• 8,068 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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4/17/82 sounds like a great pick! I'm going to wait to get home and stream it on the Big Boy.

Also, @ IceCreamKid - 10/31/91 is an all-timer! That should definitely be a Dave's pick! I also really enjoy the whole Boston Garden 91 run - one of which (9/25/91) was Dick's Pick 17. I'd like to see some more of those as well! I particularly like the night before, with LTGTR opener, New Speedway 1st set closer, then the Ship of Fools>Dark Star in set 2. Some good shows that late summer/early fall (the MSG run has some gems too!)

Peace

Then I read the soundboard shaming comment from the archive that enthusiastically pointed towards the Glassberg audience. So I pulled that one down, digitized and dove in head first.

I decided I like the Miller soundboard the best, but he has a point, many of the boards from this era sound think and lacking in dynamics. ..but once you get dialed in you adjust. I liked the Miller, it's the one seeded in 2019. I find often is there is more than on Miller, the later date wins the prize.

A good show, great shakedown, very good sound for the era.. interesting.

Not sure why I posted this.. perhaps an audience aficionado will have a different perspective. The comments from LMA are below.
_________________

Reviewer: AUD Snob - favorite - May 19, 2019
Subject: it's still only a sbd
the glassberg AUD is again the best recording for this great 1982 show. the description says it's an upgrade to all other sources. it should have the disclaimer that it's a sbd upgrade to sbds. the aud is significantly better. there is simply no reverb, sustain or fullness in these recordings. listen to the slow intro to nfa and the few slams brent gives the organ. it sounds thin and there is NO impact. i don't understand why these sources are hyped. please do yourself a favor and listen to the barry glassberg aud if you want to hear what this show sounded like live.

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Another enjoyable 82 show. Thanks for the nudge OB. I will have to go back and check out that Aud at some point Jim.
Good first set, nice It's all over now, Birdsong, Man Smart, Women Smarter. Second set bonanza with Shakedown Street, Lost Sailor, SOC into a really good Jam. Was that a duck in UJB? Love those IAONBB encores. Really good show.

Happy 82 Birthday Phil Lesh!
What a run.
Should we hit his 50th Birthday show today, 3/15/1990?

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Looks like our buddy Dennis was at this one? D, if your out there, any comments?
I was at first going to try the BG aud, but went with the Miller SB, which was decent.
Show was ok, started out with some ok energy, nice Sugaree, then cool they rolled right into El Paso, but you could tell it was a tad allegro. Good of Bobby to just go with it instead of some awkward drastic change up. From there it’s a average outing until an ok, but nothing special Bird Song, and what at the time was probably a cool set ending Women Are.
Now the Shakedown on the other hand was amazing. At first I was non plussed, but by the end, phew, beauty eh!
That Shakedown alone was worth the price of admission. Sailor Saint was ok, followed by a sweet jam sans Fatty with Bob and Brent laying down some cool leads in Spanish jam etc. Nice UJB followed by a sorta status quo ending capped off by an always welcome Baby Blue.
Certainly understandable how this gets overlooked by it’s more well know rowdy neighbors, and not perhaps dosent hang with the best of 82, but another off piste enjoyable show, and another notch on the proverbial “dead post”.

Ok, DV with the Philski biffday tribute!
3/15/90, Rollin!

EDIT: almost forgot! Hiya Otis, nice to see ya!
Yaassss that whole fall 91 run has been a real eye opener. I agree love 9/25, 10/31 is a top shelf show worthy of pickery, and 9/22 is another worthy candidate, but so far 9/26 is my fav, though I still need to hit the MSG run. Think I’ve only heard one of those so far but loved it.
Perhaps we need to hit 2/19/91 someday since Bolo brought it up?

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I like the Jack-A-Roe too.. always a treat, and It's All Over Now Baby Blue shined during these years. I never tired of Baby Blue and Brokendown encores. Oh, and that Shakedown was a keeper. Did someone mention 10/31/91? I'm gonna hit that over the next few days if time allows.

How are all you doing out there? Hoping for an end to the stupid war and a decent 2022. Where does the time go?

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Phil Lesh, what a stalwart. I have always thought Phil kind of flew under the radar at least publicly. What a bass player, can't think of too many in his league.
Man, I wish they had incorporated Unbroken Chain into the lineup before 1994.
And he was very instrumental in getting Dick's Picks underway and other releases like 3/15/90 and the Downhill from Here DVD, both in 1997. Look how far we have come since then. Here is to you Phil. Don't know where we would all be without you.

I am sure you have all listened to the 3/15/90 show many times, as I have. Still enjoy it every time. Love that China Rider and Terrapin with the Moc Turtle Jam. It is the jam out of Terrapin that always brings me back and of course Phil gives us a Tom Thumb Blues in the first set.

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I'm a King bee, baby......buzzin' round your hive.
I was thinking about a small talk , and hear some legendary acid test shit. It is close to 56 years ago. I might not have enough clout, but I was born 2 years later. Ha.

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So, I've abandoned my attempt to come up with a sampling of Dead tunes for newbies. Just too hard to accomplish without leaving gems on the cutting room floor - this after surpassing the 6 hour mark.

Going back to a modified 3 disc approach:

Disc 3 of DaP26 (11/17/71)
Disc 1 of One From The Vault (8/13/75)
Disc 3 of DiP18 (2/5/78)

If they don't "get" the Dead after listening to those, there's no hope for 'em.

If they matriculate to graduate-level Dead, I'll throw some 1968-70 their way and watch their heads explode. Probably should include "Steppin' Out" and "Ladies and Gentlemen" after that. And, there I go down the wormhole again...

Anyway, my small contribution to humanity.

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I am working on my 83 year old mom.

It's gonna include either the studio or Reckoning verion of Ripple for sure. Ideas welcomed.

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Hey Bolo24!!!

Your inclusion of 11/17/71 proves that you do indeed have impeccable taste in Grateful Dead...............

Rock on rockers!!!

Doc
Good taste is the modesty of the mind; that is why it cannot be either imitated or acquired.......

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The only time my mother ever commented favourably on the Dead I was listening to was when a 1972 show was spinning. "I like that piano playing!" she would say-every time.

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All good choices there Bolo, can't go wrong.

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Speaking of 11/17/71, what was in the water/kool-aid on November 17 every year?

11/17/71 - DaP26
11/17/72 - DaP11
11/17/73 - DaP5

Pretty stellar threesome. Also played in '68 (Seattle - no tape?), '78 in Chicago (incomplete tape), and Long Beach in '85.

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Not to mention the one-off acoustic set by "Bob Weir and Friends" at the Rambler Room in the afternoon before the Uptown show. I can't even . . . . Just an El ride away from the old homestead(s).

"I'm new here."

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Anybody have a pick out there?

I will offer up 11/5/79. A real gem, released as a digital download with RT1. 1.

So much good music to explore from 1979-1982. Would love to see them start digging in a little harder.

Here is an idea for Rhino and Grateful Dead Productions, start releasing some more music. You could start with 11/5/79, which has already been mastered. Nothing fancy required. Through it on the site for $25. I would buy it. Continue on with 11/6/79..

Enjoy the day all.

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Sure thing DV. Haven’t hit that one in fo ev a due to how much I like the next night!!! Lol.
11/6/79 is a top pick of the year for moi. Has been since I got a killer Reel to Reel sourced tape probably in 80 or 81?
Used to like to practice playing bass to it too.

I’ve been hitting free range shows at work, though I can’t call them full listens because of never ending BS at work these days. Like if I’m just doing actual work, in the zone, then the dead is awesome, but as soon as the noise of never ending BS that nowadays seems like status quo to get anything accomplished hits, the tunes become background noise, sigh…
But, I can still usually get a good feel by what catches my attention through the din, either noticeably good or bad, even through the noise. So Id recommend 2/19/91, but not as much as 9/8/91 and 9/9/91. But figured I had to hit it since Bolo brought it up. Bolo, Bolo, Bolo, lol, kinda like Jan Brady ; )
Man that fall 91 tour is overall pretty strong, but alas, it’s not 197? whatever, so I’ll probably be dead before we ever see a box of that. Bet that’d sell out fast!
Ok 11/5/79 rolling!
Califoooorrrrnnia! Knock knocking on the golden door!

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Just saw the video of Keith singing the back up on Midnight Moonlight and Knocking on Heavens Door... Fans of Keith will enjoy the Moog on these 2 also.... Only 4 musicians, Jerry, Ron, Keith and John.... They look like they are having a blast.. bob t

Just finished the encore of NFA... such a different feel...

Missed 3-15-90 for Phil’s bday due to watching hockey.

But, listened to 3-16 on the 16th, and have kept up on the anniversaries since. Played 3-15 on the 17th, and am finishing 3-14 now.

Due to time constraints on weeknights I usually do a few first set songs and then set 2. Have listened to every Drums/Space. Good stuff in those 2 Boxes/Terrapin Limited/Dozin’. May keep the trend going.

Yes, I’m also a fan of 79, 82, etc, but haven’t been keeping up with all of you on the POTD. But I do read the posts.

Going to process some torrent files tonight, think I’ll do some early Brent years.

To Rock my soul.

Was a way from PCs and Phones all day yesterday, pulled off a DHB Hat Trick.

5/4/74
5/2/70
11/30/80

With a partial from 3/19/90

A glorious day, man.. I am a bit out of shape. No rest for the weary.... What's on tap today? I've got a road trip, so almost six hours in the car. If it's in one of my devices it makes it easier. How about something from June 76? By the way.. It had been too long since I heard 11/30/80 the Fox Theatre. Holy smokes that sounded good and hit the spot. What a great release and something that shines from 1980. Dare I say I like it much better than the stuff they put on Deadset.

Hope all you peeps are having as good a weekend as possible and doing your best to avoid life's potholes and quagmires. Keep the peace.

This show for me, is a top tier show and release. Sound quality is A+. Both sets are jam packed with great music.
The Eyes Estimated Franklin's in the second set is outstanding. Lost Sailor SOC, good Sugar Mag and close it out with a rocking Casey Jones.
Really worth checking out. Nudge nudge Jim.
Interested in your thoughts OB.
What are you thinking next?? 11/6/79?
I am open.
Yes, 11/30/80, is a great show I have that in the normal rotation. Time for more.

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Day got away from me.

I’ve always dug both these 79 Spectrum shows since as I say I got those killer tapes BITD.
But the 6th has become sorta propped up to we’re I’ve neglected poor 11/5.
So it was really enjoyable to fire that one up yesterday!

Been jazzing out with Bill Evans and now Charles Mingus, but hope to sneak in 11/6 just cause, even though we’ve covered it etc. Have second set from 11/9 cued up after, but might have to wait on that as the other half is working and doesn’t usually dig walking into “that Bob Weird shit”, that’s “too loud” right after work lol.
Might try that 11/30/80, mañana?

Jim, happy motoring! Sounds like you had a perfect day yesterday: DHB, AND no cells or computers!

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Smokin’ China Cat>IKYR to open!
Phil Bombs here and there.

I’ve heard this many times but it’s not burned into my synapses because I never had it on cassette. So I’m getting a somewhat fresh listen.

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Hey, rockers!!!

Pick of the day: Academy of Music, March 22, 1972

Fond, fading memories of the hey day of my taping craziness in the early 1980s. Where were the boards of the March 1972 AOM run? We had the audience recordings, ranging from serviceable to cringe worthy. We had heard rumors that the shows weren’t recorded, or had perhaps been destroyed in a flood within the vault. In such circumstances, hard to separate fact from fantasy, questions left unanswered….

Lacking insight, we wondered, what were the 72 AOM shows? Open rehearsals for Europe 72? Revenue raisers for a rolling transcontinental European party? As it turns out, a wonderful run of shows serendipitously placed between the creamy smoothness of Fall 1971 and the seemingly laid back yet wonderfully intense Europe 72 tour.

Our questions were finally answered in October 2003, with the release of Dick’s Picks 30. More came with Rockin’ the Rhein in 2004 and Dave’s Picks 14 in 2015. They had been there the whole time, in all their musical gloriosity!!!

The whole run is great, but I especially like the second set of the 22nd because I’m a greasy Caution kinda guy. For many, this fell through the cracks, as they snuck it out as the bonus disc on Rockin’ The Rhein.

Rockers, dust it off and rejoice!!!!

Doc
Of all forms of caution, caution in love is perhaps the most fatal to true happiness……

Never heard it, so I’ll check it out!

DV: I hit 9/12/91 yesterday.
Great energy, but perhaps a little ruff occasionally for release?
Definitely think fall 91 would make a good box: first of Richfield, say 3 or 4 MSG, 9/22, 24, and mos def 9/26/91 from bean town, with say 2 or 3 from Oakland, definitely 10/31/91!
A lot of good shows lurkin about that tour.

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Interesting show.. I rebuilt it using a combination of the Charlie Miller and the Rockin' the Rhein bonus disc.

That jam out of Caution is remarkable.

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Okay, OB 9/12/91, I will have to check it out. That MSG run is outstanding.

Interesting to me I have never really connected with the AOM shows, don't know why, but will give it another go.

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The Dead at Shoreline Amphitheater 9/19/2003. Perhaps the most memorable post-Grateful Dead show I've attended.

The archive has a good audience tape (only choice available). I can send the soundboard to those interested if someone tells me how to do it via email (or something easy).

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Hey Bolo, Thanks again for hooking me up a few years ago – that is indeed mighty fine. I think you should be able to upload 9/19/03 to a transfer site like Dropbox or WeTransfer. If you don't already have an account with one, let me know. I'll see if I have enough room left on my free Dropbox account to upload the show, altho all I can find at the moment is an AAC/Mp3 version.

3/22 was ok, by 72 standards.
Yes that unique jam outta Caution was sweet!
Shoot, forgot to check: does Pig usually play harp on Big RR?
And was JG playing pedal steel on LL Rain?
Good grease too.

Hit 3/23 for extra credit.
Liked this one better, and not JUST because of the Dark Star.
Seemed like they had more energy?

Not mind blowing but I’m glad I finally heard em.

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I have those CDs somewhere.. I need to dig them out. Being the completist, I purchased the 2003 tour by either my interest waned or I didn't make room in my budget for each and every 2004 show. I think I purchased some but not all.

Looking for this in a bit..

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I only have the Red Rocks shows since I went.

That’s a pretty big statement Bolo!
Guess we’ll have to check it out?

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Apparently Oro and I shared a show. It was so cool to be there 25 years after my first show. Phil called it out asking who was there 25 years earlier; big cheers. Also cool, and the first time I had seen it, was being able to order a CD of the show right there and then from a table set up by the entrance. A commonplace thing now I would guess. Great set list including a Mason's Children, a Dylan (Baby Blue), and a Beatles (She Said). Joan Osborne killed it as did Jimmy Herring.
Cheers

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I am giving up finding these CDs for now. I found the Gorge, Noblesville, Jones Beach and a few others.. so it must be somewhere. I checked out a few songs from the audience on the archive. Perhaps I will look a little harder later but I need to drop this for now, I have a few mega yachts in Italy and Greece that I need to move before they get towed.

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Yep, those were good shows.
Don’t remember too many specifics, just a visual of it being really nice out, and how nice it was to be with all the freaks again! Joan was cool too.
We were in VIP through my cousins business connections so hanging by the SB.
Think Bill Walton was there right in front of the SB towering over everyone, leaning way over the flimsy rope that separates VIP section, thought he was gonna fall over a few times lol.
Of course I might be mixing up my shows/years as I seem to recall he was always there!

Remember even less of 04? Maybe that was the year it got really cold and misty one night and the whole place was literally in a low cloud. Very ephemeral and psychedelic. The lights on and through the mist was awesome, would of been cool tripping.
Think they played Milestones and maybe Lucy in the Sky or some groovy Beatles? Hell it’s all a blur, but was very enjoyable! The shitty weather made the show as the band got inspired.
Can’t believe I didn’t ever see the GD there, sigh…

Only 09 show I went to was at the Can in D town. Don’t recall digging that one so much, but my show circumstances certainly affected my perception. You could almost feel that they weren’t getting along?

Hell, was fortunate to see dozens of Phil shows at the Philmore, the Rocks, Vail, The Dead at the Rocks in 03 and 04, The Other ones at Fiddlers a couple times, Futhur fest 06 and 08, D&C at Folsom several years, and perhaps my favorite, Furthur at several places including that cool little arena in Broomfield that reminded me of a clean, new, up to date Chrotchfester memorial. It really is a great place o be a head, just wish it didn’t take me so long to get here!
Saw most up until D&C for free!

You guys all coming for the first time this summer are in for a treat. HF may be crazy but he’s not wrong ; )
I’m just not sure if my schedule will allow or if I’m up for crowds yet because of underlining heath concerns, but who knows? It’s on my radar…
If the force wills it, I’ll catch up with all y’all somehow?

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Maybe spoke too soon about the MOST memorable post-GD show I attended. I'd also have to throw in The Dead in 2009 at the Forum in LA (5/9) and Shoreline (5/10 + 14).

First set at Forum: Viola Lee Blues > Bertha > Viola Lee Blues > Caution > Viola Lee Blues > Black Peter, Cosmic Charlie. Warren absolutely wrecked the place!

Shoreline shows were long and had a great vibe, including half-hour+ encores: St. Stephen > The Eleven, Touch of Grey on 5/9 and Scarlet/Fire, Deal on the 14th.

Also Furthur at the Sweetwater for 4 consecutive nights in 2013 with only 300 of my deadhead brothers and sisters. Big fun! Except for the guy behind me one night that talked incessantly about real estate. We had words.

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In reply to by bolo24

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Ha, just teasing ya, hell Dave’s not the only one who likes to riff with the hyperbole. ; )
Hell this place is rife with it, for good or for ill, lol.
BUT, for you to put the ole English on the ball to me intimates that your memories are such to warrant recognition/mention. Or, the point was taken, er, now if I could only grow some more hair and cover that point up, uugghh.
Scarlet currently. Second set definitely starting to gel and take shape. Good pallet cleanse too!
And another, off piste, interesting pick many of us might never had met if not for our cool little freak oasis here at potdwd!
ONWARD!

Oh, Furthur at the Sweeteater…fo git a bot it!, sweet in deed, I woulda broke his knee caps (not really) poor bastid didn’t know who he was dealing with. I hear those NoCal Sharks can get pretty hungry!

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I managed to squeeze the show onto Dropbox. I gave up on tracking down the FLAC that Bolo sent a few years ago, so the files are AAC. Still, even those of you with youthful ears and kick-ass sound systems may want to check this out.

In 2003 The Dead were: Bob Weir, Phil Lesh, Mickey Hart, Bill Kreutzmann, Jimmy Herring – guitar, Jeff Chimenti – keyboards, vocals, Rob Barraco – keyboards, vocals, Joan Osborne – vocals

I hope this linque gets thru. If you have trouble, PM me with your email address and I'll email the linque back.

Lessee. . . triple w's (dot) dropbox (dot) com (slash) scl (slash) fo (slash) kkksgpnu21h6c9oxtnl3n/h?dl=0&rlkey=0sitikii1vpm2ehrc6aql8cyz

(no spaces)

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8 years 11 months

In reply to by JeffSmith

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Joan Osborne was great.
Saw the ATL show and Sammy Hagar sang with Joan on Loose Lucy.

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As Bolo mentioned below, this was the best show of the tour IMHO, and I felt lucky to have been there. What a first set, and the second set was no slouch either.

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Jimmy Herring + Joan Osborne + Days Between =

Let the words be yours, I'm done with mine

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13 years 3 months

In reply to by bolo24

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Is it the pick of the day or another clue? I'm going with just the music, but.....

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Hey rockers!!

Pick of the day: Dania March 24 1970

Pirate’s World?? Arrrrr!!!!!!!!! Shiver me timbers matie, it’s the Grateful Dead!!!

I came across this while reviewing the February/March 1970 recordings. It’s just what I like with the Dead----raw, rowdy, and raucous!!

Dew to open----I like that position a lot. Short sharp sweet Mama Tried. Very jammy Good Lovin’. The Dead channel their inner garage band and turn Don’t Ease Me In into a crunchy rave up. Unlike Star Theater, this one does have a big jam sequence, although it sounds a bit condensed, as if the band was under time constraints, but it works well. And I must admit, my inner cowboy does enjoy the show-closer Me & My Uncle coming from nowhere out of the Lovelight……..

As with Star Theater, a very decent and listenable recording, but with “issues”. Probably will never be an official release because a big chunk of the Dew is missing, and there’s an edit in the Star. The powers that be seem to shy away from such things. Still worth a listen…………..

X (factor) marks the spot, buried treasure for sure……………..

Doc
There is nothing so desperately monotonous as the sea, and I no longer wonder at the cruelty of pirates…….

One of the more interesting finds on the Archive.

I stumbled on this show years ago, it's an odd little find. It was one of initial thoughts as an answer to Bolo's last riddle, squid.. but I went with a companion show instead, which also turned out to be wrong.

Still an interesting little show if you have never heard it. I think I might do it again..

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In reply to by JimInMD

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and see what tomorrow brings…
Maybe mañana, no tunes today : (

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In reply to by Oroborous

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Hey OB, looking at 9/11/82, West Palm Beach FL, for tomorrow. I think Bolo would be up for this show.
Fresh Miller transfer from February 2022. If Dave won't give us any 82, at least Charlie will.
My god, we need some release news on this site. I think the last announcement was in December for Dave's 42, which should be hitting mailboxes in about a month.
It is almost Oberon season!

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only time Scarlet Begonias>Fire on the Mountain>Lost Sailor>Saint of Circumstance>Terrapin Station played. Great Scarlet >Fire, highly recommended.
Went to the next nite in Lakeland, 9-12-82, check out the post drums on that one, Wheel>NFA>Morning Dew with Jerry belting it out in his sad voice. Another great Florida run. Don't know why, but in the 80's, Florida seemed to bring out the best in the band.

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13 years 3 months

In reply to by PT Barnum

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Looks like I missed an 82. I will get to this tomorrow.

I did finally get and finish the Shoreline 03 Dead Pick. A really good show. The Peggy-O of all things gave me goosebumps this time. Lovely Joan.. what a great addition to GD music.

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In reply to by JimInMD

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Looking forward to that Shoreline 2003. From '98 to '03 I saw some great shows, all on the Front Range except for the '02 shows at Alpine that at the last second I had to fly back to cause that was the home turf. The Other Ones, Phil and Friends, The Dead, they were all excellent bands. One of my most beloved musical moments was Phil and Friends at Red Rocks 7/6/01 when they segued into Blues for Allah in the midst of Terrapin and I looked over at my friend in wide-eyed-huge-smile wonder - youhavegottobefuckinkiddingme : )))

I saw the first 4 of the 5 Dead shows in Red Rocks 2003 - I think they were the last "shows" I saw until Wrigley this past fall (crazy to me that 18 year gap, my goodness, WTF). First show, 7/6/03, was outrageously good. Joan killed it. Especially Days Between.

edit - totally forgot, the first "post Jerry" show I saw was Merl Saunders in Colorado Springs maybe winter '95, in some little bar, and that's when I heard my first Dark Star.