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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • daverock
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    Who he?

    I was confused by the names of blues authors too. Who was this "McDaniel"? If they meant Bo Diddley, why couldn't they say Bo Diddley. He did. Often. Also curious that Robert Johnson's " Love in Vain" was credited to "Payne" on my old "Let It Bleed" album. It has been credited to Johnson on the most recent ( and definitley last) version of the album I got-the 50th Anniversary cd.

  • deadegad
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    Go to Nassau 1980 tapes?

    Any Dave's picks is good news to me so another 77 is welcomed and the sound samples sound great to my ears; but, I do understand the clamoring for more 80s/90s or even 60s. With the quality issue of the 1980s tapes in mind I do wonder What's become of the three night 1980 Nassau run? I think all three were recorded for the King Biscuit Flower Hour Radio. Did The GD, likewise, record them -- or other shows from that time period.

    Perhaps an expanded Go to Nassau with all three nights could be released? They were strong shows as the excerpts on the official Go to Nassau demonstrate. That could scratch 'The more inclusive years' itch. I would buy it despite already having Go to Nassau which I love. If there are other shows of similar sound quality from that period. . .. Spring 1980 Selections Boxset!!! A compromise could be a matrices of boards and tapers copies? Go with what you got to include more years.

    And Dave if you are reading a Fall September 79 New York City @ Madison Square Garden would be a great official release! These were Brent's first N.Y.C. shows and solid were those shows. It's a sell-out mini box waiting to happen.

    I dream of Radio City/Warfield tapes being rediscovered in that Raiders of the Lost Ark Warehouse for complete box sets. Let's manifest these dreams.

    Melkweg 1981anyone w/Grugahalle??

  • carlo13
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    Stellablue

    I like the new artwork. I think it is a lot different. Stella, if you want to surround yourself in Hendrix, and the slew of 60s icons, along with the dead playing viola lee, I would highly recommend the complete Monterey pop fest 67' on criterion dvd box. It is chock full of beautiful music and hot chicks too. It also contains the full dvd 'jimi plays Monterey' with 49 minutes of hendrix. If you are younger than the rest of us on this site (sorry guys) you may not have seen it. This will put to rest the whole 'trey' fiasco to bed. I love fish, but only the haddock, and tuna variety.

  • hendrixfreak
    Joined:
    I was walkin' through the woods......

    So, like many, I got my first Beatles album in about 1964 and my first Stones album a year later. On the latter, I could see on the credits that "(Jagger/Richards)" meant that Mick and Keith had written the song.

    But what the hell was "(Chester Burnett)" or "(McKinley Morganfield)"??? These "names" seemed so foreign, I didn't understand that these were people's names. (How stately, how dignified: "McKinley Morganfield"!)

    But I decided, based on the blues sound, that I had to find out. So in my teeny bopper years (say, 10-13) I sought out the truth: the basic blues I loved was written by Howlin' Wolf and Muddy Waters. Major discovery. Even while I turned on the Hendrix and (yes, sadly) Grand Funk Railroad, (better) Ten Years After, and Janis, I began my journey to the blues. At first, the R&B and soul on the radio: James Brown, Ray Charles, Aretha Franklin. Then BB King, Albert King, Freddy King, Buddy Guy, Hubert Sumlin, finally Robert Johnson and Lonnie Johnson.

    I feel privileged that I got to see BB several times (his call-and-response with the audience, powerful horns!), Freddy several times and Albert just once (but in Chicago from the lip of the stage).

    Without 400 years of oppression, torture and murder, no blues. No blues, then no jazz, no rock 'n roll. In short, no blues, no nothing. Nothing to move the soul or the feet. And it's global, in the context of world music. Would that we could have gotten there without those 400 years and their crimes against humanity. But that stretch will reverberate on this Earth until humans die out. Which may not be all that long, the way we're going. OMG! Best put some world-weary Lonnie Johnson on and sing along.

  • Dennis
    Joined:
    crow told me and innovation

    My buddy summed it up years ago for me, 2 types of musicians.

    Refiners and definers.

  • daverock
    Joined:
    blues and blues rock

    The first time I saw a real blues singer/band /guitarist, as opposed to a rock band that played blues songs was B.B. King around 1980. It was, not put to fine a point on it, a revelation. I'd only heard a couple of his 1970's albums by then-"Midnight Believer" was one-and although it was alright - it was only alright. But live it was a different world.

    I saw a few after that - Albert King, Memphis Slim, John Lee Hooker and Buddy Guy come to mind. The most recenet I can remember seeing was The North Mississippi Allstars, about 3-4 years ago. Well worth checking - quite trance inducing.
    Also Catfish Keith. He is an American who came over to England quite regularly in pre-pandemic times, bringing with him his trusty National Resonator. Mainly blues/gospel in the Blind Willie Johnson style. The singing might be a bit ropey - but he's got the guitar style down pat. Nice guy ,too.

    Must have been something to see Big Mama Thornton live.

  • kevinbrandon
    Joined:
    Green Bay game and The Grateful Dead tonight

    going into the commercial a 70's? One More Saturday night....very nice

  • billy the kiddd
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    Introduction to the Blues

    The first time I heard Blues music, was in 1969/70 when my brother bought the Chess l.p. Bummer Road by Sonny Boy Williamson. The first time I heard Blues music live was at a Blues festival at U.C. Berkeley in the early 70s, Sonny Terry & Brownie Maghee, Big Mama Thorton, and George Harmonica Smith were all on the bill.

  • daverock
    Joined:
    Introduction to the blues

    For me it was listening to The Stones - and Keith Richards in particular. In interviews he gave he would name check Muddy Waters and Robert Johnson - and where he went, I was sure to follow. Not always the best policy perhaps - but alright in this context.
    Seeing the film "Performance" turned me on to Ry Cooder and slide guitar. That's probably the best soundtrack to any film I have ever heard.
    And then seeing Rory Gallagher live - he was wild.

    Just going off the records, I didnt really pick up too much on The Dead's blues roots. My favourite interpretation of theirs that I heard - hands down - was "Death Don't Have No Mercy" on "Live Dead". Incredible.

    Also in 1974, I saw an English band called Dr Feelgood, featuring the extraordinary Wilko Johnson. No lengthy guitar solos here - they played r'n'b fast and punchy, with the emphasis on rhythm, not virtuosity.

  • Crow Told Me
    Joined:
    Jimi Uber Alles

    Hendrix is beyond comparison. He changed completely the way people play electric guitar, and what he did was so powerful it also changed other instruments, and music in general.

    Listen to electric guitar playing prior to Hendrix and you realize that nobody was taking advantage of the full potential of the instrument. People played it the same way they played acoustic. There were lots of great players (especially in jazz) who could play fast, but nobody was taking advantage of the unlimited range of tones offered by an electric instrument. With Hendrix, everything goes from black and white to technicolor. The guitar can sound like a flute, or a thousand cellos, or a set of bongos, and it can even sound like a helicopter, or wind, or an explosion, or lots of other things that weren't usually considered music. That's pretty revolutionary.

    One problem with musical innovators is that, after they show everybody how it's done, their innovations become the new normal, and people forgot how incredibly different they were when they first appeared. Once people saw and heard Hendrix, they copied him. His sound became part of mainstream, and people nowadays generally don't get how incredibly ahead of his time Hendrix was.

    I don't mean that as a put down on anyone: it's not anyone's fault. This is just how music evolves. There are a few people who come along with something new that changes everything (Coltrane, Hendrix, Dylan) and they there's lots of great players and singers and songwriters who take what they did and bring it to the masses. In my mind, we can't compare the two. But that's just me.

    FWIW, I think the GOGD belong in the class of innovators, as a group, because they came up with a style of ensemble playing that nobody had done before, and which became widely copied once it was heard. Just like you can't really compare other guitarists to Hendrix, you can't compare other jam bands to the GD, even though those bands can be very enjoyable.

    Standard disclaimer here: this is all just my opinion, your opinion is just as valid, blah blah.

    No shipping notice for me yet on #41, maties. I did, however, pre-order the vinyl 3.1.69 from Amazon, so we'll see that goes. I am in the midst of a major '69 bender, pulling out Two from the Vault and DiP 16 and 26 and whatnot. This is all YOUR fault, all youse who keeps demanding a '69 box. And I'm with ye if you want storm the vault to get one. Nothing like '69. Huh huh.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

There already is a complete show available and it's a Charlie Miller remix to boot ... since the archive made soundboards unattainable as downloads you can find it at shnflac dot net...if you're new to this site look at the top of the page for the search bar...under project use the drop down and enter GD 1969...under kind enter CM-Gems...after that hit the search button and pages of 1969 shows pop up...all you have to do is scroll and look for 4/26/69...I think it's on about the 2nd page...the other show from the Chicago run is available along with The Boston Ark shows just prior to the Chicago run...

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39 years ago today I was at the Aladdin Theatre for another great night with the Good Old Grateful Dead. My friend and I sat at the craps table after the show and he won $500 dollars, he had never played before, I didn't fare so well. Big fun!

We started the weekend with The Compton Terrace show the night before...then after that we drove directly to Vegas getting slightly lost on the way...we did see the sign for "The Dead Mountains Wilderness Area"...kinda scary in a "haha are we tripping or what way"...that Compton Terrace show had the first Help >Slipknot >Franklin's since '77 I believe...what I remember most about the Vegas show was that the "regulars" weren't used to rock 'n roll madness yet and our being shadowed by casino security...I think...

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In reply to by proudfoot

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David Bowie the man who sold the world
Nashville Pussy Rockpalasst 2000
Nashville Pussy Bogota 2016
Motorhead Kiss of Death
Neil Young Arc

and

FUNKADELIC

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In reply to by proudfoot

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....on 8.13.
Unable to attend. That's my granddaughters wedding day. I'm walking her down the aisle.
Maybe next time George.
Regarding 3.26.83 Aladdin, I was into metal then.
The Aladdin theater has great sound. Saw my first concert there in '84. Iron Maiden.
It's still there. Now called Zappos Theatre. Don't you DARE tear that building down. If that happens, I'm grabbing my pitchfork and torch.
Phish crushed that venue on 12.6.96. Claypool and LaLonde sat in for the encore. One of the best shows I attended. Swoon.
Officially released.
To see the Grateful Dead there would have been incredible. I was apparently born three years too late.
RIP Hawkins. Damn.

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I must chuckle, for it is quite obvious that I am NOT a technically savvy person. I grew up with physical product, and I will die with physical product. Quite hilarious to think I may have something unique.
DAVEROCK, thanks for the supportive response. Life can be good , sometimes it just takes time and effort to figure things out.

Last 5:

Cuong Vu 4 Tet-Change In The Air
McDonald And Giles-S/T
Grateful Dead-Hollywood Festival ‘70 highlights
Queen-News Of The World-Disc 3
Fleetwood Mac-S/T + bonus tracks

Nappy,
What’s the ID # of that Miller?
I was at etree and losslesslegs last night but didn’t see anything new.
I have
sbd.gmb.96449
sbd.unknown.13390
sbd.yerys.71

Thanks

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11 years 10 months

In reply to by icecrmcnkd

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This is an old transfer that Miller did in 2009 info as follows

gd69-04-26.sbd.miller.97393.sbeok.flac16

on the info page it says he used 96449 as a patch source

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In reply to by nappyrags

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My Car Deck died yesterday...or at least the CD player did...I can still hook up my Hi Res player through the Aux input and use my iPod Touch as well plugged into the USB Port, but what's the fun in that?...actually I've been listening to audio books and podcasts in the car but any excuse for shiny new toys right? I'm looking to get a CD player that has the capacity to play 24-96 bit Hi Res files via flash drive and gee golly, guess I'd have to upgrade my speakers while I'm at it...I have a Subaru Forester (2014) so we shall see...Oh Honey!

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In reply to by JimInMD

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Darn cat!!! he got mad cuz I wouldn't play any Cat Stevens...He's partial to Moon Shadow...

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10 years 3 months
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DaP 16 was 49 years ago (cover looks like a Scooby-Doo House) Great show IMHO. Disc 3 gets a lot of attention because it IS truly a monster (WRS Prelude => Dark Star => Eyes of the World => Playing in the Band). I think it's very strong and energetic right from the opening of Cumberland Blues (although it's a bummer that Jerry's guitar drops out right as he starts cooking through a solo in Cumberland; it sounds like it was a real scorcher). Otherwise the recording is fantastic and the band cooks. What else could I ask for? A Loose Lucy, that's what. Oh - what do you know, it's in there.

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Billy & Nappy, I was at that Aladdin show as well ... not too big a deal to get there, living in Santa Monica at the time ... it was trippy to see all the heads (in fully regalia!!) invade the casinos ... the regular guests were perplexed, at best! The show was great fun and typical of the 82-83 time frame.... I was fairly new to the scene, having see the boys at Red Rocks, OK City, the US Festival, Frost, etc ... this was another completely new (and somewhat bizarre) experience!

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In reply to by Oroborous

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Should I be worried that I can't find my Leatherman???

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17 years 5 months

In reply to by nappyrags

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Perhaps sleep with one eye open?

The Supremes - Love Child.
Pink Floyd - The Wall.
GOGD - 1973 I think. Got a little high.
The Scorpions - Rock Believer.
Joan Jett & The Blackhearts - Changeup.
Elton John - Madman Across The Water.
....time for bed. Think I'll play some more Supremes to lullaby me.

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39 years ago today, I was at the Warfield Theatre for another great show with the Good Ole Grateful Dead. These 3 shows would be the last time the Dead would play at the Warfield. Garcia would still play here with his electric and acoustic bands, also with David Grisman several times over the years.

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Hi All, I hope everyone is doing well. I happened to stumble across Bob Weir 's page in my news feed on Facebook. There is a free stream of the Wolf Brothers show happening right now. Its on the Nugs.net YouTube channel.

I have found Bob playing with the Wolf Brothers accompaniment interesting and refreshing especially when compared to Dead & Co. - I am not putting Dead & Co down as that is not my intent. I just think it is neat to get a different musical perspective on classic GD and related tunes and Bob does that quite well with this group.

Anyway for those that are interested you can go check it out.

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13 years 5 months

In reply to by Gratefulhan

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I tried to stream this.. but they wouldn't let me unless I signed up for the 30 day trial. Maybe I will do this later, but it's not in the cards tonight. Oh well

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In reply to by JimInMD

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Asleep in GD land

Last....hmmm....fiiivvv.....zzzzz....

Ramones
Ramones r2r
Motorhead Inferno
Nashville Pussy High as Hell
Yes Relayer

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In reply to by proudfoot

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2 Boxes per year Dave.
2 Boxes per year Dave.
2 Boxes per year Dave…….
.
.
.

If we were allowed to have 2 Boxes per year, then we would probably be getting a new release announcement around now.

Dave?
Dave?

Dave’s not here……

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In reply to by proudfoot

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Killer Alice Cooper
Rock N' Roll Queen Mott The Hoople
Unicorn ( mono vinyl - sounds lush) Tyrannosaurus Rex
Slow Death The Flamin' Groovies
Focus 3 Focus. The sort of album my old friends would describe as "good music."

I read an interesting novel by David Mitchell called "Utopia Avenue" earlier this week. Its a fictitious account of a rock band in London during 1967, but it interweaves real characters into the plot. So when they go to a party, Brian Jones and Syd Barrett are there. And when they go to San Francisco - they meet The Dead, and one of the characters has an acid trip with Jerry in Golden Gate Park! Beautifully described over about 8 pages. It sounds a bit preposterous, and it is - but I really enjoyed this book.

Dicks Picks 19 coming out on vinyl here next week. As ever, it costs an arm and a leg, and as ever I will probably buy it anyway. I do like these vinyl reissues.

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In reply to by JimInMD

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I tried to listen to The Weir(y) Wolves last night on that nug.net feed and i thought it sounded terrible...come this A.M. and I'm reading a page from Lossless Legs about it and folk who are more tech savvy then I am were talking 'bout how bad it sounded because it was out of phase...how do sound folk allow that to happen? Or how does that happen?... I just caught the Wharf Rat > Good Lovin' end and wasn't that impressed, bad sound or not...too laid back and slow for me...people's comments on the sidebar were hilarious...so gushy goo sweet and lovin' it (More power to 'em) you'd think they were talkin' about a newly unearthed '68 board or something...

P.S. My fave wolves are Mexican Greys.... ;)

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In reply to by nappyrags

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Daverock's mention of Alice Cooper brought to mind a couple of strange billings involving Alice...first at the Hollywood Palladium it was headliner Alice, then Howlin' Wolf (No shit!) and opening was Commander Cody & The Lost Planet Airmen...who thought up that billing I wonder...I was out of town and missed it but I remember friends who went telling me Wolf was not looking that good and did his set sitting in a chair...the one time I did see Alice was in '77 at Anaheim Stadium...Alice, The Kinks second billed then The Tubes and Nazareth...we went for The Kinks...we were down front and when The Tubes came back out for their encore (White Punks On Dope of course) they had a great surprise...just before they came out there were whistles blowing and heavy snare drumming...lo and behold a marching band & drill team from a predominantly Black High School came out and performed with them...crazy funny....this was the tour that was billed as "The Alice Cooper Show" and that it was with the guillotine and all....

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Nappy, my favorite wolf, is Chester Arthur Burnett, hands down. I agree 100% with you about the Wolf Brothers, they put me to sleep.

....didn't watch that live stream, but I youtoobed a Wolf Bros show from last year at the Greek. I lasted two songs before I started nodding off. I mean, they're great musicians but agree. Too slow.
I finished The Peacemaker TV show instead. Funny stuff.

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Alice is, to me, a real interesting figure in rock history. From what he says, he realized one day that rock stars were all playing Peter Pan, but nobody wanted to be Captain Hook. And so he took that on, and made millions. Kind of brilliant, really. He also made a kind of rock and roll that was expressly “for the kids” at a time when rock critics wanted rock to grow up and be “serious art.” He made some killer records with his original backing band: Love It to Death is a classic, IMO.

I got the DaP vinyl from Real Gone, glad to hear it’s going to be available via deadnet. I’m glad I got it, although I must say it does show some of the limitations of vinyl when it comes to Dead shows. It’s six lps, and some the running times are pretty short: a 9:42 version of Sugar Mag get its own side, and one other side is about 12 minutes, which is not super convenient. And Dark Star-Mind Left Body gets split in the middle. Still, it’s kind of a Cool Thing to Have.

Wolf Bros is just too slow and sleepy for me. God bless Bob for staying alive and well enough to keep performing, and I hope he keeps going and going and going. But there’s a lot of other stuff I’d rather listen to. Such as:

Bartok: Concerto for Orchestra
Sonic Youth: Daydream Nation
ABB: Cream of the Crop 2003
GOGD: Warfield acoustic thingy
Van the Man: A Night in San Francisco

Go ask Alice, I think she'll knooooww!!!

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10 years 2 months
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For the release of DaP 1 vinyl April 29. Getting antsy.
Daverock, who is the vendor on that DP19 vinyl over there, and if I may ask how dear is it?

Last 5: (all vinyl)
Tull - Thick As a Brick
Gentle Giant - Self titled
Yes - Fragile
Lenny White - Big City
DP 19
Cheers!

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15 years
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Best lp's Love it to Death, Killer and Schools' Out. Saw Alice twice, once in 72, great show, Schools' Out had just been released and the stage hands and Alice thru out panties into the audience. Had a couple of hotties dancing in cages on the sides. Did all the theatrics. the guillotine, the straight jacket during The Ballad of Dwight Fry, the blood all over the stage, the fake chicken that it looks like he cuts into pieces, it was all there and that band was so tight, 72 was a great year for rock and roll. In fact, the peak of rock in my opinion was 69 - 72. Also saw Alice in 78, pretty much same show, but different musicians, a different band for sure. There was this new guy on lead guitar who looked like a body builder or a wrestler or that ilk. He played a guitar in the shape of an M 16 rifle. He could actually rock even with those bananas that he called fingers. Alice was another of those bands that I played to drive my old man nuts, he would literally turn red and start screaming at the top of his lungs, he really did hate rock and roll. May he rest in peace.

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In reply to by 1stshow70878

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Istshow- DP19 is for sale on Amazon UK at £160.91. Expensive and some very short sides. Still...

Crow - that's how I perceive Alice Cooper, too. I liked them when they were a band, and not an individual, and Summer 1972 was when I got into them. They seemed like a poke in the eye to everyone- society, the Woodstock Generation, my friends who liked "good music" - and at the age of 15 they were right up my street! In fact I have just played my 50 year old copy of "School's Out"-and uncannily it plays alright, with hardly any clicks or crackles. They were one of the bands who had great singles in 1972 who I have mentioned before - Mott The Hoople, David Bowie, Hawkwind, Roxy Music, T.Rex.

In fact, I read another book this week, about the music of 1972 focussing on these bands. "Pin-Ups 1972 Third Generation Rock N' Roll" by Peter Stanfield. It suggests the above bands represented the third great era of rock n' roll, following on from Chuck, Elvis Little Richard etc in the 50s and The Beatles and Stones in the 60's. What he writes doesn't exactly tally with my experiences - but it's close enough.

It's a bit of a coincidence that my favourite year for The Dead may well be 1972 as well They were obviously operating from within a different dimension to these other bands I have mentioned. The Dead became more my cup of tea when I got to the grand old age of 19. Although I also saw countless punk gigs then, when it was in it's early days-summer 1976- summer 1977. Sorry for going on a bit!

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Nappy, you are so right, a lot of the folks who were at the show last week were loving it, me, not so much. I agree that it is good that Bob is still out there playing, but this could be his final year of touring. I remember back in 14 or 15 Bob saying that he thought that he had 7 good years left, which would put him at 75. Bob will be 75 in October so this could be it as far as tours. He could go the Phil route and just play limited engagements at his favorite venue or maybe just retire. It's hard to say but he really has turned some of those dead tunes into lullaby's. Don't know if there will be a Dead and Co tour this year, saw that Mayer is on tour solo. Plus Billy has been told not to tour and Mickey has gotten Planet Drum back together so I don't think there will be any Dead and Co. this year. Not that I would go, also way too slow for me.

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5 years 1 month

In reply to by daverock

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They are releasing Dick's 19 vinyl again? I bought it a little while back. I don't remember them releasing DP 36 vinyl twice. I missed that the first time around and had to get it off ebay for quite a bit more. Hm....

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10 years 3 months

In reply to by DeeDeeMcTrivers

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I've just had a look, and I bought that one off Amazon UK in March 2021. I don't know if it came out in the States before then.

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10 years 3 months

In reply to by 1stshow70878

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Maybe I should also say that the VAT for Dp36 was nearly £30.00 on top of the asking price. So although DP19 is listed on Amazon UK at about £160.00 - the actual price will be closer to £200.00. Cripes.

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and I don't know what the dead might do. Saw on facebook that there will be a Dead and Co. tour this summer.

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Dead - “Best of” PNW Box - Believe It If You Need It (Keith’s playing is sublime throughout the whole box, and the band raises their game in the PNW)
Ry Cooder & Ali Farka Toure “Talking Timbuktu”(Ry was into World Music long before it was a thing!)
Eagles - “On The Border” - i wish they stopped after 3 albums, before going Hollyweird
Soundtrack to the movie Afterglow - Mark Isham and Charles Lloyd at their best
Cowboy Junkies - “Songs of the Recollection” - a version of Gram Parsons’ “Ooh Las Vegas” with stunning fuzz guitar and ethereal vocals that ole Gram would have loved!!

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10 years 3 months

In reply to by That Mike

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Coincidentally, I have been listening to 5/19/74 from this box over the last day or so. It's the album, though - so just one record at a time, then I'm off. Side H has just played, which leaves I,J,K and L to look forward to tomorrow. A beautiful recording. Such a spare sound with great separation between the instruments. What you miss in crunch is more than made up for in clarity. Both Jerry and Keith shine. In fact, I might play the rest of this later on tonight.

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4 years 1 month
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Vinyl prices are so out of hand. It’s great that DiP 19 is available again on vinyl, but it’s outrageous that they’re charging $199. For comparison, the 3/1/69 vinyl, also six discs, was (I think) $74. So why is this reissue of a reissue $125 more? Or to look at it another way, the initial Real Gone release of this set was $119 (which was bad enough). Why the extra $80?

My guess is somebody looked at what these reissues go for on the “secondary market” and decided it was OK to start charging scalper prices from the get go. Not cool. I realize nobody’s putting a gun to anyone’s head and making you fork over $200 for vinyl DiP that you can buy on CD for $50. But it still seems greedy. Hope this trend does not continue.

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17 years 5 months

In reply to by daverock

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....I know what I'll be listening to tonight.
All covers?
There's a track called Ooh Las Vegas?
To my knowledge, they only played Vegas once (I was there) and said they would not return because the crowd was too loud/rude (which I would agree with).

VGuy - Yup, an album of all covers. I have the Vegas tune on a tribute album to Gram Parsons they played on from maybe 10 years ago, but I forgot the song, so when I heard it again - wow! Really love that fuzz guitar, great tune!

Dave - I think the PNW was a bit of an overlooked gem in the Dead Box Set canon. I had bought the 3 CD set for one of my sons who lives in the PNW, and he said he and his friends played it constantly while camping. I love the box set, but if I have some driving to do, the 3 CD set is perfect. That mega PITB is something else! Geniuses, these guys were geniuses.

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