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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • hendrixfreak
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    Just to clarify...

    Jim, you may not have heard the phrase "cosmic yawn" before because I made it up on the spot as I typed that comment. Good one, though, huh? Now that everyone is growing mushrooms in their closet, the supply is bounteous. Denver recently decriminalized them, a wholesome development. Though that won't help me in the rural counties, so I try to behave.....

    Daverock, a pronghorn is essentially an antelope, but not technically speaking, I believe. These freakin' things typically rove in bands on the Colorado Plateau and you have to watch out for them. They can run 60 miles per hour for fairly extended distances. In Wyoming, highway signs warn you -- a band could be streaking across the prairie and cross a paved highway at any angle at high speed.

    I once was returning from a sojourn and spotted a band off the road. I watched them for a half a minute, at 100 yards, wondering what they might look like close up. Oh boy. As I returned my gaze to the road ahead I saw to my momentary horror a pronghorn just clearing my bumper as it streaked right to left across the highway. I'm doing 75 probably. I probably missed it by two seconds. I got a real good, close-up look. And promised myself I'd never again take my eyes off the road for more than a milisecond.

    Yeah, sitting around, staring at a candle, listening to some self-appointed "guide" sounds like serious BS! I get the visceral attraction of tripping with the original Pranksters, but personally, I seek on my own.

    Now that #41 is tucked away on the '77 shelf, I've been looking at the shelf with the 1965-1975 shows and man oh man do I have some listening to do while it's still winter and I'm spending the evenings inside. If a big storm crops up, I'll microdose, take a long walk in the snow, come home, make a fire, and plug in a guitar. Last time I did that, I played for about five hours straight and my fingers hurt like hell. When that's over, I have a couple hundred GD shows and a stack of Miles and Coltrane for the stereo. Life can be good!

  • billy the kiddd
    Joined:
    3/1/69

    What a show, especially that 1st set! I wish the Dead would have played China Cat Sunflower at these shows .

  • daverock
    Joined:
    micro dosing

    I have been interested in the recent scientific and public interest in psychedelics, and the increasing evidence of their positive effects. It certainly seems true to my experiences with mushrooms. I would never have said that I was depressed prior to my experiences, but looking back, my life changed in all sorts of positive and unexpected ways during and after my time of taking them. It seems a bit contradictory, but they seemed to straighten me out. I also wonder now if L.S.D use in the 60's and 70's may actually have set psychedelic culture back decades.

    With acid ,I never knew how strong the stuff was before taking it. The differences between the strengths of the few trips I had on it were massive. Like with most drugs, the biggest danger in it, to me, lay and still lie, in it's illegality. As far as I could make out, no-one - certainly as far down the chain as me - had the faintest idea what they were taking. I can remember when I was on the social work course in 1991, the police gave us a list of all the drugs they had picked up one recent weekend that had been sold in clubs as "ecstasy". Everything from caffeine to STP. I remember one guy who told me he sold dogs worming tablets as ecstasy.

    At the end of the day, I feel it is important to take care of ourselves, and of other people, in the best way that we individually can. I wouldn't want to be a part of any group that disregards the welfare and happiness of it's most vulnerable members.
    And driving - I am sorry PT, you are a prince among men - but I have known several people-I am sure we all have - who have killed themselves or others in motor accidents. Horrendous experiences all round - for the victim, the family and friends left behind, and the perpetrator. Any activity that increases the possibility of creating such a tragedy should surely be ruled out.

    Incidentally, what the heck's a pronghorn ? I think if I had seen one of them in Oldham in the 70's I would have thought it was the devil.

  • JimInMD
    Joined:
    Re: Cosmic Yawns

    I've never heard that term used before, but it happens to me every time.

    There was a period mid-career where I did not indulge, plus it seemed hard to get for a while. ..but I still seem to dip my big toe into the cosmos at least once a year.

    In terms of place and setting, early on I found myself either wanting to be in a small group and away from phones and random people or in such a large group as to be ambiguous. So it became nature, camping, backcountry or frankly dead shows. That seems to work.

    The last decade I find myself liking to be alone, mostly kayaking/hiking/biking where I won't run into some unexpected situation where somebody needs me. Concerts too when I don't have to drive or the show is long enough to fit it in. I want no responsibilities whatsoever. Oh, and headphones, music is good - almost a must. So I still explore when I can find the time and tranquility to pull it off. I can't speak for everyone, but I find it helpful for me. It gives me a chance to reformat my internal hard drive and reorganize thoughts, priorities and who I am.

    Those are my tricks.. but I have to admit the HF approach is quite appealing to me. If you notice some unexpected rando behind you on the trail, I'm the one with earphones and a tie dye (and the bad orange hair and pasty white complexion). :D

    Cosmic yawns.. so true. That cracks me up.

    There's a lot of great research on micro dosing that's come out lately. Encouraging to me.

    As to tripping with the pranksters or at an acid test, be it a good idea or not, I would do it in a heartbeat. But alas, I was born too late. That ship sailed while I was playing in the sand box out back. Babs.. I am here, once you come out of your heart injury, if you want to have one last foray into the unknown, give me a call. I'm all in.

  • PT Barnum
    Joined:
    driving with your eyes closed

    driving under the influence can be fun, and frightening. I knew a guy who wanted to drive, he said he could see so well that anything that could have collided with the vehicle he could see long before it would happen. He was a great driver and drove us all to and back many a show. We in the back seat could only jiggle as he navigated the roadways so gracefully, with a huge grin on his face (aka Neil like). The road always seemed to get away from me whenever I tried, like a ribbon that would unravel. On deserted roads, it was fun, on the freeway, not so much.
    Back in the day when I first started (69) it was the thing to try and freak each other out, aka pranksters, with double talk and echo talk and endlessly trying to get each other to lose it laughing, especially in a crowd of er...non dosed. After hearing about Leary and his way of spiritualizing psychedelics it just wasn't as much fun sitting around trying to concentrate on any one thing for very long. Pranking and laughing was way more fun.
    Not being a musician, never really wanted to hang out with bands, but I always wanted what they were smoking, drinking or taking in any other form. Would have loved to hang with Kesey and Babbs, what a trip that would have been.

  • hendrixfreak
    Joined:
    My own approach these days...

    may be (probably is) just one man's approach, possibly idiosyncratic. First off, know your materials well (potency) and decide if you want a micro-dose, a medium but significant journey or a little over the top approach. Because I'm in the backcountry alone, I need to be confident that I can get somewhere and back in a day, handle the terrain, maintain my orienteering skills, and calmly apply my behavioral knowledge if I run into a bear or cougar. (Don't surprise 'em, talk, wave arms, don't look 'em in the eye, give 'em room to avoid you, take the guard off the pepper spray, be sure you're upwind, etc.) I get moving early in the day and have an objective before dropping so as the agent (psilycibin for me) comes on, I'm in my element in terms of orienteering, body and mind synch and thus avoiding the initial, potentially debilitating awkwardness of the limbs and thoughts that comes with the cosmic yawns at "onset." And make sure I'm actively striding and finding my way as the peak comes and goes. I usually don't stop for any length of time. Occasionally I miscalculate the powder at the bottom of the bag and get a little walloped. But an 8-hour hike through spectacular terrain where I won't see humans -- this is trackless country, no trails -- typically does the trick. And there's nothing like a shot and a beer and a toke back at camp or, if camp is the truck, then a chair and guitar. Last fall I did just that across a wild plateau called East Cactus Flats, returning to my truck in a forsaken place called Disappointment Draw. I cracked a beer and started fingerpicking when I heard a strange noise. A good-sized pronghorn, traveling alone, approached to within maybe 50 feet and kept querying me -- no mistaking that querying sound. Essentially, who or what are you? What the hell is that sound you're making? And, have you seen my peeps? I've noticed that wild animals, as well as domesticated dogs, totally key in to a person who is psychedelic. The other major part of this approach is what I'd call "digestion." Take the time to fully absorb the lessons of the day and seek ways to incorporate those insights into your ordinary reality and dealings with others. Be patient and kind. (I do not always succeed; this is a work in progress after 50 years.) Too much repetition of the experience without "digestion" and, to me, it's just repeating the high without drawing the lessons. Note that I did none of this the first ten years. We'd find out the LSD's potency the hard way. Lessons might be impressed upon us without our consent(!) The chaos and human interactions could be frightening -- usually to others, but sometimes to me. (Don't try driving!!) But over the decades I kinda honed an approach that essentially comprises medicine for the soul, for me. I think the currrent surge in interest by scientists and the general public is good up to a point, as psychedelics, used constructively, can help bolster our humanity and -- perhaps -- ease difficulties. But I could not recommend them. Either they work for you or they don't. And finding out can be tricky. Sure makes me a better-adjusted person -- and now I'm echoing Paul McCartney, I believe!

    That's all the blathering for today. As you were........

  • daverock
    Joined:
    Leary or Pranksters?

    If I had to choose.... I would choose neither of them. While the pranksters now seem a bit ghastly, Leary seemed a bit over ambitious. I still have some of his books -that one which is a psychedelic version of The Tibetan Book of The Dead comes to mind. I think the idea was that you read it to someone who was tripping, as a means of helping them locate the light. I wonder if anyone ever did that. That idea of set and setting does ring true though - and I would say that advice has stayed appropriate down through the years

    Mr Ones - I still haven't got round to listening to Planet Waves. I always assumed it was a weaker one, but I read recently that it was very much a part of a trilogy, with "Blood on the Tracks" and "Desire", so I am hoping to check it out soon.

  • Crow Told Me
    Joined:
    The Very First Word is How Do Ya Do?

    My sister lives in Mill Valley, and she used to see Weir around town all the time. (Not so much lately.) She’s not a fan, so it’s no biggie for her, but I’ve sometimes thought about what I would do if I saw Bob getting coffee or something while I was visiting her. I wouldn’t want to bother him, but I think I’d have to at least say hello, right? Say ‘thanks for the music’ at least? My other sister lives in Kauai, where Kreutzman lives now, and I’m going to be visiting her in a couple weeks. Wonder what I should say if I see BK grabbing a shave ice?

    I can definitely relate to what hendrixfreak sed: shows just got too big for my liking in the ‘80s. As a rule, I’d usually much rather see a decent band in a small club than go see some superstars in a sports arena: better sound, fewer assholes, fewer cops, room to breath. Throw psychedelics into the mix and the gap gets even wider. It’s one thing to be shrooming at the Warfield with 2,000 of deadicated Heads, quite another to try to deal with 50,000 people who seem like they just got bussed in from MTV’s spring break special. Not to mention all the security.

    In principle, I always thought it was cool that the Pranksters had such a wide open, “let’s get high and freak freely” approach to tripping, as opposed to the Millbrook thing of sitting silently in a room with a candle and saying Om or whatever. That said, I’m not sure I could’ve passed the Acid Test. My best experiences, aside from Dead shows, were always out in nature: a deserted stretch of shoreline on the Lost Coast, backpacking the Sierras, etc. I think if I would've had to try to simultaneously process Babbs' babbling, Cassidy's hammer juggling, the Dead, and 500 mics worth of Koolaid my brains probably woulda dribbled out my ears.

    Last thought: how lucky are we? The StL box continues to delight. Seven shows from three different tours, all in good-to-great sound. And the last two DaPs have also been great. I mean, millions of people love Zeppelin, the Stones, the Eagles, and other bands from back in the day, but nobody (well, except the ABB I guess) has anything like the Dead's archival release thing. Blessed be us.

  • Mr. Ones
    Joined:
    Last 5

    Comus-First Utterance-Tip ‘o the hat to DAVEROCK!!
    Beatles-Get Back Rooftop Performance
    Elvis Costello-The Boy Named If
    Shuggie Otis-Inspiration Information
    Bob Dylan-Planet Waves

    It’s a crazy, mixed-up world, but Music is a consistent balm(for me at least!!).

    Dave’s 42 anyone?? It’s only about 62 days away!!

  • daverock
    Joined:
    Phil Zone

    Billy - thanks for jogging my memory - Viola Lee Blues from 4/26/69 is included on The Phil Zone too . I didn't know they interpreted What's Become of the Baby at this show either. Bit of a missed opportunity there - if that had been included, then this show, as released, would have been unique. In a way then, Dicks Picks 26 short changes 4/26/69 a bit.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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I've seen Pearl Jam about a half-dozen times(give or take) going back to 1995(most recently in 2017), and I consider them a top shelf live act. I base this on a couple of factors: They ROCK HARD and mean it for a good 135 minutes easily. They change set lists every night. You always get some good stage banter from Eddie. Their audience is totally INTO IT!! They go nuts. I'd be shocked if you didn't come away with a feeling that you just saw a fantastic show.

Edit: Their first 4 albums are all top shelf, and #5 is pretty damn good. They lost the plot briefly, but they're back
in the saddle now, with the last 2 releases.

Last 5(I can't resist):

Patty Griffin-Silver Bell
Alan Parsons Project-The Instrumental Works
GOGD-5/17/77(Thanks Dennis!!)
Beaver & Krause-In A Wild Sanctuary
Julie Driscoll-1969

Music is the Best!!

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In reply to by Mr. Ones

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in Seattle 9/20/92

I wasn't impressed

Never much of a Pearl Jam fan...Eddie Vedder a bit full of himself
and I heard him diss the GD one time
thpt.

#FUCountVlad indeed

wattapriq

....yet remembers the EXACT date. Hmmm. Lol.
Btw. The senate voted unanimously to keep daylight savings time permanent. I can't recall the last time that happened and I'm all for it.
That's my political post for the week.

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1. Buffalo Springfield- mr.soul
2. Aerosmith- one way street
3. A- lord of the thighs
4. Sabbath- a national acrobat
5. Deep purple- burn

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In reply to by KeithFan2112

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Happy belated to BOTH the Phil of Bombs as well as KeithFan!

Cool to share a BDay with someone so awesome.
Now go put on 3/15/90 and when they start singing happy birthday before Chinacat, you can pretend it's totally in your honor.

Be Well People!
Sixtus

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Merl Saunders and Melvin Seals - Live on tour
The Cobras - Caught live at the Continental Club
Don Leady - Cumbia wipeout: Blues explosion
Jorma Kaukonen and Tom Constanten - Embryonic journey
Mike Campbell and the Dirty Knobs - External combustion.

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I've seen PJ three or four times, and I agree, If you like big rock, you won't be disappointed. Not showey rock but good old fashioned loud rock. I don't know many of their songs, but I have loved every show I saw.

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In reply to by nitecat

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Hey Now, Haven’t posted since last April. Thank you all for the constant entertainment and good vibes as I view often. I have been bitten big time by the GD on vinyl the last couple of years and really want to find the Venetia Sunshine Daydream release on vinyl. It’s outrageously priced on eBay and other places. I don’t have the much sought after 73 bonus disk or the 68 one, but I have the other ten bonus CDs. Anyone want to work out a fair trade? Does anyone have any recommendations for another site or thread for potential trades. Pm if interested,thanks. Since this is aDaves thread, I have to say that I really like the last two picks. 39 not so much. 38 and bonus cd from last year are sweet!

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Try dead dot net slash forum slash search-stuff

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Have an opportunity to see Bobby and the Wolf Bros. next week, any one seem them on this tour, last tour? Price is ok and it's only a 15 min drive. Planning a trip to the box office today or tomorrow so any thoughts would be appreciated. Been watching the set lists and guests showing up on Bob's facebook page, looks like a fun time had by all. Could very well be my last opportunity to see Bob and be with the tribe one last time. captcha says traffic lights and they are all green, interesting.

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In reply to by simonrob

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Simonrob - I had never heard of them before, apart from the fact that I think you may have referred to them in the past. Their name suggests vintage rocking music to me, though, so I checked them out online. They sound great...love that guitar sound, but they seem to tick all the boxes for up tempo blues and soul. If I ever work out how to verify my identity with itunes I might get me some.

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The guitar player was Denny Freeman. He also played on Bob Dylan's "Modern times" and "Bootleg series, vol. 8" as well as loads of Texas sessions. Top player. Up tempo blues and soul describes The Cobras perfectly. The album I referred to, "Caught live at the Continental Club" was recorded in 1981 in Austin, TX.

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In reply to by bigbrownie

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Going downhill to the land of the midnight burrito...gonna see Taj Mahal tonight at the Musical Instrument Museum (Fabulous place by the way) and hit the music shops and a couple of Book stores I like in Phoenix where it will be 80 degrees instead of 48 degrees here at the edge of the world...It's the small things that matter after all...

yes yes yes on Denny Freeman...one of my favorite recordings that he's on is a live one, "I'm Gonna Move" by Hook Herrera...great playing on a killer blues set....while we're talkin' unsung guitarists, don't forget Danny Gatton...another cat who could play ANY style of tunes and rock them...Danny's wiki page starts with "Daniel Wood Gatton Jr. was an American guitarist who combined blues, rockabilly, jazz, and country to create a musical style he called "redneck jazz"... Sadly neither of these fine musicians are with us today....

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In reply to by nappyrags

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Last 1:

Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols

a CLASSIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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As a sextet, the band is superb. Taj is backed by his old time rhythm section plus dobro, acoustic guitar, and Strat/ steel guitar. The man himself is unencumbered by guitar so he is free to let loose on vocals and harmonica. They did a nice Sittin' on Top of the World>C.C. Rider. When I saw him last fall, he was solo and seemed to be struggling a little bit.

He's still got game, and you will love it!

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The Sex Pistols played Winterland in Jan of 1978, when they got off their bus to do a sound check on the afternoon of the show, Bill Graham was there to meet them. Sid Viscous was wearing a Swastika on his pants and when Bill Graham saw it he got really pissed off at Sid Viscous and got in his face and said " Is that supposed some kind of political statement. Take it off!" ! I heard the great photographer Michael Zagaris tell that story.

I would be happy to burn any bonus discs or any discs needed to complete a set or show. I have a decent collection of officially released material.

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In reply to by nappyrags

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I think Danny Gatton is incredible too - well, it's beyond dispute. That record he plays on credited to Robert Gordon, entitled "The Humbler" features the most mindboggling rock n' roll playing I have ever heard.

I don't think Sid Vicious knew whether he was coming or going. And sadly he was going. I saw them live, before he joined, among many punk bands from 1976 to 1977 - but I never did hear "Never Mind The Bollocks". Those first 4 singles were blistering though. I can remember long haired types being offended by them at the time - which I never understood. I was a long haired type myself - and I thought they were great.

looooooser

NMTB was recorded with Glen Matlock, as I understand

anyway, it is one rocking record. lightning in a bottle.

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In reply to by proudfoot

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He shouldn't even have been there. He wasn't a musician in any way. His only claim to fame was being friends with John Lydon and for beating up NME journalist Nick Kent and Old Grey Whistle Test presenter Bob Harris. An absurd and extreme example of how behaving badly somehow means you are "rock n' roll".
It's hard not to feel sorry for him though - poor bugger. He was a terrible influence, all things considered - other people starting acting like him, which made punk gigs a bit of a no go zone for sincere and peaceful hairies like me.

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Isn't he the amazing guitarist who died young? Wait, that could be anybody. But what I do remember is some guy shredding on guitar while playing it with an open bottle of beer as a slide? Even some sloshing as I recall. Couldn't that get one electrocuted? Gone too soon, that one.
Cheers

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What fun that run was! We stayed in Tahoe Friday night, skied Saturday, then went to Reno for the show. Rested in Tahoe Saturday night, and then it is a short two hour drive down the mountain to Davis. I taped both nights and I'm digitizing my masters to upload to the Archive!

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Reno 82 was a blast! I also stayed in South Lake Tahoe at a friend's house and we had big party on Friday night with a bunch of friends. Fun city.

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on this day in 1968
Jerry and Mickey jam with Traffic outside KMPX studios on Green Street in San Francisco after stations staff goes on strike. According to reports Jerry sat in on Dear Mr. Fantasy before the cops broke it up. We could use a primal Dead box for sure.

VGuy if your ass is drooling, might wanna get that checked out.
Just sayin.

[initiates childlike incessant giggling]

Carry On with your Friday and Dreams of a Primal Ooze Dead Box,
Sixtus

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In reply to by Sixtus_

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Last night's show at MIM was awesome...Taj and his band killed it...and I spent yesterday afternoon watching one of my fave movies "The Quiet Man" at a TCM special event...had a great time drooling over Maureen O'Hara (I'm old) on a big screen!...leaving my hotel in a bit for some fine fine superfine Mexican food at Carolinas...and then it's a day of record shops and bookstores before I head back up north to the edge of the world....

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Sad to hear of the passing of underrated trumpeter Ron Miles at 58. Miles (you couldn’t have a better jazz name!) was a frequent collaborator with Bill Frisell, and his “I Am A Man” LP is a tour de force IMHO. No one except Putin should die at 58, but real sorry to hear this one.
There has got to be one great band “up there”.
A great weekend to all!

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peace and love will win the day.

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A great show from start to finish, and it has a Golden Road, not many of those out there. If it takes more then 1 cd, they can fill it up with some extra from 1967.

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I an SO sorry to hear that news. I only got to see Ron in person twice. in 2007, he was with Bill Frisell at the Village Vanguard. And just before COVID, he played a show at the Kennedy Center in D.C.(The show was titled "I Am A Man" and Bill Frisell was in the band as well).
I only have 3 of his albums, but I like all 3. Perhaps I shall seek out the others(although I know some of them are rare and expensive).

New Zappa box being delivered today!! Sorry everyone, I'll be pretty busy this weekend.

Music is the Best!!

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In reply to by Mr. Ones

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That is great you got to see (hear?) Ron Miles play, and with Frisell, too! I always had him on my “to see” list. I thought he was a really passed over player, not flashy, but really had a tone that hit the spot. I think I have maybe 5 of his CDs, but he is on numerous Frisell ones (funny how some musicians can attract great side players on their albums, and Frisell is one of them - Ron Miles and Greg Liesz being two examples - likely due to his producer Lee Townsend). A tremendous talent lost, and if you happen on his discs, they are worth the listen.

Your words are so true Mr Ones: Music is the best!

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With all the exciting releases recently, I felt I had not given the NW Box a good listen in a couple years. So I've been working my way through the box, 73, then 74. What a great box! Really scratches my 73-74 itch!

Last 5:

Vancouver 73
Portland 73
Seattle 73
Vancouver 74
Rockin the Rhine 4/24/72 (thanks kiethfan!)
Greek Theater 5/13,14,15/83

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I need to revisit those '73 shows too Nitecat. Glad to hear a couple of people going to the Rhine show too.
I've been into those two "Doc" shows lately, where Jerry breaks out the Les Paul 8/14 & 8/15, 1971. The Other One from 8/14 is really one of my favorite post-primal versions, largely in part from the tone of the Les Paul; but it's also a no-nonsense wallowing of a rocker.

Seattle 5/21/74 was one of the things I took with me for my ride down to Phoenix yesterday...that 45 minute PITB just kills me...I also played St Louis 12/10/71 (just disc 3)...Had a great shopping trip today, loaded up on some new books, music and of course I brought home the to die for BBQ!!! My Honey just loves burnt ends! And aside from the previously mentioned tunes I played my last five would be

Sonny Sharrock - Seize The Rainbow
Keith Richards & The Expensive Winos - Live In London '93
Rod Piazza & The Mighty Flyers - Blues In The Dark
Los Lobos Live In Arden DE 3/11/22 (great sounding Aud from the Live Music Archive)
Taj Mahal & The Phantom Blues Band - Shoutin' In Key (Live)

One of the things I got today but ran out of time to hear is John Hammond - Wicked Grin Live In Bremen 2002, that'll be first thing tomorrow...and BTK I just DL'ed that 3/18/67 show you mentioned...that will be second thing tomorrow!!!

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Nappy, I've seen Rod Piazza play a number of times, he's a great blues harmonica player. I actually taped one of his shows. Saw him play with George Harmonica Smith at the S.F. Blues festival in Golden Gate Park, it was very cool.

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In reply to by billy the kiddd

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Great "new" Son House cd delivered to my house this morning - a previously unreleased show from 11/23/64. Top sound quality, and full of the raw incantatory power of latter day Son at his best. Like many musicians/artists I like, he seemed to exist in a dimension of his own. He won't come out to meet you - you have to go in to meet him.

Just like this little lot, that kept me amused yesterday
Tago Mago by Can
So Far by Faust
Carnival in Babylon by Amon Duul 2
Live at the Roundhouse 2/13/72 by Man
Live at the Roundhouse 2/13/72 by Hawkwind

Words of poetry often pop into my head at unexpected moments, and watching Putin address his fans yesterday on the box, I was reminded of these wise words, by the bard of Salford, John Cooper Clarke -
"What kind of creature bore you,
Was it some kind of bat?
They can't find a good word for you,
But I can.....
Twat."
With apologies to any bats that might be reading. And all those people waving flags. I wouldn't trust any society that didn't encourage and enjoy a culture of dissent within it's ranks.

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Nitecat, I listened to one of the PNW '73 shows last night. So last 5 then:

PNW Box Set - 6/24/73
Dick's Picks 35 - 8/7/71
Dave's Picks 38 - 9/8/73
Dick's Picks 30 - 3/28/72
Aoxomoxoa (Live Bonus Disc) - 1/24 - 1/26, 1969

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3-18-67 is an excellent start. Why not another '66 show, 3-18-67, a '68 show and, boom! That's 3 CDs, so it could be a DP or a standalone. Talk about documenting the band's evolution! From advanced garage band to psychedelic hydra, a 66-68 compendium would create a killer document. And probably cause me to knock back a stem or two....

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In reply to by hendrixfreak

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The OSF just posted in the past 24 hours, check it out. They are mowing through the unlabeled tapes now and just disccovered a June 1968 performance and it sounds like a scorcher. (Doh!)

Dave, could you ensure that this tape is swiftly released as a special project? Ala the 4-18-70 tape that came from Mtn Grrrl's closet?

This particular find may just well break the logjam on primal Dead releases. At least, the news itself is making my day. A new '68 tape found in the unlabeled reels Owsley left. Bad ass!

I knew they were going to find GD tapes in his stash. As for 1968, wow. Honestly, I lump fall 67 with 68. It's all good to me.

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Thank you for making my day. Owsley? 1968? As George Costanza said once, "It moved".
Now back to your regularly scheduled March Madness.

Wow, okay, I'm resorting to all caps and making wholly unrealistic demands. That's concerning, except, on the other hand, what do you expect from a foaming-at-the-mouth '68 fan? (Hand me a bib...)

The GD's portion of this newly discovered tape (no word on whether Musselwhite was recorded) runs ~110 minutes or two discs. (Yes, mentally, I'm already in the production phase for DP 43... ) Tack on another '68 show of <80 minutes and I won't need DP 44.

Okay, then, wrestling with my own thoughts after the OSF folks typed "newly discovered" and "68" in the same sentence. Busting out the officially released '68 shows later...

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