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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Oroborous
    Joined:
    Lasts

    Robert Plant: Lullaby and…ceaseless roar
    Bonnie Rait: The BR collection
    Norah Jones: Come Away with Me
    Natalie Merchant: Ophelia
    Hamp & Getz
    p/o Bill Evans: Everyone Still Digs Bill Evans

    But that was last night, now Dave’s Picks 9 5/14/74 Rollin!

  • Vguy72
    Joined:
    Last Five....

    Jane's Addiction - Nothings Shocking
    JGB - Cats Down Under The Stars
    Donna The Buffalo - Positive Friction
    Trey Anastasio - Mercy
    Def Leppard - High 'N' Dry
    Hope everyone has a grate weekend.

  • KeithFan2112
    Joined:
    Rockin' The Rhein, Dark Star, Part II

    Coming after a 26 minute Part I, and then a Me and My Uncle interlude, I do declare this is a special improvisational jam piece, clocking in at 15 minutes. What sets it apart from most two part Dark Stars....hmmmm. Good question.

    For one thing, it's pure improv jamming with no meltdowns. The first five minutes I guess I would describe as steady melodic Space. It starts off with this really cool intro I won't even try to describe. In the first 6 minutes they trade off little bits and pieces, as though it was all written ahead of time. This opening segment is slow tempo, smooth, and cohesive. They explore ideas independently and it meshes nicely. There is a never a moment when they stall out and fill the void with noise or silence. And Pigpen plays the maracas - always a sign of good things to come.

    Phil does flirt with meltdown indicators as they approach the 6 minute mark. Jerry had begun to pick up the pace, but Phil seemed headed for Dark Dreamville (he throws in a few one note bombs during this minute, but nobody took the bait). I think Keith, Bobby, and Jerry walked him in off the ledge.

    They continue to explore for the next 10 minutes, but at a much faster tempo. Billy holds it together with some fast hard hitting that is more rock than the jazz, with lots of ride symbol for emphasis; while he's doing this, Keith and Jerry go in and out of several different melodies they discover along the way.

    Keith comes in with a nice little piece around 7:00 and another around 8:20; Jerry develops a couple of catchy phrases around 9:20 and just before 12:00. The jamathon continues... Bobby and Phil have been low in the mix during most of this, but Bobby does develop a nice theme of his own around 13:40 and goes on for a minute or so.

    Approaching the 15:00 mark, Billy finally takes his foot off the gas and Jerry comes in with the Dark Star theme, which is notably the only time we hear it during Part II - but only for a 15 second wind-down preceding the seamless transition into Wharf Rat. There is no second Dark Star verse; in fact, if not for this brief moment when Jerry plays the main theme for a couple of bars, there is no hint they're even IN a Dark Star. Bobby picks up on the main theme and continues another bar or two after Jerry kicks off Wharf Rat's opening chords; Keith plays a few repeating notes on the pinky keys (to great effect), and the whole thing is bliss. The Wharf Rat is fantastic, and runs straight into Sugar Magnolia, which is one of the best IMHO.

    So why all the fuss over Rhein Dark Star, Part II? Well, it's appealing to me because it is100% un-recycled improvisational playing. There is no reliance on themes like Feelin' Groovey, Tighten Up, and Mind Left Body - or Dark Star for that matter. They just get up there and do their thing for 15 minutes of pure synergy.

    There are no meltdowns. I have a feeling the cacophony-laden wanderings they often indulged in were much better to behold as a live audience member. I can deal with short durations, as they sometimes enhance a more melodic theme that rises from them; but for the most part I'm looking forward to the day when I have time to replace my defunct Roxio software with something that allows me to edit those atonal sections, and neatly cross-fade "the normal parts" together. Then I will make a Dark Star that goes on for 21 hours and 12 seconds.

    And I guess the last thing that does it for me is its uniqueness and duration. 15 minutes is a long time to carry on like this, and they keep it interesting by starting at a slow tempo for the first third of it, and then kicking it into high gear the rest of the way. None of the themes they conjure up last longer than a minute, but they fill the space between with well-crafted leads and runs. I haven't come across too many jams that fit this profile.

    And how about The Other One from the Paramount 7/25/72??? I demand this show be released at once.

  • PT Barnum
    Joined:
    Kerouac house

    Lots of good things happening today for Jack's 100th, look them up in Lowell and in Winter Park. We went to see the original scroll of On the Road back in the 90's. The Kerouac family had it on display at his abode where Jack lived in Winter Park, Fl. Touchstone for me and a whole generation.

  • PT Barnum
    Joined:
    purple haze in the air

    no wonder I could not figure it out. I have experienced that haze, it was in a field right after an afternoon rain, floated about 2 ft off the ground, buzzing with promise.

  • daverock
    Joined:
    Old Angel Midnight

    Today marks the 100th anniversary of Jack Kerouac's birth date. I've got my old copy of "The Scripture of the Golden Eternity" here to guide me through the day.

    Incidentally, I don't hate taxes. Depends what they are being used for, of course.

  • Vguy72
    Joined:
    We can run....

    ....but we can't hide from it.
    Brent was cool.

  • Oroborous
    Joined:
    Gas

    Yeah it’s going up but:
    A) it’s tge least we can do to support the cause. If you know anything about what many folks had to ration, sacrifice, and endure during WWII, it’s really not so bad is it?
    B) we all need to be more efficient and mindful of overuse/wastefulness anyway

    Remember: we can run, but we can’t hide!

    Ok, sorry, Friday buzz kill PSI over, and now back to yer normal scheduled programming/happy hour…

  • Vguy72
    Joined:
    Gas prices are getting ridiculous....

    ....I went online to check the value of my car and it asked if the tank was empty or full.

  • Vguy72
    Joined:
    I made a belt out of old wrist watches....

    ....only to find it was a waist of time.
    Nice avatar simonrob. 👌

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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4 years 11 months

In reply to by Vguy72

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My prior post was about DP41. And my follow-up comment you saw was because I keep holding out hope that Dave or someone else at the company will read one of my product comments... but when comments about the product get buried in an avalanche of unrelated discussion, it seems even more unlikely that anyone at Dead-dot-net would ever hear product feedback.

Not saying you guys aren't entertaining... I enjoyed your responses and certainly don't want to rain on any parades... just that I would ALSO like a way to get product feedback back to the folks I send lots of my money to.

Annnnd... I just found the customer service email... so I guess I'll give that a shot for customer feedback and come back here after I've had a chance to think carefully about my position on pork chops.
✌️

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17 years 3 months
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It is widely assumed that the powers that be do see what gets posted on here, but there is no definite proof of this as far as I know. Certainly they never communicate with us via these boards. As for customer service, I think that is outsourced. Contact with customer service is via a contact form that can be found under "help/customer service" at the very bottom of the page. You can also find "feedback" at the bottom of the page. By clicking on that you can send feedback about anything you choose. Maybe that is what you were looking for. Certainly it has to be worth a try.

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7 years 7 months
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This is as good as the Dead ever played. 1977 may be their zenith as live performers... by 1978 I hear a certain element of fatigue and overindulgence creeping in. From somewhere between late 1971 to 1973 and 1977, it was the best it would ever be. Disc 3 here is so good, I've earmarked it for newbies and people who dismiss the band as sloppy.

Been listening to a ton of Little Feat lately. Awesome, underrated band especially when Lowell George was still with them.

Happy weekend everyone!

\m/

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4 years 1 month

In reply to by LedDed

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Monitors at least. Dave might read this stuff. But in the long run, I don't any of the ptb have any fux to give about our salad de wourde.

Outside I hear a massive cacophony of crows (this is a fact)

Crows told me. About 80 of them flew overhead when I was out with the dog: "Time to pop the shrinkwrap on 41, bitch!"

:)))

Recall that Norman responded once to admit that he did in fact jack up the bass on 8-25-72.

And several years ago Marye relayed us a message indicating that (at the time) Rhino/WMG weren’t really interested in processing the video Vault for commercial release.

It was during one of those times that we were discussing the release of video, much like a week or two ago, and as we frequently do, to keep getting the message out that we want more video.
We got a taste with the Giants Box, and some teasers for Shakedown Stream.

I think that streaming or download is the way to go for the 90’s shows that are a recording of the video feed during the show (which includes the computer generated graphics mixed in).
For physical product we still need complete, or as close as possible, audio/video Boxes of:
Winterland October 74
Fall 80
Alpine 89
Tinley Park 90
And everything with Pigpen

I have that Family Dog DVD, it’s grate. If video of the whole shows exists get it out there.
And everything from Europe like Rockpalast and 72.

LedDed,
I like the Little Feat show from Rockpalast.

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7 years 4 months
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Sounds great so far. Tonight I will listen to 2nd set. As far as the HOF, what a joke. Ted nugent said recently, "MC5 is nominated, but triumph is not?" Very true. Triumph was a great band. Rik emmet played a flying V guitar for christ sakes.

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17 years 3 months

In reply to by carlo13

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Saw them at Klienhans Music hall, where the philharmonic plays (very small) on 7/7/79.
(Dead played there with the philharmonic On 3/17/70. I saw my first Bobbie show there on election night 1980)

Since Triumph were perhaps more used to playing hockey rinks etc, they had pyrotechnics which they blew off opening song, and thus instantly completely filled the tiny smoke free venue with a cloud of smoke so thick we were having a hard time breathing up in the balcony LOL. Almost had to stop the show right there!
It was like something out of Spinal Tap: clueless rock band almost stops show first song at historic Music hall
God I love Rock and Roll!

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10 years

In reply to by carlo13

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Now there's a rock n' roll hall of fame type of guy ! I'd never heard of Triumph up until 2 minutes ago. And in 2 minutes time I will have forgotten about them again. Unless of course there is a heated debate on here about their pros and cons.

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17 years 2 months

In reply to by daverock

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....now there's a band I haven't heard of for a long, long time. Thanks for that. Checking out Allied Forces now.
Got the house to myself for the first time in a long time. I heard my amp goes to 11.
Music is the best. Currently partial to some 79-84 new wave/hair metal/punk, so Triumph fits the bill. Remember Fastway?
Let's get heated. The Early '80's is in my wheelhouse. I'll take stuff I'm knowledgeable about for $500 Alex.
Edit. I miss record stores.

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17 years 2 months

In reply to by Oroborous

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....don't mind if I do!
Anyone here remember Saxon? They used to toss their guitars to each other onstage. And Biff Byford has a voice for the ages.
Oh. And so did Jerry.
Apologies to J3FF btw. I didn't scroll back far enough. My bad.

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13 years 10 months

In reply to by nappyrags

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I saw Fela Kuti twice, once at the Berkeley Community Theater in '86, once at the Warfield in 90. Not rock, but very exciting polyrythmic music with nice melodies on guitar. He was quite a character, a real showman in an eccentric way. While the music was happening around him, he would stalk the stage, singing and talking about social issues. I taped both shows, and my friend has been bugging me to digitize them so he can hear them.

I listened to the third CD last night again, and it's a winner! Nice smooth transitions between songs, great guitar work, especially in eyes and the very sweet, if a little short, encore of Uncle John's. I started playing it at 10;30 pm, and my housemate, who was about to go to bed, stayed up for the entire set, entranced.

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Allied forces is your classic american 70s/80s keg party music. Rock on V. Fastway-say what you will- has a video with hot chicks on an assembly line of beauty. Oh to be in my twenties again.

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17 years 2 months

In reply to by carlo13

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....I think Whitesnake has a patent on that. Rock on indeed.
Triumph has some damn good riffs.
Can I change my username to Flying V?
BRB.

....that no one had mentioned the gatefold on the Baltimore release.
Awesome pic. 👌
I'm going into the third disc. Will comment live.
"But he cannot be bought or sold."
"Inspiration. Move me brightly."

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17 years 2 months

In reply to by Vguy72

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...."two, four, six. Don't worry about me no."

....GDTRFB with a palate cleanser.
Someone earlier said UJB was cut short. I agree.
Awesome Not Fade. Four 🌟 🌟 🌟 🌟's out of four or so.

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From not having listened to May '77 in quite a while, I was yet again blown away at how clean the music is. It's like they are saying 'Hey doubters! We too can play like this. When we want'. Jerry in particular. Just firing away with precision first set. And check out how solid those lines are in Terrapin. That bold lead allows the rest of the band to just naturally fall off to decorate the wake behind what he's pulling forward front and center. Those perfectly placed and timed sustains. Love 'em. And the last minute or so of GDTRFB is quite the surprise!

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The sopranos had a quote about Maryland. Tony Sopranos father-in-law said "In the army, russ had a case of the crabs so bad that they called him the governor of maryland.".

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In reply to by proudfoot

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....takes off sometimes 🚀.
Edit. Just finished watching Disney's Encanto at my son's behest.
7.7/10. Good songs 🎵.

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In reply to by Vguy72

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Just me and my headphones....A CM Board...Second Set Only...whew....

Grateful Dead
War Memorial Auditorium
Buffalo, NY
September 26, 1981

--Set 2--
Playing in the Band ->
Bertha ->
Estimated Prophet ->
Goin' Down the Road (Feeling Bad) ->
Drums ->
Space ->
Not Fade Away ->
Morning Dew ->
Playing in the Band ->
One More Saturday Night
--Encore--
Johnny B. Goode

Beauty eh!
Was fortunate to be at that one.
It shows up a lot via Dave and Sirius etc, and ranks high in surveys…

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4 years 1 month

In reply to by Oroborous

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Ja, gerne

I had it on cassette for a long time

A little speedy and almost no Phil

Soundboard out there?

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11 years 10 months

In reply to by proudfoot

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I checked my copy, meh. Checked archive,,, the copy with 22,335 downloads had the best sound,,,, maybe not for the whole show. Miller seem to have a good sound second set.

later

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8 years 11 months

In reply to by Dennis

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Nice work Dennis.

The sign says long-haired hippie people need not apply.
But short-haired upstanding citizens? Welcome aboard.

I’m pulling a Vguy and have sports on (Olympics) with sound muted, and GOGD playing.
Just finished 1-3-70%, now on 6-15-76.

Got 5-26-77 processed and on my music player. Played it today and it sounded spectacular. Lots of Phil coming out of the subwoofer. Precision jamming. Yes, the NFA is mighty fine, as commented on by others previously.

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17 years 2 months

In reply to by icecrmcnkd

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....aww shucks and thingies.
I bought an acoustic Yamaha today btw. An entry level one. Also had an electric Ibanez Roadstar II handed down to me by my late father in law restrung. Found his old Peavey amp in the spare room closet to boot. Time to stop thinking about it and actually do it.
Winter Olympics are fun and treasures can be found in random closets.
I used to carve on a snowboard....but not like these pros. It's cool when they land a 720 to the beat of whatever im currently playing on my stare-ee-o. Which happens to be a phish Tweezer.
Step into the freezer.
Edit. 1620 degree jumps. Poetry in motion.

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I had a chance to listen to the whole release in one day yesterday. When the filler came up I was into it. I kind of liked the way the NFA chant faded in giving a nod to the jam highlight of the release - NFA! I like filler. Liked it on my tapes and like it on my discs. Otherwise you can get to ripping and burning to scratch yer itch. And on the subject of NFA - wow - this could be an all time NFA>GDTRFB! Dig Phil channeling Caution upon the return to NFA at about the 15 minute mark! So on the subject of filler I like to quote Uncle Bobo himself: "mua, mua, mua"!!!

My guesses would be:

April '78
April '69
Oct. '89
Summer '85

But, you know what they say: Good things come to those who....Pester, Pester, Pester! :-)

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13 years 7 months

In reply to by wilfredtjones

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Dear Dave L: A September 1979 3 show run in N.Y.C. @ MSG would be a great mini-boxset. These were Brent's first N.Y.C. shows and at MSG to boot. They were very solid shows: The GD Came, Saw, Conquered!!! As another poster noted Steve Parish' Harley was parked on stage and someone gunned the engine multiple times during the show and it was noticed by the audience and would be audible. Cool. Period.

Pester, pester, pester because this squeaky wheel will get that oil!

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