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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

  • rockthing
    Joined:
    Woodstock

    >DAVEROCK>

    "It's about 37 minutes long, but it seems more like an hour when you watch it."

    HAHAHA

    I'll be on the lookout for that CCR set. John Fogerty strikes me a somewhat difficult man. Brilliant songwriter and producer, though. Never get tired of Cosmo's Factory, in particular. Gotta get reacquainted with the first album. I recall it being more psychedelic.

    Got a trove of stuff to listen to after yesterday's catch up. Thanks!
    Not sure where I'll start, but probably with something that already has ID tags. lol.

  • daverock
    Joined:
    Woodstock

    There was a good cd of CCR's set that came out a couple of years ago. Apart from Hendrix, possibly my favourite set of the whole festival. "Lovelight" was included on a dvd as an extra, on one of the celebratory reissues of the festival. I don't think I'm being controversial when I say that it wasn't there finest hour. It's about 37 minutes long, but it seems more like an hour when you watch it.
    The Dark Star, I've just remembered, was included in the 6 cd 40th anniversary release of Woodstock, too. That's okay. But it's not a show I would suggest as a contender for an official release.

  • rockthing
    Joined:
    Back from the... er... Dead: James "Blood" Ulmer info?

    Hey folks.
    Whew! Wall to wall autumn (deliberately avoiding the overly-insistent rhyme) and have taken the new year winter decompression to track a lot of the transfers of old vinyl I'd made back in August. Thanks to that, The Dead have taken something of a backseat in my listening during the new year as I've now got all of these other things in a convenient format.

    While tidying up an old hard disk, I came across a James "Blood" Ulmer show I must've torrented over ten years ago, but for whatever reason never unpacked. No info file, and so far various Googling can't even prove that the concert even happened. The directory is only listed as ulmer2_27_86. Anybody have a suggestion where I might look to find some more info on this? I checked out the taper forum, and the "Looking for..." forum, but there hasn't been a lot of activity over there.

    One new Dead show in my library, however:
    6/8/74 FOB which I've only had on once, but wasn't giving my full attention. I think I found it also unpacked on a hard disk while "house cleaning". My (slowly) ongoing exploration of Wall Of Sound audience tapes. Any takers?

    There is also a trove of late 60s shows that were binge torrented and then never unpacked. Can't wait to get to those.

    Well, I'd wanted to recap, but I'm not even out of August, so I'll spare you the flashbacks.

    >Oroborous>
    Thank you for the acknowledgement so many months ago.

    ● Just put the 2/24/71 Port Chester show on. This one I'd transferred from an old cassette. Haven't heard it in a really long time, and don't have as many specific memories of it, like the 2/18 tape.

    Oooh. This Bertha. Bump! Bump!

    Either my cassette was running slow or this is the most mellow Hard to Handle I've ever heard. Dig it.

    I love these really slow early Losers, too. It seemed like it might be vying for a spot in the Dew rotation in those days, but they eventually picked up the tempo to a slow trot as the years went by. This being transferred from a tape, it may just be a media issue. I sometimes cover this on acoustic, and always do it real slow and always only ask for 1 gold dollar, not ten. To me, these are the archetypal Losers.

    Epic Good Lovin' drum solo!

    Thanks for that ranking of that Feb '71 run. Found AUDs on the Archive for the 19th and 21st. Back in the day, I ended up with only 2/18, 2/23, and 2/24 somehow. I was trying to explore as many different eras as possible, I guess, so didn't go for a completist approach... I guess... who knows what I was thinking back then?! lol. I'd take whatever I could get. Those tapes accompanied me on many a road trip cause that period is just fantastic driving music....

    ● A good buddy lent me the 3/9/81 discs. I don't think he got the MSG box, just the single show on offer. Those were on in the car for quite a while last fall.

    My buddy was, like, "Dude. Check this China Cat," and he was not wrong. For me, because I'm less familiar with this era, I felt like there was some really unusual interplay between Phil and Jerry in there. Brent's synth work is pretty novel, too. Sounds like he'd been listening to some Steve Winwood. I could stand for a bit more of it, if I'm honest.

    Bird Song was the first tune in this show to really grab me, though.

    An electric Deep Elem? I'll take that.

    Uncle Johns is kind of a mixed bag. There are some really cool things happening, but it seems a little ragged at times too. That's just how it goes, but that's how I hear this one. No disrespect for hanging it out in front of a huge crowd.

    The Drums > Space > Other One is also fantastic. Sounds like someone (I'll guess Mickey) is playing with some microphone feedback, incorporating it into the jam.

    That Stella Blue seems to start out a little unsure of its footing, but by the end is soaring. That's a real highlight... I mean, I love Stella Blue pretty much any time you'll give it to me, but after a few listens this one really grew on me.

    I think I'm still a little partial to 3/7/81 at U. of Maryland, though.

    >bluecrow>
    Cal Expo rang a bell, but I've only got 5/26, 27 from 1993.

    5/26 is a 3rd gen cassette 1st set and a 4th gen 2nd set AUD. Not sure how that happened. Couldn't tell you anything about it off the top of my head other than that there is a heart mark next to Playin' > Drums > Space > and I tracked that all as just Playin' because that's how I roll.

    ● 5/27/93 is a partial board, but 7th gen cassette... only the 2nd set. I was doin' postage and blanks, so ended up pretty far out on a limb a lot. I'm not using headphones, but there's not a thing wrong with the sound quality. Might have just lost the first set, or maybe never had it.

    Pretty worthy Scarlet/Fire.

    Might skip Wave to the Wind so I can get an ear on the Cassidy > Uncle Johns > Cassidy Reprise > Drums segment. Nah. Wave to the Wind is 7 minutes long. There must be some sort of jam in there. Better be. Certainly are a lot of changes. Jer's on top of 'em. That's about all I can say.

    Cassidy is mellow and starting to jam out, but...ah, well, nice try. The seque into UJB comes across pretty forced. A bit more patience, and cooperation might have helped that jam. Good idea.

    The UJB jam, however is goin' off! Love how it is deconstructing toward drums. The band is showing a lot more patience here... oh, and the brief reprise of Cassidy is smooth as silk. You can hear Jerry hinting at it for a while. It would have been magic if they'd pulled that off on the way out of Cassidy.

    Drums could always be counted on to deliver in the 90s. I'll expect no less here. Nice beam drones. More like space.

    Oddly, Space just seems to stop and Jerry's there playing TOO on his own for a bit. Cool super distortion Bobby cutting is the perfect ground for Jerry's crystal clear lines. Don't appear to be any Martian vocal effects on Bobby's voice, which is a shame. I always liked that. Jer digs in to some overdriven runs after the first chorus which are now weaving nicely with Bobby's stabs and dives. Good mix. The drums are touch lost behind the guitars, maybe. Vince is real low in the mix. Say what you want about '93, dudes are goin' for it. Some heavy echo on Bobby's voice for the second verse, which immediately diffuses into Wharf Rat. Coulda dealt with a bit more TOO, but that was as smooth a transition as you can ask for. The thing about this era is that they have the in-ear monitors, and intercoms, so they didn't have to hint at anything musically. All anyone needed to do was call a tune into the ears of the others. Makes the transitions a lot more succinct, which can be both smoother, but also sometimes a little less thrilling.

    Wharf Rat is a tune that suited Jerry any day, any year. This tune is gonna be solid no matter what... at least as far as I know. Tape starting to sound a little muddy at this point for some reason. It was fine earlier. Love that Bobby is well-represented in the mix to add his coloring throughout. Is this after they fired Dan Healy? Well, I spoke too soon. The Life I Should found the limit of Jerry's voice on this particular night.

    Sounds like Jer's starting GDTRFB, but maybe it's just because this Sugar Mag slides out of Wharf Rat as easy as can be before Bobby takes the lead. Even Bobby's sounding a bit froggy at this point. Musta been something in the air. (Can't imagine what!) Nothing to write home about, but nothing to complain about, either.... Jerry's lettin' some overdrive licks fly throughout the Sunshine Daydream section. It's interesting because it's like you can still hear his clean tone at the core of his distorted effect. Pretty aggressive, if short. No encore on my tape, unfortunately.

    ● My only May 91 show is Shoreline on the 12th and it's FOB probably available on the Archive. Couldn't tell ya anything about it off the top of my head.

    >Forensicdoceleven>
    >JimInMD>
    >PT Barnum>
    RE Woodstock

    Perfect back yard recreation. Hahahaha. :)

    Just listened to my old, old vinyl copy of the Woodstock Soundtrack a couple weeks ago, and even that excerpt of Hendrix is totally face melting. If I recall correctly this wasn't The Experience.

    I'm not sure I've ever heard the Dead's entire Woodstock set. Last year I was surprised to learn that CCR, Mountain, and Johnny Winter had also played Woodstock. I'm pretty sure I'd never known that. They were also not part of the soundtrack or film. Jerry, at least, makes a memorable cameo in the film.

    PT Barnum> RE Fall '91
    Near miss. I've got 8/16, and 9/17 in the library. Couldn't tell you anything about them off the top of my head. If there's one thing this group always does, it's fill in the gaps. Cheers.

    JeffSmith> RE HDTracks

    DUDE! Thank you! I've been looking for a site where I can get minimum 16b44.1 quality downloads. Being on the other side of the world, shipping even CDs is murder. One of my favorite things about nugs net is that you can buy, not hi-res, but at least CD quality downloads. I think downloads sound better than CDs, tbh. Something happens during the CD manufacturing process, or at least it has begun to seem that way to me.

  • JimInMD
    Joined:
    2/23/74

    I forgot about this one.. haven't given it a listen since release time. I'll have to change that.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Mornin', rockers!!!

Last 5:

2/13/70 early show
2/14/70 early show
Two short, sharp, savory shots of early 1970 Dead. Recommended................

PF Wish You were Here
For long lost friends who've shuffled off this astral plane...........

Commander Cody & His Lost Planet Airmen---Family Dog 1970, official OSF release. Ace recording, I've heard rockabilly is good for what ails ya!

Mingus Ah Um
Needs no explanation.............

Not a note of 71 going on two months now. Been jonesing, but Europe 72 helps ease the pain................

Rock on!!

Doc
Time and memory are true artists; they remould reality nearer to the heart's desire............

Gets the worm!
Was gonna say 4/6/78, but vguys already on it with 9/18/91.
Rollin!

EDIT: solid show, nice pick! Good Healy/Pearson matrix, though I’m at work so not full immersion…

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Managed to get in the 1st set last night. Really nice. Some interesting and cool midi work by Jerry in there. And during Wang Dang Doodle, Hornsby is quoting Thelonious Monk! That's was pretty out there. I think the Monk tune was Bolivar Blues. Years ago I remember reading about an interview where Monk was asked about writing a song for Simon Bolivar, the Latin American hero. And he replied, no man, that's about the Bolivar Hotel in NYC. At some point I need to listen to a lot more from the Hornsby era.

Again just want to mention that Colgate 11/4/77 show. Its got that Jones Band Set II Phil is weirdly hammered intro. Set starts out with a great Samson that just on a dime segues into a kicking Cold Rain and Snow. Great show.

On way back home last night had the bonus disc spinning from Road Trips 3 No. 3, 5/15/70 Fillmore East. It is a jewel. I love the acoustic material from that release. What a great Cumberland on the bonus. And a few songs later it was Attics of My Life as the sun was setting. so sweet.

Have a great day folks.

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So no pick?
How’s aboutta 4/6/78? Betty board from that fine spring tour?

BC, funny, I’ve been thinking about 11/4 for no real reason? Ive scrolled past on my music server several times recently and for whatever reason I see it and go, “hmmmm, been awhile”…so perhaps this WE when I’m home I’ll spin er up!
Did the Chrotchfester show a month or so back. Crazy how much more intense these later 77scare compared to the smooth perfection of May?

Bruce quoting: yeah if you really pay attention he’s always throwing little quotes in there. The best is when he and Jerry throw stuff back and forth like that. Think JG really dug having someone to do more of that.
Good sheet Mon!

Still working my way through 9/18/91, which is excellent by the way. I mean, the whole MSG run, is outstanding. So many good shows and the Brandford show.

4/6/78, Tampa, alright in the que. Good idea OB.

Yes, Bluecrow, I am a huge fan of RT3. 3, such a great release. I think I paid a pretty penny for this a couple years ago new with the bonus disc and it was worth every penny.

Stay well out there all.
Hope they consider a MUATM this year. It is time.

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A Bruce Box needs to happen.
Some good stuff there, as evidenced by the 91 shows in the Giants Box.

Listened to 6-22-91 a few days ago. That’s a good one.
So is 10-31-91.
And there are many more.

Dave,
Give us a Bruce Box.
The 2 Box-per-year release model allows you to make even more $ for Rhino and keep everyone happy. And for those of us who will buy both Boxes, we get even more official releases per year than with the current model.

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My personal favorite show with Bruce is 9/22/91. It’s just got everything going for it……

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Another tidbit. I am reinvigorated and will use up another one of the three guesses.

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A lot of talk on the LTTR thread recently about late 72 shows.

Made me want to revisit Dave's 11 from Wichita, 11/17/72. Who is up for it?

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I did 9/21/72 this morning. Why not continue..

Edit: Hit the spot. Did the bonus disc too. Added the second set of 5/2/72 for good measure. A DHB Hattrick?

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I am currently working my way through the series. I started the excursion with Vol. 19. I might as well continue through and then start over maybe with some diversions along the way.

Well, I still really love this release. Shorter show for 72, but high energy and great recording. Monster first set, nice Sugaree, Bird Song, Box of Rain. Great second set Cumberland, El Paso-He's Gone, the Truckin into The Other One is a good example of the greatness of their improvisation. Great show and the bonus tracks from 11/15/72 are really good as well. Probably one of my favorite liner notes. Great story.
Jim, the Colgate 77 show is always worth a listen as well, I think Bluecrow had this going recently as well. I really like the show but the early Iko Ikos are not fully developed yet.

Where we headed next?

I keep running across shows that look interesting in my quest to answer the latest Bolo contest, but unfortunately haven't cracked it yet.

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Hey, rockers!!!

Pick of the day: Star Theater March 8 1970

What to do with uninvited, unexpected guests? It can get problematic, whether it’s your house or your concert…………..

Interesting little show and a nice example of the early 1970 electric/acoustic/electric format. Bob Weir’s attempted humor. Interesting China/Rider/High Time trifecta. Bouncy Dire Wolf. Greasy Hard To Handle. Hunky dory so far…………..

As with many early 1970 acoustic sets, this one has a casual, warm feeling. Tasty Monkey & The Engineer, Been All Around This World, Me & My Uncle and Black Peter. Things start to go a little sideways at the end of Katie Mae, as a local high school student---part rock and roll cheerleader, part blues screamer---joins in the festivities as they evolve/devolve into a spontaneous and quirky blues jam. Sounds odd now but sounds like at the time the audience was digging it………

Cap it all off with a hot NFA/Lovelight with more screaming and an unknown harmonica player sittin’ in…………

The available recordings, while a bit rough, are actually pretty listenable. However, given how sonically spoiled we’ve become, I’m not sure it can be brought up to official release standards. Not even sure it should be an official release, admittedly it would be way down on my wish list.

By no means a classic, but I’m glad I have it………………

Doc
This is the sense of the desert hills, that there is room enough and time enough……

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Any intertest in 5/14/74 Missoula? It's been forever since I listened to it.

3/8/70 Santa Monica Civic Cntr was an interesting little show.. clocking in at just over 91 minutes it's approachable.
A varied little show, it has a little dose of everything except the big wide-open jam. I guess it was Elvin Bishop that sat in for the last few songs?? They must have been sharing a ticket (Paul Butterfield Blues Band??). Anyway, a nice little ear opener.. it should go well with 5/14 which has quite the big wide-open Jam on one of the scarier, more dissonant Dark Stars of '74.

Onward.

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Only made it halfway through but it was quite good. Set two queued up for tomorrow.

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Theater in the Round sounded really good, at least as far as I got. Must admit I bailed as things went sideways out of Katie Mae. Wasn't in the mood for that. Will probably revisit sometime. Show seems really short to me and think there would have been more if not for that ego display. Side note - has anybody seen a photo of Pig singing and playing the guitar during those 1970 Katie Maes?

In that early acoustic/electric show space. After 5/15/70 (and the 5/14 filler) dusted off DiP 8 (5/2 Harper) earlier this week. Been a real long long time since I listened to that legend show. Simply amazing. Of course love the acoustic material. The Cryptical > Other one > cryptical was mind blown (once again). Nonpareil. A testament to Dick working to get some big shows like this and the Fillmore 2/13 out early in that series.

Dug deep into a drawer with some lost releases (at least for me). #1 - Fallout from the Phil Zone. That Disc 1 was an awesome sequence, both then and now. some has been released in fuller context many year later, but not all of it. #2 Rockin' the Rhein. Really good to have those stand alone releases from Europe 72 tour, with a mix that is true to Keith's playing as being an integral part of the sound.

Yep - definitely up for going to Montana soon.

And Senator Oro - "pot calling the cattle back" is top shelf humor for me.

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Well put. If I drank enough alcohol, I could sing like that too until the police arrived, put me in handcuffs and to the liking of all hauled me off to the county jail.

Well, set two awaits.

but I had some thoughts rattling around in my bluecrow brain : )

Now back to a rockin NFA> Going Down The Road > NFA on the Rhein

edit: waiting for a recaptcha that asks for tractors and one of the pics is a Ukraine farmer hauling a tank.

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Made it through this release today. For me, good, enjoyable show. Good first set, the PITB is great. Good US Blues. Nice combo of WRS into Dark Star that goes off the rails for a bit.

I love the February 74 shows and I am looking forward to #42. I have always felt they picked up steam in June through August and of course the October mega shows. Still want that Winterland 74 complete run box. Give it to us Dave.

Looking at 3/31/91 from Greensboro NC for tomorrow. Who is in?

Came across this one as I was looking through the Bruce era trying to figure out Miami Greyhound squid. No luck yet.

That underwear draw must be bursting at the seams Bolo.

We tried.. your clues are friggin hard.. but we tried. I, for one, had not given up.

#FU Count Vlad

Finished Montana. A nice show and a good warmup for #42. The PITB came in focus for me. The DS still contains sharp shards of broken glass that pierces my ears. Sometimes when I listen to the Dead and it becomes too intense, I have to remind myself.. tension, release, repeat. There are some jazzy moments, but that DS has some unresolved demons.

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yer moving much too slow.

Yeeesshhkk, interweb was out at house I’m working at so no streaming all week. Now it’s back up but the new equipment I’ve installed has no analog inputs. Meant to bring a A/D converter with me, but once again we’re a day late and a dollar short! Doooaaahhh!
So I’ll hopefully get 3/8/70, 3/31/91, and gulp, the scary moons 74 show in this WE.
LOVE that Dark Star, as I believe HST once said “it never got weird enough”
Thanks again Otis!
Speaking of the good Doctor, check out the new docudrama Fear and Loathing in Aspen!

EDIT: hey Bolo, I still got a headache lol. So how bout giving us the answer after we all hurt ourselves trying to figure it out?

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From my post on 2/19 -

here's the clue for Today: Miami greyhound squid

You may notice that the "T" in Today was unnecessarily capitalized. Hence, show date is 2/19.

The Dead played seven times on 2/19. But where and which year?

"Miami greyhound" was the nickname for Hall-of-Fame basketball player Rick Barry of the Golden State Warriors. The team played their games at the Oakland Coliseum Arena. But not on 2/19/91, because the Grateful Dead played there that night.

For extra credit, I was going to ask if anyone knew the historical significance of that show. That's where "squid" comes in. If you Google "Grateful Dead squid," a video pops up of a band called Squid playing "New Speedway Boogie." Rick Barry's jersey number was 24, and 2/19/91 was the 24th time the GD played that tune. It was also the first time they played it since 9/20/1970 - on hiatus for over 20 years!

Over and out.

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do you know who your dealing with here?
This ain’t MIT, I think as a senator from the great DH state of altered consciousness I can speak for the majority here and perhaps respectfully remind you who your dealing with here. It seems perhaps you’ve mixed up your on line routing/addresses and sent us senile, nearly brain dead acid casualties, some firmly in the horrible grasp of our golden years, a mind puzzle perhaps meant for your extra intelligent intelligence cohorts?
No harm no foul, but I will be billing you for the extra analgesics required to dull the on going throbbing headache that many of us have endured due to your unfortunate mix up.
Hopefully your IT specialists can rectify this idiosyncrasy in a timely fashion, thus ensuring that the next contest will be just exactly perfect and thus more appropriate for the smoking crater of what’s left of our minds? Thank you!
Or? I Dunno, maybe it was the ibogaine?

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In reply to by DeadVikes

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more depraved than a man in the height of an ether binge!

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Years ago I used to make sampler CDs of some of my favorite Dead tunes and leave them in random places around whatever town I happened to be in at the time. Included was an email address the recipient could respond to with comments about the music. Overwhelmingly, the most common feedback was something along the lines of, "Wow. I had no idea this is what the Grateful Dead sounded like."

So here's the challenge: compose your ultimate GD show for a target audience of non-deadheads. That means no scary Dark Stars that might fry a newbie's brain. Limit the time to what could fit on 3 CDs, so maximum of 4 hours, and roughly follow what the Dead might do regarding first and second sets, etc.

My first "CD" will start with the Intro/H/S/F from "One from The Vault" (8/13/75) and end with "The Music Never Stopped" from DP18 (2/3/78). I'll figure out the rest as inspiration moves me brightly.

Anyway, if you're game, share your "best in show" so we can have something else to contemplate besides our navels. When I finish mine, I'll put the tunes on thumb drives and scatter them around town in some mysterious fashion to mess with unsuspecting, uptight humans. Time to expand their horizons!

Have fun!

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1st set: Easy Wind, High Time, Greatest Story Ever Told, King Bee, China Cat/ Sitting on top of the World, Promised Land, Next Time You See Me, Attics of My Life, The Music Never Stopped. 2nd set:: Cumberland Blues, Dire Wolf, Alligator> Truckin> Space> Death Don't Have No Mercy> Viola Lee Blues>Feedbck. encore. Casey Jones. & Broke down Palace

Another really good spring 91 show. This one is worth checking out if you have never heard it. Great first set and the second set Eyes-Playing is special.

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Tomorrow's Pick of the Day?

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I'm not sure it's possible in the time allotted. I'm well over 4 hours already and I haven't even decided which version of "Jack-A-Roe" to include yet.

So, screw the time limit. I'm probably going to end up closer to 6 hours. If nothing else, this exercise has clearly demonstrated to me that there are just too many great versions of too many great songs.

What a band!

My one CD abbreviated version.

A Voice From On High - 5/15/70 Fillmore East
Cold Jordan - 5/15/70 Fillmore East
Cumberland Blues - 5/8/72 Empire Pool
Hard To Handle - 4/23/69
New Potatoe Caboose - Anthem of the Sun or 2/14/68
Eyes of the World - Bobby and Phil w/ Trey acoustic 3/3/18 Radio City Music Hall
Los Lobos Bertha (just because)
To Lay Me Down (studio)
Unbroken Chain (studio)
Help/Slip/Franklins from the Swing
Attics of my life, (tonight's version will do)

Tomorrow's choices will surely vary and contain a mind melting Dark Star

Edit: Oh hell.. toss in just about any 68 Viola Lee Blues as a litmus test. If they don't like it, we don't need em. :D
And I guess the Morning Dew from 2/27/77 to end the disc. You're right, six hours is not enough.

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Hey rockers!!

SET I: Truckin'-Beat It on Down the Line-Loser-El Paso-The Rub-Bird Song-Playing in the Band-Cumberland Blues-Ripple-Me and Bobby McGee-I'm a King Bee-Bertha

SET II: Morning Dew-Me and My Uncle-Deal-Hard to Handle-Cryptical Envelopment>drums>The Other One>Wharf Rat>Sugar Magnolia-Dark Star>St. Stephen>Not Fade Away>Going Down the Road Feelin' Bad>Not Fade Away

By the way, that would be April 28, 1971. Everything any sane person could need or want to know about the Grateful Dead, all in one show. Rock and roll, originals, covers, country western Bakersfield, greasy Pigpen, big jams. It's all right there............

Not too mellow, not too crazy. Well, maybe, lol, Hard To Handle gets a little crazy. Listen and prepare to be amazed.......

Rock on, rollers!!!

Doc
A good mind should tell the difference between noise and music........

I did a tape for my brother, over 30 years ago, which had The Other One, Dancing In The Street and Viola Lee Blues from 5/2/70 on. He had heard me playing the official releases over the years and thought they were...okay. But that selection really impressed him. He had no idea they could play like that.

Sometimes it's the easier listening stuff that is harder for non Deadheads to get into than the heavier stuff. You've got to point Percy at the people.

5/14/74: always surprises me just how much I like this one! So much good sheet besides the awesome Dark Star! That whole disc three just kicks ass! When I think of DaPs, this one, Scooby House, and Skeletor Skater are the first ones that pop up in my minds eye.

3/8/70: liked the short show format. Agree with others: sound ok considering, ok show until the unfortunate take over. Especially during Katie Mae! Talk about rudes interuptus! Couidnt he let pig finish the song, yeesshhhkk!
Gotta love how JG always takes these situations and uses them as a way to support whatever was going on. Like when he plays on others songs, he’s as good or better supporting others as he is leading!
This is the kind nugget I’m looking for here on Pot Day, doesn’t have to be a great show, but the chances of just stumbling on this were low. So thanks to Doc for digging up this historical little nugget.

3/31/91: First set looks great on paper, but? Not a bad set, but seemed kinda average, comparatively.
The second set made up for it though. Like many of the Hornsby lineup tunes, the Samsons are like big fright trains that take a little time to get going outta the station, but when they do get up to speed, woo, woooo!
They mesh that into a nice eyes with a awesome dreamy sequence that eventually comes out the other side and back to earth with the Wheel, including a couple of obvious Dark Star teases, but alas that would have to wait for the following night at that excellent Greensboro show Conekid turned us into a while back.
Big Chuck B double scoop of R&R to bring her home, and sweet knockin to bring ‘em back to earth.
Perhaps a tad short, but an overall enjoyable show. Don’t think I’d call release worthy since there are so many other strong 91s, if only they give us a 91 box…

Ok, what next? I might hit 4/17/82 today!
Onward!

Bolo the taskmaster lol. Boys tough!
I’m sorry, I don’t think I can do a live version, there’s just too much: too many must have songs, from different must have eras etc.,
BUT, I’ve already done a “album” version back a few years. I was asked to make a disc of the most known, perhaps main songs for someone who had causally seen the band and had some interest BITD. I was asked to keep it simple, no 36 minute songs etc lol. So I started thinking the same way Bolo presented this to us and realized if I tried to pick live stuff I’d die before I finished lol, so thought I’d use album versions, like I was teaching a GD 101 course.
My criteria was to use the most well known, most easily accessible, sometimes the hits, but not always, and at least one song from every studio album, with at least one song from the main band members, in chronological order.
Well it became quickly apparent that I couldn’t do that on only one disc, but did not want to go more than two. So it was a tough but fun process but here’s what I came up with. Like all final cuts I’m sure there’s room for “discussion” LOL

NOTE: I use “album” loosely since there are several must have tunes that were never recorded on studio albums, so versions were taken from Skull Fuck and E72, which, are arguably hybrids. I Mean you HAVE to have a Bertha for example..Also, I used Must of Been Roses from Compliments, technically a JG album, but much of it in actuality of course is a band album similar to ACE. This song is slightly not chronological too, in order to keep the normal Jer/Bob sequencing. Days Between is from the So Many Roads box, which at the time was the closet thing to a studio cut I had.
The Cryptical Suite was edited because of time constraints of the Redbook CD format, so I cut the last couple minutes and faded out using the trusty ML 9600 right after JG sings the last “has to die” part.

Pedro’s GD Chronological Album Retrospective
DISC 1: GD 101.1
1- The Golden Road (to unlimited devotion)
2- That’s it For the Other One p/o
3- Saint Stephen
4- Uncle John’s Band
5- Box of Rain (Phil)
6- Friend of the Devil
7- Sugar Magnolia
8- Operator (Pig)
9- Truckin’
10- Bertha
11- Playing in the Band
12- Brown Eyed Women
13- Jack Straw
14- Ramble on Rose
15- One More Saturday Night
16- Eyes of the World
17- Stella Blue

DISC 2: 101.2
1- U.S. Blues
2- Scarlet Begonias
3- Ship of Fools
4- The Music Never Stopped
5- Samson and Delilah
6- Must of Been the Roses
7- Estimated Prophet
8- Shakedown Street
9- Alabama Getaway
10- Althea
11- Hell In A Bucket
12- Touch of Gray
13- Just A Little Light (Brent)
14- Foolish Heart
15- Days Between

Ok, your probably like “where’s Terrapin, where’s Feel Like a Stranger” etc. Again, I was asked not to use jammy, obscure or other less accessible stuff. I’m sure there are a few I might of used instead, but I was thinking about what was most well know and easily accessible to newbie, ya know, ya learn to walk before you can run…
My intention was to follow up with a second term GD 201 course version which would have hit the next level of songs: Terrapin, Stranger, H/S/F, China/Rider, etc. That could theoretically be followed up by GD 301 getting into the extended TOO, DS, Playins etc…
I think this is a decent attempt at presenting the unpresentable to the often accessibly challenged ; )
Oh, the gal I made this for loved it, said it was great except a couple of the first weird tunes lol, but she said she liked them and had her interest piqued!

That one would probably catch newbies off guard. ..and when their guard is down, slip em 220 mics and a 68 Viola Lee Blues. They will either love the GD or they will never be seen or heard from them again.

Edit: Or become the next dictator of Russia. #FU Count Vlad.

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I'll do 4/17, good pick and a new one to me. The next night has that Phil California Earthquake space. Phil was on a roll with good contributions to space that week.

The Miller sounds great, just a couple small patches.