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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • hendrixfreak
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    Just to clarify...

    Jim, you may not have heard the phrase "cosmic yawn" before because I made it up on the spot as I typed that comment. Good one, though, huh? Now that everyone is growing mushrooms in their closet, the supply is bounteous. Denver recently decriminalized them, a wholesome development. Though that won't help me in the rural counties, so I try to behave.....

    Daverock, a pronghorn is essentially an antelope, but not technically speaking, I believe. These freakin' things typically rove in bands on the Colorado Plateau and you have to watch out for them. They can run 60 miles per hour for fairly extended distances. In Wyoming, highway signs warn you -- a band could be streaking across the prairie and cross a paved highway at any angle at high speed.

    I once was returning from a sojourn and spotted a band off the road. I watched them for a half a minute, at 100 yards, wondering what they might look like close up. Oh boy. As I returned my gaze to the road ahead I saw to my momentary horror a pronghorn just clearing my bumper as it streaked right to left across the highway. I'm doing 75 probably. I probably missed it by two seconds. I got a real good, close-up look. And promised myself I'd never again take my eyes off the road for more than a milisecond.

    Yeah, sitting around, staring at a candle, listening to some self-appointed "guide" sounds like serious BS! I get the visceral attraction of tripping with the original Pranksters, but personally, I seek on my own.

    Now that #41 is tucked away on the '77 shelf, I've been looking at the shelf with the 1965-1975 shows and man oh man do I have some listening to do while it's still winter and I'm spending the evenings inside. If a big storm crops up, I'll microdose, take a long walk in the snow, come home, make a fire, and plug in a guitar. Last time I did that, I played for about five hours straight and my fingers hurt like hell. When that's over, I have a couple hundred GD shows and a stack of Miles and Coltrane for the stereo. Life can be good!

  • billy the kiddd
    Joined:
    3/1/69

    What a show, especially that 1st set! I wish the Dead would have played China Cat Sunflower at these shows .

  • daverock
    Joined:
    micro dosing

    I have been interested in the recent scientific and public interest in psychedelics, and the increasing evidence of their positive effects. It certainly seems true to my experiences with mushrooms. I would never have said that I was depressed prior to my experiences, but looking back, my life changed in all sorts of positive and unexpected ways during and after my time of taking them. It seems a bit contradictory, but they seemed to straighten me out. I also wonder now if L.S.D use in the 60's and 70's may actually have set psychedelic culture back decades.

    With acid ,I never knew how strong the stuff was before taking it. The differences between the strengths of the few trips I had on it were massive. Like with most drugs, the biggest danger in it, to me, lay and still lie, in it's illegality. As far as I could make out, no-one - certainly as far down the chain as me - had the faintest idea what they were taking. I can remember when I was on the social work course in 1991, the police gave us a list of all the drugs they had picked up one recent weekend that had been sold in clubs as "ecstasy". Everything from caffeine to STP. I remember one guy who told me he sold dogs worming tablets as ecstasy.

    At the end of the day, I feel it is important to take care of ourselves, and of other people, in the best way that we individually can. I wouldn't want to be a part of any group that disregards the welfare and happiness of it's most vulnerable members.
    And driving - I am sorry PT, you are a prince among men - but I have known several people-I am sure we all have - who have killed themselves or others in motor accidents. Horrendous experiences all round - for the victim, the family and friends left behind, and the perpetrator. Any activity that increases the possibility of creating such a tragedy should surely be ruled out.

    Incidentally, what the heck's a pronghorn ? I think if I had seen one of them in Oldham in the 70's I would have thought it was the devil.

  • JimInMD
    Joined:
    Re: Cosmic Yawns

    I've never heard that term used before, but it happens to me every time.

    There was a period mid-career where I did not indulge, plus it seemed hard to get for a while. ..but I still seem to dip my big toe into the cosmos at least once a year.

    In terms of place and setting, early on I found myself either wanting to be in a small group and away from phones and random people or in such a large group as to be ambiguous. So it became nature, camping, backcountry or frankly dead shows. That seems to work.

    The last decade I find myself liking to be alone, mostly kayaking/hiking/biking where I won't run into some unexpected situation where somebody needs me. Concerts too when I don't have to drive or the show is long enough to fit it in. I want no responsibilities whatsoever. Oh, and headphones, music is good - almost a must. So I still explore when I can find the time and tranquility to pull it off. I can't speak for everyone, but I find it helpful for me. It gives me a chance to reformat my internal hard drive and reorganize thoughts, priorities and who I am.

    Those are my tricks.. but I have to admit the HF approach is quite appealing to me. If you notice some unexpected rando behind you on the trail, I'm the one with earphones and a tie dye (and the bad orange hair and pasty white complexion). :D

    Cosmic yawns.. so true. That cracks me up.

    There's a lot of great research on micro dosing that's come out lately. Encouraging to me.

    As to tripping with the pranksters or at an acid test, be it a good idea or not, I would do it in a heartbeat. But alas, I was born too late. That ship sailed while I was playing in the sand box out back. Babs.. I am here, once you come out of your heart injury, if you want to have one last foray into the unknown, give me a call. I'm all in.

  • PT Barnum
    Joined:
    driving with your eyes closed

    driving under the influence can be fun, and frightening. I knew a guy who wanted to drive, he said he could see so well that anything that could have collided with the vehicle he could see long before it would happen. He was a great driver and drove us all to and back many a show. We in the back seat could only jiggle as he navigated the roadways so gracefully, with a huge grin on his face (aka Neil like). The road always seemed to get away from me whenever I tried, like a ribbon that would unravel. On deserted roads, it was fun, on the freeway, not so much.
    Back in the day when I first started (69) it was the thing to try and freak each other out, aka pranksters, with double talk and echo talk and endlessly trying to get each other to lose it laughing, especially in a crowd of er...non dosed. After hearing about Leary and his way of spiritualizing psychedelics it just wasn't as much fun sitting around trying to concentrate on any one thing for very long. Pranking and laughing was way more fun.
    Not being a musician, never really wanted to hang out with bands, but I always wanted what they were smoking, drinking or taking in any other form. Would have loved to hang with Kesey and Babbs, what a trip that would have been.

  • hendrixfreak
    Joined:
    My own approach these days...

    may be (probably is) just one man's approach, possibly idiosyncratic. First off, know your materials well (potency) and decide if you want a micro-dose, a medium but significant journey or a little over the top approach. Because I'm in the backcountry alone, I need to be confident that I can get somewhere and back in a day, handle the terrain, maintain my orienteering skills, and calmly apply my behavioral knowledge if I run into a bear or cougar. (Don't surprise 'em, talk, wave arms, don't look 'em in the eye, give 'em room to avoid you, take the guard off the pepper spray, be sure you're upwind, etc.) I get moving early in the day and have an objective before dropping so as the agent (psilycibin for me) comes on, I'm in my element in terms of orienteering, body and mind synch and thus avoiding the initial, potentially debilitating awkwardness of the limbs and thoughts that comes with the cosmic yawns at "onset." And make sure I'm actively striding and finding my way as the peak comes and goes. I usually don't stop for any length of time. Occasionally I miscalculate the powder at the bottom of the bag and get a little walloped. But an 8-hour hike through spectacular terrain where I won't see humans -- this is trackless country, no trails -- typically does the trick. And there's nothing like a shot and a beer and a toke back at camp or, if camp is the truck, then a chair and guitar. Last fall I did just that across a wild plateau called East Cactus Flats, returning to my truck in a forsaken place called Disappointment Draw. I cracked a beer and started fingerpicking when I heard a strange noise. A good-sized pronghorn, traveling alone, approached to within maybe 50 feet and kept querying me -- no mistaking that querying sound. Essentially, who or what are you? What the hell is that sound you're making? And, have you seen my peeps? I've noticed that wild animals, as well as domesticated dogs, totally key in to a person who is psychedelic. The other major part of this approach is what I'd call "digestion." Take the time to fully absorb the lessons of the day and seek ways to incorporate those insights into your ordinary reality and dealings with others. Be patient and kind. (I do not always succeed; this is a work in progress after 50 years.) Too much repetition of the experience without "digestion" and, to me, it's just repeating the high without drawing the lessons. Note that I did none of this the first ten years. We'd find out the LSD's potency the hard way. Lessons might be impressed upon us without our consent(!) The chaos and human interactions could be frightening -- usually to others, but sometimes to me. (Don't try driving!!) But over the decades I kinda honed an approach that essentially comprises medicine for the soul, for me. I think the currrent surge in interest by scientists and the general public is good up to a point, as psychedelics, used constructively, can help bolster our humanity and -- perhaps -- ease difficulties. But I could not recommend them. Either they work for you or they don't. And finding out can be tricky. Sure makes me a better-adjusted person -- and now I'm echoing Paul McCartney, I believe!

    That's all the blathering for today. As you were........

  • daverock
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    Leary or Pranksters?

    If I had to choose.... I would choose neither of them. While the pranksters now seem a bit ghastly, Leary seemed a bit over ambitious. I still have some of his books -that one which is a psychedelic version of The Tibetan Book of The Dead comes to mind. I think the idea was that you read it to someone who was tripping, as a means of helping them locate the light. I wonder if anyone ever did that. That idea of set and setting does ring true though - and I would say that advice has stayed appropriate down through the years

    Mr Ones - I still haven't got round to listening to Planet Waves. I always assumed it was a weaker one, but I read recently that it was very much a part of a trilogy, with "Blood on the Tracks" and "Desire", so I am hoping to check it out soon.

  • Crow Told Me
    Joined:
    The Very First Word is How Do Ya Do?

    My sister lives in Mill Valley, and she used to see Weir around town all the time. (Not so much lately.) She’s not a fan, so it’s no biggie for her, but I’ve sometimes thought about what I would do if I saw Bob getting coffee or something while I was visiting her. I wouldn’t want to bother him, but I think I’d have to at least say hello, right? Say ‘thanks for the music’ at least? My other sister lives in Kauai, where Kreutzman lives now, and I’m going to be visiting her in a couple weeks. Wonder what I should say if I see BK grabbing a shave ice?

    I can definitely relate to what hendrixfreak sed: shows just got too big for my liking in the ‘80s. As a rule, I’d usually much rather see a decent band in a small club than go see some superstars in a sports arena: better sound, fewer assholes, fewer cops, room to breath. Throw psychedelics into the mix and the gap gets even wider. It’s one thing to be shrooming at the Warfield with 2,000 of deadicated Heads, quite another to try to deal with 50,000 people who seem like they just got bussed in from MTV’s spring break special. Not to mention all the security.

    In principle, I always thought it was cool that the Pranksters had such a wide open, “let’s get high and freak freely” approach to tripping, as opposed to the Millbrook thing of sitting silently in a room with a candle and saying Om or whatever. That said, I’m not sure I could’ve passed the Acid Test. My best experiences, aside from Dead shows, were always out in nature: a deserted stretch of shoreline on the Lost Coast, backpacking the Sierras, etc. I think if I would've had to try to simultaneously process Babbs' babbling, Cassidy's hammer juggling, the Dead, and 500 mics worth of Koolaid my brains probably woulda dribbled out my ears.

    Last thought: how lucky are we? The StL box continues to delight. Seven shows from three different tours, all in good-to-great sound. And the last two DaPs have also been great. I mean, millions of people love Zeppelin, the Stones, the Eagles, and other bands from back in the day, but nobody (well, except the ABB I guess) has anything like the Dead's archival release thing. Blessed be us.

  • Mr. Ones
    Joined:
    Last 5

    Comus-First Utterance-Tip ‘o the hat to DAVEROCK!!
    Beatles-Get Back Rooftop Performance
    Elvis Costello-The Boy Named If
    Shuggie Otis-Inspiration Information
    Bob Dylan-Planet Waves

    It’s a crazy, mixed-up world, but Music is a consistent balm(for me at least!!).

    Dave’s 42 anyone?? It’s only about 62 days away!!

  • daverock
    Joined:
    Phil Zone

    Billy - thanks for jogging my memory - Viola Lee Blues from 4/26/69 is included on The Phil Zone too . I didn't know they interpreted What's Become of the Baby at this show either. Bit of a missed opportunity there - if that had been included, then this show, as released, would have been unique. In a way then, Dicks Picks 26 short changes 4/26/69 a bit.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Colin Gould

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The last Dead show I listened to was the Fillmore Acid Test from 1/8/66. And watched, too-I got it on a dvd-r of it a few years ago called "Can You Pass The Acid Test?" It's a fascinating historical document-and features complete, or almost complete versions of The Dead playing "King Bee", "Caution" and "Death Don't Have No Mercy." Pretty good sound quality and picture - taking into account the fact that it was recorded and filmed by people tripping their brains out 56 years ago. Bit of conflict between The Dead - well, Pigpen - and the Pranksters. He is clearly losing patience with their shenanigans.

Have you tried emailing DL?
I don’t have his address but I know some folks on here do.
He might not be able to tell you if/when that would get released, but he could perhaps inform you as to the status of the tapes for that show. Like: “sorry dude, no tapes for that one” so at least you’d know that.
Just a thought, hate to see how much it’s driving you nuts ; )

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Just returned from sunny SoCal and four days at the Festival in Ventura fairgrounds. What fun we had! The entire four days were streamed for free on Relix youtube. I hope some of you dug the stream of DSO Saturday night headliners (two sets) and Phil & F Sunday headliners. The stream is still up. DSO performed the entire Empire Pool 5/8/72 with an awesome second set DS>Sugur Mag> Caution! Caution is pretty rare these days, a really good one. I swear, when Phil came on, it transformed the entire crowd. They were all up and shakin' it.

Another highlight was Thursday's acoustic performance by RECKONING, featuring Rob Eaton, John Kadlecik, Rob Barraco & Skip Vangelas.

One lowlight was a long delayed (technical issues) performance by Oteil and Friends. Took them at least 45 minutes to come on, and then they played a really short set, with sound issues.

Many moments over the four days sent shivers down my back, as these were my first outdoor shows in 2 years!

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In reply to by Colin Gould

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Ha.. post of the week, "Surely a missed opportunity."

I believe my source is correct on the 9-19-72 show missing the first reel. The odds of it showing up in the OSF mystery pile are at least a rational hope, in that Owsley recorded the shows just before and after it. (Maybe entire fall '72 tour?)

Not really going nuts, just yelling into the void, hoping serendipity calls back...

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In reply to by hendrixfreak

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Roosevelt Stadium in September 1972. What a good way to start Hendrixfreak. You definitely were at some great shows. I got my start at 15 as well. In 1986 at the Metrodome in Minneapolis. Dylan, the Dead and Petty. I can guarantee you nobody will ever be clamoring for this show to be released.

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In reply to by DeadVikes

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First I got inundated with WD, AB and S&R for a year, then my older brother included me on a ride to that fateful 9-19-72 show.

Get this: after about 3 hours of the GD blasting away, I felt like they'd done their job, delivered a great show and ... okay, time to wrap it up, this kid's getting tired (was not tripping, but had some hash). Thanks boys, great show, etc.

Well, the band went on for another hour! What I'd give to experience that very show NOW!

P.S. Always sorry I missed Petty in concert. Never turned down a ticket, just didn't seek him out. My loss.

Great cover there, those cables under the ship, electricity under wall water? Dangerous! Interesting though all to brief piece Space Guitars by Mark Kaufman on Mashable, mentions of Jimi and Jerry and esp Buddy Holly (check out those shoes) who first broke the Strat wide open. Nice to know there's a chunk of Jimi's pyromania from Monterey at the Met!

I'm not sure I would have liked the Dead live, had I seen them in 1972, when I was also 15. The bands I saw and liked then were a world away, much heavier, more dramatic.. much shorter shows, too ! I suppose the bands I liked mirrored the time, place and state of mind that I found myself in. But it was only a temporary phase - by 19 I had expanded my horizons, and the Dead sound tracked that. On record, obviously. But it never really struck me as teenage music, in quite the same way as Hawkwind, Black Sabbath or David Bowie - for example, did.

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In reply to by daverock

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Talking Heads - The Name Of This Band Is Talking Heads
The Carpenters - Now & Then
Huey Lewis & The News - Fore!
Molly Tuttle - Broken Tree
Obscura - Omnivium

I have a paper copy of GD Almanac, Winter 2004.
On page 10 is the back catalog of CD’s.

Dick’s Picks 1-32 were available:
1 CD $13
2 CD’s $18
3 CD’s $21
4 CD’s $25
6 CD’s $33

Assuming that those prices stayed the same for DP 33-36, the total cost for DP 1-36 new factory sealed would have been $778 for 112 CD’s.

Terrapin Limited was $39.50 for 3 CD’s.
Dozin’ At The Nick was $23 for 3 CD’s.
Closing of Winterland $27 for 4 CD’s, $29.95 for 2 DVD’s.
Downhill From Here $30 for 1 DVD.

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42 with bonus disc
$78.99
John Kay
New Hyde Park N.Y..

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In reply to by icecrmcnkd

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on those random numbers, also consider that not all that long ago (but more than a few years), there were periodic sales on dead.net, often around July 4th and a couple other dates like Thanksgiving, significant discounts were available, free shipping, sometimes on almost every bit of music/video in catalog. Swag was rare. As well, one could find almost anything on the secondary market at very reasonable cost.

....Twilight was a treasure.
Happy Easter and Passover everyone!
I favor the '89 show from that box. Grate stuff.
Speaking of dead.net sales, I recall scoring Dicks 26-30 for under a hundred bucks.
I literally stole them.
The stamp cover series.
Now, dead.net puts out overpriced trash 80% of the time. Sorry, not sorry.
I do enjoy the glasses though.
A 1989 box would be just fine. That was my most prevalent year. Sign me up. Include Cal Expo please.
It's got a Playin' -> Rider. And a second set Cumberland.

Yes indeedy...Cumberland was out of Crazy Fingers and the Playin' > Know You Rider was a mind boggler...my friend Bob and I went...we drove from the Canyon to the Phoenix airport after he got off after his evening shift as a line cook at the El Tovar Hotel...we had a 6:30 AM flight to Oakland where a friend of mine was flying in from LA...we grabbed a rental (a brand spankin' new Cadillac) for the drive to Sacramento...we almost didn't make it though as a an accident on the interstate blocked traffic for quite awhile...we pulled into the airport and made it to the plane with a few minutes to spare...we finally relaxed and as the plane leveled out after take off, the flight attendants started rolling down the aisle with the beverage carts...of course everyone was getting OJ, coffee and tea but I asked for a shot of cognac...the young lady just gave a double take and I explained we had been stuck on the freeway, nearly missed the plane and we were on our way to three Grateful Dead shows for the weekend...she smiled, looked around and said "in that case you might need a double and poured me a nice glass worth....In Oakland I had to sit for a bit before going to the rental agency so I didn't appear too loopy...one issue with the weekend...we were in a Red Roof Inn full of dead heads and security banged on our door saying one of the neighboring guests had called to complain about the pot smell...Jeezus lady your entire building is fulla freaks! Now I have to go dig out the drive those shows are on!

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In reply to by Vguy72

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Where’s our DaP 42 announcement and obligatory seaside chat?

No reason to hold off on the announcement considering that pictures of DaP 42 have been released on other websites, and that you can already place an order for DaP 42 on eBay.

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4 years 5 months

In reply to by icecrmcnkd

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HAWAII!

such an amazing place

and a new Daves announcement soon

Go to the Big Island

:)))

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In reply to by proudfoot

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Okay, Conekid, curious if you know how eBay sellers have the pictures of the release before Dead. Net makes the announcement?
They must be serious insiders.

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In reply to by DeadVikes

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For what’ it’s worth, someone said something about tomorrow, which would make sense as they often drop stuff on Tuesday’s…

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Scroll down to the posts below.
I was just repeating what others have already posted.

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They’re all pirates………aargh

$78.00 from John Kay and $82 from some other guy. What a racket

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Had to search for it, didn't see any ebay results, but didn't search with ebay in the googles question machine, but the website that did have a pic showed probably my favorite cover of the series. Wow. Few titles on display in the artwork at first glance, can't wait to get my eyes and ears on it in person, plus hope the Bonus cover is just as nice. Really looking forward to this release.

Which reminds me, Dave's 1 vinyl should be rolling in soon (thankfully that was paid for months ago), and I should be heading out this weekend to plunk down another 150 on 4/8/72 on vinyl, and they want another 600 with tax and shipping for four more Europe '72 shows. May have to pass on the Lyceum box, but we'll also see how long it sits there. God save me from visiting deadnet on a day when I'm surprisingly flush, though...

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Not quite sure what I'm going to play this on yet.

Bonus Disc show coming soon.....this should kick some ass. Kinda wish I hadn't listened to the sound board as much as I did, but as I told the judge after a night of debauchery - your honor, I just couldn't help myself. Heh, talk about securing mandatory rehab.

I'm ahead of schedule on the E72 joy ride. I really like the Dead Beat Club version of The Other One. Top notch.

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Sitting courtside under one of the baskets at Warriors/Nuggets game tonight

Alas, poor Alvar I know him well. I was attempting to say if I were to be comfortably willing to drop 600 bucks, then I kinda hope I wouldn't visit deadnet that day, or that it would be sold out. Not really hoping that, but 4 shows for 600 is a helluva lot more to answer to the wife about than 30 Trips at 700. Especially given this would be 4 shows in a row, and I'm getting 4/8/72 to pair with last year's 5/3/72, which I listened to straight through last year upon getting home. Fantastic sound on vinyl. I wish Uncle Sam were letting me get some more European vinyl, not great timing. Especially with my own first brief trip to Europe (Ireland) 2 weeks ago. We'll see which way the winds blow my own ship of fools. Really looking forward to Dave's 42. Not sure it will be the Answer to the Ultimate Question of Life, the Universe, and Everything, but hopefully it's nearly that.

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In reply to by alvarhanso

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I've started lagging behind with vinyl a bit. I was going to get Dicks Picks 19 when it became available on Amazon UK, but now it is, I'm having second thoughts. It's cost is the equivalent of $316 ! Quite a lot for a show I already have, and which features music I am very familiar with.
I also prefer vinyl to other formats for listening to The Dead, as someone else ( I forget who-apologies) pointed out on here the other day. But I'm not sure I prefer it THAT much!

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In reply to by Oroborous

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On the last episode of Billions, “Cold Storage”, they play Deal from Garcia version at the end of the show, used artistically nicely. That’s 2 episodes now with significant GD references. Obviously someone’s a DH : )

I wish we knew what was on the bonus disc?
Guess we’ll have to wait until official release day…

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41 is DEAD!!!!!

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From my cassette/Internet Archive digitization project:
GOGD Red Rocks 9/8/83
GOGD Watsonville 9/25/83 - a great outdoor show with an awesome China Rider.
Digitizing for a friend:
Fela and his 35 piece afro-beat orchestra, Berkeley Community Theater 11/14/86

GOGD St Louis 10/29/73 - Powerful Eyes of the World into China Doll
The Byrds - The Notorious Bird Brothers - a psychedelic masterpiece

I'm reading Chris Hillman's autobiography " Time Between" which inspired me to provide a Byrds music background. It's pretty good, and it's interesting to read his description of working and living with Gram Parson as they teamed up as the Burrito Brothers.

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13 years
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SOLD OUT so let's take 43 guesses, I'm going with 9/26/81.

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4/27/85 & 4/28/85. Frost Ampitheatre

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Just a reminder,,,,, Record Store Day tomorrow. Be there or be square!

I'll be in line about 6 AM

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No RSD for me. Can't do the 65 mile drive tomorrow to Triple Play Records Grand Junction, CO.
What Dead will be offered?
Thanks and cheers!

Wembley 4/8/72 is the Dead one coming out. I know it's not in the spirit of the day, but I have always managed to get RSD releases online. Still from an independent record shop, but without having to leave the luxury of my own home.

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In reply to by daverock

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But will head down to the local shop tomorrow after they open, they usually get a couple of copies. If there is one left for me grate, if not, not a problem, I already have it on CD.

Currently working my way through 4-24-72 Dark Star.

Super impressed with the sound you pulled out of the Seattle Center. Listening to it now.

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Researching my older sister's first (and only maybe) show as a surprise for her. She was 17 and tripping from the story I remember. We called the place Elitch Gardens by the name of the amusement park it was when the music outdoor garden part wasn't used so much anymore. Wasn't very big as I recall. Deadbase list this as two shows but I'm finding reviews of it as one show with a break in the tape at Man's World. Thought it unusual to have an acoustic/elec. set that ends in Drums on the first night and the second night starts with Dark Star?!? I could see it if they got rained out or something. Looks primal to me from the setlist(s). Any lore on this I can tell her? Thanks and cheers
Edit: I was totally wrong on the location of the venue. Nothing to do with Elitch Gardens at all but a "Fillmore" on Clakson St. that started doing rock concerts in Spring 1970. This was maybe only the second show at that renamed refurbished venue. John Hammond opened and according to a newspaper article (Colo. Spgs. paper?) he was boring. But the reviewer had very high praise for this show. Also appears that there was only one night and it was 4/25/70.

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In reply to by JimInMD

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Thanks for the compliment, glad you like the sound of Seattle.

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