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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
    Joined:
    From the Bobby & The Midnites File

    Jeff “Skunk” Baxter has his first (!) solo album coming out this June. A great guitarist from those early Steely Dan releases and session player extraordinaire. I’m really looking forward to this one. His connection to Bobby & the Midnites? He played in concert with them, but never was an official member.

    Proudfoot - I agree 100% about vinyl being overrated.

    VGuy - One of my adult kids is visiting me from out west, and I can never have enough bad Dad jokes, so keep ‘em coming!

    PS - Congrats to the phenom from Arizona Auston Matthews for hitting 50 goals! You are a phenomenal player.

    PPS - A dozen Scarlet Begonias to Mary E for all she selflessly does so well for all of us here! Cheers Mary!

  • Vguy72
    Joined:
    What does a janitor yell when he jumps out of the closet?....

    ...."Supplies!!"

  • Vguy72
    Joined:
    Two guys are robbing a liquor store....

    ....One of the robbers grabs a bottle and asks the other guy, "Is this whisky?"
    "Yeah. but not as whisky as wobbing a bank!"
    I'll see myself out now.

  • Oroborous
    Joined:
    Remember folks

    It’s official Marye recognition day here at Deadnet. Big THANKS to the Mar-ster for all she puts up with and does as our den mother and logistics nurse!

    AND!, it’s our good buddy and deadnet fashion guru Dennis’s 42nd anniversary show too!

  • Vguy72
    Joined:
    re; seeing bands I haven't seen yet....

    ....Tedeschi Trucks Band is one. Checking that off at Red Rocks. Pearl Jam is another. Checking that off in May. Another on my list is JRAD. Come to Sin City Joe & Co!!!

  • estimated-eyes
    Joined:
    musings

    Vinyl-- when cds came out in the mid-1980s, I got on board and haven't looked back. I never had much success with records and record players. It seemed I was always in need of a new needle or some other issue with it. I can have crisper sound and listen for 80 minutes without having to get off the couch. No contest. The only thing I miss is the bigger artwork.

    Dead and Company tour-- this is the first year that I am probably going to pass entirely. They truly are too slow. The only appeal is getting together with a lot of like-minded people and having a fine time listening to familiar tunes. Now, if Billy and the Kids come around, sign me up. Like Hendrixfreak, I am looking forward to Tedeschi Trucks and Los Lobos in Chicagoland in July. They switched to all GA from a reserved seating setup. I still need to procure tix, but it doesn't appear to be a problem yet. Still working on companions.

    One show note-- I played the Arrowhead 7/1/78 show (again, those cowboy faces must have melted that day) and listened for the first time to the Space. Is that Phil getting weird on vocals? I usually skip D/S as it is not my bag, but that is a good one.

  • Mr. Ones
    Joined:
    Concerts/Vinyl

    I found myself about to go to a local show on Wednesday(not sold out/tickets available at the door). I then realized that I was really only going to check off a box on my "unseen bands" list. When it occurred to me that I would likely not have the best of times(standing up for 3-4 hours), I decided not to go. I too like small venues, audiences tend to be more respectful at small venues(but not always!!). So, I saved $40.00(DAVEROCK, I can spend that on CDS!!, I like the way you think!). My list of Artists/Bands I will continue to pay to see is getting smaller all the time.

    Re: "albums"- I was quite surprised to see that the cost of a "normal' L.P. today-say $20-$25 bucks-is not that far off when you account for inflation, but I agree, all these other price points are silly, and the manufacturers know that us "collectors" ain't gonna be around forever!! They are really milking the cow.
    When records was all I had, I thought nothing of getting up every 2-3 minutes(single) or 17-20 minutes(L.P.) Now, it seems so odd to me, and I bought my first "45" in 1965!! How times have changed.

    By the way, the band I was going to see were Brian Jonestown Massacre(because 16 years ago, they cancelled the gig about 2 hours before showtime, typical for them at that time). I didn't find out until I was driving to the venue.

    Music is the Best!!

  • hendrixfreak
    Joined:
    I'm as honest as a Denver man can be......

    I have absolutely nothing to say, so I thought I'd pop in and say nothing............

    Weekly awards go to:

    Daverock: The Rolling Stones as "a bunch of oiks." Urban dicktionary: "an obnoxious or unpleasant person; in weakened senses, a 'nit-wit', a 'clot'. " Okay, gotta look up "clot," although now I have a clue.

    Nappy: Shouting during a quiet moment in a Stones show to Lisa Fischer, causing her to enter years of therapy: "I want to have your baby!" Definitely extra credit for reversing the obvious: "You should have MY baby..." (Go Nappy!)

    Dennis' reference to an "honest man." Earth to Dennis: such a person never existed. At least, not in my town...

    Just getting over the Dark Star on the third '72 night and now contemplating the '73 shows in the "Listen" box. And randomly pulling E72 shows off the shelf to power my workouts. A troubling juxtaposition, to say the least.

    As for the symphonic Jerry tribute, Wolf Bros. and D&Co, zero interest at my end, even if a friend offered to gift me a tic. Oh, what age will do! Just have to have a very compelling reason to wade into a crowd of more than a hundred (often incessantly talking) people. Give me a band just exploding with energy, like the top performing band in thid country for years: Tedeschi & Trucks. And give me the funkiest band of bros to open: Los Lobos. And bring 'em here to the Rocks for two nights: yeah! Two more years and I'll have done 50 years at the Rocks. Better than 50 years making little ones out of big ones, I say.

    P.S. "Was Garcia a good guitarist?" Absolutely not. Garcia was one of the 20th century's most innovative and versatile guitarists who could (and did) play with anybody and everybody. He achieved greatness, musically, while also becoming an unwitting and irascible global icon, along with Elvis and James Brown and Jimi Hendrix. If a sacred, colorless, odorless liquid had anything to do with it, so be it.

    Ah, Friday, April 1st! Nothing like a long post about nothing.... As you were!

  • Colin Gould
    Joined:
    Nostalgia

    There was some talk the other day on one of the forums about ‘Schools Out’ by Alice Cooper and this reminded me that it was in the UK charts the year I left secondary school, 1972. This is 50 years ago so it also reminded me how old I am! I went for a nostalgic last 5 featuring LPs I owned while still in school. This obviously limited my selections because I didn’t have much money back then.

    ‘The Madcap Laughs’ - Syd Barrett
    ‘Blue’ - Joni Mitchell
    ‘Songs of Love and Hate’ - Leonard Cohen
    ‘Unicorn’ - Tyrannosaurus Rex
    ‘II’ - Led Zeppelin

    Simon Rob - I was horrified when album prices went up to 19/11 the first few that I bought were a mere 17/6.

  • Vguy72
    Joined:
    "Popped in a CD to hear how the songs should be played"....

    ....AJS throwing shade!! Hilarious.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

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In reply to by Mr. Ones

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I really wanted to go this show but...
1) I was living off the road in between San Luis Obispo & Morro Bay working for the Cal Forestry
2) I was a bit put off by the "commercial success" that allowed the band to play the Bowl (stupid, I know)...I had seen
the previous two tours, Atom Heart Mother & Echoes at the much smaller Santa Monica Civic Auditorium
3) Because of work I had to make a decision of seeing the PF gig or seeing GD do two nights at
the Hollywood Palladium two weeks prior to the PF Bowl gig...a no brainer...

Since you mention seeing them on the AHM and Meddle tours, and thus being quite familiar with Floyd before they hit that mainstream success with DSOTM, I wonder if you recall what your initial impressions of DSOTM were. Gilmour in Classic Albums famously says he wishes he had the experience of being a music fan in 1973 hearing the album for the first time, since they had played most of the album for a year before it came out, then recording and re-recording them, then mixing, he feels he missed out. Especially interested in your take (and anyone else of that awesome era who remembers Floyd pre-DSOTM) on that evolution following Saucerful, AHM, Meddle, and Obscured.

I have a decent collection of Floyd liberated boots from my days downloading from dimeadozen and Trader's Den, etc., pretty sure Hollywood Bowl was in there. I tried to get as many versions of Echoes as I could find. Loved that they brought it back for Wish You Were Here tour, plus Raving and Drooling and You Gotta Be Crazy, the pre-Animals Sheep and Dogs.

I didn't see Pink Floyd until 1975, when they played a large outdoor festival at Knebworth. But I started buying their
albums in 1972. The first one I got was the budget compilation " Relics" followed by "Meddle" and then "Umagumma". I loved these albums at the time, and they sat alongside albums of what has since become known as "space rock" - Hawkwind, Gong, Faust - the amazing Wolf City" by Amon Duul 2.

My brother got Dark Side of the Moon almost as soon as it was available, and.....it was clearly a great album, but it didn't actually have the qualities I liked most about their earlier albums. It seemed like they had gone mainstream, in a way. Before Dark Side, they were very much a "head" band, and were seen, as I remember it, being quite avant- garde. Great spaced out epics like "Saucerful of Secrets" "Set The Controls For The Heart of The Sun" and Echoes". With Dark Side they seemed to become more of a straights band, singing about the grimness of modern life.

They were nowhere near as much fun live as Hawkwind in the mid 70's. I can remember seeing Floyd live in 1977, in a huge air hangar - this was shortly after "Animals" had come out. Everybody was squatting awkwardly on the concrete for hours on end, and when the Floyd finally fired up, someone stood up. The bloke squatting next to me angrily shouted at them to sit down-and then turned to me and said "The Floyd deserve to be listened to." This was why punk happened.

That's sort of what I was thinking would be a fairly typical response to what does seem to be a much more mainstream direction. Which is also why Echoes being the direct antecedent to Dark Side is so interesting, since one is an extremely exploratory song, the other an album of musical and lyrical coherence, but still retains aspects of Echoes. Also, quite funny how a lot of Floyd fans in the decades since are largely fans of DSOTM-The Wall, maybe even Division Bell, and quite a lot seem to passionately hate the more adventurous stuff. But then, maybe not so funny at all, since Deadhead camps exist where the Era Wars are real and ugly.

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In reply to by alvarhanso

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My favorite band up until I attended my first Dead show.

Animals is my favorite album but the first CD I ever bought was Saucerful of Secrets in 1987.

Saw the trio in 87 and twice in 94, second night was complete DSOTM for Set2, same setlist as on the Pulse video.
Saw Waters 4 times, 2007,10,12,17.

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In reply to by alvarhanso

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First, an apology for my addled memories...the choice between going to the Hollywood Bowl for PF or the Hollywood Palladium two weeks earlier for the GD was based purely on the fact that I'd rather see GD...DSOTM wasn't even released until 6 months or so after the Bowl gig... touring with unheard music was pretty ballsy...the Mother Heart Atom show was great with a small orchestra and choir accompanying the band...it started with "Astronomy Domine" and it just got crazier then that...during the floating wisps intro to "Careful With That Ax Eugene" a guy sitting in the orchestra pit, stood up with his hands over his ears yelling "STOP"...his friends tried to calm him but it didn't seem to help...Waters walked over to the edge of the stage, kneeled down and talked to the guy who finally calmed down enough to be escorted out by one of his friends to the lobby...crazy....I have a pretty decent for the time bootleg of this show and you can hear a disturbance but it's not clear enough to know what's going on...2nd set was "Atom heart Mother" with the "Interstellar Overdrive" for the encore...we went home very happy....for "Meddle" my memories aren't quite there...I remember "One Of These Days" as played but set lists I've seen don't show it...The ones I've seen only list one set but that can't be right...I do remember that as we waited in line it hailed on us which was pretty funny....earlier in the year I had taken a pretty nasty fall and broke my left arm and I had to be off from work for three weeks before I could go back to light duty...I went home to LA and because of being ther with my arm in a cast I saw The Stones at The Long Beach Arena & Pigpen's last show at The Hollywood Bowl...also at that time was when my picture was taken with Muddy Waters in the lobby of The Ash Grove as we were both there to see Johnny Shines play...'72 was a good year, broken arm and all!

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In reply to by alvarhanso

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Alvarhanso - in some respects, the era of Pink Floyd leading up to Dark Side seems to have gained currency in recent years. The Early Years 1965-1972 box set is a treasure trove. And those gigs Nick Mason's Saucerful of Secrets played a few years ago, focussing on those years, were brilliant-to me, anyway. A cover band for sure, but one with credibility and fire power. They opened with Interstellar Overdrive and Astronomy Domine. Top that.

To me, Pink Floyd had three eras. First the Syd Barrett one, swiftly followed by the experimental phase, when Rick Wright was more influential. Rick Wright was also hugely important in developing their sound when Syd was at the helm - a very underrated musician. Then the Dark Side and beyond years, which seemed to be dominated more by Dave Gilmour and Roger Waters.

Nappy - that gig where they played Careful With That Axe Eugene sounds good. They did do a few well known soundtracks for films-but that experimental phase always struck me as something that would have gone well with horror films. Something by Dario Argento, perhaps.

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In reply to by alvarhanso

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Alvarhanso-sorry to come back so quickly-but that phrase "era wars" always puzzles me a bit. I don't think there is a single band or artist I have liked where I have liked all their work. Most, if not all, of the ones I liked in the early 70's left me a bit cold as the decade progressed. A random sample - The Stones, David Bowie, Black Sabbath, Deep Purple, Hawkwind - yes, it is everyone! - personnel changed, style, approach, inspiration...they all seemed to follow a similar trajectory-rise, peak, decline. And maybe repeat the pattern. I never saw myself as a long term "fan" of any band, who needed to like everything they did. I have also never felt the slightest animosity to anyone who sees things differently-or who likes a different era of a specific band to me though. I am certainly not at war with anyone!
A lot of bands I have liked for decades - but there is a massive difference in quality - to me anyway- in the music they produced during that time.

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Though it does get ugly around here from time to time, mainly third and fourth Dave's of the year announcements and box sets.

But glad to hear all the excellent tales of Pink Floyd earlier years. I dig that stuff a lot, and love that box set. Would have loved seeing them back then. Though I could totally understand somebody freaking out during Careful With That Axe.

Apologies for misreading. Pink Floyd also seemed to be the main band that people in England got into when they started smoking dope in the early 70s. They were so big by 1977, that John Lydon-nee Rotten, in one of his attempts to upset the masses, wore a Pink Floyd tee shirt with "I hate" scrawled on before the bands name. Nick Mason put a replica of this tee shirt on display at the Pink Floyd exhibition in London a few years ago.

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So last week Sis tells me she saw a Dead show at Mammoth Gardens 4/24/70. Now she sent info about "another good show she saw", the Denver Pop Festival including 6/29/69 where she saw the final performance of The Jimmy Hendrix Experience. The festival was largely overshadowed by Woodstock two months later but was a Barry Fey three day gig for $15 with great lineups and setlists. Only four years removed from her "generation" but I had no idea Denver's scene was that good back then. Going to have to get some stories from her.
Cheers!
Edit: Listened to the aud. recording she sent with it. Interesting hour or so with the last song missing (Voodoo Child/Slight Return). Not Jimi's best, but he was blazing. Some bad stories about the teargas, etc. there at Mile High. Wasn't long after that a similar incident at a Red Rocks show with Jethro Tull got rock shows banned from that venue for many years. Times were tougher for hippies before I started going to shows, but I guess it happened to us as well when the scene just got too big later.

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There are NO WARS!!!!!!
Dona nobis pacem

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10 years 3 months

In reply to by wissinomingdeadhead

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Amen to that. Always a worry when people feel the need to be at war with others who have different beliefs or ideas. I wouldn't want to be part of a society where everyone agrees with each other, and tries to shut down debates that question the status quo.

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In reply to by wissinomingdeadhead

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In the old days, when you paid to have something done, you were rewarded by getting it ON release date! Today was listed as release date! Not only did I NOT receive my new CD, it appears that you haven't even bothered to ship it yet! This total lack of concern for your long term supporters, is soon going to bite you in the A$$!

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Starting this morning with some of Garcia's finest (LA Baker) and disc 3 of this gem! The band just kicked into Eyes and I must say, today is gonna be a good day!

Rock on, gang

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