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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • LedDed
    Joined:
    Go Live!

    That could mean "live," as in "live music," or it could mean "live," as in , live not die. Either way, if anyone loves live music and is worried about travel or being in public much, I can only offer encouragement and share my experiences. I'm fully vaccinated and boosted and have doubtless been exposed to the virus hundreds of times.

    In Colorado the mask mandates are being dropped and phased out. Which I welcome. Since last fall and through last week (Ghost/Volbeat) I've been to a number of live concerts - at each, one had to wear a mask and show proof of vaccination to gain entry but immediately after people are walking around with drinks unmasked everywhere.

    If you love live music, bring it back into your life, if you are vaccinated. If you are not, I respect your decision but withdraw my suggestion as I would not want to encourage anyone to become ill.

    I have never understood the politicization of the vaccines. Certainly scientists and medical professionals do their job apolitically in order to advance the health of all mankind, and I commend them. It is unfortunate that everything has to become partisan in this country, but alas, here we are.

    Last 5 (non-Dead):

    Little Feat - Little Feat
    Robert Palmer - Sneakin' Sally Through the Alley
    Albert King - The Best of Albert King (remastered)
    Jake E. Lee - A Fine Pink Mist
    John Mellencamp - Strictly A One-Eyed Jack

    Go Rams!

  • Gratefulhan
    Joined:
    Last 5...

    Hi All! Its been a while, work has been ruthless and keeping me busy. Yet I have an interesting selection of listening for my last 5:

    Phish 6/12/10- I have a little project going where I am working on listening to most of Phish's 2010 summer and fall tours.

    Grateful Dead 3/2/69 Nudge, nudge, wink, wink. Say no more.

    Allman Brothers 6/11/92 - this is an all acoustic set that was a benefit show. It was a limited edition cd release as well.

    Jimi Hendrix 5/30/70 at Berkeley, this was the second show of that day and seems to be regarded as one of his better performances of that year.

    King Crimson...a long while ago Dave rock recommend this band to me . Recently I did some exploration of their music through a YouTube search and I liked what I heard. I haven't settled on a show yet but they have a fairly large set of archival concert releases. So I think I may pick up a show on the next payday.

    I hope all is well with the crew here.

    Back to the grind...

  • daverock
    Joined:
    John McLaughlin

    Frankparry - thanks for the heads up about the upcoming concert in May. I still haven't been to any shows - or travelled outside the two mile perimiter of where I live since March 2020 - so I'm a bit wary. The Barbican would probably be perfectly safe - but I would be travelling on the tube, and staying overnight. I'll give it some thought. I notice there are some cds of John McLaughlin with 4th Dimension - maybe I should get one. The one live at the Warfield looks tempting.

    I have only seen John McLaughlin once - in Oldham 9/27/97 - a show which was included in the live perfomances that made up the cd "Remember Shakti". It featured Zakir Hussain.

    The last gig I saw was jazz oriented - the mindboggling Norwegian trio Elephant9 at Ronnie Scotts in January 2020. When they started playing it was like a bomb going off. I can remember at intemission, one guy was trying to get his money back at reception, saying that the music wasn't proper jazz, but was "psychedelic hogwash".

  • Vguy72
    Joined:
    Not tired. Figured I'd bust out a Fox Box show....

    ....10.18.72.
    Playin' ->
    Drums->
    Dark STAR ->
    AM Dew ->
    Playin'
    I'm in.

  • Vguy72
    Joined:
    Last couple....

    ....the new Saxon album.
    The new Duran Duran album.
    In between was disc 3 of 41.
    Spent 15 minutes on acoustic today. Building calluses. yay
    Edit. Fleetwood Macs Tusk just popped in my head.
    I can't explain the voice in my head. I just roll with it. Over And Over. Over again....

  • nappyrags
    Joined:
    the last five...

    Well...pretty much DaP 41
    Dickus Pickus 34
    Audio Book in the car..."Heroes...The Greek Myths Reimagined" Written & read by Stephen Fry
    Hums - The Lovin' Spoonful

    and lastly...there's a guy who has a blog and posts vinyl rips from his 45 collection in MP3...each volume contains 30 songs, usually both "A" & "B" sides...He's up to Vol 654, that's over 19,000 songs folks...from the mid 50's to the late 70's mainly with a great mix of Soul, R&B, Blues, Garage Rock, Country, Honky Tonk, etc....I was able to fit about 645 of them on a 128 GB flash drive...plug it into my car USB port, hit shuffle and away we go....I really thought it was going to end at 500 vols but it keeps on keeping on...I asked him if he had any idea when it might end and he said as soon as he stops buying collections from people...a few repeats but all in all a great set...

  • nitecat
    Joined:
    Last five

    I really like the last five tradition, also. I learn a lot about other music.

    GOGD TTATS 9/18/87 Superlative show at the Garden
    GOGD Red Rocks 7/28/82 from my master cassette
    Birds - Sweetheart of the Rodeo

  • adedhed68
    Joined:
    5/18/77

    I listened to 5/18/77 today. With everything else from May ‘77 being commercially released, this show feels like an only-child. It’s a real good show. Deal opens the first set and it’s a long first set. All in all, fairly similar setlist to Dave’s 41, but unique in its own way. Highly recommended listening.

  • proudfoot
    Joined:
    Animals

    Thank for the goose there, icecream. So good to hear it again

    Powerful stuff, especially when feeling cynical

    Btw

    More cowbell is needed in pigs 3 d.o.

    In sheep when he recites the 23rd psalm...I had forgotten about that. Full disclosure and maybe tmi, but I recite the 23rd every day before work. Hearing roger waters' take on it was quite a moment. We'll make the bugger's eyes water

    Wowie zowie

  • Oroborous
    Joined:
    Dead vs non Dead, lasts etc

    It’s yer thing, do what ya wanna do,
    I can’t tell ya, who to sock it to!

    BIIIIGGG music day yesterday!! Pick of the day was 2/11/69, hadn’t heard that chestnut in too long. That led to 2/14/68, which led to second set of 6/22/83 via Spanish Jam trigger. Then The Other Half came home so we shifted to Friday happy hour mode with:
    Journeys Greatest Hits (for her but I dug it too)
    Jackson Browne Running On Empty
    Traveling Wilburys
    Ryan Adams Ashes and Fire (love this album!)
    Norah Jones Day Breaks
    Bill Evans Moonbeams and New Conversations (last 2 basically on constant rotation!)
    Had Olympics on with sound off Vguy style for the last few.

    Cudos to Mr White on an awesome career and being “such a nice young man” as our parents would say lol.
    Really have enjoyed countless hours over the years. It’s a shame the judges were such douches. Still think he was good enough for Bronze and I’m not gonna touch what they did to that amazing Japanese kid, who pulled his own Sean White by laying down not one, but 2 runs that nobody has ever done, damn near perfectly, to persevere and get the Gold. The old Master has taught the youngins well! I’m really interested to see how the 19 year old Japanese kid who broke the world height record, not once, but three times. But the little bastard went so hard he bit all three runes! Cassady woulda dug this kid, amazing stuff, can’t wait to watch them progress!
    Cudos to all!
    And big shout out and sending good vibes to our hometown sweetheart Makela from good ole E town!
    It’s all good girl, just a mere speed bump, just need Cassady to adjust that tire pressure, harumph.

    Europe, god help us all. Still don’t understand why it’s the US responsibility to always be the worlds cop?
    Sure we always want to be available to help our allies etc, but do we always have to be the first one on the dance floor?
    FFS! Why can’t we all just get a bong?
    Imagine…

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

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In reply to by Mr. Ones

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I really wanted to go this show but...
1) I was living off the road in between San Luis Obispo & Morro Bay working for the Cal Forestry
2) I was a bit put off by the "commercial success" that allowed the band to play the Bowl (stupid, I know)...I had seen
the previous two tours, Atom Heart Mother & Echoes at the much smaller Santa Monica Civic Auditorium
3) Because of work I had to make a decision of seeing the PF gig or seeing GD do two nights at
the Hollywood Palladium two weeks prior to the PF Bowl gig...a no brainer...

Since you mention seeing them on the AHM and Meddle tours, and thus being quite familiar with Floyd before they hit that mainstream success with DSOTM, I wonder if you recall what your initial impressions of DSOTM were. Gilmour in Classic Albums famously says he wishes he had the experience of being a music fan in 1973 hearing the album for the first time, since they had played most of the album for a year before it came out, then recording and re-recording them, then mixing, he feels he missed out. Especially interested in your take (and anyone else of that awesome era who remembers Floyd pre-DSOTM) on that evolution following Saucerful, AHM, Meddle, and Obscured.

I have a decent collection of Floyd liberated boots from my days downloading from dimeadozen and Trader's Den, etc., pretty sure Hollywood Bowl was in there. I tried to get as many versions of Echoes as I could find. Loved that they brought it back for Wish You Were Here tour, plus Raving and Drooling and You Gotta Be Crazy, the pre-Animals Sheep and Dogs.

I didn't see Pink Floyd until 1975, when they played a large outdoor festival at Knebworth. But I started buying their
albums in 1972. The first one I got was the budget compilation " Relics" followed by "Meddle" and then "Umagumma". I loved these albums at the time, and they sat alongside albums of what has since become known as "space rock" - Hawkwind, Gong, Faust - the amazing Wolf City" by Amon Duul 2.

My brother got Dark Side of the Moon almost as soon as it was available, and.....it was clearly a great album, but it didn't actually have the qualities I liked most about their earlier albums. It seemed like they had gone mainstream, in a way. Before Dark Side, they were very much a "head" band, and were seen, as I remember it, being quite avant- garde. Great spaced out epics like "Saucerful of Secrets" "Set The Controls For The Heart of The Sun" and Echoes". With Dark Side they seemed to become more of a straights band, singing about the grimness of modern life.

They were nowhere near as much fun live as Hawkwind in the mid 70's. I can remember seeing Floyd live in 1977, in a huge air hangar - this was shortly after "Animals" had come out. Everybody was squatting awkwardly on the concrete for hours on end, and when the Floyd finally fired up, someone stood up. The bloke squatting next to me angrily shouted at them to sit down-and then turned to me and said "The Floyd deserve to be listened to." This was why punk happened.

That's sort of what I was thinking would be a fairly typical response to what does seem to be a much more mainstream direction. Which is also why Echoes being the direct antecedent to Dark Side is so interesting, since one is an extremely exploratory song, the other an album of musical and lyrical coherence, but still retains aspects of Echoes. Also, quite funny how a lot of Floyd fans in the decades since are largely fans of DSOTM-The Wall, maybe even Division Bell, and quite a lot seem to passionately hate the more adventurous stuff. But then, maybe not so funny at all, since Deadhead camps exist where the Era Wars are real and ugly.

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In reply to by alvarhanso

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My favorite band up until I attended my first Dead show.

Animals is my favorite album but the first CD I ever bought was Saucerful of Secrets in 1987.

Saw the trio in 87 and twice in 94, second night was complete DSOTM for Set2, same setlist as on the Pulse video.
Saw Waters 4 times, 2007,10,12,17.

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In reply to by alvarhanso

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First, an apology for my addled memories...the choice between going to the Hollywood Bowl for PF or the Hollywood Palladium two weeks earlier for the GD was based purely on the fact that I'd rather see GD...DSOTM wasn't even released until 6 months or so after the Bowl gig... touring with unheard music was pretty ballsy...the Mother Heart Atom show was great with a small orchestra and choir accompanying the band...it started with "Astronomy Domine" and it just got crazier then that...during the floating wisps intro to "Careful With That Ax Eugene" a guy sitting in the orchestra pit, stood up with his hands over his ears yelling "STOP"...his friends tried to calm him but it didn't seem to help...Waters walked over to the edge of the stage, kneeled down and talked to the guy who finally calmed down enough to be escorted out by one of his friends to the lobby...crazy....I have a pretty decent for the time bootleg of this show and you can hear a disturbance but it's not clear enough to know what's going on...2nd set was "Atom heart Mother" with the "Interstellar Overdrive" for the encore...we went home very happy....for "Meddle" my memories aren't quite there...I remember "One Of These Days" as played but set lists I've seen don't show it...The ones I've seen only list one set but that can't be right...I do remember that as we waited in line it hailed on us which was pretty funny....earlier in the year I had taken a pretty nasty fall and broke my left arm and I had to be off from work for three weeks before I could go back to light duty...I went home to LA and because of being ther with my arm in a cast I saw The Stones at The Long Beach Arena & Pigpen's last show at The Hollywood Bowl...also at that time was when my picture was taken with Muddy Waters in the lobby of The Ash Grove as we were both there to see Johnny Shines play...'72 was a good year, broken arm and all!

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In reply to by alvarhanso

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Alvarhanso - in some respects, the era of Pink Floyd leading up to Dark Side seems to have gained currency in recent years. The Early Years 1965-1972 box set is a treasure trove. And those gigs Nick Mason's Saucerful of Secrets played a few years ago, focussing on those years, were brilliant-to me, anyway. A cover band for sure, but one with credibility and fire power. They opened with Interstellar Overdrive and Astronomy Domine. Top that.

To me, Pink Floyd had three eras. First the Syd Barrett one, swiftly followed by the experimental phase, when Rick Wright was more influential. Rick Wright was also hugely important in developing their sound when Syd was at the helm - a very underrated musician. Then the Dark Side and beyond years, which seemed to be dominated more by Dave Gilmour and Roger Waters.

Nappy - that gig where they played Careful With That Axe Eugene sounds good. They did do a few well known soundtracks for films-but that experimental phase always struck me as something that would have gone well with horror films. Something by Dario Argento, perhaps.

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In reply to by alvarhanso

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Alvarhanso-sorry to come back so quickly-but that phrase "era wars" always puzzles me a bit. I don't think there is a single band or artist I have liked where I have liked all their work. Most, if not all, of the ones I liked in the early 70's left me a bit cold as the decade progressed. A random sample - The Stones, David Bowie, Black Sabbath, Deep Purple, Hawkwind - yes, it is everyone! - personnel changed, style, approach, inspiration...they all seemed to follow a similar trajectory-rise, peak, decline. And maybe repeat the pattern. I never saw myself as a long term "fan" of any band, who needed to like everything they did. I have also never felt the slightest animosity to anyone who sees things differently-or who likes a different era of a specific band to me though. I am certainly not at war with anyone!
A lot of bands I have liked for decades - but there is a massive difference in quality - to me anyway- in the music they produced during that time.

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Though it does get ugly around here from time to time, mainly third and fourth Dave's of the year announcements and box sets.

But glad to hear all the excellent tales of Pink Floyd earlier years. I dig that stuff a lot, and love that box set. Would have loved seeing them back then. Though I could totally understand somebody freaking out during Careful With That Axe.

Apologies for misreading. Pink Floyd also seemed to be the main band that people in England got into when they started smoking dope in the early 70s. They were so big by 1977, that John Lydon-nee Rotten, in one of his attempts to upset the masses, wore a Pink Floyd tee shirt with "I hate" scrawled on before the bands name. Nick Mason put a replica of this tee shirt on display at the Pink Floyd exhibition in London a few years ago.

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So last week Sis tells me she saw a Dead show at Mammoth Gardens 4/24/70. Now she sent info about "another good show she saw", the Denver Pop Festival including 6/29/69 where she saw the final performance of The Jimmy Hendrix Experience. The festival was largely overshadowed by Woodstock two months later but was a Barry Fey three day gig for $15 with great lineups and setlists. Only four years removed from her "generation" but I had no idea Denver's scene was that good back then. Going to have to get some stories from her.
Cheers!
Edit: Listened to the aud. recording she sent with it. Interesting hour or so with the last song missing (Voodoo Child/Slight Return). Not Jimi's best, but he was blazing. Some bad stories about the teargas, etc. there at Mile High. Wasn't long after that a similar incident at a Red Rocks show with Jethro Tull got rock shows banned from that venue for many years. Times were tougher for hippies before I started going to shows, but I guess it happened to us as well when the scene just got too big later.

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12 years 10 months
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There are NO WARS!!!!!!
Dona nobis pacem

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10 years 2 months

In reply to by wissinomingdeadhead

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Amen to that. Always a worry when people feel the need to be at war with others who have different beliefs or ideas. I wouldn't want to be part of a society where everyone agrees with each other, and tries to shut down debates that question the status quo.

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In reply to by wissinomingdeadhead

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In the old days, when you paid to have something done, you were rewarded by getting it ON release date! Today was listed as release date! Not only did I NOT receive my new CD, it appears that you haven't even bothered to ship it yet! This total lack of concern for your long term supporters, is soon going to bite you in the A$$!

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Starting this morning with some of Garcia's finest (LA Baker) and disc 3 of this gem! The band just kicked into Eyes and I must say, today is gonna be a good day!

Rock on, gang

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