DAVE'S PICKS VOL. 41: BALTIMORE CIVIC CENTER, BALTIMORE, MD 5/26/77

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January 19, 2022 - 10:51am

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Dead Admin

Joined:
April 28, 2021

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away."

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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January 23, 2022 - 4:20pm

#1251

proudfoot

Joined:
August 2, 2020

Trivia

"yours truly on public saxophone"

Who said that, and where were they?

Answer correctly and win a smile
January 23, 2022 - 3:02pm

#1252

Crow Told Me

Joined:
October 15, 2020

That was Rich

Wow, great story, Rich! Really nicely written. I could almost smell the back seat burning.

Pretty sure I was at 7.13.84 along with Proudfoot. We used to call those early summer shows at the Greek the High Holy Days. I still wonder why there has never been a Greek box. Tape quality issues, maybe? I sure remember those shows fondly.

I think maybe that particular show was the one where we decided to get a room at this motel on University Ave maybe a mile from the Greek. Which was convenient cos we were none of us in especially good shape for driving after the show. We had like six of us staying in a one bed motel room. We couldn't really sleep, for various reasons, but fortunately a party started up in the parking lot. The whole hotel was filled with Heads, evidently, because some guy started playing tapes out of his van, that night, but instead of complaining everybody just started hanging out in the parking lot, passing around beers and whatnot. I still remember this one couple, they might've been the owners/managers, they were older, the guy was wearing turban, and they were watching us all with wide eyed amazement, wondering who the hell were these crazy people and what was that music?
January 23, 2022 - 2:02pm

#1253

nitecat

Joined:
November 1, 2010

Third Listen - Dave's 40

Ok I gave this Dave's release a third listen over the last few days. I really like it. I think Spring 90 was more together and energized, but Summer 90 is pretty damn good. I'm finding I like the second day, 7/19 a little better. It has a Foolish Heart, one of my favs, and some really great guitar work by Jerry throughout. The jam after Playin is really cool, as is the jam out of Uncle John's. I found myself playing those jams a few extra times, they were so good. Jerry sings with passion on all the ballads, even if his voice isn't as sweet as it used to be. The crowd singing the NFA chant at the end gave me shivers, and reminded me how much I loved to see the band with a crowd of deadheads. With such excellent playing, I even look forward to hearing the US Blues encore when we get it in a couple weeks. No shipping notice for me yet.
January 23, 2022 - 12:34pm

#1254

PT Barnum

Joined:
December 2, 2009

gr8 story Rich

had an olds delta 98 that was as big as that biscayne, that back seat was literally a couch on wheels.
January 23, 2022 - 12:24pm

#1255

proudfoot

Joined:
August 2, 2020

And now

I think I heard Airto on 4 22 79

Probably cant be released

Hot show. Ignore the sfb review in the compendium.
January 23, 2022 - 12:21pm

#1256

proudfoot

Joined:
August 2, 2020

The Great Trek To The Greek

1984
Drove from LA to Bay Area on 7 13 84

Mike's 69 Ford LTD

big ol' thang

AC didnt work

But it got us there and back
January 23, 2022 - 11:29am

#1257

icecrmcnkd

Joined:
October 20, 2015

Good story Rich

Detroit Land Yachts.

I’m not familiar with the Biscayne but in the mid-80’s my friend had a 67 or 68 Oldsmobile Luxury Sedan that could easily fit 8 teenagers comfortably.
January 23, 2022 - 11:25am

#1258

Vguy72

Joined:
June 29, 2007

Awesome story Rich....

....slow burn lol.
January 23, 2022 - 10:52am

#1259

Rich McManus

Joined:
January 23, 2022

Remembering Baltimore '77

Burnin' the Seats of the Biscayne
or
Leavin' Town a Quart Fuller
by Rich McManus

The trip to Baltimore from the District of Columbia is virtually a straight run up the neck of a guitar--almost as invariant as a string. You get on I-95, point the car north and let about 30 minutes go by.

My brother Tom was the wheelman for the ride up to catch the Dead at Baltimore Civic Center. He was then in his first year of law school and, with proceeds earned from pumping gas, had bought a 1962 Chevy Biscayne, which is basically a living room on tires.

The bench seats, front and back, were full of guys. There was a cassette player, but it was one of those $89 models plugged into the cigarette lighter, with speaker wires trailing into the rear of the car where they attached to tinny speakers free to wander the car's rear deck as the vehicle pitched and rolled up the highway. At several points, the speaker wire was spliced by hand; once in awhile someone had to reconnect errant strands.

The tape for the ride up had to be one I had just scored in Chapel Hill, where a kid named Ivan Spector had allowed me to dub cassettes from his reels. He had permitted me to copy an April 1977 WNEW radio performance including a song I had called "Inspiration," and another I labeled "California."

So we had recent Dead to enjoy as we rolled up 95 on May 26, 1977. Somewhere along the way, a pipe was filled and passed across the expanses of the Biscayne interior. Hand to hand, to mouth, and front to back, crossways, frontways and oops, it fell into the crease in the back seat.

"A prophet on the burning shore..." Ten minutes after the pipe had made its rounds, reports of the scent of smoke reached the driver. Some in the back seat complained of warm bottoms. But there was no smoke or visible flame, just a persistent odor of burning leaves.

Tom pulled the Biscayne into a gravel lot near the Civic Center and we all hopped out, more curious now about the source of the smell than about the impending concert. We pulled the rear bench out, flipped it upside down and discovered an ever-expanding black circle in the straw matting that formed the interior of the seat: the thing was on fire, albeit a slow burn. The only thing with which to douse the sleepy blaze was cold beer. It seemed a shame to spend beer on the little fire, but that's what we did, then reloaded the bench in the car.

On the walk up the ramps inside the Civic Center, I wondered if such a secret fire would outwit our attempts to extinguish it. Would there be just ashes when the show was through?

We were in the balcony, on the left side as you faced the stage. Jerry was on the far side. All I really remember from that night is Bobby chastising the crowd for arriving late to the show, and Jerry grinning broadly as he rocked back and forth playing, the music rising out of him and his bandmates. They seemed like happy spectators at a circus they had called forth.

The pipe came with us on the trip inside. There was a girl sitting by herself in the row in front of us. The custom in those days was to pass what you had around. I leaned over to interrupt her concentration on the show, but she declined. She couldn't take her eyes off the stage.

Walking out after the show, I was convinced I'd just seen the best Dead show of my life. Which is exactly what I thought after leaving perhaps a dozen previous shows. "How can they play any better than that?" we wondered, worn out, giddy.

"Roll on up, gonna roll back down." One of the guys in our group, Dan, was from Baltimore. He knew of a corner bar nearby where the bartender would fill any container you had with beer, call a price, and you could walk out the door.

From somewhere within the acreage that is the trunk of the Biscayne, Tom produced an empty glass Tropicana jar. He disappeared into the corner bar, which on that May night was wide open, not even a screen on it, and emerged moments later with a frothing jug that the barman guessed was worth around $2.50.

"Took a whole pail of water..." The seats were mercifully cool as we whisked down 95, passing the glass from mouth to mouth. The dirty little six-banger under the hood was purring that night, past exits and overpasses and open spaces that are no longer there. It would be almost 20 years before we learned that people taped the show that evening, and would share that show (thanks Rick Wurster and Tom Melvin!) with whomever showed an interest.

Back then, it was as likely as your pants suddenly bursting into flames that the world's greatest rock and roll band would roll all over the world for 30 years, amaze everyone, and preserve performances--for that broad bench seat that is the future--that burn, unextinguishable, like a secret fire.
January 23, 2022 - 10:39am

#1260

1stshow70878

Joined:
September 11, 2014

Blues Interpreters

Not my favorite interpreter but a Muddy & Wolf Joe Bonamassa at Red Rocks show is on PBS next Saturday. Probably an old one recycled for begging. I find him difficult to watch but there's no denying the skill of the once child prodigy. Virtually all the true blues legends have said speed doesn't equal soul, starting with the "British invasion" blues interpreters. But influencers they are and thankfully many of us did trace back the true roots eventually. Give me a Stevie Ray any day.
Cheers

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away."

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

right on, Lemmy

thank you for the story Nappy

Phil Lesh , June 4th, Frost Ampitheatre

Phil Lesh and his son will be playing at the Frost Ampitheatre on June 4th.

Mummy

As fate would have it, 2/19 also is connected to the poor soul found at Kaiser. The Dead played there on 2/19/1985. I know - freaky.

There was a rumor floating around back then that "Shorty" LeBlanc, who manned the popcorn machine at the concession stand, went backstage that night during the break to deliver some popcorn goodness to Jerry. There was a purple haze in the air, which disoriented him as he sought his way back to his stand (think Spinal Tap backstage in Cleveland). Last anyone saw of him.

Anyway, it is now speculated that ol' Shorty went left instead of right, tripped and ended up lodged inside a wall under construction.

He was a good dude, but at least we finally got some closure. Rest In Popcorn, Shorty.

R.I.P. "Sister" Bobbie...

Bobbie Nelson passed at 91...she had been playing piano for brother Willie since 1972...saw them many a time...Sail on Dear Soul...Sail on

Have A Gas

Hi there,
off topic but a bit shocking today when I was filling up the car.
One Liter was 2,19 €.
Converted it'd be $ 9,05 per gallon.
Prices tend to increase.
A new box soon please, any year!!!!!!
G

Consider yourself lucky, Gerd

Here in the Netherlands the average price for a litre of gas is € 2.48. That works out at $ 10.24 for a US gallon at the current exchange rate.
More than half the price here is tax but the government are going to reduce the taxes on april 1. I hope that isn't an april fool. If you hate taxes, and who doesn't, then don't come here.

popcorn synchronicity

I work at a school

every Friday is popcorn Friday

a kid delivered some popcorn to me

I'm noshing on said popcorn and here comes Bolo going on about popcorn

LOVE these kind of moments

I made a belt out of old wrist watches....

....only to find it was a waist of time.
Nice avatar simonrob. 👌

Gas prices are getting ridiculous....

....I went online to check the value of my car and it asked if the tank was empty or full.

Gas

Yeah it’s going up but:
A) it’s tge least we can do to support the cause. If you know anything about what many folks had to ration, sacrifice, and endure during WWII, it’s really not so bad is it?
B) we all need to be more efficient and mindful of overuse/wastefulness anyway

Remember: we can run, but we can’t hide!

Ok, sorry, Friday buzz kill PSI over, and now back to yer normal scheduled programming/happy hour…

We can run....

....but we can't hide from it.
Brent was cool.

Old Angel Midnight

Today marks the 100th anniversary of Jack Kerouac's birth date. I've got my old copy of "The Scripture of the Golden Eternity" here to guide me through the day.

Incidentally, I don't hate taxes. Depends what they are being used for, of course.

purple haze in the air

no wonder I could not figure it out. I have experienced that haze, it was in a field right after an afternoon rain, floated about 2 ft off the ground, buzzing with promise.

Kerouac house

Lots of good things happening today for Jack's 100th, look them up in Lowell and in Winter Park. We went to see the original scroll of On the Road back in the 90's. The Kerouac family had it on display at his abode where Jack lived in Winter Park, Fl. Touchstone for me and a whole generation.

Rockin' The Rhein, Dark Star, Part II

Coming after a 26 minute Part I, and then a Me and My Uncle interlude, I do declare this is a special improvisational jam piece, clocking in at 15 minutes. What sets it apart from most two part Dark Stars....hmmmm. Good question.

For one thing, it's pure improv jamming with no meltdowns. The first five minutes I guess I would describe as steady melodic Space. It starts off with this really cool intro I won't even try to describe. In the first 6 minutes they trade off little bits and pieces, as though it was all written ahead of time. This opening segment is slow tempo, smooth, and cohesive. They explore ideas independently and it meshes nicely. There is a never a moment when they stall out and fill the void with noise or silence. And Pigpen plays the maracas - always a sign of good things to come.

Phil does flirt with meltdown indicators as they approach the 6 minute mark. Jerry had begun to pick up the pace, but Phil seemed headed for Dark Dreamville (he throws in a few one note bombs during this minute, but nobody took the bait). I think Keith, Bobby, and Jerry walked him in off the ledge.

They continue to explore for the next 10 minutes, but at a much faster tempo. Billy holds it together with some fast hard hitting that is more rock than the jazz, with lots of ride symbol for emphasis; while he's doing this, Keith and Jerry go in and out of several different melodies they discover along the way.

Keith comes in with a nice little piece around 7:00 and another around 8:20; Jerry develops a couple of catchy phrases around 9:20 and just before 12:00. The jamathon continues... Bobby and Phil have been low in the mix during most of this, but Bobby does develop a nice theme of his own around 13:40 and goes on for a minute or so.

Approaching the 15:00 mark, Billy finally takes his foot off the gas and Jerry comes in with the Dark Star theme, which is notably the only time we hear it during Part II - but only for a 15 second wind-down preceding the seamless transition into Wharf Rat. There is no second Dark Star verse; in fact, if not for this brief moment when Jerry plays the main theme for a couple of bars, there is no hint they're even IN a Dark Star. Bobby picks up on the main theme and continues another bar or two after Jerry kicks off Wharf Rat's opening chords; Keith plays a few repeating notes on the pinky keys (to great effect), and the whole thing is bliss. The Wharf Rat is fantastic, and runs straight into Sugar Magnolia, which is one of the best IMHO.

So why all the fuss over Rhein Dark Star, Part II? Well, it's appealing to me because it is100% un-recycled improvisational playing. There is no reliance on themes like Feelin' Groovey, Tighten Up, and Mind Left Body - or Dark Star for that matter. They just get up there and do their thing for 15 minutes of pure synergy.

There are no meltdowns. I have a feeling the cacophony-laden wanderings they often indulged in were much better to behold as a live audience member. I can deal with short durations, as they sometimes enhance a more melodic theme that rises from them; but for the most part I'm looking forward to the day when I have time to replace my defunct Roxio software with something that allows me to edit those atonal sections, and neatly cross-fade "the normal parts" together. Then I will make a Dark Star that goes on for 21 hours and 12 seconds.

And I guess the last thing that does it for me is its uniqueness and duration. 15 minutes is a long time to carry on like this, and they keep it interesting by starting at a slow tempo for the first third of it, and then kicking it into high gear the rest of the way. None of the themes they conjure up last longer than a minute, but they fill the space between with well-crafted leads and runs. I haven't come across too many jams that fit this profile.

And how about The Other One from the Paramount 7/25/72??? I demand this show be released at once.

Last Five....

Jane's Addiction - Nothings Shocking
JGB - Cats Down Under The Stars
Donna The Buffalo - Positive Friction
Trey Anastasio - Mercy
Def Leppard - High 'N' Dry
Hope everyone has a grate weekend.

Lasts

Robert Plant: Lullaby and…ceaseless roar
Bonnie Rait: The BR collection
Norah Jones: Come Away with Me
Natalie Merchant: Ophelia
Hamp & Getz
p/o Bill Evans: Everyone Still Digs Bill Evans

But that was last night, now Dave’s Picks 9 5/14/74 Rollin!

Last five

Melvins Stoner Witch
Germs GI
X Los Angeles
X Wild Gift
X Under The Big Black Sun

X rox

No GD for an oddly long time

Every time I think about what to listen to, I feel "not now"

I figure to reenter the GD universe I should start with 2/13/70 Dark Star

Inspiration...

Kerouac

PT - there was a good exhibition at the British Library about ten years ago, in which all manner of original artefacts were on display. Sadly, there doesn't seem to be much recognition of today in England - not that I have come across anyway. The one woman I mentioned it to yesterday had never heard of him-and her a poet at that. Maybe that's the way Jack Kerouac would have wanted it - "I insist on your freedom" it says here.

Writing about music is like dancing about architecture.....

Hey rockers!!

Last 5:
4/8/72
10/9/72
10/2/72
Hendrix-In The West
Traffic-Low Spark of High Heeled Boys

Still no 71s, yup gettin' painful, not sure how much longer I can hold out..............

Rock on,

Doc
If you pour some music on whatever's wrong, it'll sure help out.......

Wot’s…Uh,The Deal

Last 5:
Doors-Live In Pittsburgh
Doors-Live In Detroit(disc 1)
CTI California Concert(disc 1)
Grateful Dead-Dark Star/Morning Dew 9/21/72
Dreamies-Auralgraphic Entertainment

Weird, I almost ALWAYS play entire albums/cds but today, I’m in the mood to hear as much different music as possible. It’s amusing to me how my brain decides what to pick next to listen to. I just start flipping through stacks, and where I stop, nobody(except me) knows.
I’m feeling old and decrepit, yet still young at heart. I’m pretty sure I’ll play disc 2 of the 50th anniversary of Skull & Roses next. I could go on.

Music is the Best!!

Stay Away, Covid

Recent live shows:

Richard Thomson, two weeks ago
Taj Mahal Sextet, last week
Kenny Wayne Shepherd, tonight

Small theater for all three...no masks required.
Maybe things ARE coming back to normal.

Billy Strings in April, outdoors...psyched.

Mr Strings....

....gonna catch him in April as well Big Brownie. Third trip around the son.
Gonna try and get really close this time around.

Lasts

‘Twas a big music day!
GD: 5/14/74
GD: 3/8/70
GD: 3;31/91
Robert Plant Alison Krause: Raising Sand
Jimmy Page & Robert Plant: No Quarter
Rob Wasserman: Trios
Beck: Morning Phase
Melody Gardot: My One and Only Thrill
Bill Evans: Everybody Still Digs BE disc 4

Good night John boy, Good night Mary Ellen…

More last 5

David Bowie "Heroes"
X More fun in the new world
Melvins Hostile Ambient Takeover
Melvins A Senile Animal
David Bowie Scary Monsters

"I lit out from Reno", 3/13/82. Anniversary show

40 years ago today I was up to Reno see the Good Old Grateful Dead, what a blast of a weekend! Stayed in South Lake Tahoe at a friend's place, with a bunch of friends, we really cut loose. Fun city. 1982, great year to be a Deadhead in the Bay Area, Frost ,Greek, Ventura, and December year end Oakland shows.

All The Haunts Be Ours

Last 5 -

My People Were Fair, and Had Sky in Their Hair - Tyrannosaurus Rex
At The Beeb cd1 David Bowie
The Magnificent...... Charlie Parker -pressed on egg yolk coloured vinyl
Bootleg Series 15 cd 1John Wesley Harding-Nashville Skyline outtakes Bob Dylan
and last but not least...
Woodlands Dark and Days Bewitched - which isn't music at all. It's a documentary on the first blu ray disc in a fascinating looking box set called "All The Haunts Be Ours - a compendium of Folk Horror". Two of the twelve discs are Region A, so I can't play them - but as I've already got the films on those, I ain't too fussed. Actually, I think there is a cd in all this with music on - but I doubt I'll get there before Midsommar.

@BTK...Reno '82

Did you also go to UC Davis the following night? Great weekend, I'll post more later...am in Sedona at the moment showing some out of towners around...one thing though...do you remember Jerry sounding like he was starting Dear Prudence before finally playing Black Peter?

X and the SoCal Punx

I'm also a big fan of X. They're one of the few really great bands I can actually I saw their earliest gigs. I was an Xhead early on, following them from the Masque to the Whiskey to the Starwood etc. The SoCal punk scene was so interesting in the early days, such a variety of styles: avant-garde stuff like the Screamers and Black Randy, hardcore from the Germs, Middle Class, Black Flag, poppy stuff like the Go Gos (yes, they played the punks clubs early on), uncategorizable bands like the Minutemen and Suburbans Lawns. And X was the best of them all: they could really play, they wrote great lyrics, they looked super cool. Ah, those were some days. Punk was great, until it became a formula, and suddenly you had to dress and sound a certain way to be "punk." Much more wide open in the beginning, when the Patti Smith Group and Television and Here Ube were "punk.".

I always thought the whole "hippies vs punks" thing was a myth, btw. At least in SoCal there was a lot of crossover. Whether you were a hippie, or a punk, or surfer, you were probably on the same drugs and you probably shared the same contempt for mainstream rock and normies in general. The guy across the street, who I used to get my L and my speed from (yeah, I know, I shouldn't have done speed, but I did, then) was hippie, until one day he went to a punk show (can't remember who or were) and the next day he buzzed his hair, started wearing thrift store clothes, and started a punk band that sounded kinda like Social D, Seriously. Stuff like that used to happen.

Last five:

Grant Green and Stanley Turrentine; Complete Recordings (nice 2 CD set0
Joe Cocker: Mad Dogs & Englishmen (wish it was better recorded, but still a hoot)
AZIZA Quartet (great band with Dave Holland, Chris Potter, Lionel Louke, Eric Harland, only made one record)
Funkadelic: Hardcore Jollies (Eddie Hazel ruuuuuuulezzz!)
GOGD: DiP 11 (now THAT was a show!)

I enjoy everyone's last fives....

....turned me onto X.
That's it. That's the post.
Regarding earliest gigs. I saw Slayer in 1985. Haunting The Chapel tour. Maybe 200 people there. Small space on the corner of Spring Mountain and Decatur Vegas. Six bucks.
Was sixteen and impressionable. Parents worried about me at the time lol.
Don't panic mom and dad. The kid was alright.

keithfan

Thanks for the Dark Star Rockin the Rhein recommendation! Most enjoyable!

Nappy/ Reno 3/13/82

Yeah Nappy, Garcia did start Dear Prudence before Black Peter. I had a blast that weekend, I didn't make it to Davis, it was my Dads birthday that Sunday, I heard it was as a great show; I'm glad you made it there.

Just got back from seeing The Batman....

....for the second time.
I'm a Batman snob, and this rendition delivers the goods.
Most excellent.

RIP william hurt

Altered States, baby

RIP

I noticed that too.

RIP

Bobby Nelson, long time to be gone and a short time to be there. Been a bad couple of years for Wilie, first Billy, then Bobby. RIP sweet soul

last 5

always love your last 5's Daverock, such classics and some I've never heard thanks for the recommendations.
Tangerine Dream Legend soundtrack
Spirit Cosmic Smile
Roger Waters Amused To Death
Blind Faith remastered 2 cd set with live jams
Peter Gabriel Secret World Live Alive and Bumping' Italian import this was one of the top 5 concerts that I ever attended. 1994

UC Davis 3-14-82

So today is the 40th Anniversary date for the UC Davis show, it followed the previous nights Reno show...I was with a rather large group of folk and of course we were in a VW bus....this bus started acting weird and sputtery as we crossed over the Sierra...we finally had to pull off of the interstate at a rest stop so one of the more mechanically inclined guys could try and figure out what was wrong...of course it was snowing lightly so we threw a tarp over the back end of the van to keep the snow off of the two trying to get the van going...I made a PB & J sandwich and walked over to a historical marker at the far end of the parking lot...as I munched my PB & J I read (of course) the story of the Donner Party...I hadn't realized we had stopped at the Donner Pass rest stop...gave me a mas creepy feeling...in about a half hour's time we rolling along to the show...

Rockin the god damn rhein

Black throated wind, loser, pitb, dark star, love light. There really is no comprehending the dead in areas such as this or that song, it really only matters in the aspect of the Now. There is no making sense of it. It just smokes. The dead is like beer. You can't get enough...... I'm not making sense am i?

Re: Nappy

Did you make a PB&J for everyone? Or were the less fed ones beginning to give you the eye?

Funny story, stuff like that cracks me up. Evidence of a misspent youth perhaps...

2,066 years ago today Julius Caesar was assassinated by a group of his own Senators. Perhaps history should repeat itself? Beware the ides of March - #FU Count Vlad.

i can wait

I can't wait
to see these guys tonight! I caught the Dead when they toured a few years back, but to see Billy or any of the boys in a small club is a treat we should all seek out.

Nappy,great story

Those people in the Donner Party, sure could have used those PB&J sandwiches.

Happy Birthday Phil

Happy Birthday Phil. It's mine as well - cool to share it with a Dead member. I wonder if half of his Birthday cards also say "beware the Ides of March". I have an Aunt who is kind of witchy and always leads off with that one when she calls. Typical freaks.

Anticipation/sandwichs

DBACKKY: the waiting is the hardest but sometimes best part. Have fun!

SANDWICHES: yasss, being the considerate guy he is, Nappy made a stack of sandwiches, but while everyone was focused on the repair etc, a flock of pesky Magpies and a Raven stole em, bastardos!

Happy, happy, joy, joy!

to Keithfan, oh yeah, you too Phil lol
Many more to you both!

So, Pearl Jam is coming to town in May....

....some friends of mine might go and I may tag along. I'm admittingly not too familiar with them other than their first release. Checked out Vs. last night and was surprisingly impressed.
Any of you even seen them live? And if so, thoughts?
Last one. Vs. - Pearl Jam.

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