is the best email/contact to get a new one sent out?

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send me a PM with the details and I will ask the Doc to get on the case.
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Doing some pre-spring cleaning, so I figured it's time for everyone's favorite game, "Guess The Show(s)"! Winner will get some lovely GD schwag items that I find around the house, including one guaranteed to be unique (that's called a teaser). Amuse yourself and your party guests with stuff I send you that will most certainly encourage conversations and may lead to long-lasting, meaningful relationships!

Maximum of two guesses allowed per screen name (no names created today or later). State date(s) of show(s), venue, and how you deduced the answer. Send your conjecture to me via PM here, first correct answer wins the loot.

Here's the clue:

Fishnets Banana

Good luck!

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35 years ago today , I was at the S.F. Civic for another night with the Good Old Grateful Dead. The Dead pulled out Get Back that night. I heard that Bob Weirs dog had died that day, he must have been really sad. My favorite Dead show in 1987 was the Dylan/Dead show in Oakland, the Dead played a great show and Garcia played pedal steel, that was very special. My favorite shows of the year were the Jerry Garcia acoustic / electric shows at the Warfield Theatre and the Eel River.

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Bolo that's a pretty tough clue, maybe others can guess but not me.

Billy you called out all the shows I was at in 1987, except that Jerry show with Bonnie. I was wrapping up an edit on a documentary and couldn't go. 1987 was a great year, we drove out to Red Rocks and Telluride, seven of us in a van and a car, what an adventure!

Last six:
Dick's 16 11/8/69
So Many Roads box discs 2 and 3, with special attention the the Watkins Glen Jam and the extra texture Eyes of the World from 10/19/74 Winterland
Gram Parsons with the Flying Burrito Brothers, live at the Avalon Ballroom 4/4,5/1969 (recorded by Bear)
Garcia Live 17 - Norcal 76 - this has that gooey guitar sound from 76. I liked disc 2 best with a lovely Russian Lullaby. Kieth can be heard really well in this Betty Recording, and takes some creative solos.
Greek Theater 5/21/82 - from my original audience recording, as I digitize it to upload to Archive.org.

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I got the show:

Flibberty Jib on the Bippity Bop

3/11/93……that must be it

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That was a great show. She joined Jerry (or vice versa?) for a tune or 2. They traded guitar licks for a bit until Bonnie did the "I'm not worthy" bow to Jerry. I remember they touched foreheads - sweet moment. I'll be seeing her perform in a couple months.

I also met her around that time backstage at the Oakland Coliseum. She was with Jane Fonda, who was dressed head to toe in black leather (wow!). Jane was a bit stand-offish, Bonnie was quite friendly. While we were talking, Bear came over and tried to sell us some jewelry. I'm familiar with his enamel stealie pendants, but I'm pretty sure he was peddling one made of sapphires and rubies for $5000 - unless I imagined that. Wish I had the dough back then!

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In reply to by bolo24

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nah...can't be.

"I'm not Fonda Hanoi J..."

oops, nevermind

what will the Captcha be THIS time? How about identifying nubile maidens? (apologies to Marye)

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Are we back to John Waters again?

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In reply to by bolo24

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You saw Jazzercise Jane in black leather?
Past teenage me is drooling.
And talk about young me in the 80’s, who could imagine that Chrissy from Three’s Company could make thigh exercises so entertaining on tv?

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In reply to by icecrmcnkd

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Got it at a local brick and mortar record shop for $75 (including tax) tonight after work.
Haven’t listened to it yet but that is the plan for tonight.
Credits say Plangent.

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In reply to by icecrmcnkd

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3/1/69 was delivered here today - I noticed a card on my mat to say a box had been left behind my front wall-about 6" away from the street and with no gate to protect it. It was still there whan I looked thankfully. I have removed the cardboard cover, but not the cellophane - it's propped on my mantlepiece next to the "Think I'm Going Weird" and "Sun Blues Box" at the moment. What a great thing - irrespective of the playing, I love the fact that it focuses on self penned material from Anthem and Aoxomoxoa - with Dark Star of course. The other nights are fantastic too - but I have always thought of this one as the jewel.

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I'm glad you got your box, mine is coming on .Monday. That 1st set is a real knockoiut, like you, I like all 4 shows. My two favorites are 3/1/69 & 2/27/69., The Dark Star on 2/27, is The Dark Star that all other Dark Stars are judged against. Kick in 5/2/70, and you have my top 3 Grateful Dead shows of alltime.

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In reply to by billy the kiddd

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Listened to 3/1/69 last night and it sounded great. That’s It For The Other One is spectacular.
The 3rd album had a lot of static and crackling that I couldn’t remove with a small hand held cleaner so I’m going to run it through the Spin-Clean system today.

If you have a lot of vinyl I recommend a Spin-Clean, it works great. I bought 5/8/77 vinyl factory sealed but long after it had been released and when I opened it the album with Scarlet->Fire had a huge smudge across it that I couldn’t get off with dish soap. I eventually got a Spin-Clean and that worked.

My DaP41 was accepted by USPS from UPS this morning. Hopefully it was handed off to my postal worker before they started their route. Otherwise it will be Monday, although I have received a Sunday delivery before when USPS was out making Amazon deliveries. Fingers crossed for delivery today.

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I had the same problem with my 3.1.69 vinyl: lots of crackle of disc two. Hopefully the Spin Clean will fix it. The music is effing great, but you knew that. The Cosmic Charlie from this show is a hoot, a solid dose of rowdy garage rock blues that got me thinking: whatever happened to the original Aoxomoxoa studio recordings?

My understanding is that the Aoxomoxoa we know is actually the second version they recorded (because they decided they needed to re-do it using the then-new 16 track recording tech). So, whatever happened to those original tracks? I assume they're lost, or they probably would've been issued on the 50th anniversary edition. There's people here know Everything. Anybody know That?

My copy of #41 is wandering around central Cali. It'll get here, eventually.

New ones coming as the old ones go, everything moving but much too slow.

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Greetings from blizzard island... Anyone have any issues at all with 3rd disc not playing. Lucky I got mine in mail yesterday... no luck getting 3rd disc working... have a good weekend. bob t

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Disc 3 is working better than I am... sorry to post!!! "What a maroon"..... Bob t

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In reply to by bob t

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if you are a Sugaree fan, you might want to check out 11 14 78.

The band must have found some crank.

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Just type in Aoxomoxoa studio outakes and they come up on the Archive. Barbed Wire Whipping Party, is that a top ten hit?

Yes, 3/1/69 vinyl sounds superb - every note, from acoustic guitar to organ to bass sound crystal clear. Also one of the best guitar tones I have ever heard.
I haven't played the 3rd disc yet - but that's useful information, Cnkd, about tbe cleaning device you use. I've just got a little brush, so I could do with something a bit more substantial.

Looking at my "Live Dead" cd, it's amazing that none of the performances here were deemed worthy of inclusion. Just goes to show what an incredible peak they had reached at this time. As Billy said, Dark Star, and then St. Stephen are from 2/27/69 and the The Eleven and Lovelight are from 1/26/69. I wonder when that one's coming out?

Incredible opening Other One into New Potato Caboose. And that introduction to Cosmic Charlie fair rips out of the speakers.

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I have this on vinyl, plus many other bootleg vinyl's (numerous live GOGD, NRPS, Bowie, even Mott the Hoople) that I ordered from somebody in NJ back in the mid-70's. I'm in the Midwest. "Barbed Wire Whipping Post", according to Jerry, was recorded on 16-track recording gear, tanks of nitrous, and, in his words, "it turned into total gibberish". This song was never played live. I don't understand why.

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I know this has been stated here before, but -1 on the choice of filler. So uncreative! Why not 5-22-77 leftovers? Seemed like a ripe opportunity. Oh well. Here's hoping they can redeem themselves with 5-18-77 if there's room on that one...YMMV...As you were... :-)

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In reply to by wilfredtjones

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The DaP41 filler didn’t fit on DaP40, so rather than not give it to us at all, Dave gave it to us on 41.
He explained it on the seaside chats.

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I got that. Still uninspired and a rather non-sequitur choice IMO. YMMV.

P.S. Could have simply distributed via 30 Days or otherwise. Maybe free via email download?

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Cleaned all 3 albums and the crackles were still there. Under bright light it looks like micro scratches. Fortunately they’re near the edge and can only be heard during quieter parts. On side 5 St. Stephen the crackles are in the Dark Star end overlap so not really a big deal.

Sounded awesome the second time through, and I noticed parts I didn’t remember noticing on the first listen.

Looking forward to 3/2/69 vinyl. That will give me the complete Box in vinyl format.

No DaP41 today, looks like Monday.

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When first announced I said that a download should have been the method of distribution of the Useless Blues.
If someone gets DaP41 but doesn’t have DaP40 they are going to be “WTF is this business?”

Whatever the case, I’m glad that Dave gave it to us since complete is always better than incomplete.

And even better, when Dave discussed it in the DaP41 seaside chat he said that it could be a model going forward where a show that requires more than 3 CD’s wouldn’t get chopped but would have it's end as filler on the following release.

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In reply to by icecrmcnkd

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Wow, appears that Katie likes mushrooms.

Hope that can be traced back to when Mayer brought her to 7-4-15 FTW.

Rasta5Ziggy - shouldn't that be "especially" Mott The Hoople? On the other hand-maybe you got it right first time. Get a couple of them and you would never complain about the sound of a Dead recording again.

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52 years ago today, the Dead were busted down on Bourbon Street in New Orleans. They played in New Orleans on 10/18, & 19/80 at the Saenger Theatre ,acoustic & electric shows. I think these Saenger Theatre shows would make a great official release

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Sheesh, all this time all I had to do was google "Aoxomoxoa outtake" and I could hear 13 tracks of vintage GD that I'd always wondered about? Well blow me down.

Not surprisingly, the outtakes are not as good as the finished record. If the digital music age, with all its reissues and barrel scrapings, has taught us anything, it is that 90% of the time the artists and producers in question made right decisions and issued the right takes. But that doesn't mean we don't want to hear them, and I've certainly head worse outtakes than these. Now, having heard them, I'm really surprised they didn't clean 'em up a little and issue 'em with the Aoxomoxoa 50th reissue.

Sick today. It's not Covid--we have tests, and when I woke up with a fever I took one, and it was negative. Still feel like Shite. Ah well. Since I can't really go anywhere, I guess I'll run my 3.1.69 vinyl through the cleaner and give it another listen. And some Neil (still sticking it to the Man all these years later!) Won't be bbqing as I'd planned (the notion of spicy food is kind of nauseating at the moment) but I can still watch football. Go 9ers!

GD should take a stand and pull it's tunes as well.

Not a spotify member, never have been and I don't aspire to be. Freedom of speech until you start hurting other people.

Did you see what happened to the state trooper lemay from WA? Wonder what was going through his mind at the end.

We are in trouble as as nation. Good luck all.

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In reply to by icecrmcnkd

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HH had a steal your face thingie on his microphone. "An always reliable source, the GD"

Re state trooper...you cant fix stupid. One of our state senators.. same thing. It would have been such poetic justice if a certain other person who got covid had...well whatevs.

Spotify: JR what a dweeb. So many ignunt doofusses in this world.

Got second shingles vaccine yesterday been wasted tired ever since

Bengals win! Didnt watch, but wow.

For you, Dwayne G!!!

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In reply to by proudfoot

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....kewl.
Hesseman passed on the day the Bengals reached the SB.
I have no words.

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In reply to by Vguy72

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Seattle

Good show

Worth a listen

Never used it and up until yesterday had never heard of Joe Rogan. Inconceivable that someone should take the comments of a guy like he seems to be seriously. About anything. He's not an authority on anything, is he?

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In reply to by daverock

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the way I know him is as a support character on an old sitcom called Newsradio (1995-2000)

no, he's not an authority on anything but publicity, apparently

"the truth will set you free"

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Cancelled my Spotify account (blows against the empire, I 'spose).

Pretty sure some of the tracks from AoxomoxoA Outtakes on the Archive were cleaned up and included as bonus tracks on recent re-releases of Aoxo (2003 reissue; 50th Anniversary edition).

...according to the all powerful USPS website I should have my 41 by tomorrow...and speaking of '77 I was in Phoenix this past weekend to attend a Los Lobos show in Scottsdale on Saturday...I went to my fave music shop and plopped down the ca$h for Dickus Pickus 34...it helped plug a hole in my collection...I need about ten more to complete the series...also went Sunday went to an Imax there to see "Get Back - The Complete Rooftop Concert"...great stuff and crazy good sound...kudos to Peter Jackson & Giles Martin for this...

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In reply to by nappyrags

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How is your back/knee? I hope you are on the mend. Take care, take it easy and be well...

BTW, enjoy your new Dickus Pickus and DaP 41 once it arrives! :-)

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In reply to by nappyrags

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What is the name and location of your favorite record/cd shop in Phoenix? I have never been to Phoenix, but, given the cold snowy weather here in the north east USA, I would love to visit Arizona and this music shop. Thanks.

product sku
081227881610
Product Magento URL
https://store.dead.net/dave-s-picks-vol-41.html