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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Mr. Ones
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    Just what nobody wants(my 2 cents)

    I love the discussion of live shows vis a vis, shows we attended vs. shows we love to listen to. I will always enjoy having a cd of a show that I attended, regardless of which band we’re talking about. It’s just the ultimate souvenir.
    But when it comes to the Dead, my first show was 8/31/80, and while I would flip my lid if it was ever released, what I really want more than anything else, are shows from 1967-1974, with 67-70 being the real hot spot for me.
    I realize that there are most likely not too many shows of that era in a releasable form. Do I like shows from all years. Yes. To a point. If it is a superbly played show, I’ll give it many listens. If it’s not, it’s probably a 2 and done for me.
    While I’m perfectly ok with that, it’s human nature to want what I want(and right NOW).
    ANY show is desirable for me between 67-70, regardless of how sloppy or how much repeat of set lists, because they were absolutely PRIMAL at this time!!
    Of course, that just one idiots opinion. I gladly take whatever Dave gives me. I don’t feel the need to ‘threaten’ him by saying I’ll stop buying stuff. If I were to stop, there are certainly many punters ready to take my place. My music addiction does not seem about to subside anytime soon.
    As far as box sets go, I don’t see me buying anything from after ‘74. Again, that’s just me, I know I’m in the minority.
    I think I’ll let Dave worry about choices and sales figures, and I’ll just keep subscribing, and pick and choose which boxes to buy.

    Anyway you look at it, my opinion only applies to me, and I welcome opinions from any and all who contribute to this site.

    And keep the Last 5’s and other recommendations coming, because I sure as hell want to be on the receiving end of your much anticipated suggestions/favorites!!

  • hendrixfreak
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    Daverock, thinking, thinking....

    So I saw the band 1972 to 1992, with a ton of shows in '73. I have found that magical '73 sound to be my favorite in many ways, probably because I tripped out back then as a very young man and the sounds made an indelible impression. Yet I'm a stone Pigpen fan and love the early band's energy. I bemoan the lost of ... "spirit" let's say in the later years that to me reflected Jer's decline due to H. That said, something some folks call "attendance bias" or something like that suggests that people do enjoy hearing the shows they attended. Therefore, if they released the two '92 shows I went to, I'd dig it. But I'd go apeshit for a release of my first show in Sept '72 because that would overlap with the band's best year(s).

    I'm babbling but I guess it must be difficult to intuit what the GD fans will purchase. Some suggested that younger fans (those under, say, age 55!) might have snapped up the Giants Stadium box (I skipped it, always looking for opportunities to stop spending on GD music, though not really succeeding). Are older heads (I'm 65) really a monolithic force jonesing for '60s shows? I do not pretend to know.

    I suppose they can always analyze the sales for any given release, but who's to say what the demographics behind the sales #s really are? We're currently fixated on chronology and specific years for the band, which seems natural, but does that really influence sales? It has to, but how much of a factor is it? Versus, say, longtime buzz about a certain show and its circulation on tape, etc. (Example: Barton Hall '78, said to be "the greatest of all time" show doesn't really impress me... As in, I have NO IDEA what the hype is all about. It's a fun show, that's all -- for me.)

    The whole thing is a mystery to me. And for Dave, and Rhino, how much of their release decisions are based on data and how much on intuition and wishful thinking?

    I'm going to solve this conundrum by immediately retreating to my music room with a whiskey and spleef and play around on slide in standard tuning on my 1964 Gretsch as the day's last light slants across the room... Hey, I sincerely appreciate the opportunity to kick stuff around and goof off on this forum. Thanks gang!

  • daverock
    Joined:
    Age related

    HF - your comment that older heads might prefer 67-69 shows and younger heads 80's and 90's shows got me thinking. I only saw The Dead in 1981 and 1990, but my taste in listening to live recordings has always been 1967-1974. With different years within that timespan being my favourite at different times. It was 67-69 that originally got me interested in them.
    Curiously perhaps, I don't really relate listening to their live recordings to my experience of actually seeing them. It doesn't feel nostalgic when I listen to them - a forever now band.

  • That Mike
    Joined:
    Bobby (Bobby?) Weir & Wolf Bros

    “Live In Colorado” just arrived!
    New persona, Bob!? Asking for a friend.

  • Jason Wilder
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    Prognosticating: Box + Last 2 Dave's

    Well, we know that #42 is 2/23/74. Making this another year where Dave has selected at least 1 show from both the late Keith & Donna era (with Mickey post-hiatus) and the early K&D era (post Pig pre-hiatus). The only exception was 2018 with no early K&D. 2 late K&Ds + Brent + Pig/TC. Also got PNW Box that year, so plenty of early K&D.

    On the chat Dave said a good year for variety. Pig, Brent, & Vince/Bruce are the other eras. Hope the Box + 2 DPs touch them all. Have not had a Pig Dave's since 2019. Have had 2 Brent's the last 2 years, the only times Dave has done that.

    Last 5 boxes: STL 71/72/73, June 76, Giants 87/89/91, PNW 73/74, May 77 GSTL. I think we are gonna get early (Carousel '68?) or late (Brent 80s or MSG fall 90).

  • Atron
    Joined:
    .

    .

  • hendrixfreak
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    OMG! I just had ANOTHER thought........

    Perhaps this is too obvious, but the Listen to the River box is just so good in concept, execution and content, that
    WHAT IF ... ole' Dave decided to couple up shows from
    - fall '67
    - spring '68
    - fall '68
    - spring '69

    To show the early band's evolution. Fall '67 to spring '69 is quite the arc in their ability to deliver, from surging beast to well-oiled psychedelic band. That approach could be done in 5-6 discs. I think the barrier to my own "ideas" relates to Dave's story on how "Listen" came together. He went to Rhino, if I recall correctly, with the "Listen" concept but only a 10 or 12-disc product and they responded, "could you do a 20-CD box?" I guess we'd have to review the history -- shorter boxes have been issued -- to see what the pattern is. Or maybe 20-disc boxes are Rhino-favored going forward? For my money, it'll be tough to surpass the "Listen" box because '71-'72-'73 is prime material for me. Okay, maybe older heads want primal 67-69, younger heads might favor 80s-90s? My thrashing about here confirms that I don't belong in merchandising. Just purchasing...........

  • Oroborous
    Joined:
    Primal box

    Said it before, I’ll say it again: only have fragments of primal, no problemo, center the box around some primo 69, say April 69 Avalon/Ark, and tack a few discs of 67-68 on it, voilà!
    Say frags of 67 on one or two discs depending on quantity/quality, three or four short 68 shows, and the majority of the Avalon and Ark shows…

  • Oroborous
    Joined:
    Norman et el

    I don’t really compare or pay that close attention, but it does seem overall like they’ve gotten better with time/experience. I try to judge each show singularly, on their own merits.
    Later, I might compare to other shows within that tour, but any other than that it seems futile to me.
    The only recent one I’ve thought was audibly subpar was the 73 from last year, and I think that was more to do with the recording. Most folks couldn’t even tell though, I think you need certain ears/equipment?

    Think sonics the last couple years have been great except the above mentioned, and perhaps a smidge too much ambient mic on the 87? (But I really prefer a good matrix! SBs don’t sound natural to me)
    Still blown away how well the 78 (37?) sounds. 41 too.
    Really, all formats have marked improvement, If you compare apples to apples: meaning i.e., say 40 to other summer 90 DATs, and say, 41 to other May 77 Beatty reels etc, and Philly 83 to other cassettes, there seems to be an audible improvement over early releases of similar formats.
    My only complaint Is that sometimes Dave picks a good city and street, but goes to the wrong house…

  • Slow Dog Noodle
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    Last 5

    Phish 12-5-91 (phew - almost through all the 1991 shows!)
    Phish 12-4-91
    Phish 11-30-91

    Dub Apocalypse 5-6-18
    Grateful Dead - Dave's Picks 41

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

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In reply to by Mr. Ones

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I really wanted to go this show but...
1) I was living off the road in between San Luis Obispo & Morro Bay working for the Cal Forestry
2) I was a bit put off by the "commercial success" that allowed the band to play the Bowl (stupid, I know)...I had seen
the previous two tours, Atom Heart Mother & Echoes at the much smaller Santa Monica Civic Auditorium
3) Because of work I had to make a decision of seeing the PF gig or seeing GD do two nights at
the Hollywood Palladium two weeks prior to the PF Bowl gig...a no brainer...

Since you mention seeing them on the AHM and Meddle tours, and thus being quite familiar with Floyd before they hit that mainstream success with DSOTM, I wonder if you recall what your initial impressions of DSOTM were. Gilmour in Classic Albums famously says he wishes he had the experience of being a music fan in 1973 hearing the album for the first time, since they had played most of the album for a year before it came out, then recording and re-recording them, then mixing, he feels he missed out. Especially interested in your take (and anyone else of that awesome era who remembers Floyd pre-DSOTM) on that evolution following Saucerful, AHM, Meddle, and Obscured.

I have a decent collection of Floyd liberated boots from my days downloading from dimeadozen and Trader's Den, etc., pretty sure Hollywood Bowl was in there. I tried to get as many versions of Echoes as I could find. Loved that they brought it back for Wish You Were Here tour, plus Raving and Drooling and You Gotta Be Crazy, the pre-Animals Sheep and Dogs.

I didn't see Pink Floyd until 1975, when they played a large outdoor festival at Knebworth. But I started buying their
albums in 1972. The first one I got was the budget compilation " Relics" followed by "Meddle" and then "Umagumma". I loved these albums at the time, and they sat alongside albums of what has since become known as "space rock" - Hawkwind, Gong, Faust - the amazing Wolf City" by Amon Duul 2.

My brother got Dark Side of the Moon almost as soon as it was available, and.....it was clearly a great album, but it didn't actually have the qualities I liked most about their earlier albums. It seemed like they had gone mainstream, in a way. Before Dark Side, they were very much a "head" band, and were seen, as I remember it, being quite avant- garde. Great spaced out epics like "Saucerful of Secrets" "Set The Controls For The Heart of The Sun" and Echoes". With Dark Side they seemed to become more of a straights band, singing about the grimness of modern life.

They were nowhere near as much fun live as Hawkwind in the mid 70's. I can remember seeing Floyd live in 1977, in a huge air hangar - this was shortly after "Animals" had come out. Everybody was squatting awkwardly on the concrete for hours on end, and when the Floyd finally fired up, someone stood up. The bloke squatting next to me angrily shouted at them to sit down-and then turned to me and said "The Floyd deserve to be listened to." This was why punk happened.

That's sort of what I was thinking would be a fairly typical response to what does seem to be a much more mainstream direction. Which is also why Echoes being the direct antecedent to Dark Side is so interesting, since one is an extremely exploratory song, the other an album of musical and lyrical coherence, but still retains aspects of Echoes. Also, quite funny how a lot of Floyd fans in the decades since are largely fans of DSOTM-The Wall, maybe even Division Bell, and quite a lot seem to passionately hate the more adventurous stuff. But then, maybe not so funny at all, since Deadhead camps exist where the Era Wars are real and ugly.

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In reply to by alvarhanso

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My favorite band up until I attended my first Dead show.

Animals is my favorite album but the first CD I ever bought was Saucerful of Secrets in 1987.

Saw the trio in 87 and twice in 94, second night was complete DSOTM for Set2, same setlist as on the Pulse video.
Saw Waters 4 times, 2007,10,12,17.

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In reply to by alvarhanso

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First, an apology for my addled memories...the choice between going to the Hollywood Bowl for PF or the Hollywood Palladium two weeks earlier for the GD was based purely on the fact that I'd rather see GD...DSOTM wasn't even released until 6 months or so after the Bowl gig... touring with unheard music was pretty ballsy...the Mother Heart Atom show was great with a small orchestra and choir accompanying the band...it started with "Astronomy Domine" and it just got crazier then that...during the floating wisps intro to "Careful With That Ax Eugene" a guy sitting in the orchestra pit, stood up with his hands over his ears yelling "STOP"...his friends tried to calm him but it didn't seem to help...Waters walked over to the edge of the stage, kneeled down and talked to the guy who finally calmed down enough to be escorted out by one of his friends to the lobby...crazy....I have a pretty decent for the time bootleg of this show and you can hear a disturbance but it's not clear enough to know what's going on...2nd set was "Atom heart Mother" with the "Interstellar Overdrive" for the encore...we went home very happy....for "Meddle" my memories aren't quite there...I remember "One Of These Days" as played but set lists I've seen don't show it...The ones I've seen only list one set but that can't be right...I do remember that as we waited in line it hailed on us which was pretty funny....earlier in the year I had taken a pretty nasty fall and broke my left arm and I had to be off from work for three weeks before I could go back to light duty...I went home to LA and because of being ther with my arm in a cast I saw The Stones at The Long Beach Arena & Pigpen's last show at The Hollywood Bowl...also at that time was when my picture was taken with Muddy Waters in the lobby of The Ash Grove as we were both there to see Johnny Shines play...'72 was a good year, broken arm and all!

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In reply to by alvarhanso

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Alvarhanso - in some respects, the era of Pink Floyd leading up to Dark Side seems to have gained currency in recent years. The Early Years 1965-1972 box set is a treasure trove. And those gigs Nick Mason's Saucerful of Secrets played a few years ago, focussing on those years, were brilliant-to me, anyway. A cover band for sure, but one with credibility and fire power. They opened with Interstellar Overdrive and Astronomy Domine. Top that.

To me, Pink Floyd had three eras. First the Syd Barrett one, swiftly followed by the experimental phase, when Rick Wright was more influential. Rick Wright was also hugely important in developing their sound when Syd was at the helm - a very underrated musician. Then the Dark Side and beyond years, which seemed to be dominated more by Dave Gilmour and Roger Waters.

Nappy - that gig where they played Careful With That Axe Eugene sounds good. They did do a few well known soundtracks for films-but that experimental phase always struck me as something that would have gone well with horror films. Something by Dario Argento, perhaps.

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In reply to by alvarhanso

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Alvarhanso-sorry to come back so quickly-but that phrase "era wars" always puzzles me a bit. I don't think there is a single band or artist I have liked where I have liked all their work. Most, if not all, of the ones I liked in the early 70's left me a bit cold as the decade progressed. A random sample - The Stones, David Bowie, Black Sabbath, Deep Purple, Hawkwind - yes, it is everyone! - personnel changed, style, approach, inspiration...they all seemed to follow a similar trajectory-rise, peak, decline. And maybe repeat the pattern. I never saw myself as a long term "fan" of any band, who needed to like everything they did. I have also never felt the slightest animosity to anyone who sees things differently-or who likes a different era of a specific band to me though. I am certainly not at war with anyone!
A lot of bands I have liked for decades - but there is a massive difference in quality - to me anyway- in the music they produced during that time.

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Though it does get ugly around here from time to time, mainly third and fourth Dave's of the year announcements and box sets.

But glad to hear all the excellent tales of Pink Floyd earlier years. I dig that stuff a lot, and love that box set. Would have loved seeing them back then. Though I could totally understand somebody freaking out during Careful With That Axe.

Apologies for misreading. Pink Floyd also seemed to be the main band that people in England got into when they started smoking dope in the early 70s. They were so big by 1977, that John Lydon-nee Rotten, in one of his attempts to upset the masses, wore a Pink Floyd tee shirt with "I hate" scrawled on before the bands name. Nick Mason put a replica of this tee shirt on display at the Pink Floyd exhibition in London a few years ago.

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So last week Sis tells me she saw a Dead show at Mammoth Gardens 4/24/70. Now she sent info about "another good show she saw", the Denver Pop Festival including 6/29/69 where she saw the final performance of The Jimmy Hendrix Experience. The festival was largely overshadowed by Woodstock two months later but was a Barry Fey three day gig for $15 with great lineups and setlists. Only four years removed from her "generation" but I had no idea Denver's scene was that good back then. Going to have to get some stories from her.
Cheers!
Edit: Listened to the aud. recording she sent with it. Interesting hour or so with the last song missing (Voodoo Child/Slight Return). Not Jimi's best, but he was blazing. Some bad stories about the teargas, etc. there at Mile High. Wasn't long after that a similar incident at a Red Rocks show with Jethro Tull got rock shows banned from that venue for many years. Times were tougher for hippies before I started going to shows, but I guess it happened to us as well when the scene just got too big later.

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There are NO WARS!!!!!!
Dona nobis pacem

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In reply to by wissinomingdeadhead

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Amen to that. Always a worry when people feel the need to be at war with others who have different beliefs or ideas. I wouldn't want to be part of a society where everyone agrees with each other, and tries to shut down debates that question the status quo.

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In reply to by wissinomingdeadhead

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In the old days, when you paid to have something done, you were rewarded by getting it ON release date! Today was listed as release date! Not only did I NOT receive my new CD, it appears that you haven't even bothered to ship it yet! This total lack of concern for your long term supporters, is soon going to bite you in the A$$!

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Starting this morning with some of Garcia's finest (LA Baker) and disc 3 of this gem! The band just kicked into Eyes and I must say, today is gonna be a good day!

Rock on, gang

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