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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • PT Barnum
    Joined:
    moving fast

    so much, DMCVT enjoy those meds, had stones 20 years ago, passed most of them, quite painful but after being able to relieve oneself again without pain or dribbles is great. Hated it when they said no more meds, love those Percocet.
    Billy 82' was a great year, saw a show in Nov. of that year, First Passenger for me.
    All this box talk has really got me thinking about an early box Primal Dead, awesome choices, but I would love some 1970 Dead too, those Spring shows at the universities, the summer Festival Express shows have been touched on but there were some great shows with that train trip that need furthur exploration. The fall of 70 also great shows there too, lots to choose from and we have really only gotten Jan. 70 with Dave's if I remember right (which is highly suspect nowadays)
    Also those European tours from 81 and 90, both have some fine music and we haven't seen anything from those tours and the 90 tour has Bruce so could scratch a couple itches at once. There are a lot of eras that we haven't heard and I think variety is the spice of life, although just about any Dead is good dead to me.
    Learned to type in 72 and back then, 2 spaces after a period to start a new sentence, now, only one so it is hard for an old dog to learn new tricks but will try. lol
    Keep those last 5's coming. Here's mine:
    Box of Frogs - 1st
    Bloodrock - Bloodrock
    Trapeze - Medusa
    Pat Travers - Radioactive
    Greg Lake - 1st
    Todd Rundgren - Todd
    that's six, but it's been a while I know it's early, but I've got spring fever...

  • JimInMD
    Joined:
    Re: HF/PNW68 Tapes

    This was discussed during the Road Trips Vol. 2 No. 2 announcement. I might check the liner notes, but I don't think that's where it popped up because most of this in on the Bonus Disc.

    Someone out there help me clear up my failing memory, but what I recall is Dave saying someone found a box of tapes at either one of the theatres or perhaps (more likely) a studio somewhere. Like they were left behind after mixing Anthem of the Sun. I believe they recorded the whole tour on multi-track, 8 Track to be precise. I'm flying on memory which should scare us all.. I also think this wasn't too far removed from the Houseboat Tapes which was released late in 2005, so returned reels were still a thing.

    So I hold out hope that somewhere, more of these gems exist or perhaps instead of pulling one or two songs they could piece together a complete show or three.

    My four cents.. please someone out there either confirm or deny my memory of this.

    Peace. Stay warm, stay safe. Speaking of peace, FU Count Vlad!

  • Nick1234
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    I've lost the faith a bit

    I'm struggling with the Dead at the moment. Post '74 has never really been my thing, the 1977 Winterland box is OK and I really liked those actual Winterland boxes, they're a nice size, but I really can't settle and listen to any GD at the moment. I first heard Europe'72 in 1974 and have been a big fan since then but now I don't know. Maybe It'll come back. My St Louis box is not far from the Missouri river in Columbia MO at the moment, at my sister's house, that's how I get round the import taxes here in England. Haven't gone to pick it up yet, maybe she'll bring it over next time she visits. Fox Theatre 1972 was always a big favourite of mine.

    Last 5

    Molasses-A Slow Messe
    Dylan-disc 2 More Blood More Tracks deluxe box
    The Who-Tommy
    John Eliot Gardiner-Bach Cantata Pilgrimage Vol 10
    Mogwai-Come On Die Young

    The 5 records I reckon I've played the most times over the last 50 years

    Love-Forever Changes (the winner by a mile)
    Talk Talk-Spirit of Eden
    Dylan-Blood on the tracks
    Spirit-Spirit of '76
    Traffic-John Barleycorn Must Die

  • hendrixfreak
    Joined:
    Somebody said we "shouldn't threaten Dave..."

    Why the hell not?? He's out there, rolling around on logs and mossy rocks and looking for eagles. Why not cuff him a bit around the ears and order him back to the Vault to dig out the '68 tapes? He's Canadian, he won't fight back (oh, wait...).

    Okay, 6 brief communiques and I swear I'll stop (!):

    Mr. Ones: "ultimate souvenir," awesome phrase, could be lascivious or a band name.

    JimInMD: how long ago did Dave mention PNW '68 tapes?? Are "one-offs" simply one reel of several for a show? (The OSF just revealed the number of reels used in their various outputs and it surprised me. The average is 11 reels per release, but vary from 2 reels to 32 reels or something like that. I'd guess the faster the tape (71/2, 15 ips) the better the sound...)

    DMCVT: glad you're healing! Good John Hammond story. I've got a pretty good one for another time. I interviewed him for a Jimi-dedicated magazine.

    Icecreamed: Yes, the solution is TWO boxes per year, one small, one large-ish. Rule: small box MUST contain Pigpen material...

    Proudfoot: I sure hope "Public Castration is a Good Idea" is the title of a CD, not your new mantra.

    DaveRock: I needed something meditative and new to play around with. When the pandemic started, I taught myself to fingerpick on the back porch. Lately, getting better acquainted with the fretboard and slide in standard tuning is a challenge. I put the Gretsch through a Tube Screamer for tone and a Fender Hot Rod Deluxe and use a short, fat glass slide (Ernie Ball). I'm just doing 12-bar blues in open position, then doing some Elmore-type licks higher up, staying within the rhythm using a metronome. Takes some work, but the payoff is there. What I love about learning guitar (I picked it up ~17 years ago in my late 40s) is that whatever you put in, you get like 5x back. Great ROI! Plus it feeds the soul. Have a crappy day? Pick up the guitar and feel better.)

    Maybe Vguy could try crushing the stovepipe can into his head. Or at least do a doctored video of such an act.....

  • daverock
    Joined:
    Good combination

    HF - that's a great combination...to have seen the band so many times and in 1973, one of their peak years. Also, maybe, being young at the time. Bands I saw when I was, say 15-18 had a massive impact on me - that's from 1972-1975. Although I got into The Dead in 1976, it was through records only, and I didn't know anyone else who liked them. Bit of private interest in a way.

    Mr Ones - I too would get anything from 1967-1970...make that 1974. I would get any of the 5 shows I actually saw from 1981-1990...and maybe other shows from those European tours, too. Apart from that....I might get some more 1976 onwards shows...but not before checking out what it was, and what people said about it in Deadheads Compendium etc.

    Incidentally-HF- that's a good idea, playing slide in standard on your Gretsch. I knackered my left hand overplaying mine last week - its has a slightly higher action than normal for me - ouch! - so rather than let it gather dust I should try what you do.

  • proudfoot
    Joined:
    5

    Swans feel good now
    Swans public castration is a good idea
    Motorhead inferno
    Husker Du zen arcade
    Husker Du new day rising

    Raw sounds for raw times

  • carlo13
    Joined:
    Stone ipa stovepipes

    I love these 19.2oz stovepipe cans of west coast ipa from stone brewing. I'd like to see Belushi crush one of these bad boys on his skull.

  • icecrmcnkd
    Joined:
    My 3¢

    Started as 2¢ but inflation……

    I listen to all years, and think that the 1-Box-per-year model isn’t enough. A 2-3 show Box and a 5-10 show Box every year, along with the Dave’s subscription would be just exactly perfect. And some video too, please.

    All years sell out eventually, Dave/Rhino seem to be doing pretty good on the production numbers for a given era.
    I think that Giants Stadium sold out faster than PNW. 76 was a hit and St. Louis will sell out eventually.
    We are due some 67–69 at this point.

    A Bruce Box is absolutely needed in the near future, and the 2-Box-per-year model will make it possible to keep everyone happy.

    And more video Dave/Rhino!

  • dmcvt
    Joined:
    near normal now

    Thanks for kind words and my apologies if sharing TMI last night. Pushing 70, am not conversant with hospital grade pain meds, never was (they took very good care of me) and I did have a driver. My vision of a 60s box is much like HF wrote below, six or nine discs of 60s material, we already know there are partial sets, or short sets that could be a stitched together. Would love to see some photos of those early venues as well. Playing a little catch up here, there's a great look at some Gram Parsons back story on a website easily found mrporterdotcom, which includes his bromance with Keith Richards, Stones music, great photos.

    Love to know more about the refinement of the processing Jeffrey Norman uses to bring us such great recordings, just barely aware that it started out as a way to correct inherent distortions of analog recording. Surely it has progressed far past that, there's a story there.

    recent music:
    Charlie Haden's Montreal Tapes with Geri Allen led me to:
    Three Pianos for Jimi: Geri Allen and the Batson Brothers (not your typical Hendrix tribute)
    Allman Brothers Band, Live from A&R Studios
    Bruce Katz Band Live at The Firefly
    Bruce is a truly gifted musician and teacher, there's a bunch of his great music out there.
    so, boring story: went to the 2016 North Atlantic Blues festival in Rockland Maine to meet an old friend who knows Bruce. Bruce was there to play with John Hammond Jr. We hung out with Bruce and his wife first night, got to know this great keyboard guy, born in Baltimore within a few weeks of my own birthday in D.C. Quickly discovered our first Dead show was the same, March 1973, Baltimore Civic Center. During that evening, before ever hearing Bruce play, he asks, where are you guys staying? Oh yeah, that's where John and his wife are staying... next morning we head to the little breakfast area and there is John Hammond Jr. and his wife. We do not bother them of course, but later, my friend drops the news that we were hanging with Bruce, looking forward to their performance that afternoon. John invites us over to chat and tells us a few stories over the end of breakfast. John met Jimi in NYC in 1966, before almost anyone knew about the immense potential about to supernova. John is a very fine bluesman, began to listen to him around 1970.
    We meet up with Bruce after the music is over and continue to hang. Bruce learns I live in Vermont, says I will be there in September with Les Brers in Rutland would you want to come? I am at the afternoon sound check, we meet for dinner before the show. Bruce tells me he is very concerned about drummer Butch Trucks, lots of stuff going on, way too much stress. One of the last Les Brers shows, Butch left the world a few months later. Derek's uncle. Guess all I am saying, this community right here, these connections, means a lot to many of us, life is precious, taking care of and with each other, it matters, no matter how small, pay kindness ahead. This is the spirit I felt at every Dead show, it was there in the seventies. And when i went to Dear Jerry a few years back at MPP I saw and felt it again. I still get shivers when I hear Jorma start that version of Sugaree, he was singing to his ole buddy.

  • JimInMD
    Joined:
    Primal Box

    My Primal Box pipe dream is that there were more of those 8 tracks from the PNW Winter of 68 Tour. When Road Trips Vol. 2 No. 2 - 2/14/68 Carousel Ballroom was released, Lemieux indicated they found a box of 8 Tracks that were lost or mislabeled or something from the PNW tour, but most of what was included are one-offs.

    I think it's a long shot, but wouldn't it be grand if they were somehow able to piece together a few full shows from this tour recorded on early 8 track tapes?

    Primal Dave.. or we will be forced to taunt you a second time.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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"About 120 shows were played in 1967 and only about a dozen tapes are in the vault". Hopefully more will show up, were lucky to have the tape from the Shrine Auditorium.

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Nappy, as soon as he figures out your passwords you're done. With your PC and Amazon two day shipping they have little use for us.

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Hey Pedro, I ordered the re-released DP 19 CD directly from Real Gone.

They are producing the correct Disc 3 and mailing out to everyone who got the duplicate disc through them.

Mine is theoretically scheduled to arrive today, after an epic USPS routing journey from California to Denver to Harrisburg PA to Lancaster PA to Chicago and finally back to Denver.

Chicago, New York, Detroit, it's all the same street...

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So, after Jimmy Buffett dies and enters the pearly gates, God takes him on a tour. He shows Jimmy a little two bedroom house with a faded parrot banner hanging from the front porch.
This is your house, Jimmy. Most people don’t get their own houses up here, God Says.
Jimmy looks at the house, then turns around and looks at the one sitting on top of the hill.
It’s a huge two-story mansion with white marble columns and little patios under all the windows. Tie-dyed flags line both sides of the sidewalk and a huge Grateful Dead banner hangs between the columns.
Thanks for the house, God, But let me ask you a question.
I get this little two bedroom house with a faded banner and Jerry Garcia gets a mansion with brand new Grateful Dead Banners and flags flying all over the place. Why is that?
God looks at him seriously for a moment, then with a smile God Says,
That’s not Jerry’s house, it’s mine.

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Hey rockers!!!

Is it just me, but did every DaP just disappear from the Dead store. In the past, they always left even the sold out one up there for a while..........

Rock on, with a tip of the hat to H G Wells and Claude Rains,

Doc
I'm not sure that I ever could, but I certainly had the ability to pass unnoticed.

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I was wondering the same. Dave's picks have disappeared completely.

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I think it's because they're all going to be replaced by Doc's Picks..............

Ah, one can dream.......................

Doc
It is far better to grasp the universe as it really is than to persist in delusion, however satisfying and reassuring.......

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In reply to by proudfoot

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Lene Lovich!!! Mas cool...saw her at the Whisky in West Hollywood way back when...Her and Les rocked the joint!

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Lots of fun people and not crowded. The band came out smokin' with a new killer drummer (so sorry, Bugs, you were major fun) and Conrad's son played electric bass throughout (no guitarron, unfortunately), as Conrad is recovering from a non-threatening health thing-y. With a new rhythm section, these guys simply rocked out, though they also did some multi-instrumental Mexican folk songs for which they're deservedly famous.

Naturally, especially for Boulder, they did NFA and Bertha in a medley that turned into an insane, long jam. Caught up with some of my peeps after a too-long hiatus and we had a blast, with a little whiskey and a little Indica to sweeten the already amped mood.

Let me tell you, folks, going to a show, hanging with a fun crowd, catching up with friends and partying to the hardest-working American band of 50 years standing (I've caught them maybe 15-20 times over the past 30 years) was, in a word, humanizing.

Got up today, went about my business with a smile, renewed, eager for more. This period right now is likely to be a lull in the pandemic and I'm going to take advantage of it by hitting my local open mic sessions and catching a few local bands. Once spring arrives, it'll be easier to be safe outdoors.

That's my story and I'm sticking to it. As you were....

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Just listening to the first set pitb. My daughter was visiting, and she said "good jam dad." The dead right? ...........yup.

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In reply to by carlo13

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....they played my favorite Samson that evening 👍.
I've caught The Wolves four times. Never left disappointed.
Jim. Just Do It.
Thumbs up to the "good jam Dad" Carlo. My son did that during a Hell In A Bucket I played the other day.
And no, I'm not a Nike spokesperson. I'm an Adidas, Sketcher and Birkenstock kind of guy....yup.

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Yup. That Sampson on 76' can be tricky for novice deadheads since it starts quite different , and can be passed by if not looking at set list. aka. Browsing.

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Rodney dangerfield and joe pesci said in easy money, "we're just browsing". "Well , you dont look like browsers". "Mabey I'm just half browser, on my fathers side". I guess you had to see the movie.

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By the time that CD came out, I was looking for new Dead releases every time I went you the record store. I was only really into the two-tracks in those days, but I did try out a few Dick's Picks (16, 18, & 20). I understood two-tracks to be anything that was not a Dick's Picks (but they did sneak To Terrapin: Hartford '77 right under my nose; that thing was mixed perfectly at the board and they knew it). Anyway, I remember listening to Disc 2 first, because seeking out a Sugar Magnolia to supplant Rockin' The Rhein was an undercurrent in my Dead upbringing (I still love Rhein the best).

When that Samson pre-jam came on, I had lost track of where I was in the disc but remember being enthralled by it and thinking, yeah, this is why I love the Dead. And then the Jam merged into Samson, and all was good in the world.

Stoltz, that might be my all time favorite Floyd moment. The Echoes "guitar part" is right up there.

Only two more months until Winterland Feb '74 + Bonus.

....from New Year's 76 also sticks out way far in my mind. The totally seamless switching they do during the Good Lovin into that Samson is something to behold. I still remember where I was the first time I actually *heard* that sequence, driving from DC to Baltimore to go hang with my brother. When this segment came on I recall jaw dropping, staring blankly at my car CD player saying *WHOA*. The light had turned green, I was none the wiser.
That show has been a top tier '76er for a looong time.

Be Well People.

Seventy-Sixtus

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In reply to by Sixtus_

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A much happier story, "the light had turned green, but I was none the wiser"

then

"The light had turned red, but I was none the wiser"

Sampson and Terrapin Station (the studio version at least) are two songs that really benefited from two drummers.

Back to your regularly scheduled Dark Star > Discord & Mayhem. May the peak be with you.

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Apparently a mummified body was found in a wall at Henry J. Kaiser Convention Center.
Did someone get stuck while trying to sneak into a Dead show?

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a DJ in LA early to mid 60's...his name was Gene Weed and he went by the promo name of "The Weedy One"...he worked at KFWB and also hosted the TV show "Shivaree" which was a syndicated answer to "Shindig"...the weedy one indeed...by '67 he was weedy no more...I say a strain should be named after him....

Both tragic and hilarious. One of those things you just can't reconcile.

To all you kids watching at home.. being stoned does not give you walk through solid objects superpowers.

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In the early 90's there was a gig at the LA Memorial Coliseum ...Headlining was Guns 'n Roses, 2nd bill was Metallica and opening was Motorhead...A buddy of mine took his 14 year old nephew and copped a couple of backstage passes from a friend of his...his nephew was a big Metallica fan and wanted to get their autographs on an LP he brought...a band flunky was standing by the door to their motorhome/dressing room and rather rudely told them they couldn't go in...Lemmy watched this go down, told my buddy "we'll be right back" and steered the kid towards the door, gave the flunky an "I dare you look" and they both went in...a bit later they came out and Jace was loaded down with swag and his autographed LP...my buddy thanked Lemmy and then Lemmy asked Jace "do you want G'nR's autographs too?" and Jace told him "Nah, they suck"...Lemmy looked at my buddy and said "That's a smart kid..."

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That's a wild story. I saw some great shows in that building. The last time I saw the Grateful Dead there was Feb 1989.

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I've been digging on this one lately! I agree with Dave on his thoughts of this show sounding a little more raw/gnarly compared to other spring 77. Dave has spoken of this show often since arriving on scene. Another great pick!........ such a great time to be a Deadhead, right?........ have a grateful day, Gang!!

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The Mummy was a DH who got so high that at the exact moment he was peaking somehow his molecular structure vibrated at the right frequency to move through the first wall, but because of the composition of the second wall his progress was impeded at just the moment when his peak and the peak of the song subsided, thereby significantly reducing the molecular frequency such that he was now unfortunately trapped inside the wall. To make matters worse, his attempts to pound on the walls and yell were dampened by the unfortunate fact that Drumz was now in full progress and by the time the sound was quiet enough for him to be heard, he was unconscious due to lack of oxygen, thereby sealing his macabre eternal fate, until now.
Brings new insight into “you’d be better off dead” !
Goes to show, ya don’t ever know! Perhaps he shouldn’t have dropped that last tab? You all know the story “ well I dropped a couple hours ago but I’m not feeling it, maybe I should eat another one”

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from the Napster! Keep ‘em coming.
Too funny, nobody likes Axel, even other heavy metlers lol.

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From my post on 2/19 -

here's the clue for Today: Miami greyhound squid

You may notice that the "T" in Today was unnecessarily capitalized. Hence, show date is 2/19.

The Dead played seven times on 2/19. But where and which year?

"Miami greyhound" was the nickname for Hall-of-Fame basketball player Rick Barry of the Golden State Warriors. The team played their games at the Oakland Coliseum Arena. But not on 2/19/91, because the Grateful Dead played there that night.

For extra credit, I was going to ask if anyone knew the historical significance of that show. That's where "squid" comes in. If you Google "Grateful Dead squid," a video pops up of a band called Squid playing "New Speedway Boogie." Rick Barry's jersey number was 24, and 2/19/91 was the 24th time the GD played that tune. It was also the first time they played it since 9/20/1970 - on hiatus for over 20 years!

Over and out.

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What a weird find! Gives new meaning to the phrase “If these walls could talk”. The press is speculating it may have been someone “accidentally” (on purpose al a Jimmy Hoffa) got caught in the wall during construction.
It begs the question - didn’t any of the other workers notice when the young carpenter’s apprentice disappeared after lunch? Stopped reporting for work? Never came for his pay?

I’d say there is skullduggery afoot in Oakland all those years ago…a mystery for the ages.

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In reply to by That Mike

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I just listened to Ry Cooders fine Paradise and Lunch album containing the awesome song “ain’t ya glad” that walls can’t talk etc
Spooky, must be that 5/14/74 DS we been messing with on POTD, like a psychedelic weegee board!

Sorry about that Chief (er uhm Bolo)

So Bolo, who is that mummified twirler hiding in the walls of the Kaiser? If anyone knows it's you.

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In reply to by JimInMD

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But if he told you he’d have to kill ya!

EDIT: notice the way back machine has been reprogrammed.
Do you know somethingbyer not telling us?

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