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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • daverock
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    Who he?

    I was confused by the names of blues authors too. Who was this "McDaniel"? If they meant Bo Diddley, why couldn't they say Bo Diddley. He did. Often. Also curious that Robert Johnson's " Love in Vain" was credited to "Payne" on my old "Let It Bleed" album. It has been credited to Johnson on the most recent ( and definitley last) version of the album I got-the 50th Anniversary cd.

  • deadegad
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    Go to Nassau 1980 tapes?

    Any Dave's picks is good news to me so another 77 is welcomed and the sound samples sound great to my ears; but, I do understand the clamoring for more 80s/90s or even 60s. With the quality issue of the 1980s tapes in mind I do wonder What's become of the three night 1980 Nassau run? I think all three were recorded for the King Biscuit Flower Hour Radio. Did The GD, likewise, record them -- or other shows from that time period.

    Perhaps an expanded Go to Nassau with all three nights could be released? They were strong shows as the excerpts on the official Go to Nassau demonstrate. That could scratch 'The more inclusive years' itch. I would buy it despite already having Go to Nassau which I love. If there are other shows of similar sound quality from that period. . .. Spring 1980 Selections Boxset!!! A compromise could be a matrices of boards and tapers copies? Go with what you got to include more years.

    And Dave if you are reading a Fall September 79 New York City @ Madison Square Garden would be a great official release! These were Brent's first N.Y.C. shows and solid were those shows. It's a sell-out mini box waiting to happen.

    I dream of Radio City/Warfield tapes being rediscovered in that Raiders of the Lost Ark Warehouse for complete box sets. Let's manifest these dreams.

    Melkweg 1981anyone w/Grugahalle??

  • carlo13
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    Stellablue

    I like the new artwork. I think it is a lot different. Stella, if you want to surround yourself in Hendrix, and the slew of 60s icons, along with the dead playing viola lee, I would highly recommend the complete Monterey pop fest 67' on criterion dvd box. It is chock full of beautiful music and hot chicks too. It also contains the full dvd 'jimi plays Monterey' with 49 minutes of hendrix. If you are younger than the rest of us on this site (sorry guys) you may not have seen it. This will put to rest the whole 'trey' fiasco to bed. I love fish, but only the haddock, and tuna variety.

  • hendrixfreak
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    I was walkin' through the woods......

    So, like many, I got my first Beatles album in about 1964 and my first Stones album a year later. On the latter, I could see on the credits that "(Jagger/Richards)" meant that Mick and Keith had written the song.

    But what the hell was "(Chester Burnett)" or "(McKinley Morganfield)"??? These "names" seemed so foreign, I didn't understand that these were people's names. (How stately, how dignified: "McKinley Morganfield"!)

    But I decided, based on the blues sound, that I had to find out. So in my teeny bopper years (say, 10-13) I sought out the truth: the basic blues I loved was written by Howlin' Wolf and Muddy Waters. Major discovery. Even while I turned on the Hendrix and (yes, sadly) Grand Funk Railroad, (better) Ten Years After, and Janis, I began my journey to the blues. At first, the R&B and soul on the radio: James Brown, Ray Charles, Aretha Franklin. Then BB King, Albert King, Freddy King, Buddy Guy, Hubert Sumlin, finally Robert Johnson and Lonnie Johnson.

    I feel privileged that I got to see BB several times (his call-and-response with the audience, powerful horns!), Freddy several times and Albert just once (but in Chicago from the lip of the stage).

    Without 400 years of oppression, torture and murder, no blues. No blues, then no jazz, no rock 'n roll. In short, no blues, no nothing. Nothing to move the soul or the feet. And it's global, in the context of world music. Would that we could have gotten there without those 400 years and their crimes against humanity. But that stretch will reverberate on this Earth until humans die out. Which may not be all that long, the way we're going. OMG! Best put some world-weary Lonnie Johnson on and sing along.

  • Dennis
    Joined:
    crow told me and innovation

    My buddy summed it up years ago for me, 2 types of musicians.

    Refiners and definers.

  • daverock
    Joined:
    blues and blues rock

    The first time I saw a real blues singer/band /guitarist, as opposed to a rock band that played blues songs was B.B. King around 1980. It was, not put to fine a point on it, a revelation. I'd only heard a couple of his 1970's albums by then-"Midnight Believer" was one-and although it was alright - it was only alright. But live it was a different world.

    I saw a few after that - Albert King, Memphis Slim, John Lee Hooker and Buddy Guy come to mind. The most recenet I can remember seeing was The North Mississippi Allstars, about 3-4 years ago. Well worth checking - quite trance inducing.
    Also Catfish Keith. He is an American who came over to England quite regularly in pre-pandemic times, bringing with him his trusty National Resonator. Mainly blues/gospel in the Blind Willie Johnson style. The singing might be a bit ropey - but he's got the guitar style down pat. Nice guy ,too.

    Must have been something to see Big Mama Thornton live.

  • kevinbrandon
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    Green Bay game and The Grateful Dead tonight

    going into the commercial a 70's? One More Saturday night....very nice

  • billy the kiddd
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    Introduction to the Blues

    The first time I heard Blues music, was in 1969/70 when my brother bought the Chess l.p. Bummer Road by Sonny Boy Williamson. The first time I heard Blues music live was at a Blues festival at U.C. Berkeley in the early 70s, Sonny Terry & Brownie Maghee, Big Mama Thorton, and George Harmonica Smith were all on the bill.

  • daverock
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    Introduction to the blues

    For me it was listening to The Stones - and Keith Richards in particular. In interviews he gave he would name check Muddy Waters and Robert Johnson - and where he went, I was sure to follow. Not always the best policy perhaps - but alright in this context.
    Seeing the film "Performance" turned me on to Ry Cooder and slide guitar. That's probably the best soundtrack to any film I have ever heard.
    And then seeing Rory Gallagher live - he was wild.

    Just going off the records, I didnt really pick up too much on The Dead's blues roots. My favourite interpretation of theirs that I heard - hands down - was "Death Don't Have No Mercy" on "Live Dead". Incredible.

    Also in 1974, I saw an English band called Dr Feelgood, featuring the extraordinary Wilko Johnson. No lengthy guitar solos here - they played r'n'b fast and punchy, with the emphasis on rhythm, not virtuosity.

  • Crow Told Me
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    Jimi Uber Alles

    Hendrix is beyond comparison. He changed completely the way people play electric guitar, and what he did was so powerful it also changed other instruments, and music in general.

    Listen to electric guitar playing prior to Hendrix and you realize that nobody was taking advantage of the full potential of the instrument. People played it the same way they played acoustic. There were lots of great players (especially in jazz) who could play fast, but nobody was taking advantage of the unlimited range of tones offered by an electric instrument. With Hendrix, everything goes from black and white to technicolor. The guitar can sound like a flute, or a thousand cellos, or a set of bongos, and it can even sound like a helicopter, or wind, or an explosion, or lots of other things that weren't usually considered music. That's pretty revolutionary.

    One problem with musical innovators is that, after they show everybody how it's done, their innovations become the new normal, and people forgot how incredibly different they were when they first appeared. Once people saw and heard Hendrix, they copied him. His sound became part of mainstream, and people nowadays generally don't get how incredibly ahead of his time Hendrix was.

    I don't mean that as a put down on anyone: it's not anyone's fault. This is just how music evolves. There are a few people who come along with something new that changes everything (Coltrane, Hendrix, Dylan) and they there's lots of great players and singers and songwriters who take what they did and bring it to the masses. In my mind, we can't compare the two. But that's just me.

    FWIW, I think the GOGD belong in the class of innovators, as a group, because they came up with a style of ensemble playing that nobody had done before, and which became widely copied once it was heard. Just like you can't really compare other guitarists to Hendrix, you can't compare other jam bands to the GD, even though those bands can be very enjoyable.

    Standard disclaimer here: this is all just my opinion, your opinion is just as valid, blah blah.

    No shipping notice for me yet on #41, maties. I did, however, pre-order the vinyl 3.1.69 from Amazon, so we'll see that goes. I am in the midst of a major '69 bender, pulling out Two from the Vault and DiP 16 and 26 and whatnot. This is all YOUR fault, all youse who keeps demanding a '69 box. And I'm with ye if you want storm the vault to get one. Nothing like '69. Huh huh.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

There was a stretch of highway northeast of Tucson named for years as Highway 666...about 18 years ago the State Legislature made a big deal about it (It's full of wackos) and changed the designation to 191 cuz god was mad about it...

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lol what a trip Daverock. Never heard of them, but was intrigued enough to check it out on youtube. Just going by the band name and album title I figured they were some sort of Black Sabbath knock-off band that never took off. But no....it's freakin' Vangelis in a rock band with some cool guitar work. I am pretty familiar with Vangelis from the 3 records he did with Jon Anderson.

So I took a little bit of a listen on youtube and looked up the album. The track list is bizarre. Double album with 24 songs, mostly in the 0 - 3 minute range. Beside those there are two 5 minute songs, and then they have this juggernaut that clocks in at 19 minutes and change. So I listened to the first half dozen songs. Four Horseman was pretty cool. Then I skipped to the big one. It was okay, but not great. I was hoping for something as good as the big one Vangelis did with Jon Anderson (Horizon). Anyway, interesting music if you're a Vangelis fan. Or if you dig Apocalypse songs.

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Started out with some Port Chester 2/21. Since Covid started I don't drive much, and listen primarily on headphones. But this one I cranked up during a car ride this morning. Yeeeaaah. So lucky to have these multi-tracks and a guy like Jeffrey Norman to mix it. The sound is amazing. I really like this show. Ripple, Wharf Rat, and King Bee are all great. I prefer the reworked 1972 Bird Songs, but this show features my favorite '71 performance.

Listening to 11/7/71 now, Harding Theater. What's the deal with this show - not in the Vault? I'd really like the Full Norman on this one.

Once this is done I'm headed to the anniversary of the 3/23/75 Blues For Allah.

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Not only was Vangelis Papathanassiou in Aphrodite's Child but also Demis Roussos was in the band. He subsequently became huge i.e. very famous and very fat. I cannot recommend his post-Aphrodite stuff.

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I think it's time for the decade box set, one show from each year of of the 1970s. Now that they have 6/17/75 back in the vault, this box set could be a reality. I think it would be very popular, there are still great shows that can be used from each year. I hope the show that gets released from 1970, comes with an acoustic set, but Ill take whatever they they put out.

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Nashville Pussy (a band)

you'll never be the same

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In reply to by proudfoot

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11/24/78 Shakedown Street

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wow dude, Tull in 69 very cool. Loved their early stuff. That appearance on the Rolling Stones Rock and Roll Circus video shows them back about that time. Loved their concept, grubby clothes and all sporting that Aqualung look. Anything Aqualung and before is worth checking out with Stand Up and Benefit being my favs.

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In reply to by KeithFan2112

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Keithfan - it's decades since I've heard 666 - I feel like checking it out again myself now.
Two other bands you might be interested in checking out are The Graham Bond Organisation and Black Widow, who both made albums with occult themes in the late 60s early 70s. Black Widow even went so far as to perform Satanic rites, or their approximation of them, on stage. Not that I ever saw them - or actually heard them, come to that. Sounded like a night out, though!

No offense to Monsieur HF, but You’d think Dave would go with 9/15/73 or 9/17/73 as the Wake 50 bonus as they both are good shows and they played 6 songs off of Wake, the most ever. (Counting WRS as one song).
Even 9/11/73 would work, though it only has 4 of the new songs, but really needs to show up somewhere. It’s on Dave’s maybe “list” too.
I know many don’t dig the horn shows, but I think their cool, and hey, come on, it was a big thing in their ever evolving history and yet we have zero out yet? Think it would make a good 2 or 3 show mini box: 9/11 Dark Star!, one from the 15 or 17, and perhaps one from the 21, 24, or 26th to illustrate how things changed by the between the start and end of that very unique tour.
But this is Dave we’re talking about so who knows?
You would think the Glen shows have to turn up some were, but they only have 4 newbies and are they strong enough on there own? Always heard the show was decent (for then) but that the “sound check” was better?

Hell it’s all good though, come on Dave ; )

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In reply to by billy the kiddd

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Jerry Garcia and Friends, I believe was the advertised headliner for the Bob Fried Benefit this day at Winterland. Hmmm, who might that be? I made it to this show, too, in 1975. I did pretty good, I only missed the record release party at the Great American Music Hall. That would have been awesome, such a small intimate venue. My friend Dan was there, I'm so envious.

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In reply to by nitecat

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To have been there would've been incredible...I listened to the live broadcast at home, recording it and then afterwards drove the LA freeways just blasting it on my system...I had a major party to go to but I was late and sitting there, I thought, nah, left and drove around re-listening to the recording...not too long after the boot "Make Believe Ballroom" came out which was another treasured keepsake....

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In reply to by Oroborous

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Maybe in '23 they'll put out a box of RFK from June '73 and the Watkins soundcheck and show (toss in 7/31 and 8/1?) as was planned many years ago. If they have to cut a few songs from 6/9 and 7/28, no problem here. And then you can tack on a reeelly big sheeeew from elsewhere in '73.

In a word, I'm easy. But you probably already knew that. I totally reject the notion, expressed on another forum, that there's not much greatness left in the vault. And the recent OSF '68 find proves it.

Just let the good times roll!

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1) 9/20/70. 2). 11/7/71 3) 8/24/72. 4). 5/26/73 5). 7/25/74 6). 6/17/75. 7). 7/13/76. 8). 3/19/77. 9). 11/24/78. 10) 2/17/79 or 4/22/79 One show for each year of the 1970s, I think it would be a very popular box set. I think these shows are all in the vault. If anybody has shows they think night be better picks, Id like to hear them, especially for 1971, 1974 & 1978, I'm pretty sure about the other picks.

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Hey Nappy, man, been a long time since I thought about this, but drove AZ 666 in 1995 before the name change. That road is terrifying! For like 2 miles you cross into New Mex too. Did you get sucked into seeing "The Thing!"? We each threw down the 75 cents to see it, best decision of my life.....

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In reply to by itsburnsy

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if The Omen hadn't been made, no-one would care.

it's a quantity
a number

I worked at a retirement community with a religious affiliation back in the 90s

the last three digits of the main phone number were 666

someone expressed actual concern over that

now 3...that's a magic number

and 666 is divisible by 3

add 666 together and you get 18

18 in Hebrew number system is a name of G-d

so 666 is an element of G-d

NUMEROLOGY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

watch the movie Pi sometime

it'll blow your funky mind

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So I’m driving with the wife and we go by a house that’s got one of these 100-foot-tall flagpoles with a gigantic American flag flapping in the breeze. And she goes, “I wish we could buy that house, and then put up a gigantic Steal Your Face flag. That would be so cool.” And I’m like, now THAT’s my girl!

Actually, we’re kind of “mixed couple.” Same race and religion, but she’s a first-set gal and I am second-set dude. She likes the shorter songs, especially the happier ones. I like the long jams, and I’m always up for Jerry tear jerker. Somehow, we make it work. I’ve got so much honey the bees envy me.

Last five to stay alive:
King Crimson: Red
GOGD: Road Trips Denver ’73
Kenny Garrett: Pursuance
Makaya McCraven: Deciphering the Message
Sonic Youth: Sister

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I heard that rumor that there was a new Owsley show recorded in '68 recently unearthed.

Does anyone have more info about it?

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666 came from a group of people who were trying to kill Julius Cesar, and that is the code name used for him. Now back to your regularly scheduled decade box set.

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Charlie Musslewhite apparently played on the same bill as the Dead, doesn't get any better then that.

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In reply to by Slow Dog Noodle

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Check the OSF Facebook page for info on the 68 reels.

Edit:
Don’t know why OSF can’t post the info on their own website.
I don’t have a Facebook account and was initially able to read the OSF page, but then got blocked.
Laziness on OSF’s part I guess.
Maybe they’ve posted it since I last checked a few days ago.

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Billy – Great Concept! One question: What's your pick for 1978? Can't find a show on "10/19/78".

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Jeff, thanks for setting me straight, 10/20/78. I went the 20th & the 21st. The Black Peter on the 20th is as good as it gets.

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I'd like to see Chicago 7/25/74. Great set list, last Dark Stark of '74 in the Vault, and it segues into an embryonic version of Slipknot!

I think I'd like 11/24/78. While I do have a great SBD version and video from a good friend, I would like a copy that sounds as good as the top-shelf Full Norman Betty Boards. Not enough officially released late '78 with material from Shakedown Street.

The first time I heard the words Grateful Dead uttered was in 1st grade art class. As I was drawing a KISS logo, my art teacher, who wore her hair back in bandanas every day (often tie-dyed) asked what it was. I explained it was a music group. She asked if I had heard of the Grateful Dead. Uhhhh.....no....are we still talking about music?

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Kiethfan, thanks for the show suggestions for the box set. I'm. glad to hear from people who know way more than me , when it comes picking the the coolest Dead shows, I'll put those two shows you suggested in my lineup for the box set.

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Caught Bob and the pack in Asheville last nite. Very mixed feelings on this one, but the second set with New Speedway>Eternity>TOO>Eternity>Chinacat>Rider>Morning Dew redeemed the band.
Bobby pleases the cowboys with the first set. There seemed to be a lot of cowboys there and a lot of people who did not come for the show, the amount of talking and off key singing was horrendous. The guy directly behind us could not carry a tune if his life depended on it, but he still tried in the top of his off key voice, very disturbing.
If Bobby is going to use a brass section, they should be on tempo and on key, there seemed to be someone off key in that section of the band, don't know if it was the trumpet or the trombone or the sax, but when they all played, a lot of sour notes to my ears.
The screaming of "Bobby" at the top of ones voice can't be heard by Bob. I can't hear and I was not a rock star who spent 30 years on stage with the Dead, so he can't hear your screaming, but the person in front of you gets it's full effect, which sucks.
Got to give Bob credit, he's 6 years older than me and he is still up there, doing his thing. I thought in my opinion that Ratdog was a much better band. In fact, we almost left after the first set., especially when it started with Me and Bobby Magee. Glad we didn't but you get my drift.

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In reply to by DeadVikes

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Grateful Dead
Electric Theater
Chicago, IL
April 26, 1969

Dupree's Diamond Blues
Mountains Of The Moon ->
Dark Star Jam ->
China Cat Sunflower ->
Doin' That Rag
It Hurts Me Too ->
Hard To Handle
Cryptical Envelopment ->
Drums ->
The Other One ->
The Eleven ->
The Other One ->
It's A Sin
Morning Dew
Sittin On Top Of The World
New Minglewood Blues
Silver Threads & Golden Needles
It's All Over Now, Baby Blue
Saint Stephen ->
Turn On Your Lovelight
---Encore---
Viola Lee Blues ->
Caution Jam ->
Viola Lee Blues ->
Feedback ->
What's Become Of The Baby ->
Feedback ->
And We Bid You Good Night

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I can feel your pain. I had no plans to attend any of the shows, but I watch an occasional video just to see what the band is up to. Every show I've viewed, and I mean EVERY show, the crowd is singing along to all the songs, so loud you could barely hear the instruments or the singing. That would not be fun. Glad to hear it better for you though.

Edit: The reasoning behind my "I had no plans to attend any of the shows" is that I consider anything post-08/09/1995 simply a Grateful Dead cover band. No disrespect to D & Co. or any of the other myriad off-shoots (I would love to see Phil & Friends though; they seem to have a much wider and diverse repertoire than D & Co), if you've seen the real thing, nothing else matters. I understand the want/need to keep the music going and make some spending money, but I prefer to remember those times when I was there. I guess we were just lucky to have been there.

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In reply to by nappyrags

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This was released as Dick' Pick's 26, as a 2 CD set, albeit a very truncated version. The 2nd disc is from the next night at the Labor Temple in Minneapolis. A couple of songs from the Labor Temple show are at the end of Disc 1. This is my favorite DP release, although I don't have many. Supposedly, this is the only live performance of "What's Become of the Baby". I always wanted this complete show released.

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In reply to by rasta5ziggy

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And as someone reminded me earlier this year - the Viola Lee Blues from this show is on "Fallout From The Phil Zone."

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In reply to by daverock

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....did you know that Keith Moon died in the same room that Mama Cass Elliot died in four years earlier? And they were both 32 years old?
I didn't. Now I do.

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DV, I think KF means the last unreleased '74 Dark Star (jam - no DS verse) in the vault. And, as some here might dimly remember, cause I think its come up before, that show is sort a near and dear to my heart, not cause I was there (alas, no) but ca. 24 years ago, out here in the great Red Rock unknown, in my bottom feeder tape trading days, I stumbled into an audience recording of that show, based on my love for '74 and all things Chicago cause I grew up there, without realizing that neither the soundboard, or any audience recording, actually circulated at that time. Sort of a big splash in certain circles (I think Deadhead Compendium wanted a write up for 1st edition from a friend I dubbed a copy for, but compendium was already in galley proof so not possible) because it was the last uncirculated DS from that time, with a Slipknot reference to boot. I got it from the taper himself, whose name I don't recall, a friend of a friend, who also didn't realize that 7/25, the only show he ever taped, was not in circulation. And it was clear as he related his experience at the show, as he lent me the original cassette tapes, under the desert night sky in this dusty little town on his way up from or back to Flag, before or after running the Green or Cataract or some such desert river, that the show was a complete religious experience. So, yes, for years now, I've wanted Dave to release 7/25/74. (edit - to be clear, I want to see complete shows of all of '74 released.)

As for a '78 show for the 70s box - right now I'm thinking maybe 11/18/78 at the Uptown. Yep, Chicago. And who knows, maybe the first 2 shows from that run, which don't circulate as complete SBDS, might also be in the vault.

And the Electric Theatre (Chicago again) in April '69? Lets release everything we got from those shows too. If I remember correctly, it's a studio mix of What's Become of the Baby being played over the PA while the Dead play feedback to it. Sounds like some serious '69 craziness that night.

And, in another Christmas miracle, can we find and release the, up to now, missing reels from the International Amphitheatre 2/19/73?

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In reply to by bluecrow

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Very cool story. You were famous.. till the soundboard presented itself in 2004. I don't think I'm famous for, well, anything, but I'm holding out hope.

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9 years 2 months

In reply to by JimInMD

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Famous - ha, not at all. still remember listening to the whole freaking show on my very cheap headphones on my very cheap stereo, in the dark of the aging, leaky roof trailer i rented at that time. It was recorded from the balcony in the International Amphitheatre for goodness sakes, with a distant cavernous sound, but yeah I was "there"(!) I could hear it "all"(!) and it was pretty damn cool! And I dubbed an extra copy for a close music friend in Chicago ("Quinnah" at Dr. Wax) and a month later I got a letter from him where he blew me away with the fact that the show didn't circulate, and all that other stuff. To me its the improbable synchronicity of the whole thing that blows my mind. I still have a vision of that high desert night, out in front of the Kokopelli where our mutual friend worked, talking to the guy who taped it, and him describing how he got seriously dozed by someone with the band, how Phil was somewhat under the weather (not that you would know it by his playing) and sat on a stool for part of the second set, and how the Ship of Fools encore was a complete and total religious experience. And funny thing, it wasn't the first time for that with the Dead in that tiny little town.

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11 years 10 months

In reply to by bluecrow

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...ah yes, Cataract Canyon...if memory serves there are rapids called "The Big Drops" with one in particular called "Oh S**t!!! there...it was a blast...The rapids at the end were kind of non-existent then because the water from Lake Powell was backed up deepening the river...not the case anymore...a few more years of this drought and Lake Powell will be a wading pool...

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9 years 2 months

In reply to by nappyrags

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Nappy - i boated the San Juan 100+ times easy but never Cataract. Some day.

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7 years 9 months
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Whatever. I'm sitting here still grieving Mark Lanegan, strumming my Jake E. Lee Charvel strat when news of Taylor Hawkins death comes out. Goddamn! Too many of these guys are dying too young. The Foos were about to take the stage in Bogota and they found him in his room. Fentanyl? Shit. Bummed.

God bless everyone and don't take the chances you used to... the drugs are dirty these days.

\m/

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7 years 7 months
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Wow. I wonder where this great setlist show will turn up. Dave's pick in the future? Part of a primal box? Who knows. Let's hope it will be soon.

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15 years
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Yeah, we also said the same thing, in fact, during the first set I leaned over to my wife and said "worst dead cover band ever". I also had some fun while they tried to play Casey Jones, we laughed and laughed, I said "if Bobby did a line of coke right now, it would probably kill him" and my wife replied that the train is going so slow that the notion that he's having is that it's nap time. Funny because in 2010 when Furthur was in town, they played Casey Jones and it was excellent, started slow tempo and just got faster and faster. Now, that train can't quite get out of the station. I also got to say this, what was that absolute crap that they were smokin' in that hall? Smelled like incense and gave me a horrible headache. I'll stick to my blueberry muffin. So good.
Last concert for me, it was a good run, but now it's over for us. 53 years of going to see rock bands, and we had a time.

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Re: Taylor Hawkins-In one way, it’s hard to imagine someone not heeding the warnings of all the dead musicians that went before. However, as a recovering alcoholic who had 6 years sobriety, gave it away, drank for 8 more years(torture), and is so blessed to have 8 years sobriety, I DO understand. NO ONE is above the disease of addiction. And to endeavor to stay clean and sober is a difficult, yet rewarding, lifestyle. I pray for those going down this road right now.
On a positive note: I was lucky enough to get a clean, soundboard copy(CD) of the 4/26/69 show, and it is a thing of wonder. I’d be happy to send one person a cd copy, if they want to digitize it and share the file with whoever would like a copy. Until Dave(or someone) releases it, it is one prize of my collection.

Please remember, when we help someone else, we help ourselves.

Music is the Best!!

Not a foo fighters fan
But
My beloved got tix to see them in town in august
Now one of emz dead
Re-Placement?

Ive seen the needle and the damage done

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