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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Vguy72
    Joined:
    re;DMCVT....

    ....good to hear you are on the mend.
    Stay well!
    Live music is indeed good for the soul.

  • JimInMD
    Joined:
    Time Machine

    If you set the dials to the present time, Livestream.com/fans is letting you stream the Skull and Roses Festival for a modest and seemingly up to your own discretion donation.

    It's a great distraction from doing your taxes, plus.. it's got a Cumberland. I was going to go this year just because seeing live music on the beach at Ventura seemed like it would be lots of fun. I might be getting to old to go to festivals though, so streaming it at home (whatever you decide to pay) is the next best thing.

    Check it out if you're feeling adventurous. GDTRFB, sounds good to me.

  • dmcvt
    Joined:
    a look back

    Done entirely without JimInMD's time machine, though I still owe him bigtime for past kindness... might be out your way this summer, Mr.F. Yes, regarding the Lyceum shows, no temptation for $549 vinyl. Please please please, release primal dead box from the 1960s, lets keep that drumbeat going... for the old timers here sake, speaking of which:
    been a while since last post. Previously noted med issue turned into an ordeal, thankfully now history but that and the situation in Ukraine put me in a dark place too long. First job was delivering the Washington Post in the early 1960s to about 100 households in Maryland near DC. First concert previously noted, Jimi Hendrix, March 1968 at the Washington Hilton Hotel ballroom, opened by Soft Machine, age fifteen. The first of much music from then on out with a new drivers license. Recently have written back and forth a bit with Tom Principato who is same age, Tom is a great blues guitarist of the Telecaster persuasion from the DC area, played with Danny Gatton back in the day, recordings available, check them out. Tom knew some of my high school musician friends and sent me a photo from about 1968 of him jamming with a couple of them on stage at dive bar Cousin Nicks, where we teenagers used to go down to party in one of the absolute most dangerous possible sections of DC. Just now finally able to head back to DC to visit old friends and family, where I asked each brother his first Dead show. Turned out one was at the infamous RFK show with the Allman Brothers, the other much younger brother first saw them at the Cap Center Thanksgiving 1978. A nice reunion with my first high school girlfriend, had not seen her in more than fifty years. We went to a bunch of shows back in the day, late 1960s, notably Jefferson Airplane at the Baltimore Civic Center and Savoy Brown Blues Band at Shady Grove. One week ago she and I drove out to see the best trad Irish fiddler in the world, Martin Hayes at Berryville, Virginia (solo). Martin is an exquisite virtuoso who sells out Carnegie Hall with his group, The Gloaming. Oddly enough, the first time I heard him, about five years ago, talking with him after that show, he brought up Jimi Hendrix as a late influence. Two nights ago, Bela Fleck and his bluegrass group over in Lebanon, NH, sold out show. Bela is such a masterful player, was pleased to hear Sierra Hull on mandolin, the only one of that very fine group to go head to head in duo with him. Contemplating Jack and Jorma who will play in a few weeks at an old movie theater not far from here. Live music is the best, so good for the soul.

  • bigbrownie
    Joined:
    Breaking News?

    JRAD will be performing at the Frost Ampetheater on August 13th. Tix on sale tomorrow.

  • drpryan
    Joined:
    Europe 72 50th is coming

    Just saw the 50th anniversary of Europe 72 here at dead net. Includes a 24 LP all 4 shows at Lyceum ($550), Also has a 4 Cd of the 26th May Lyceum

  • carlo13
    Joined:
    First real job

    I used to work at the sealtest ice cream factory in Framingham MA.. the factory was in the Same neighborhood as the carousel (I think that was the name) near rt.30 where Jimi Hendrix and led zeppelin played, according to my mother. I made rum raisin ice cream in the late 80s.

  • proudfoot
    Joined:
    CC Rider

    5 21 82

  • wissinomingdeadhead
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    Joined:
    Covers

    C.C. Rider 12/1/79

  • nappyrags
    Joined:
    Covers...and first gigs...

    "Good Morning Little School Girl" & Viola Lee Blues" were what grabbed and sold me on the first Dead LP...I thought "Viola Lee" was similar to "Catfish Blues" from the first Canned Heat record...wild guitar, frantic build up and then release back into the original rhythm, just awesome...My first gig should've been The Stones at The Hollywood Bowl in '66...so the deal was on a certain Friday there would be an ad and an order form posted in the entertainment section of the LA Times that you would mail in...me and a pal (John again) made a deal with his Pop to strip and wax the floor of his barbershop for $10 each...we bought a postal money order and waited by a local news rack for the afternoon edition of the Times ...we grabbed a newspaper and filled out the coupon, threw in our money order along with a self addressed envelope, dropped it in a mailbox and waited...nothing after a week...nothing after two weeks, then I finally get an envelope from the dead letter office containing our original mailing with an insufficient postage due stamped on it...crushed!!! By then of course the show was sold out...four weeks later The Beatles played Dodger Stadium...a lot of my friends were going...there was a caravan of three or four cars with giggly girls, a few guys and some very understanding parents driving away from our neighborhood...I was still upset about the Stones show and chose not to go...principles can screw you up some times...

  • daverock
    Joined:
    Covers

    They really took ownership of Morning Dew and Viola Lee Blues. So much so, they barely seemed like covers.

    I always like "Big River" myself-'specially in the Keith era - great rockabilly licks by Jerry. As they say, size isn't everything.
    For the sake of rarity - plus the fact that they play it really well, "Muddy Water" from 12/5/71 also deserves a mention.

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3 years 7 months

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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5 years 2 months

In reply to by Vguy72

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My prior post was about DP41. And my follow-up comment you saw was because I keep holding out hope that Dave or someone else at the company will read one of my product comments... but when comments about the product get buried in an avalanche of unrelated discussion, it seems even more unlikely that anyone at Dead-dot-net would ever hear product feedback.

Not saying you guys aren't entertaining... I enjoyed your responses and certainly don't want to rain on any parades... just that I would ALSO like a way to get product feedback back to the folks I send lots of my money to.

Annnnd... I just found the customer service email... so I guess I'll give that a shot for customer feedback and come back here after I've had a chance to think carefully about my position on pork chops.
✌️

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17 years 6 months
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It is widely assumed that the powers that be do see what gets posted on here, but there is no definite proof of this as far as I know. Certainly they never communicate with us via these boards. As for customer service, I think that is outsourced. Contact with customer service is via a contact form that can be found under "help/customer service" at the very bottom of the page. You can also find "feedback" at the bottom of the page. By clicking on that you can send feedback about anything you choose. Maybe that is what you were looking for. Certainly it has to be worth a try.

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7 years 9 months
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This is as good as the Dead ever played. 1977 may be their zenith as live performers... by 1978 I hear a certain element of fatigue and overindulgence creeping in. From somewhere between late 1971 to 1973 and 1977, it was the best it would ever be. Disc 3 here is so good, I've earmarked it for newbies and people who dismiss the band as sloppy.

Been listening to a ton of Little Feat lately. Awesome, underrated band especially when Lowell George was still with them.

Happy weekend everyone!

\m/

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4 years 4 months

In reply to by LedDed

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Monitors at least. Dave might read this stuff. But in the long run, I don't any of the ptb have any fux to give about our salad de wourde.

Outside I hear a massive cacophony of crows (this is a fact)

Crows told me. About 80 of them flew overhead when I was out with the dog: "Time to pop the shrinkwrap on 41, bitch!"

:)))

Recall that Norman responded once to admit that he did in fact jack up the bass on 8-25-72.

And several years ago Marye relayed us a message indicating that (at the time) Rhino/WMG weren’t really interested in processing the video Vault for commercial release.

It was during one of those times that we were discussing the release of video, much like a week or two ago, and as we frequently do, to keep getting the message out that we want more video.
We got a taste with the Giants Box, and some teasers for Shakedown Stream.

I think that streaming or download is the way to go for the 90’s shows that are a recording of the video feed during the show (which includes the computer generated graphics mixed in).
For physical product we still need complete, or as close as possible, audio/video Boxes of:
Winterland October 74
Fall 80
Alpine 89
Tinley Park 90
And everything with Pigpen

I have that Family Dog DVD, it’s grate. If video of the whole shows exists get it out there.
And everything from Europe like Rockpalast and 72.

LedDed,
I like the Little Feat show from Rockpalast.

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7 years 7 months
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Sounds great so far. Tonight I will listen to 2nd set. As far as the HOF, what a joke. Ted nugent said recently, "MC5 is nominated, but triumph is not?" Very true. Triumph was a great band. Rik emmet played a flying V guitar for christ sakes.

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17 years 5 months

In reply to by carlo13

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Saw them at Klienhans Music hall, where the philharmonic plays (very small) on 7/7/79.
(Dead played there with the philharmonic On 3/17/70. I saw my first Bobbie show there on election night 1980)

Since Triumph were perhaps more used to playing hockey rinks etc, they had pyrotechnics which they blew off opening song, and thus instantly completely filled the tiny smoke free venue with a cloud of smoke so thick we were having a hard time breathing up in the balcony LOL. Almost had to stop the show right there!
It was like something out of Spinal Tap: clueless rock band almost stops show first song at historic Music hall
God I love Rock and Roll!

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10 years 3 months

In reply to by carlo13

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Now there's a rock n' roll hall of fame type of guy ! I'd never heard of Triumph up until 2 minutes ago. And in 2 minutes time I will have forgotten about them again. Unless of course there is a heated debate on here about their pros and cons.

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17 years 5 months

In reply to by daverock

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....now there's a band I haven't heard of for a long, long time. Thanks for that. Checking out Allied Forces now.
Got the house to myself for the first time in a long time. I heard my amp goes to 11.
Music is the best. Currently partial to some 79-84 new wave/hair metal/punk, so Triumph fits the bill. Remember Fastway?
Let's get heated. The Early '80's is in my wheelhouse. I'll take stuff I'm knowledgeable about for $500 Alex.
Edit. I miss record stores.

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17 years 5 months

In reply to by Oroborous

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....don't mind if I do!
Anyone here remember Saxon? They used to toss their guitars to each other onstage. And Biff Byford has a voice for the ages.
Oh. And so did Jerry.
Apologies to J3FF btw. I didn't scroll back far enough. My bad.

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14 years 1 month

In reply to by nappyrags

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I saw Fela Kuti twice, once at the Berkeley Community Theater in '86, once at the Warfield in 90. Not rock, but very exciting polyrythmic music with nice melodies on guitar. He was quite a character, a real showman in an eccentric way. While the music was happening around him, he would stalk the stage, singing and talking about social issues. I taped both shows, and my friend has been bugging me to digitize them so he can hear them.

I listened to the third CD last night again, and it's a winner! Nice smooth transitions between songs, great guitar work, especially in eyes and the very sweet, if a little short, encore of Uncle John's. I started playing it at 10;30 pm, and my housemate, who was about to go to bed, stayed up for the entire set, entranced.

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7 years 7 months
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Allied forces is your classic american 70s/80s keg party music. Rock on V. Fastway-say what you will- has a video with hot chicks on an assembly line of beauty. Oh to be in my twenties again.

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17 years 5 months

In reply to by carlo13

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....I think Whitesnake has a patent on that. Rock on indeed.
Triumph has some damn good riffs.
Can I change my username to Flying V?
BRB.

....that no one had mentioned the gatefold on the Baltimore release.
Awesome pic. 👌
I'm going into the third disc. Will comment live.
"But he cannot be bought or sold."
"Inspiration. Move me brightly."

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17 years 5 months

In reply to by Vguy72

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...."two, four, six. Don't worry about me no."

....GDTRFB with a palate cleanser.
Someone earlier said UJB was cut short. I agree.
Awesome Not Fade. Four 🌟 🌟 🌟 🌟's out of four or so.

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From not having listened to May '77 in quite a while, I was yet again blown away at how clean the music is. It's like they are saying 'Hey doubters! We too can play like this. When we want'. Jerry in particular. Just firing away with precision first set. And check out how solid those lines are in Terrapin. That bold lead allows the rest of the band to just naturally fall off to decorate the wake behind what he's pulling forward front and center. Those perfectly placed and timed sustains. Love 'em. And the last minute or so of GDTRFB is quite the surprise!

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The sopranos had a quote about Maryland. Tony Sopranos father-in-law said "In the army, russ had a case of the crabs so bad that they called him the governor of maryland.".

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17 years 5 months

In reply to by proudfoot

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....takes off sometimes 🚀.
Edit. Just finished watching Disney's Encanto at my son's behest.
7.7/10. Good songs 🎵.

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11 years 10 months

In reply to by Vguy72

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Just me and my headphones....A CM Board...Second Set Only...whew....

Grateful Dead
War Memorial Auditorium
Buffalo, NY
September 26, 1981

--Set 2--
Playing in the Band ->
Bertha ->
Estimated Prophet ->
Goin' Down the Road (Feeling Bad) ->
Drums ->
Space ->
Not Fade Away ->
Morning Dew ->
Playing in the Band ->
One More Saturday Night
--Encore--
Johnny B. Goode

Beauty eh!
Was fortunate to be at that one.
It shows up a lot via Dave and Sirius etc, and ranks high in surveys…

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4 years 4 months

In reply to by Oroborous

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Ja, gerne

I had it on cassette for a long time

A little speedy and almost no Phil

Soundboard out there?

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12 years 1 month

In reply to by proudfoot

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I checked my copy, meh. Checked archive,,, the copy with 22,335 downloads had the best sound,,,, maybe not for the whole show. Miller seem to have a good sound second set.

later

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9 years 1 month

In reply to by Dennis

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Nice work Dennis.

The sign says long-haired hippie people need not apply.
But short-haired upstanding citizens? Welcome aboard.

I’m pulling a Vguy and have sports on (Olympics) with sound muted, and GOGD playing.
Just finished 1-3-70%, now on 6-15-76.

Got 5-26-77 processed and on my music player. Played it today and it sounded spectacular. Lots of Phil coming out of the subwoofer. Precision jamming. Yes, the NFA is mighty fine, as commented on by others previously.

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17 years 5 months

In reply to by icecrmcnkd

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....aww shucks and thingies.
I bought an acoustic Yamaha today btw. An entry level one. Also had an electric Ibanez Roadstar II handed down to me by my late father in law restrung. Found his old Peavey amp in the spare room closet to boot. Time to stop thinking about it and actually do it.
Winter Olympics are fun and treasures can be found in random closets.
I used to carve on a snowboard....but not like these pros. It's cool when they land a 720 to the beat of whatever im currently playing on my stare-ee-o. Which happens to be a phish Tweezer.
Step into the freezer.
Edit. 1620 degree jumps. Poetry in motion.

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16 years 8 months
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I had a chance to listen to the whole release in one day yesterday. When the filler came up I was into it. I kind of liked the way the NFA chant faded in giving a nod to the jam highlight of the release - NFA! I like filler. Liked it on my tapes and like it on my discs. Otherwise you can get to ripping and burning to scratch yer itch. And on the subject of NFA - wow - this could be an all time NFA>GDTRFB! Dig Phil channeling Caution upon the return to NFA at about the 15 minute mark! So on the subject of filler I like to quote Uncle Bobo himself: "mua, mua, mua"!!!

My guesses would be:

April '78
April '69
Oct. '89
Summer '85

But, you know what they say: Good things come to those who....Pester, Pester, Pester! :-)

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13 years 10 months

In reply to by wilfredtjones

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Dear Dave L: A September 1979 3 show run in N.Y.C. @ MSG would be a great mini-boxset. These were Brent's first N.Y.C. shows and at MSG to boot. They were very solid shows: The GD Came, Saw, Conquered!!! As another poster noted Steve Parish' Harley was parked on stage and someone gunned the engine multiple times during the show and it was noticed by the audience and would be audible. Cool. Period.

Pester, pester, pester because this squeaky wheel will get that oil!

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