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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • daverock
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    Who he?

    I was confused by the names of blues authors too. Who was this "McDaniel"? If they meant Bo Diddley, why couldn't they say Bo Diddley. He did. Often. Also curious that Robert Johnson's " Love in Vain" was credited to "Payne" on my old "Let It Bleed" album. It has been credited to Johnson on the most recent ( and definitley last) version of the album I got-the 50th Anniversary cd.

  • deadegad
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    Go to Nassau 1980 tapes?

    Any Dave's picks is good news to me so another 77 is welcomed and the sound samples sound great to my ears; but, I do understand the clamoring for more 80s/90s or even 60s. With the quality issue of the 1980s tapes in mind I do wonder What's become of the three night 1980 Nassau run? I think all three were recorded for the King Biscuit Flower Hour Radio. Did The GD, likewise, record them -- or other shows from that time period.

    Perhaps an expanded Go to Nassau with all three nights could be released? They were strong shows as the excerpts on the official Go to Nassau demonstrate. That could scratch 'The more inclusive years' itch. I would buy it despite already having Go to Nassau which I love. If there are other shows of similar sound quality from that period. . .. Spring 1980 Selections Boxset!!! A compromise could be a matrices of boards and tapers copies? Go with what you got to include more years.

    And Dave if you are reading a Fall September 79 New York City @ Madison Square Garden would be a great official release! These were Brent's first N.Y.C. shows and solid were those shows. It's a sell-out mini box waiting to happen.

    I dream of Radio City/Warfield tapes being rediscovered in that Raiders of the Lost Ark Warehouse for complete box sets. Let's manifest these dreams.

    Melkweg 1981anyone w/Grugahalle??

  • carlo13
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    Stellablue

    I like the new artwork. I think it is a lot different. Stella, if you want to surround yourself in Hendrix, and the slew of 60s icons, along with the dead playing viola lee, I would highly recommend the complete Monterey pop fest 67' on criterion dvd box. It is chock full of beautiful music and hot chicks too. It also contains the full dvd 'jimi plays Monterey' with 49 minutes of hendrix. If you are younger than the rest of us on this site (sorry guys) you may not have seen it. This will put to rest the whole 'trey' fiasco to bed. I love fish, but only the haddock, and tuna variety.

  • hendrixfreak
    Joined:
    I was walkin' through the woods......

    So, like many, I got my first Beatles album in about 1964 and my first Stones album a year later. On the latter, I could see on the credits that "(Jagger/Richards)" meant that Mick and Keith had written the song.

    But what the hell was "(Chester Burnett)" or "(McKinley Morganfield)"??? These "names" seemed so foreign, I didn't understand that these were people's names. (How stately, how dignified: "McKinley Morganfield"!)

    But I decided, based on the blues sound, that I had to find out. So in my teeny bopper years (say, 10-13) I sought out the truth: the basic blues I loved was written by Howlin' Wolf and Muddy Waters. Major discovery. Even while I turned on the Hendrix and (yes, sadly) Grand Funk Railroad, (better) Ten Years After, and Janis, I began my journey to the blues. At first, the R&B and soul on the radio: James Brown, Ray Charles, Aretha Franklin. Then BB King, Albert King, Freddy King, Buddy Guy, Hubert Sumlin, finally Robert Johnson and Lonnie Johnson.

    I feel privileged that I got to see BB several times (his call-and-response with the audience, powerful horns!), Freddy several times and Albert just once (but in Chicago from the lip of the stage).

    Without 400 years of oppression, torture and murder, no blues. No blues, then no jazz, no rock 'n roll. In short, no blues, no nothing. Nothing to move the soul or the feet. And it's global, in the context of world music. Would that we could have gotten there without those 400 years and their crimes against humanity. But that stretch will reverberate on this Earth until humans die out. Which may not be all that long, the way we're going. OMG! Best put some world-weary Lonnie Johnson on and sing along.

  • Dennis
    Joined:
    crow told me and innovation

    My buddy summed it up years ago for me, 2 types of musicians.

    Refiners and definers.

  • daverock
    Joined:
    blues and blues rock

    The first time I saw a real blues singer/band /guitarist, as opposed to a rock band that played blues songs was B.B. King around 1980. It was, not put to fine a point on it, a revelation. I'd only heard a couple of his 1970's albums by then-"Midnight Believer" was one-and although it was alright - it was only alright. But live it was a different world.

    I saw a few after that - Albert King, Memphis Slim, John Lee Hooker and Buddy Guy come to mind. The most recenet I can remember seeing was The North Mississippi Allstars, about 3-4 years ago. Well worth checking - quite trance inducing.
    Also Catfish Keith. He is an American who came over to England quite regularly in pre-pandemic times, bringing with him his trusty National Resonator. Mainly blues/gospel in the Blind Willie Johnson style. The singing might be a bit ropey - but he's got the guitar style down pat. Nice guy ,too.

    Must have been something to see Big Mama Thornton live.

  • kevinbrandon
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    Green Bay game and The Grateful Dead tonight

    going into the commercial a 70's? One More Saturday night....very nice

  • billy the kiddd
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    Introduction to the Blues

    The first time I heard Blues music, was in 1969/70 when my brother bought the Chess l.p. Bummer Road by Sonny Boy Williamson. The first time I heard Blues music live was at a Blues festival at U.C. Berkeley in the early 70s, Sonny Terry & Brownie Maghee, Big Mama Thorton, and George Harmonica Smith were all on the bill.

  • daverock
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    Introduction to the blues

    For me it was listening to The Stones - and Keith Richards in particular. In interviews he gave he would name check Muddy Waters and Robert Johnson - and where he went, I was sure to follow. Not always the best policy perhaps - but alright in this context.
    Seeing the film "Performance" turned me on to Ry Cooder and slide guitar. That's probably the best soundtrack to any film I have ever heard.
    And then seeing Rory Gallagher live - he was wild.

    Just going off the records, I didnt really pick up too much on The Dead's blues roots. My favourite interpretation of theirs that I heard - hands down - was "Death Don't Have No Mercy" on "Live Dead". Incredible.

    Also in 1974, I saw an English band called Dr Feelgood, featuring the extraordinary Wilko Johnson. No lengthy guitar solos here - they played r'n'b fast and punchy, with the emphasis on rhythm, not virtuosity.

  • Crow Told Me
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    Jimi Uber Alles

    Hendrix is beyond comparison. He changed completely the way people play electric guitar, and what he did was so powerful it also changed other instruments, and music in general.

    Listen to electric guitar playing prior to Hendrix and you realize that nobody was taking advantage of the full potential of the instrument. People played it the same way they played acoustic. There were lots of great players (especially in jazz) who could play fast, but nobody was taking advantage of the unlimited range of tones offered by an electric instrument. With Hendrix, everything goes from black and white to technicolor. The guitar can sound like a flute, or a thousand cellos, or a set of bongos, and it can even sound like a helicopter, or wind, or an explosion, or lots of other things that weren't usually considered music. That's pretty revolutionary.

    One problem with musical innovators is that, after they show everybody how it's done, their innovations become the new normal, and people forgot how incredibly different they were when they first appeared. Once people saw and heard Hendrix, they copied him. His sound became part of mainstream, and people nowadays generally don't get how incredibly ahead of his time Hendrix was.

    I don't mean that as a put down on anyone: it's not anyone's fault. This is just how music evolves. There are a few people who come along with something new that changes everything (Coltrane, Hendrix, Dylan) and they there's lots of great players and singers and songwriters who take what they did and bring it to the masses. In my mind, we can't compare the two. But that's just me.

    FWIW, I think the GOGD belong in the class of innovators, as a group, because they came up with a style of ensemble playing that nobody had done before, and which became widely copied once it was heard. Just like you can't really compare other guitarists to Hendrix, you can't compare other jam bands to the GD, even though those bands can be very enjoyable.

    Standard disclaimer here: this is all just my opinion, your opinion is just as valid, blah blah.

    No shipping notice for me yet on #41, maties. I did, however, pre-order the vinyl 3.1.69 from Amazon, so we'll see that goes. I am in the midst of a major '69 bender, pulling out Two from the Vault and DiP 16 and 26 and whatnot. This is all YOUR fault, all youse who keeps demanding a '69 box. And I'm with ye if you want storm the vault to get one. Nothing like '69. Huh huh.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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I've seen Pearl Jam about a half-dozen times(give or take) going back to 1995(most recently in 2017), and I consider them a top shelf live act. I base this on a couple of factors: They ROCK HARD and mean it for a good 135 minutes easily. They change set lists every night. You always get some good stage banter from Eddie. Their audience is totally INTO IT!! They go nuts. I'd be shocked if you didn't come away with a feeling that you just saw a fantastic show.

Edit: Their first 4 albums are all top shelf, and #5 is pretty damn good. They lost the plot briefly, but they're back
in the saddle now, with the last 2 releases.

Last 5(I can't resist):

Patty Griffin-Silver Bell
Alan Parsons Project-The Instrumental Works
GOGD-5/17/77(Thanks Dennis!!)
Beaver & Krause-In A Wild Sanctuary
Julie Driscoll-1969

Music is the Best!!

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In reply to by Mr. Ones

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in Seattle 9/20/92

I wasn't impressed

Never much of a Pearl Jam fan...Eddie Vedder a bit full of himself
and I heard him diss the GD one time
thpt.

#FUCountVlad indeed

wattapriq

....yet remembers the EXACT date. Hmmm. Lol.
Btw. The senate voted unanimously to keep daylight savings time permanent. I can't recall the last time that happened and I'm all for it.
That's my political post for the week.

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1. Buffalo Springfield- mr.soul
2. Aerosmith- one way street
3. A- lord of the thighs
4. Sabbath- a national acrobat
5. Deep purple- burn

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In reply to by KeithFan2112

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Happy belated to BOTH the Phil of Bombs as well as KeithFan!

Cool to share a BDay with someone so awesome.
Now go put on 3/15/90 and when they start singing happy birthday before Chinacat, you can pretend it's totally in your honor.

Be Well People!
Sixtus

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Merl Saunders and Melvin Seals - Live on tour
The Cobras - Caught live at the Continental Club
Don Leady - Cumbia wipeout: Blues explosion
Jorma Kaukonen and Tom Constanten - Embryonic journey
Mike Campbell and the Dirty Knobs - External combustion.

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I've seen PJ three or four times, and I agree, If you like big rock, you won't be disappointed. Not showey rock but good old fashioned loud rock. I don't know many of their songs, but I have loved every show I saw.

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In reply to by nitecat

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Hey Now, Haven’t posted since last April. Thank you all for the constant entertainment and good vibes as I view often. I have been bitten big time by the GD on vinyl the last couple of years and really want to find the Venetia Sunshine Daydream release on vinyl. It’s outrageously priced on eBay and other places. I don’t have the much sought after 73 bonus disk or the 68 one, but I have the other ten bonus CDs. Anyone want to work out a fair trade? Does anyone have any recommendations for another site or thread for potential trades. Pm if interested,thanks. Since this is aDaves thread, I have to say that I really like the last two picks. 39 not so much. 38 and bonus cd from last year are sweet!

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Try dead dot net slash forum slash search-stuff

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Have an opportunity to see Bobby and the Wolf Bros. next week, any one seem them on this tour, last tour? Price is ok and it's only a 15 min drive. Planning a trip to the box office today or tomorrow so any thoughts would be appreciated. Been watching the set lists and guests showing up on Bob's facebook page, looks like a fun time had by all. Could very well be my last opportunity to see Bob and be with the tribe one last time. captcha says traffic lights and they are all green, interesting.

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In reply to by simonrob

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Simonrob - I had never heard of them before, apart from the fact that I think you may have referred to them in the past. Their name suggests vintage rocking music to me, though, so I checked them out online. They sound great...love that guitar sound, but they seem to tick all the boxes for up tempo blues and soul. If I ever work out how to verify my identity with itunes I might get me some.

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The guitar player was Denny Freeman. He also played on Bob Dylan's "Modern times" and "Bootleg series, vol. 8" as well as loads of Texas sessions. Top player. Up tempo blues and soul describes The Cobras perfectly. The album I referred to, "Caught live at the Continental Club" was recorded in 1981 in Austin, TX.

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In reply to by bigbrownie

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Going downhill to the land of the midnight burrito...gonna see Taj Mahal tonight at the Musical Instrument Museum (Fabulous place by the way) and hit the music shops and a couple of Book stores I like in Phoenix where it will be 80 degrees instead of 48 degrees here at the edge of the world...It's the small things that matter after all...

yes yes yes on Denny Freeman...one of my favorite recordings that he's on is a live one, "I'm Gonna Move" by Hook Herrera...great playing on a killer blues set....while we're talkin' unsung guitarists, don't forget Danny Gatton...another cat who could play ANY style of tunes and rock them...Danny's wiki page starts with "Daniel Wood Gatton Jr. was an American guitarist who combined blues, rockabilly, jazz, and country to create a musical style he called "redneck jazz"... Sadly neither of these fine musicians are with us today....

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In reply to by nappyrags

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Last 1:

Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols

a CLASSIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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As a sextet, the band is superb. Taj is backed by his old time rhythm section plus dobro, acoustic guitar, and Strat/ steel guitar. The man himself is unencumbered by guitar so he is free to let loose on vocals and harmonica. They did a nice Sittin' on Top of the World>C.C. Rider. When I saw him last fall, he was solo and seemed to be struggling a little bit.

He's still got game, and you will love it!

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The Sex Pistols played Winterland in Jan of 1978, when they got off their bus to do a sound check on the afternoon of the show, Bill Graham was there to meet them. Sid Viscous was wearing a Swastika on his pants and when Bill Graham saw it he got really pissed off at Sid Viscous and got in his face and said " Is that supposed some kind of political statement. Take it off!" ! I heard the great photographer Michael Zagaris tell that story.

I would be happy to burn any bonus discs or any discs needed to complete a set or show. I have a decent collection of officially released material.

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In reply to by nappyrags

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I think Danny Gatton is incredible too - well, it's beyond dispute. That record he plays on credited to Robert Gordon, entitled "The Humbler" features the most mindboggling rock n' roll playing I have ever heard.

I don't think Sid Vicious knew whether he was coming or going. And sadly he was going. I saw them live, before he joined, among many punk bands from 1976 to 1977 - but I never did hear "Never Mind The Bollocks". Those first 4 singles were blistering though. I can remember long haired types being offended by them at the time - which I never understood. I was a long haired type myself - and I thought they were great.

looooooser

NMTB was recorded with Glen Matlock, as I understand

anyway, it is one rocking record. lightning in a bottle.

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In reply to by proudfoot

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He shouldn't even have been there. He wasn't a musician in any way. His only claim to fame was being friends with John Lydon and for beating up NME journalist Nick Kent and Old Grey Whistle Test presenter Bob Harris. An absurd and extreme example of how behaving badly somehow means you are "rock n' roll".
It's hard not to feel sorry for him though - poor bugger. He was a terrible influence, all things considered - other people starting acting like him, which made punk gigs a bit of a no go zone for sincere and peaceful hairies like me.

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Isn't he the amazing guitarist who died young? Wait, that could be anybody. But what I do remember is some guy shredding on guitar while playing it with an open bottle of beer as a slide? Even some sloshing as I recall. Couldn't that get one electrocuted? Gone too soon, that one.
Cheers

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What fun that run was! We stayed in Tahoe Friday night, skied Saturday, then went to Reno for the show. Rested in Tahoe Saturday night, and then it is a short two hour drive down the mountain to Davis. I taped both nights and I'm digitizing my masters to upload to the Archive!

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Reno 82 was a blast! I also stayed in South Lake Tahoe at a friend's house and we had big party on Friday night with a bunch of friends. Fun city.

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on this day in 1968
Jerry and Mickey jam with Traffic outside KMPX studios on Green Street in San Francisco after stations staff goes on strike. According to reports Jerry sat in on Dear Mr. Fantasy before the cops broke it up. We could use a primal Dead box for sure.

VGuy if your ass is drooling, might wanna get that checked out.
Just sayin.

[initiates childlike incessant giggling]

Carry On with your Friday and Dreams of a Primal Ooze Dead Box,
Sixtus

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In reply to by Sixtus_

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Last night's show at MIM was awesome...Taj and his band killed it...and I spent yesterday afternoon watching one of my fave movies "The Quiet Man" at a TCM special event...had a great time drooling over Maureen O'Hara (I'm old) on a big screen!...leaving my hotel in a bit for some fine fine superfine Mexican food at Carolinas...and then it's a day of record shops and bookstores before I head back up north to the edge of the world....

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Sad to hear of the passing of underrated trumpeter Ron Miles at 58. Miles (you couldn’t have a better jazz name!) was a frequent collaborator with Bill Frisell, and his “I Am A Man” LP is a tour de force IMHO. No one except Putin should die at 58, but real sorry to hear this one.
There has got to be one great band “up there”.
A great weekend to all!

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peace and love will win the day.

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A great show from start to finish, and it has a Golden Road, not many of those out there. If it takes more then 1 cd, they can fill it up with some extra from 1967.

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I an SO sorry to hear that news. I only got to see Ron in person twice. in 2007, he was with Bill Frisell at the Village Vanguard. And just before COVID, he played a show at the Kennedy Center in D.C.(The show was titled "I Am A Man" and Bill Frisell was in the band as well).
I only have 3 of his albums, but I like all 3. Perhaps I shall seek out the others(although I know some of them are rare and expensive).

New Zappa box being delivered today!! Sorry everyone, I'll be pretty busy this weekend.

Music is the Best!!

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In reply to by Mr. Ones

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That is great you got to see (hear?) Ron Miles play, and with Frisell, too! I always had him on my “to see” list. I thought he was a really passed over player, not flashy, but really had a tone that hit the spot. I think I have maybe 5 of his CDs, but he is on numerous Frisell ones (funny how some musicians can attract great side players on their albums, and Frisell is one of them - Ron Miles and Greg Liesz being two examples - likely due to his producer Lee Townsend). A tremendous talent lost, and if you happen on his discs, they are worth the listen.

Your words are so true Mr Ones: Music is the best!

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With all the exciting releases recently, I felt I had not given the NW Box a good listen in a couple years. So I've been working my way through the box, 73, then 74. What a great box! Really scratches my 73-74 itch!

Last 5:

Vancouver 73
Portland 73
Seattle 73
Vancouver 74
Rockin the Rhine 4/24/72 (thanks kiethfan!)
Greek Theater 5/13,14,15/83

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I need to revisit those '73 shows too Nitecat. Glad to hear a couple of people going to the Rhine show too.
I've been into those two "Doc" shows lately, where Jerry breaks out the Les Paul 8/14 & 8/15, 1971. The Other One from 8/14 is really one of my favorite post-primal versions, largely in part from the tone of the Les Paul; but it's also a no-nonsense wallowing of a rocker.

Seattle 5/21/74 was one of the things I took with me for my ride down to Phoenix yesterday...that 45 minute PITB just kills me...I also played St Louis 12/10/71 (just disc 3)...Had a great shopping trip today, loaded up on some new books, music and of course I brought home the to die for BBQ!!! My Honey just loves burnt ends! And aside from the previously mentioned tunes I played my last five would be

Sonny Sharrock - Seize The Rainbow
Keith Richards & The Expensive Winos - Live In London '93
Rod Piazza & The Mighty Flyers - Blues In The Dark
Los Lobos Live In Arden DE 3/11/22 (great sounding Aud from the Live Music Archive)
Taj Mahal & The Phantom Blues Band - Shoutin' In Key (Live)

One of the things I got today but ran out of time to hear is John Hammond - Wicked Grin Live In Bremen 2002, that'll be first thing tomorrow...and BTK I just DL'ed that 3/18/67 show you mentioned...that will be second thing tomorrow!!!

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Nappy, I've seen Rod Piazza play a number of times, he's a great blues harmonica player. I actually taped one of his shows. Saw him play with George Harmonica Smith at the S.F. Blues festival in Golden Gate Park, it was very cool.

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Great "new" Son House cd delivered to my house this morning - a previously unreleased show from 11/23/64. Top sound quality, and full of the raw incantatory power of latter day Son at his best. Like many musicians/artists I like, he seemed to exist in a dimension of his own. He won't come out to meet you - you have to go in to meet him.

Just like this little lot, that kept me amused yesterday
Tago Mago by Can
So Far by Faust
Carnival in Babylon by Amon Duul 2
Live at the Roundhouse 2/13/72 by Man
Live at the Roundhouse 2/13/72 by Hawkwind

Words of poetry often pop into my head at unexpected moments, and watching Putin address his fans yesterday on the box, I was reminded of these wise words, by the bard of Salford, John Cooper Clarke -
"What kind of creature bore you,
Was it some kind of bat?
They can't find a good word for you,
But I can.....
Twat."
With apologies to any bats that might be reading. And all those people waving flags. I wouldn't trust any society that didn't encourage and enjoy a culture of dissent within it's ranks.

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Nitecat, I listened to one of the PNW '73 shows last night. So last 5 then:

PNW Box Set - 6/24/73
Dick's Picks 35 - 8/7/71
Dave's Picks 38 - 9/8/73
Dick's Picks 30 - 3/28/72
Aoxomoxoa (Live Bonus Disc) - 1/24 - 1/26, 1969

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3-18-67 is an excellent start. Why not another '66 show, 3-18-67, a '68 show and, boom! That's 3 CDs, so it could be a DP or a standalone. Talk about documenting the band's evolution! From advanced garage band to psychedelic hydra, a 66-68 compendium would create a killer document. And probably cause me to knock back a stem or two....

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In reply to by hendrixfreak

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The OSF just posted in the past 24 hours, check it out. They are mowing through the unlabeled tapes now and just disccovered a June 1968 performance and it sounds like a scorcher. (Doh!)

Dave, could you ensure that this tape is swiftly released as a special project? Ala the 4-18-70 tape that came from Mtn Grrrl's closet?

This particular find may just well break the logjam on primal Dead releases. At least, the news itself is making my day. A new '68 tape found in the unlabeled reels Owsley left. Bad ass!

I knew they were going to find GD tapes in his stash. As for 1968, wow. Honestly, I lump fall 67 with 68. It's all good to me.

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Thank you for making my day. Owsley? 1968? As George Costanza said once, "It moved".
Now back to your regularly scheduled March Madness.

Wow, okay, I'm resorting to all caps and making wholly unrealistic demands. That's concerning, except, on the other hand, what do you expect from a foaming-at-the-mouth '68 fan? (Hand me a bib...)

The GD's portion of this newly discovered tape (no word on whether Musselwhite was recorded) runs ~110 minutes or two discs. (Yes, mentally, I'm already in the production phase for DP 43... ) Tack on another '68 show of <80 minutes and I won't need DP 44.

Okay, then, wrestling with my own thoughts after the OSF folks typed "newly discovered" and "68" in the same sentence. Busting out the officially released '68 shows later...

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