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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • #1201
    hendrixfreak
    Joined:
    Well, MUATM worked

    Maybe these responses reflect that there's a limited market for DVDs, but I also think that if they released, say, the Euro '72 show that was shown at a MUATM, we'd all buy it.

    I too cannot sit for long and watch video, even of Jimi. But it makes me realize that what worked for MUATM was the modest crowd of Deadheads around me with great sound and the classic sound of beers being opened or the little lights indicating a vape pen in action. And people hooting as one of the boys pulled a move.

    As for Jimi, I have a small group of four who gather for a weekend lunch and an hour or so of viewing new video or listening to new audio as it surfaces. We've all been involved in a tight, worldwide network of traders from the '70s and '80s that really took off when digital came along, because suddenly you weren't fifth in line for a 5th gen tape. The collective aspect of viewing/listening seems to work best in this neck of the woods. Unfortunately, the next MUATM might be some time off.

    About the only time I can sit still for 2 hrs these days is for my delving into film noir and my beloved Three Stooges. They're the test of mental health. If I don't laugh out loud at each episode I know I'm in a deep funk.

    Kinda nice to know that a loud, ripping spring '77 show is on its way. Gotta hit Listen to the River again tonight. Got the friggin' boot off my foot today after 6 weeks isolated at home, yet still gotta do another two months of rehab to be ready for April in the high desert. Makin' progress. And I got nothin' to bitch about when the world's hurting.

  • #1202
    Dennis
    Joined:
    Dave and The Vid

    Agree. Never been one to sit and watch live shows.

    Worst of all worlds sometimes, crummy sound unless you tv is sound ready. You watch for how someone plays a piece and just when they got to the jam, cut to bouncing babe in front row or on someone's shoulders! I always think show ALL the players in little boxes for the "hand" work,,, pull back shot of stage for lyric area.

    I take the vid when it comes with something, but I don't but per se.

  • #1203
    proudfoot
    Joined:
    re video

    CDs travel better than video

    I can't do a DVD while driving or sitting on the deck or whatever

    it's also difficult to have a DVD going unless I have the house to myself. which is rare.

    but I sho' ain't complaining about DVDs....

  • #1204
    daverock
    Joined:
    Video killed the radio star?

    I have mixed feelings about watching shows on video-dvd - blu ray, whatever these days. It's very different from just listening. I find myself watching the guitarists hands to see how they do certain things-which I don't often consider when I am just listening. Sometimes it works for me and sometimes it doesn't. I wonder if I would listen to 12/31/78 more often if I had a cd of it and not just a dvd. Although it is great to watch Jerry lean into that solo on "Johnny B. Goode." I get distracted by how the people look, too. As in.... cor - he looks a bit rough! And look at her dancing about. I don't tend to drift away as much watching a video.

    With that Veneta Oregon August 1972 show, I like watching it for half an hour or so - but "Dark Star" appeals to me more not watching them play it. I suppose I like what it does to my imagination - and watching it keeps me in mind of the physical reality of the show I am involved in. Unless of course I close my eyes, which rather defeats the object of the video.

  • #1205
    billy the kiddd
    Joined:
    A future great box set

    I think 10/18 & 19/80 from the Saenger Theatre in New Orleans would make a great box set. Two acoustic sets and 4 electric sets; the Dead played really good at those shows.

  • #1206
    proudfoot
    Joined:
    thank you for the Metallica tip, Vguy

    Justice now providing me with the auditory caffeine I need at the moment

  • #1207
    hendrixfreak
    Joined:
    Thanks Sixtus

    I did go over to the channel after feeling stupid for asking (why not answer my own question?). But I didn't immediately see any "vintage" shows. So I went back to work.

    I will dial back tonight for that Tivoli '72 show, trust me!

    Again, I wonder if, for TPTB, video of different sources and/or synching music, and/or the market for synched video is too weak to risk the time and money. A couple reels of tape maybe the much more certain bet.

    But watch them produce some of this stuff this year, if you like "variety." Maybe I'm wrong about '80s tapes coming our way and they've produced a box with video. We'll know this summer.

  • #1208
    Sixtus_
    Joined:
    re: Do Tell

    Indeed, very recently Hazard put up an entire 1st set from Europe 72 - April 17, 1972, Tivoli to be exact- I was utterly SHOCKED at how good the video is - like, 4K quality, in color, totally pristine. This is obviously the "real" video and begs the question WHY stuff like this is just sitting on a shelf (officially). That one is definitely worth checking out; there are other clips from earlier eras, but that is the most complete that I have come across - so far - prior to 1974.
    He pushed out the 2 Warlocks/Hampton '89 shows last week also, and I am seeing several of the Spring '90 shows popping up this week so far.
    It's currently a flowing faucet for our enjoyment and discovery.

    Sixtus

  • #1209
    mark_mumper
    Joined:
    2/17/79

    Feb 17 1979, Keith and Donna's last show, has the best-performed first set of any Dead show I attended (and I've listened to it many times since, and of course countless other shows, and still feel that's so for any concert of theirs I know).

  • #1210
    Vguy72
    Joined:
    Last five!....

    Metallica - and Justice For All.
    Joan Jett and The Blackhearts - Bad Reputation.
    Tedeschi Trucks Band - anything they do.
    GOGD - Dave's 39 - Spectrum '83.
    Meat Loaf - Bat Out Of Hell.
    🤘✌
    No shipping notice here either adedhed68.
    I have enough music already, said no one.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Submitted by J3FF on Fri, 02/04/2022 - 23:02

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My prior post was about DP41. And my follow-up comment you saw was because I keep holding out hope that Dave or someone else at the company will read one of my product comments... but when comments about the product get buried in an avalanche of unrelated discussion, it seems even more unlikely that anyone at Dead-dot-net would ever hear product feedback.

Not saying you guys aren't entertaining... I enjoyed your responses and certainly don't want to rain on any parades... just that I would ALSO like a way to get product feedback back to the folks I send lots of my money to.

Annnnd... I just found the customer service email... so I guess I'll give that a shot for customer feedback and come back here after I've had a chance to think carefully about my position on pork chops.
✌️

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Submitted by simonrob on Sat, 02/05/2022 - 05:56

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It is widely assumed that the powers that be do see what gets posted on here, but there is no definite proof of this as far as I know. Certainly they never communicate with us via these boards. As for customer service, I think that is outsourced. Contact with customer service is via a contact form that can be found under "help/customer service" at the very bottom of the page. You can also find "feedback" at the bottom of the page. By clicking on that you can send feedback about anything you choose. Maybe that is what you were looking for. Certainly it has to be worth a try.

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Submitted by LedDed on Sat, 02/05/2022 - 07:09

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This is as good as the Dead ever played. 1977 may be their zenith as live performers... by 1978 I hear a certain element of fatigue and overindulgence creeping in. From somewhere between late 1971 to 1973 and 1977, it was the best it would ever be. Disc 3 here is so good, I've earmarked it for newbies and people who dismiss the band as sloppy.

Been listening to a ton of Little Feat lately. Awesome, underrated band especially when Lowell George was still with them.

Happy weekend everyone!

\m/

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Submitted by proudfoot on Sat, 02/05/2022 - 07:40

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Monitors at least. Dave might read this stuff. But in the long run, I don't any of the ptb have any fux to give about our salad de wourde.

Outside I hear a massive cacophony of crows (this is a fact)

Crows told me. About 80 of them flew overhead when I was out with the dog: "Time to pop the shrinkwrap on 41, bitch!"

:)))

Recall that Norman responded once to admit that he did in fact jack up the bass on 8-25-72.

And several years ago Marye relayed us a message indicating that (at the time) Rhino/WMG weren’t really interested in processing the video Vault for commercial release.

It was during one of those times that we were discussing the release of video, much like a week or two ago, and as we frequently do, to keep getting the message out that we want more video.
We got a taste with the Giants Box, and some teasers for Shakedown Stream.

I think that streaming or download is the way to go for the 90’s shows that are a recording of the video feed during the show (which includes the computer generated graphics mixed in).
For physical product we still need complete, or as close as possible, audio/video Boxes of:
Winterland October 74
Fall 80
Alpine 89
Tinley Park 90
And everything with Pigpen

I have that Family Dog DVD, it’s grate. If video of the whole shows exists get it out there.
And everything from Europe like Rockpalast and 72.

LedDed,
I like the Little Feat show from Rockpalast.

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Submitted by carlo13 on Sat, 02/05/2022 - 10:12

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Sounds great so far. Tonight I will listen to 2nd set. As far as the HOF, what a joke. Ted nugent said recently, "MC5 is nominated, but triumph is not?" Very true. Triumph was a great band. Rik emmet played a flying V guitar for christ sakes.

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Submitted by Oroborous on Sat, 02/05/2022 - 10:49

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Saw them at Klienhans Music hall, where the philharmonic plays (very small) on 7/7/79.
(Dead played there with the philharmonic On 3/17/70. I saw my first Bobbie show there on election night 1980)

Since Triumph were perhaps more used to playing hockey rinks etc, they had pyrotechnics which they blew off opening song, and thus instantly completely filled the tiny smoke free venue with a cloud of smoke so thick we were having a hard time breathing up in the balcony LOL. Almost had to stop the show right there!
It was like something out of Spinal Tap: clueless rock band almost stops show first song at historic Music hall
God I love Rock and Roll!

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Submitted by daverock on Sat, 02/05/2022 - 11:12

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Now there's a rock n' roll hall of fame type of guy ! I'd never heard of Triumph up until 2 minutes ago. And in 2 minutes time I will have forgotten about them again. Unless of course there is a heated debate on here about their pros and cons.

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Submitted by Vguy72 on Sat, 02/05/2022 - 12:06

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....now there's a band I haven't heard of for a long, long time. Thanks for that. Checking out Allied Forces now.
Got the house to myself for the first time in a long time. I heard my amp goes to 11.
Music is the best. Currently partial to some 79-84 new wave/hair metal/punk, so Triumph fits the bill. Remember Fastway?
Let's get heated. The Early '80's is in my wheelhouse. I'll take stuff I'm knowledgeable about for $500 Alex.
Edit. I miss record stores.

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Submitted by Vguy72 on Sat, 02/05/2022 - 12:23

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....don't mind if I do!
Anyone here remember Saxon? They used to toss their guitars to each other onstage. And Biff Byford has a voice for the ages.
Oh. And so did Jerry.
Apologies to J3FF btw. I didn't scroll back far enough. My bad.

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Submitted by nitecat on Sat, 02/05/2022 - 12:42

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I saw Fela Kuti twice, once at the Berkeley Community Theater in '86, once at the Warfield in 90. Not rock, but very exciting polyrythmic music with nice melodies on guitar. He was quite a character, a real showman in an eccentric way. While the music was happening around him, he would stalk the stage, singing and talking about social issues. I taped both shows, and my friend has been bugging me to digitize them so he can hear them.

I listened to the third CD last night again, and it's a winner! Nice smooth transitions between songs, great guitar work, especially in eyes and the very sweet, if a little short, encore of Uncle John's. I started playing it at 10;30 pm, and my housemate, who was about to go to bed, stayed up for the entire set, entranced.

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Submitted by carlo13 on Sat, 02/05/2022 - 12:55

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Allied forces is your classic american 70s/80s keg party music. Rock on V. Fastway-say what you will- has a video with hot chicks on an assembly line of beauty. Oh to be in my twenties again.

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Submitted by Vguy72 on Sat, 02/05/2022 - 12:59

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....I think Whitesnake has a patent on that. Rock on indeed.
Triumph has some damn good riffs.
Can I change my username to Flying V?
BRB.

....that no one had mentioned the gatefold on the Baltimore release.
Awesome pic. 👌
I'm going into the third disc. Will comment live.
"But he cannot be bought or sold."
"Inspiration. Move me brightly."

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Submitted by Vguy72 on Sat, 02/05/2022 - 13:20

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...."two, four, six. Don't worry about me no."

....GDTRFB with a palate cleanser.
Someone earlier said UJB was cut short. I agree.
Awesome Not Fade. Four 🌟 🌟 🌟 🌟's out of four or so.

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Submitted by FiveBranch on Sat, 02/05/2022 - 15:15

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From not having listened to May '77 in quite a while, I was yet again blown away at how clean the music is. It's like they are saying 'Hey doubters! We too can play like this. When we want'. Jerry in particular. Just firing away with precision first set. And check out how solid those lines are in Terrapin. That bold lead allows the rest of the band to just naturally fall off to decorate the wake behind what he's pulling forward front and center. Those perfectly placed and timed sustains. Love 'em. And the last minute or so of GDTRFB is quite the surprise!

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Submitted by carlo13 on Sat, 02/05/2022 - 16:25

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The sopranos had a quote about Maryland. Tony Sopranos father-in-law said "In the army, russ had a case of the crabs so bad that they called him the governor of maryland.".

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Submitted by Vguy72 on Sat, 02/05/2022 - 21:05

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....takes off sometimes 🚀.
Edit. Just finished watching Disney's Encanto at my son's behest.
7.7/10. Good songs 🎵.

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Submitted by nappyrags on Sat, 02/05/2022 - 22:42

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Just me and my headphones....A CM Board...Second Set Only...whew....

Grateful Dead
War Memorial Auditorium
Buffalo, NY
September 26, 1981

--Set 2--
Playing in the Band ->
Bertha ->
Estimated Prophet ->
Goin' Down the Road (Feeling Bad) ->
Drums ->
Space ->
Not Fade Away ->
Morning Dew ->
Playing in the Band ->
One More Saturday Night
--Encore--
Johnny B. Goode

Beauty eh!
Was fortunate to be at that one.
It shows up a lot via Dave and Sirius etc, and ranks high in surveys…

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Submitted by proudfoot on Sun, 02/06/2022 - 11:12

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Ja, gerne

I had it on cassette for a long time

A little speedy and almost no Phil

Soundboard out there?

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Submitted by Dennis on Sun, 02/06/2022 - 13:18

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I checked my copy, meh. Checked archive,,, the copy with 22,335 downloads had the best sound,,,, maybe not for the whole show. Miller seem to have a good sound second set.

later

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Submitted by icecrmcnkd on Sun, 02/06/2022 - 16:46

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Nice work Dennis.

The sign says long-haired hippie people need not apply.
But short-haired upstanding citizens? Welcome aboard.

I’m pulling a Vguy and have sports on (Olympics) with sound muted, and GOGD playing.
Just finished 1-3-70%, now on 6-15-76.

Got 5-26-77 processed and on my music player. Played it today and it sounded spectacular. Lots of Phil coming out of the subwoofer. Precision jamming. Yes, the NFA is mighty fine, as commented on by others previously.

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Submitted by Vguy72 on Sun, 02/06/2022 - 21:24

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....aww shucks and thingies.
I bought an acoustic Yamaha today btw. An entry level one. Also had an electric Ibanez Roadstar II handed down to me by my late father in law restrung. Found his old Peavey amp in the spare room closet to boot. Time to stop thinking about it and actually do it.
Winter Olympics are fun and treasures can be found in random closets.
I used to carve on a snowboard....but not like these pros. It's cool when they land a 720 to the beat of whatever im currently playing on my stare-ee-o. Which happens to be a phish Tweezer.
Step into the freezer.
Edit. 1620 degree jumps. Poetry in motion.

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Submitted by wadeocu on Mon, 02/07/2022 - 06:55

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I had a chance to listen to the whole release in one day yesterday. When the filler came up I was into it. I kind of liked the way the NFA chant faded in giving a nod to the jam highlight of the release - NFA! I like filler. Liked it on my tapes and like it on my discs. Otherwise you can get to ripping and burning to scratch yer itch. And on the subject of NFA - wow - this could be an all time NFA>GDTRFB! Dig Phil channeling Caution upon the return to NFA at about the 15 minute mark! So on the subject of filler I like to quote Uncle Bobo himself: "mua, mua, mua"!!!

My guesses would be:

April '78
April '69
Oct. '89
Summer '85

But, you know what they say: Good things come to those who....Pester, Pester, Pester! :-)

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Submitted by deadegad on Wed, 02/09/2022 - 06:31

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Dear Dave L: A September 1979 3 show run in N.Y.C. @ MSG would be a great mini-boxset. These were Brent's first N.Y.C. shows and at MSG to boot. They were very solid shows: The GD Came, Saw, Conquered!!! As another poster noted Steve Parish' Harley was parked on stage and someone gunned the engine multiple times during the show and it was noticed by the audience and would be audible. Cool. Period.

Pester, pester, pester because this squeaky wheel will get that oil!

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