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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • #1261
    daverock
    Joined:
    Who he?

    I was confused by the names of blues authors too. Who was this "McDaniel"? If they meant Bo Diddley, why couldn't they say Bo Diddley. He did. Often. Also curious that Robert Johnson's " Love in Vain" was credited to "Payne" on my old "Let It Bleed" album. It has been credited to Johnson on the most recent ( and definitley last) version of the album I got-the 50th Anniversary cd.

  • #1262
    deadegad
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    Go to Nassau 1980 tapes?

    Any Dave's picks is good news to me so another 77 is welcomed and the sound samples sound great to my ears; but, I do understand the clamoring for more 80s/90s or even 60s. With the quality issue of the 1980s tapes in mind I do wonder What's become of the three night 1980 Nassau run? I think all three were recorded for the King Biscuit Flower Hour Radio. Did The GD, likewise, record them -- or other shows from that time period.

    Perhaps an expanded Go to Nassau with all three nights could be released? They were strong shows as the excerpts on the official Go to Nassau demonstrate. That could scratch 'The more inclusive years' itch. I would buy it despite already having Go to Nassau which I love. If there are other shows of similar sound quality from that period. . .. Spring 1980 Selections Boxset!!! A compromise could be a matrices of boards and tapers copies? Go with what you got to include more years.

    And Dave if you are reading a Fall September 79 New York City @ Madison Square Garden would be a great official release! These were Brent's first N.Y.C. shows and solid were those shows. It's a sell-out mini box waiting to happen.

    I dream of Radio City/Warfield tapes being rediscovered in that Raiders of the Lost Ark Warehouse for complete box sets. Let's manifest these dreams.

    Melkweg 1981anyone w/Grugahalle??

  • #1263
    carlo13
    Joined:
    Stellablue

    I like the new artwork. I think it is a lot different. Stella, if you want to surround yourself in Hendrix, and the slew of 60s icons, along with the dead playing viola lee, I would highly recommend the complete Monterey pop fest 67' on criterion dvd box. It is chock full of beautiful music and hot chicks too. It also contains the full dvd 'jimi plays Monterey' with 49 minutes of hendrix. If you are younger than the rest of us on this site (sorry guys) you may not have seen it. This will put to rest the whole 'trey' fiasco to bed. I love fish, but only the haddock, and tuna variety.

  • #1264
    hendrixfreak
    Joined:
    I was walkin' through the woods......

    So, like many, I got my first Beatles album in about 1964 and my first Stones album a year later. On the latter, I could see on the credits that "(Jagger/Richards)" meant that Mick and Keith had written the song.

    But what the hell was "(Chester Burnett)" or "(McKinley Morganfield)"??? These "names" seemed so foreign, I didn't understand that these were people's names. (How stately, how dignified: "McKinley Morganfield"!)

    But I decided, based on the blues sound, that I had to find out. So in my teeny bopper years (say, 10-13) I sought out the truth: the basic blues I loved was written by Howlin' Wolf and Muddy Waters. Major discovery. Even while I turned on the Hendrix and (yes, sadly) Grand Funk Railroad, (better) Ten Years After, and Janis, I began my journey to the blues. At first, the R&B and soul on the radio: James Brown, Ray Charles, Aretha Franklin. Then BB King, Albert King, Freddy King, Buddy Guy, Hubert Sumlin, finally Robert Johnson and Lonnie Johnson.

    I feel privileged that I got to see BB several times (his call-and-response with the audience, powerful horns!), Freddy several times and Albert just once (but in Chicago from the lip of the stage).

    Without 400 years of oppression, torture and murder, no blues. No blues, then no jazz, no rock 'n roll. In short, no blues, no nothing. Nothing to move the soul or the feet. And it's global, in the context of world music. Would that we could have gotten there without those 400 years and their crimes against humanity. But that stretch will reverberate on this Earth until humans die out. Which may not be all that long, the way we're going. OMG! Best put some world-weary Lonnie Johnson on and sing along.

  • #1265
    Dennis
    Joined:
    crow told me and innovation

    My buddy summed it up years ago for me, 2 types of musicians.

    Refiners and definers.

  • #1266
    daverock
    Joined:
    blues and blues rock

    The first time I saw a real blues singer/band /guitarist, as opposed to a rock band that played blues songs was B.B. King around 1980. It was, not put to fine a point on it, a revelation. I'd only heard a couple of his 1970's albums by then-"Midnight Believer" was one-and although it was alright - it was only alright. But live it was a different world.

    I saw a few after that - Albert King, Memphis Slim, John Lee Hooker and Buddy Guy come to mind. The most recenet I can remember seeing was The North Mississippi Allstars, about 3-4 years ago. Well worth checking - quite trance inducing.
    Also Catfish Keith. He is an American who came over to England quite regularly in pre-pandemic times, bringing with him his trusty National Resonator. Mainly blues/gospel in the Blind Willie Johnson style. The singing might be a bit ropey - but he's got the guitar style down pat. Nice guy ,too.

    Must have been something to see Big Mama Thornton live.

  • #1267
    kevinbrandon
    Joined:
    Green Bay game and The Grateful Dead tonight

    going into the commercial a 70's? One More Saturday night....very nice

  • #1268
    billy the kiddd
    Joined:
    Introduction to the Blues

    The first time I heard Blues music, was in 1969/70 when my brother bought the Chess l.p. Bummer Road by Sonny Boy Williamson. The first time I heard Blues music live was at a Blues festival at U.C. Berkeley in the early 70s, Sonny Terry & Brownie Maghee, Big Mama Thorton, and George Harmonica Smith were all on the bill.

  • #1269
    daverock
    Joined:
    Introduction to the blues

    For me it was listening to The Stones - and Keith Richards in particular. In interviews he gave he would name check Muddy Waters and Robert Johnson - and where he went, I was sure to follow. Not always the best policy perhaps - but alright in this context.
    Seeing the film "Performance" turned me on to Ry Cooder and slide guitar. That's probably the best soundtrack to any film I have ever heard.
    And then seeing Rory Gallagher live - he was wild.

    Just going off the records, I didnt really pick up too much on The Dead's blues roots. My favourite interpretation of theirs that I heard - hands down - was "Death Don't Have No Mercy" on "Live Dead". Incredible.

    Also in 1974, I saw an English band called Dr Feelgood, featuring the extraordinary Wilko Johnson. No lengthy guitar solos here - they played r'n'b fast and punchy, with the emphasis on rhythm, not virtuosity.

  • #1270
    Crow Told Me
    Joined:
    Jimi Uber Alles

    Hendrix is beyond comparison. He changed completely the way people play electric guitar, and what he did was so powerful it also changed other instruments, and music in general.

    Listen to electric guitar playing prior to Hendrix and you realize that nobody was taking advantage of the full potential of the instrument. People played it the same way they played acoustic. There were lots of great players (especially in jazz) who could play fast, but nobody was taking advantage of the unlimited range of tones offered by an electric instrument. With Hendrix, everything goes from black and white to technicolor. The guitar can sound like a flute, or a thousand cellos, or a set of bongos, and it can even sound like a helicopter, or wind, or an explosion, or lots of other things that weren't usually considered music. That's pretty revolutionary.

    One problem with musical innovators is that, after they show everybody how it's done, their innovations become the new normal, and people forgot how incredibly different they were when they first appeared. Once people saw and heard Hendrix, they copied him. His sound became part of mainstream, and people nowadays generally don't get how incredibly ahead of his time Hendrix was.

    I don't mean that as a put down on anyone: it's not anyone's fault. This is just how music evolves. There are a few people who come along with something new that changes everything (Coltrane, Hendrix, Dylan) and they there's lots of great players and singers and songwriters who take what they did and bring it to the masses. In my mind, we can't compare the two. But that's just me.

    FWIW, I think the GOGD belong in the class of innovators, as a group, because they came up with a style of ensemble playing that nobody had done before, and which became widely copied once it was heard. Just like you can't really compare other guitarists to Hendrix, you can't compare other jam bands to the GD, even though those bands can be very enjoyable.

    Standard disclaimer here: this is all just my opinion, your opinion is just as valid, blah blah.

    No shipping notice for me yet on #41, maties. I did, however, pre-order the vinyl 3.1.69 from Amazon, so we'll see that goes. I am in the midst of a major '69 bender, pulling out Two from the Vault and DiP 16 and 26 and whatnot. This is all YOUR fault, all youse who keeps demanding a '69 box. And I'm with ye if you want storm the vault to get one. Nothing like '69. Huh huh.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Submitted by daverock on Fri, 04/15/2022 - 11:02

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The last Dead show I listened to was the Fillmore Acid Test from 1/8/66. And watched, too-I got it on a dvd-r of it a few years ago called "Can You Pass The Acid Test?" It's a fascinating historical document-and features complete, or almost complete versions of The Dead playing "King Bee", "Caution" and "Death Don't Have No Mercy." Pretty good sound quality and picture - taking into account the fact that it was recorded and filmed by people tripping their brains out 56 years ago. Bit of conflict between The Dead - well, Pigpen - and the Pranksters. He is clearly losing patience with their shenanigans.

Have you tried emailing DL?
I don’t have his address but I know some folks on here do.
He might not be able to tell you if/when that would get released, but he could perhaps inform you as to the status of the tapes for that show. Like: “sorry dude, no tapes for that one” so at least you’d know that.
Just a thought, hate to see how much it’s driving you nuts ; )

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Submitted by nitecat on Fri, 04/15/2022 - 18:03

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Just returned from sunny SoCal and four days at the Festival in Ventura fairgrounds. What fun we had! The entire four days were streamed for free on Relix youtube. I hope some of you dug the stream of DSO Saturday night headliners (two sets) and Phil & F Sunday headliners. The stream is still up. DSO performed the entire Empire Pool 5/8/72 with an awesome second set DS>Sugur Mag> Caution! Caution is pretty rare these days, a really good one. I swear, when Phil came on, it transformed the entire crowd. They were all up and shakin' it.

Another highlight was Thursday's acoustic performance by RECKONING, featuring Rob Eaton, John Kadlecik, Rob Barraco & Skip Vangelas.

One lowlight was a long delayed (technical issues) performance by Oteil and Friends. Took them at least 45 minutes to come on, and then they played a really short set, with sound issues.

Many moments over the four days sent shivers down my back, as these were my first outdoor shows in 2 years!

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Submitted by JimInMD on Fri, 04/15/2022 - 21:28

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Ha.. post of the week, "Surely a missed opportunity."

I believe my source is correct on the 9-19-72 show missing the first reel. The odds of it showing up in the OSF mystery pile are at least a rational hope, in that Owsley recorded the shows just before and after it. (Maybe entire fall '72 tour?)

Not really going nuts, just yelling into the void, hoping serendipity calls back...

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Submitted by DeadVikes on Sat, 04/16/2022 - 10:12

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Roosevelt Stadium in September 1972. What a good way to start Hendrixfreak. You definitely were at some great shows. I got my start at 15 as well. In 1986 at the Metrodome in Minneapolis. Dylan, the Dead and Petty. I can guarantee you nobody will ever be clamoring for this show to be released.

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Submitted by hendrixfreak on Sat, 04/16/2022 - 12:33

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First I got inundated with WD, AB and S&R for a year, then my older brother included me on a ride to that fateful 9-19-72 show.

Get this: after about 3 hours of the GD blasting away, I felt like they'd done their job, delivered a great show and ... okay, time to wrap it up, this kid's getting tired (was not tripping, but had some hash). Thanks boys, great show, etc.

Well, the band went on for another hour! What I'd give to experience that very show NOW!

P.S. Always sorry I missed Petty in concert. Never turned down a ticket, just didn't seek him out. My loss.

Great cover there, those cables under the ship, electricity under wall water? Dangerous! Interesting though all to brief piece Space Guitars by Mark Kaufman on Mashable, mentions of Jimi and Jerry and esp Buddy Holly (check out those shoes) who first broke the Strat wide open. Nice to know there's a chunk of Jimi's pyromania from Monterey at the Met!

I'm not sure I would have liked the Dead live, had I seen them in 1972, when I was also 15. The bands I saw and liked then were a world away, much heavier, more dramatic.. much shorter shows, too ! I suppose the bands I liked mirrored the time, place and state of mind that I found myself in. But it was only a temporary phase - by 19 I had expanded my horizons, and the Dead sound tracked that. On record, obviously. But it never really struck me as teenage music, in quite the same way as Hawkwind, Black Sabbath or David Bowie - for example, did.

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Submitted by Vguy72 on Sat, 04/16/2022 - 15:35

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Talking Heads - The Name Of This Band Is Talking Heads
The Carpenters - Now & Then
Huey Lewis & The News - Fore!
Molly Tuttle - Broken Tree
Obscura - Omnivium

I have a paper copy of GD Almanac, Winter 2004.
On page 10 is the back catalog of CD’s.

Dick’s Picks 1-32 were available:
1 CD $13
2 CD’s $18
3 CD’s $21
4 CD’s $25
6 CD’s $33

Assuming that those prices stayed the same for DP 33-36, the total cost for DP 1-36 new factory sealed would have been $778 for 112 CD’s.

Terrapin Limited was $39.50 for 3 CD’s.
Dozin’ At The Nick was $23 for 3 CD’s.
Closing of Winterland $27 for 4 CD’s, $29.95 for 2 DVD’s.
Downhill From Here $30 for 1 DVD.

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Submitted by wissinomingdeadhead on Sat, 04/16/2022 - 20:14

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42 with bonus disc
$78.99
John Kay
New Hyde Park N.Y..

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Submitted by dmcvt on Sun, 04/17/2022 - 07:03

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on those random numbers, also consider that not all that long ago (but more than a few years), there were periodic sales on dead.net, often around July 4th and a couple other dates like Thanksgiving, significant discounts were available, free shipping, sometimes on almost every bit of music/video in catalog. Swag was rare. As well, one could find almost anything on the secondary market at very reasonable cost.

....Twilight was a treasure.
Happy Easter and Passover everyone!
I favor the '89 show from that box. Grate stuff.
Speaking of dead.net sales, I recall scoring Dicks 26-30 for under a hundred bucks.
I literally stole them.
The stamp cover series.
Now, dead.net puts out overpriced trash 80% of the time. Sorry, not sorry.
I do enjoy the glasses though.
A 1989 box would be just fine. That was my most prevalent year. Sign me up. Include Cal Expo please.
It's got a Playin' -> Rider. And a second set Cumberland.

Yes indeedy...Cumberland was out of Crazy Fingers and the Playin' > Know You Rider was a mind boggler...my friend Bob and I went...we drove from the Canyon to the Phoenix airport after he got off after his evening shift as a line cook at the El Tovar Hotel...we had a 6:30 AM flight to Oakland where a friend of mine was flying in from LA...we grabbed a rental (a brand spankin' new Cadillac) for the drive to Sacramento...we almost didn't make it though as a an accident on the interstate blocked traffic for quite awhile...we pulled into the airport and made it to the plane with a few minutes to spare...we finally relaxed and as the plane leveled out after take off, the flight attendants started rolling down the aisle with the beverage carts...of course everyone was getting OJ, coffee and tea but I asked for a shot of cognac...the young lady just gave a double take and I explained we had been stuck on the freeway, nearly missed the plane and we were on our way to three Grateful Dead shows for the weekend...she smiled, looked around and said "in that case you might need a double and poured me a nice glass worth....In Oakland I had to sit for a bit before going to the rental agency so I didn't appear too loopy...one issue with the weekend...we were in a Red Roof Inn full of dead heads and security banged on our door saying one of the neighboring guests had called to complain about the pot smell...Jeezus lady your entire building is fulla freaks! Now I have to go dig out the drive those shows are on!

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Submitted by icecrmcnkd on Mon, 04/18/2022 - 09:06

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Where’s our DaP 42 announcement and obligatory seaside chat?

No reason to hold off on the announcement considering that pictures of DaP 42 have been released on other websites, and that you can already place an order for DaP 42 on eBay.

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4 years 4 months

Submitted by proudfoot on Mon, 04/18/2022 - 09:18

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HAWAII!

such an amazing place

and a new Daves announcement soon

Go to the Big Island

:)))

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Submitted by DeadVikes on Mon, 04/18/2022 - 09:56

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Okay, Conekid, curious if you know how eBay sellers have the pictures of the release before Dead. Net makes the announcement?
They must be serious insiders.

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17 years 6 months

Submitted by Oroborous on Mon, 04/18/2022 - 10:08

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For what’ it’s worth, someone said something about tomorrow, which would make sense as they often drop stuff on Tuesday’s…

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Submitted by icecrmcnkd on Mon, 04/18/2022 - 10:09

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Scroll down to the posts below.
I was just repeating what others have already posted.

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17 years 4 months

Submitted by adedhed68 on Mon, 04/18/2022 - 10:50

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They’re all pirates………aargh

$78.00 from John Kay and $82 from some other guy. What a racket

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10 years 11 months

Submitted by alvarhanso on Mon, 04/18/2022 - 15:25

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Had to search for it, didn't see any ebay results, but didn't search with ebay in the googles question machine, but the website that did have a pic showed probably my favorite cover of the series. Wow. Few titles on display in the artwork at first glance, can't wait to get my eyes and ears on it in person, plus hope the Bonus cover is just as nice. Really looking forward to this release.

Which reminds me, Dave's 1 vinyl should be rolling in soon (thankfully that was paid for months ago), and I should be heading out this weekend to plunk down another 150 on 4/8/72 on vinyl, and they want another 600 with tax and shipping for four more Europe '72 shows. May have to pass on the Lyceum box, but we'll also see how long it sits there. God save me from visiting deadnet on a day when I'm surprisingly flush, though...

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Submitted by KeithFan2112 on Mon, 04/18/2022 - 16:21

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Not quite sure what I'm going to play this on yet.

Bonus Disc show coming soon.....this should kick some ass. Kinda wish I hadn't listened to the sound board as much as I did, but as I told the judge after a night of debauchery - your honor, I just couldn't help myself. Heh, talk about securing mandatory rehab.

I'm ahead of schedule on the E72 joy ride. I really like the Dead Beat Club version of The Other One. Top notch.

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Submitted by bolo24 on Mon, 04/18/2022 - 20:25

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Sitting courtside under one of the baskets at Warriors/Nuggets game tonight

Alas, poor Alvar I know him well. I was attempting to say if I were to be comfortably willing to drop 600 bucks, then I kinda hope I wouldn't visit deadnet that day, or that it would be sold out. Not really hoping that, but 4 shows for 600 is a helluva lot more to answer to the wife about than 30 Trips at 700. Especially given this would be 4 shows in a row, and I'm getting 4/8/72 to pair with last year's 5/3/72, which I listened to straight through last year upon getting home. Fantastic sound on vinyl. I wish Uncle Sam were letting me get some more European vinyl, not great timing. Especially with my own first brief trip to Europe (Ireland) 2 weeks ago. We'll see which way the winds blow my own ship of fools. Really looking forward to Dave's 42. Not sure it will be the Answer to the Ultimate Question of Life, the Universe, and Everything, but hopefully it's nearly that.

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Submitted by daverock on Tue, 04/19/2022 - 04:57

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I've started lagging behind with vinyl a bit. I was going to get Dicks Picks 19 when it became available on Amazon UK, but now it is, I'm having second thoughts. It's cost is the equivalent of $316 ! Quite a lot for a show I already have, and which features music I am very familiar with.
I also prefer vinyl to other formats for listening to The Dead, as someone else ( I forget who-apologies) pointed out on here the other day. But I'm not sure I prefer it THAT much!

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Submitted by Oroborous on Tue, 04/19/2022 - 07:35

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On the last episode of Billions, “Cold Storage”, they play Deal from Garcia version at the end of the show, used artistically nicely. That’s 2 episodes now with significant GD references. Obviously someone’s a DH : )

I wish we knew what was on the bonus disc?
Guess we’ll have to wait until official release day…

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Submitted by wissinomingdeadhead on Tue, 04/19/2022 - 10:51

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41 is DEAD!!!!!

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Submitted by nitecat on Tue, 04/19/2022 - 12:43

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From my cassette/Internet Archive digitization project:
GOGD Red Rocks 9/8/83
GOGD Watsonville 9/25/83 - a great outdoor show with an awesome China Rider.
Digitizing for a friend:
Fela and his 35 piece afro-beat orchestra, Berkeley Community Theater 11/14/86

GOGD St Louis 10/29/73 - Powerful Eyes of the World into China Doll
The Byrds - The Notorious Bird Brothers - a psychedelic masterpiece

I'm reading Chris Hillman's autobiography " Time Between" which inspired me to provide a Byrds music background. It's pretty good, and it's interesting to read his description of working and living with Gram Parson as they teamed up as the Burrito Brothers.

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Submitted by wissinomingdeadhead on Fri, 04/22/2022 - 07:32

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SOLD OUT so let's take 43 guesses, I'm going with 9/26/81.

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Submitted by billy the kiddd on Fri, 04/22/2022 - 07:39

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4/27/85 & 4/28/85. Frost Ampitheatre

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12 years 1 month

Submitted by Dennis on Fri, 04/22/2022 - 08:16

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Just a reminder,,,,, Record Store Day tomorrow. Be there or be square!

I'll be in line about 6 AM

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10 years 3 months

Submitted by 1stshow70878 on Fri, 04/22/2022 - 11:03

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No RSD for me. Can't do the 65 mile drive tomorrow to Triple Play Records Grand Junction, CO.
What Dead will be offered?
Thanks and cheers!

Wembley 4/8/72 is the Dead one coming out. I know it's not in the spirit of the day, but I have always managed to get RSD releases online. Still from an independent record shop, but without having to leave the luxury of my own home.

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9 years 2 months

Submitted by icecrmcnkd on Fri, 04/22/2022 - 16:22

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But will head down to the local shop tomorrow after they open, they usually get a couple of copies. If there is one left for me grate, if not, not a problem, I already have it on CD.

Currently working my way through 4-24-72 Dark Star.

Super impressed with the sound you pulled out of the Seattle Center. Listening to it now.

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Submitted by 1stshow70878 on Sat, 04/23/2022 - 15:52

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Researching my older sister's first (and only maybe) show as a surprise for her. She was 17 and tripping from the story I remember. We called the place Elitch Gardens by the name of the amusement park it was when the music outdoor garden part wasn't used so much anymore. Wasn't very big as I recall. Deadbase list this as two shows but I'm finding reviews of it as one show with a break in the tape at Man's World. Thought it unusual to have an acoustic/elec. set that ends in Drums on the first night and the second night starts with Dark Star?!? I could see it if they got rained out or something. Looks primal to me from the setlist(s). Any lore on this I can tell her? Thanks and cheers
Edit: I was totally wrong on the location of the venue. Nothing to do with Elitch Gardens at all but a "Fillmore" on Clakson St. that started doing rock concerts in Spring 1970. This was maybe only the second show at that renamed refurbished venue. John Hammond opened and according to a newspaper article (Colo. Spgs. paper?) he was boring. But the reviewer had very high praise for this show. Also appears that there was only one night and it was 4/25/70.

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Submitted by nitecat on Sat, 04/23/2022 - 17:21

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Thanks for the compliment, glad you like the sound of Seattle.

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081227881610
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