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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Charlie3
    Joined:
    Herbie, Jerry & Merle

    Herbie Hancock is about the only one of the artists on your list that I have already, Oro. I have Maiden Voyage, Empyrean Isles, Head Hunters, Sextant, Thrust, and Man Child. I find all to be enjoyable.

    1973-1974 Jerry and Merle is a sweet spot, lots of soul and jazz influences showing up in their stuff from that time, those Keystone Encores box set shows in particular are phenomenal. And an absolute highlight of the Merle and Jerry Collaborations would be Merle Saunders and Friends CD Fire Up +, that disc is on fire from start to finish, incorporating tunes that are straight soul like Lonely Avenue and Expressway to Your Heart, other stuff that is more jazzy like Save Mother Earth and Man Child, and some funky stuff like My Problems Got Problems and the phenomenal Welcome to the Basement. Merle Saunders, Jerry Garcia, Tom Fogerty, John Kahn and Bill Vitt tear it up. An album well worth tracking down if you don't have it already, just peak Jerry and Merle. CD was Released in 1992 and is includes most of the songs from the 1970s albums Fire Up and Heavy Turbulence, I think.

    Another gem is Hooteroll?, a jazz fusion masterpiece from Jerry Garcia and Howard Wales. That is a great album, great to listen to from start to finish, cohesive and gorgeous music.

    I think it was something in the air, 'cause there were just a lot of musical styles and genres being mixed together or teased apart into something new during that period from the late '60s to the mid-'70s. Funk flowing out of soul, jazz fusion explorations by a bunch of artists, the emergence of electronica with stuff like I Feel Love, lots of cool stuff all happening in a relatively short fertile time. Musical forms are constantly shifting, blending, and distilling new stuff through time, but that late '60s to mid '70s period seems like a particularly fertile time, especially for the mixing of jazz, soul, funk, blues, and rock and roll into new forms combining elements of each and taking them in new directions.

  • wissinomingdeadhead
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    Box Set '22

    Still going with Boston Garden '91.

  • Oroborous
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    FTK, Soul Jazz

    VGUY, that should be awesome. I read about it in Bass Player magazine. Interviews with both Les Claypool and Geddy Lee. They asked Geddy what he thought of Les trying to do this and Geddy teasingly said he was nuts!
    Hopefully they’ll be a big brown beaver sighting?

    CHARLIE: interesting how you heard of SJ. Even more so how many of us come to certain music, fascinating really.
    I heard if it after reading an article by Michael Chabon in Rolling Stone about his at the time new book Telegraph Ave (which I liked), but in this article he gets into this Soul Jazz that I’d never heard of, and I’ve been into lots of Jazz fir quite some time. It’s hard to pinpoint and like many styles or genres it casts a wide range: from syrupy string laden Mizel brothers productions all the way to more standard Jazz played by more recognizable names. The sweet spot to me is very much like what Merl and Jerry do on say 9/1/74, or the recent GarciaLive Vol 18, or on Fire Up and Heavy Turbulence etc. I like the oft used description of “Jazz with a backbeat”.
    I have maybe 2-3 dozen albums but would say these are good ones to start with:
    Donald Byrd: Black Bird
    Charles Earland: Black Talk and Leaving this Planet with Freddie Hubbard and Joe Henderson
    Idris Muhammad: Power of Soul (title track is awesome Hendrix cover), and a (2 for 1) of Black Rhythm Revolution, and Peace & Rhythm.
    Deodato: Prelude
    Grover Washington Jr.: I like Inner City Blues and Mister Magic the best. Earth Tones off Magic is nice groovy mellow almost new age like? One of my favorites of his. I think Magic is a good first choice. Soul Box is pretty good too. I’d say ya might not like all the tracks on all the albums depending how your pleasure tends, but if you made an 80 minute best of from the three you’d have a super cd. If that helps? But I’d advise anyone interested to check out stuff online first.
    There’s a good series of compilations out called the Legends of Acid Jazz that has some good treatments of many of the main cats, like genre guitar go to’ Melvin Sparks, and Leon Spencer, George Benson dabbles around the Soul Jazz edges. Jimmy Smith Back at the Chicken Shack is old school, and Dr Lonnie Smith is another of many keyboard/organists. One of the cool things is how like jazz, so many of the main dudes play on each other’s albums.
    Many more but those are good starts.
    The cool thing is it’s easy to Segway into things like MMW: End of the World Party and Uninvisble, and even on to the Beastie Boys, yes those Beasties Boys: The In Sound From Way Out and The Mix Up. I think of Curtis/Superfly as another cousin to all this. Herbie Hancock Head Hunters fits too.
    To me SJ is like another kind of jazz fusion. Not the scorching Miles or Return To Forever etc, which is more rock like to my ears, but like a funky soul stew of jazz, soul and rock. Perhaps like some Motown cats played jazz?
    As I say, sometimes hard to pin point, and certainly not for everyone, but to me it’s like the Garcia/licorice story.
    Not everyone will like it, but those who do will love it!

  • Vguy72
    Joined:
    A Farewell To Kings....

    ....yea. Primus will be playing it. Contemplating taking some fungus along 🤔.

  • Charlie3
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    Soul Jazz, Acid Jazz

    My exposure to soul jazz or acid jazz is limited and mainly consists of listening to Fusion FM hosted by Roy Ayers in Grand Theft Auto IV in Liberty City, not sure if that's exactly on point. Nice stuff, a mellow, jazzy, psychedelic vibe to some of it as I recall. Mister Magic by Grover Washington Jr is on my list of future acquisitions, maybe some Roy Ayers as well, who knows once I get started in that direction, just haven't picked it up yet. Hopefully Mister Magic is before the transition to Kenny G. that you describe, Oro. Grand Theft Auto in its various iterations actually turned me on to a bunch of great stuff on the various radio stations. Cool to just drive around listening to the radio, sparking the occasional police chase or just looking for hidden stuff. Don't knock it if you haven't tried it. Not a bad option as far as an option for a time vacuum. You know you're hitting the GTA a little hard when you start to notice all the unique stunt jumps when you're driving around in the real world. (GTA fiends may get it, the rest of you will just have to play the game excessively, then take a drive in the real world.)

  • Oroborous
    Joined:
    DMCVT

    Mary says the tech team is looking in to why you can’t post.

    Thanks Mary!

  • billy the kiddd
    Joined:
    Next box set/ Sugar Pie DeSanto & Etta James

    Saw Sugar Pie DeSanto and Etta James both play at the S.F. Blues Festival, also saw Etta James play with the Dead in 1982. Next box is gonna be something from 90,91, 92, possibly Winterland March 1977. I hope its something from 1969/1970 with acoustic material included.

  • Oroborous
    Joined:
    That’s why they play the game

    To quote the great Chris Berman!
    What a game! Now that was sports worth watching.
    The outcome does not surprise me. The Bolts are like a bad case of the clap that just won’t go away, and I mean that as a complement!

    AJS: well said as usual. I agree. Pretty much sums it all up.
    MIKE: LOL. and yeah, Kadri’s “enthusiasm” can sometimes be a little nerve racking.
    PF: love the cup jokes etc, and the energizer bunny, hell last night I felt like I was doing speed!
    Dark-Star: good to see ya xxoo. Sounds like your the drunk yelling from the arm chair. I’m just showing solidarity for my fellow Americans, and VGUY, STOLZTY, PANCHO, PT BARNUM etc.
    VGUY/PRIMUS: will they be doing Farewell to Kings? Either way should be cool! Have Fun!

    CHARLIE: cool stuff, thanks for the good read! Brought up so many awesome aural memories. You guys ever check out Soul or Acid Jazz (prefer Soul as Acid is not really appropriate). Charles Earland, Donald Byrd, Idris Muhammad, Melvin Sparks, Deodato, Jimmy Smith, Dr Lonnie Smith, Grover Washington Jr. (before he went all Kenny G) and so many more. Fits right next to Curtis the Superfly Pusherman etc, GOOD SHEET MON!
    Lots of crossover between Soul, Motown Jazz etc. I always felt much of what Merl and Jerry were up to fit in this category. And Disco is perhaps cousins to all this? I like to make my own sorta best of CDs, and I made a killer 2 disc version for a friends young daughter who loved disco. But we like it too, it can be fun stuff, hell folks used to dis The Bee Gees but if you really check out their music it’s pretty solid (and those boys burned like chimneys. My cousin worked on their studio and said no burned like the BeeGees) and I Feel Love, that was my opening track! And what a great stoner song. Put that on a big stereo set up with good stereo imaging, get prepped ; ) , and sit in the sweet spot and check it out. It sounds amazing and that cool auto pan stuff is right outta Healy and Mickeys bag of tricks.

    Ah yes, Music, sweet, sweet music, the antidote to what ails ya and the ills of the world.
    As Mr Ones would say, Music is the best! Crazy how much great music there is…

    CONEKID: almost forgot ya. I can understand your ongoing feud. Took us awhile to get over the Wings lol.
    And as a life long Buffalo fan for good or for Ill, it’s still hard to like the Dolphins (sorry vguy) Dallas, and I’m not sure I’ll ever be able to root for the Patsies, even without Brady and Gronk!
    I’m just curious, is because of the overall war that was that great rivalry or perhaps just the Lemieux issues?
    I’m trying to remember, I’ll have to look for that show you mentioned.

  • simonrob
    Joined:
    Ah, soul

    Hahaha. See what I did there. 🤭

  • Charlie3
    Joined:
    I Feel Love

    You are correct, DaveRock, Donna Summer's I Feel Love is great, if I'm in the mood for some Donna it's either that track or Love to Love You Baby more often than not.

    Sugar Pie DeSanto is awesome, one of my favorites. Soulful Dress is a great tune and she has a lot more just as good, or in a couple cases even better. I picked up a couple of CD's by her and Go Go Power, the complete Chess Singles is a smoker from start to finish, the better of the two that I picked up. Soulful Dress, Do I Make Myself Clear, In The Basement (with Etta James) and Mama Didn't Raise No Fools stand out in my memory at the moment as highlights of that collection. Do I Make Myself Clear is absolutely on fire.

    And, yeah, the Stax boxes, the first three were an early acquisition for me in my soul collection, but there is also a fourth Stax Box - Rarities and the Best of the Rest - that covers some soul rarities, some gospel, and some of the other stuff released on Stax and related labels that ranges outside the soul category. That fourth one is not quite as consistently good as the first three, but it does have a few things that got in my head and my completist nature left me no choice but to pick it up.

    For something from this century that sounds like it could have been released in the 1970's, check out Charles Bradley, particularly the track Ain't It a Sin. If you can watch him do Ain't It a Sin online on the you post it video site and not want to pick up some of his stuff I would be surprised. Started checking Charles out when I saw an article about his soulful cover of Black Sabbath's Changes, good stuff, cool version of the song.

    And Curtis Mayfield, started checking him out when a friend suggested the Superfly soundtrack, and all it took was the song Pusherman to get me seeking out more Curtis, not to mention my dawning realization that the HBO show the Wire had a bunch of Curtis playing at various points and I dug it. Give Pusherman a listen and see if you can sit still. There's a good box set - Curtis, Keep On Keeping On, Curtis Mayfield Studio Albums 1970-974, a good way to get all his albums at once for a great price. The HBO show the Sopranos also had a bunch of soul tunes scattered throughout, I'm still looking to track down a copy of the song Sally Go 'Round the Roses by the Jaynettes. Or rather, I just picked up a copy this morning, further support for the hypothesis that I have an online shopping problem and a near pathological need to expand my CD collection.

    I'll try and shut up now, but once I start down the soul rabbit-hole I can't stop.

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One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

First show, Dave threw out a couple vague hints, no substantial information, I thought. Kinda funny when he threw the ball for the dog.

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In reply to by nitecat

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At a burger joint waiting for my order

Dark Lady by Cher

Very dated

Lol

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In reply to by proudfoot

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....our dogs would love it too.
Cheezy Answers.
I never have been to the Bay Greek.
I have been to the LA Greek.
Parked on a hill. Looking for 2 for 5 grilled cheese. 🧀

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In reply to by proudfoot

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I have hatchet guilt.

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....the sun came up.
And getting ready to set.
Made a friend in the check out aisle.
Strangers stopping strangers.
Daves 42 is awesome👌

So 53 years ago today (and tomorrow and the day after) i was at the no cal pop festival with a stellar lineup headlined by Jimi of course...I was a mere child of 18, heavily involved in telling the SSS to kiss my brown hairless butt...after the festival ended I went to hang with friends in Berkeley dealing with the People's Park showdown....mmmm some fun....

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In reply to by hendrixfreak

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I too really love the artwork (Kwakiutl?) for the PNW box ... but it's more about the music than the art (no offense intended). And speaking of boxes, I wish to hell I'd picked up the E72 trunk .... I've got all the Dick's, but somehow, I checked out for a couple of years and only have most (not all) of the Dave's and Road Trips. I think that since I have had pretty decent boards on cassette for about a dozen of the E72 shows( and considering the cost), I didn't bite. Not too smart. Anyone have ideas on how to get a Trunk at this juncture? I am quite certain that Mrs. Cat would not appreciate the expenditure any more today than in the past, but this is a bridge that would be crossed at that time.....

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In reply to by topchinacat

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I'm unanimous in awarding JimInMD the line of the week: "I have hatchet guilt." Actually made me laugh out loud. Thanks!

I have box set envy: I missed buying FW69 and Winterland Nov 73. It's all psychological. At the precise times those sets came out I felt I could not justify another $100 GD box. Imagine the shortsightedness. Revel in the stupidity. Feel the frustration: Aaaarrrrgggghhhhh!!!!! (Friends have shared the music, so I'll be okay...)

This is only somewhat mitigated by the fact that I chipped in for a friend's copy of the trunk and 30 Trips, only to encourage their procurement and enjoyment. So there's that.

Back to business: Dave's cryptic remarks never reveal anything. It's like the Federal Reserve chairman or Kremlin-watching. It's all about the freakin' tea leaves. At least I think we know now that Dave's earlier reference to "variety" meant vinyl. Henceforth if he uses the word "primal" I'm camping by the laptop...

I have box envy too. I was unaware of the FW box. I got back on board when Spring 90 TOO was coming out and I listened to the pristine 24 track recordings on the listening party. Brought me right back in. Started collecting boxes right away. Picked up the Trunk and several other boxes I missed on ebay. Filled in my Dick's collection. I'm hooked now. Never sprung for the FW box, though. Now it's so pricy. I guess I'll wait until I feel flush again.

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In reply to by nitecat

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yeah...I have that regarding Fillmore West and Winterland 73 (and isn't there a Winterland June 77 box?)

thanks a lot, "thinking I was being responsible with my money at the time."

I do have unofficial copies of many or all of these shows, but I kinda wish at times I had the official material.

I will NOT pass up a primal box or a Greek box. "Best of GD88 first sets box" I can live without.

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My copy of DaP #42 has arrived today. It will have to wait to be played as I’m expecting to be out all of tomorrow and I had deliveries of around 24 cds of varying genres so I’ll have to work my way through them.
I’ll change my header photo as soon as I have time which will probably be Thursday so the weather underground will have to remain for a little while longer

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If I were betting man I’d be willing to wager that the Lyceum vinyl set sells out, eventually, and as soon as it does, it’ll sell for at least $1,000 on the “secondary market.” Because that’s what happens with more or less every limited edition release. Want to buy any of the early Dave’s Picks you missed out on? Some of those go for about $400 now.

So, if I was smart, I’d probably buy two copies of the Lyceum set, sell one of ‘em, and keep one copy to have and to hold, basically for free. But this will not be happening, for two reasons: 1) I don’t have $1,100 to invest in anything right now, and 2) I would find a way to fuck this up somehow. (Once, I decided it would be a brilliant idea to spend my student loan money on a large quantity of weed, and then sell enough of it to make my money back, so that I could have a somewhat smaller but still fairly large amount of weed to smoke, for “free.” Six weeks later, I had neither money nor weed, and I’m still not entirely sure what happened. But I can guess.)

I really wish I’d bought the Europe box, now, too. But I think it was about $450 when it came out, which seemed like a lot of money, then. Nowadays, individual volumes from that set usually sell for $100-200 each. Or more. Topchinacat, if you want to buy the whole set, you can usually find one at discogs.com ... if you’re willing to pay $1500-2000.

It’s kind of weird there’s never been a Greek box, isn’t it? Wonder why. Maybe because a lot of those shows were broadcast on KPFA and there’s a lot of boots out there? Maybe the available source recordings weren’t well preserved? Maybe because it’s too obvious, and TPTB would rather surprise us with something we would never have guessed? All of the above? None?

Someday, everything's gonna be different, when I paint my masterpiece.

I missed out on FW69 box which led to much wailing and gnashing of teeth. But over the last few years, three of those years have come out on vinyl, and hopefully the fourth will be following on in the near future. So I'm not so bothered about missing out on the cd box now.
Maybe all the shows from the E72 tour will be released on vinyl, too, over the next few years. Not much use if you don't buy records...but a good incentive to (re) start if you didn't get the trunk.

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In reply to by nitecat

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I would keep your eyes on eBay for the E72 Steamer Trunk. Sometimes you can get lucky. Negotiate, sometimes it works. Discogs is risky for that big of a purchase because if something goes awry you have zero protection. There is no discogs customer service or even human beings that run that site. At least with eBay you have eBay guarantees if the seller doesn't offer them.
I got one after all these years last September and it was worth it.

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I see a few brand new copies of the Europe 72 steamer trunk on eBay ranging from $2395.00 to $4500.00. You can buy it at a lesser price for one that's not rated brand new. I think I bought the Fillmore West box for $80.00 when it first came out ; I bought 2 copies one for me and one for my brother. The Grateful Dead used to send out an almanac in the. mail and that's where I heard about it. It didn't sell out right away. I don't think that this web site was even up at that time.

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I bought a mint (perfect) 72 suitcase last year for $1300. I figured that was about as "affordable" as I would ever see it and I jumped on it. I had caught the bug a year before and was literally spending every last cent on every box and show I could get my hands on. I went overboard, but in many ways it is worth every last cent. For a band I never got to see live, they have helped me through the last 3 years (the Covid years) in ways I never thought anything could. Certainly willing to burn anybody a few shows they want. This music was meant to be shared for sure. And there is nothing like listening to a good Dead show while on a good mountain hike. Every show has something to offer.

I have been “casually” looking for just the steamer trunk only for a number of years. Not a huge fan of the big boxes in general, but that is a cool one. There does not seem to be a big supply available unless you want to purchase the entire package. Way too much scratch.

All the individual shows and the music only complete set were available for a long, long time. Around the holidays, dead.net would offer discounts and they still didn’t sell out. I recall paying around $350 for the entire tour. A couple of friends paid even less the following year.

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Around the time many of those early box sets came out, my cash flow was relatively minimal. So, I often had to settle for compilations or single releases. So, for example for the FW69 box, I got the three disc compilation and I was fortunate enough to get the bonus disc which was nice. Still, I regret not buying that one and both of the Spring 1990 box sets.

Now when the Europe 72 box was released, I was very tempted to buy at that point. However, I would have had to make a credit card purchase for that and I wasn't keen on running up my credit card debt. Fortunately Dead.net did sell all of the Europe 72 shows individually. So, I was able to piece it together via I did ala carte purchases of a few single shows at a time (per paycheck). I managed to get every show except for a few.

Over time my cash flow increased (thankfully), I was able to search through the wonderful website of eBay, and I found many of the releases that I missed of box sets and otherwise. Overall, it is nice to own all of the officially released material (or well most of it). Even though it stings a little as I paid a secondary market price, I was still able to acquire these for decent prices when compared to the usual going rate. In the end I feel it is worth it as I love owning the physical product. It is like I have my own personal GD vault.

Thankfully, I have been able to maintain the cashflow and I haven’t missed a single box set or Dave’s Picks since about 2014.

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In reply to by Angry Jack Straw

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After I got hooked again on boxes by Spring Tour 1990 TOO, I started looking into the Trunk. I called a friend of mine who had one, and asked him if it was worth it? He said, yeah there are a lot of good jams, but there are a lot of repeat songs. Around 2015 I poked around ebay looking for a good deal, and snatched up a near new one for $800. I must say I'm surprised to see them going for around two grand! I love the jams in this box!

And then I had to get the Spring Tour 1990 box on ebay, also. ANNND one of the Winterland boxes!

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In reply to by Angry Jack Straw

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Could not spend that kind of money when the Trunk was released. But later on, I purchased the All Music Edition. At first did not want to purchase because it was the same price as the Trunk without the Trunk and Book. But pulled the trigger which was sweetened with that FTW coupon the year Boxilla came out. Missed out on FW physical product, but getting the vinyl as it comes out. Glad to see RealGone rereleasing Dick's and RoadTrips, was able to fill the gaps of the later years of release.

I hope they do the same for the Dave's series. Unnumbered to keep the collectors happy, but available to those who missed out originally! I missed out on DaP1, but just got the vinyl.

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...has a ton of Dick's and Road Trips right now and are offering 20% off. Damn they started the sale right after I bought one of the Road Trips!

So 53 years ago today (and tomorrow and the day after) i was at the no cal pop festival with a stellar lineup headlined by Jimi of course...I was a mere child of 18, heavily involved in telling the SSS to kiss my brown hairless butt...after the festival ended I went to hang with friends in Berkeley dealing with the People's Park showdown....mmmm some fun....

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In reply to by daverock

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with Vegas and cancelled concerts? Another tour stops just before sin city as Steven Tyler voluntarily enters rehab after relapse.

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I'm so sorry to all the families in Uvalde Texas who were affected by this horrific tragedy, my heart goes out to all of you.

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10 years 1 month
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Happy Star Wars Day aka Dave's Pick's Volume 1 anniversary aka a day that changed my own life forever.

May The Force and GD Be With You
Sixtus

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4 years 9 months
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Thanks to all for the advice ... I am inspired and will redouble my efforts to add this to my collection ... and thanks for the lead on RealGone .... I picked up a couple of road-trips that I didn't have to round out my collection....still missing the first dozen Dave's however ... but the secondary market is kind of pricey so there's gonna have to be some prioritization I suppose ... (bummer!!) ..... thanks again all.......

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4 years 4 months

In reply to by topchinacat

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Listened to 9 24 76 via youtube
Great stuff
Started 7 16 76 today
A voice calls out for "WALK IN THE SUNSHINE"!

a second or two later Jerry starts up "Cold Rain and Snow"

Love it

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In reply to by proudfoot

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There's a Capitol Theater (Passaic NJ) tape from April '77 (I think) and if you listen carefully you hear Mickey Hart say, "St. Stephen, let's do St. Stephen." And Weir says, "No. Around and Around." And Hart retorts, "Have mercy Weir! Have mercy!"

The band that never stops entertaining, even when they're not playing...

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In reply to by topchinacat

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E72 is the box I would focus on if I had to choose one. Don’t get me wrong, I absolutely love FW69. But, the sheer volume of music makes E72 the clear choice. I am not over exaggerating when I say it will provide a lifetime of enjoyment.

Dave played 5/25/72 on TIGDH this evening while I was driving. For a few minutes during the Wharf Rat jam I forgot where I was.

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4 years 4 months

In reply to by Angry Jack Straw

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Great record

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As usual, my listening sprint was derailed by the May Dave's Picks. I have managed to get the Dark Stars in. There is a cool Steve Hoffman Forum thread that has people analyzing all Dark Stars in great detail. A must for people who enjoy reading about the little nuances and time stamps when everything occurrs.

E72 repeats. I find a lot of cool stuff from version to version on many of them. The longer jam songs are obviously worth the trip. But even the shoter tunes have subtle differences that make them great to get to know (most of them).

This Dave's Picks is incredible to my ears. It's just a consistent dose of Dead all the way through with great sound and good mixing. Yeah, there are some audio anomalies here and there, but they're not too frequent. Billy is having a night of it. I've been including the Bonus Disc highlights within the main set, because I can't wait 4 or 5 hours for China Rider, Brown-Eyed Women, and Uncle John's Band. How does it compare with DaP 13? I can't tell you that...you couldn't afford me....

Sixtus I also love DaP 1. Man, What I went through to get a copy of that. Some lommox on eBay sold me a burned copy for 40 bucks. What a dick. But I was desperate to hear what was so great about it, and I didn't have any '77 except the commercially available 5/28. So I basically had no exposure to the '77 machine. And it was so popular on eBay, I figured it was the Veneta of '77. It did not disappoint. Still has some if my all time favorites from that year. I think they play just about flawlessly, like a studio record, all the way upmto the backup chorus vocals. I still find it to have the most definitive Mississippi Half-Steps; doesn't have the jam you get with Englishtown, but that's what Englishtown is for. It's only weakness IMHO are the last two songs. Not really into post-hiatus Around And Around or Johnny B.

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In reply to by KeithFan2112

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That’s a really bad loss. Makes me nervous.

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In reply to by Angry Jack Straw

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I know 7 17 76 has been released
But
How 'bout others?
Ever heard 7 16 76 first set?
2nd set today...

And whoever among us that advocated for MUATM return.. YEAH. Covid ish probably delayed it again this year

But I will do my own MUATM in August

Be kind to everyone today, my fellow Deadheads

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7/13/76, great show, time to release it, I was there. Those Orpeum tickets were hard to get, they went fast. The Orpheum only holds 1800 people. I saw Garcia play there a couple of times in the 80s.

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I’ve been pretty relaxed throughout the playoffs so far, but third period last night I started getting the fear.
Actually started getting unsettled before that since all the broadcasters etc were acting like it was already over.
Now being a Buffalo Loser for sixty years has made me a tad superstitious. See the last Bills game for reference, ahem. So it makes me extremely uncomfortable when they do that. By the end of the game everyone was acting like it was over: the press, the crowd, the AVs, everyone except the Blues!
But the thing that really signaled code red was the increasing sloppy play in the AVs own zone. As the Blues started scoring/catching up, they seemed to become extremely energized, like folks fighting for thier life will do. At the same time most of the AVs seemed to ? Can’t really describe but the result was increased sloppy play and worse, scary turnovers in their zone. This seems like their Achilles heel throughout the playoffs?
When McKinnon got the hat trick it was a slight relief, but I actually said to the other half, that I was worried this isn’t over because of the above. Sure enough, they tied er up and now it’s a whole new game.
I told her at the start of OT if they keep coughing up the puck their gonna lose…
I felt really bad for McKinnon after having such an amazing game. That ridiculous third goal was old school magic ala Gilbert Perrault, beauty eh! But one player does not a team make!
So now you have an extremely capable and energized Blues team, heading back home where the fans will be jacked like Casey Jones himself, and perhaps an AVs team with internal noise In their heads, which all makes me like a dog that knows he’s going to the vet! No Bueno!
Hopefully some of the folks who’ve been quiet in this series will step up because If they don’t git er done in game 6 I think the Blues might win the series.
Hope this 20 year curse doesn’t turn into a fifty year one like our poor bastard friends from the North. ; )

And talk about scary good, I’d say currently the Bolts are the team to beat! Not sure what to make of the other eastern series? You’d think Edmonton would learn from the AVs and nip that one in the bud tonight?

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The 18th is the shizzle, but selfishly I hope they don’t release it soon as I have a great bootleg copy on CD, so would rather have something released we don’t have lol I got a tape of that one very early in my development and I’ve always loved the energy and turn on a dime segways on that one. Perhaps my favorite 76 show?
Ha, great question for Sixtus: what’s yer favorite 76 show?

EDIT: I’ve not heard the 13th. Consider radar fully pegged!

7/12/76
7/13/76
7/14/76
7/16/76
7/18/76
yeah
(7/17/76 already released...)

I looked yesterday and saw that the Avs were up 3-1 at the end of second period. I am surprised the Blues came back. in Colorado.

Sports...

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The PNW box was rightly hailed for showcasing the band's development in '71 to '73, major years of evolution in setlists and style.

And we assume, probably correctly, that vault tapes for the earlier years are fairly scarce. Taking up the spirit of the PNW box, an even greater illustration of band development would be to issue a modest box containing one show each from 1966 to 1970, the first five years leading into the 71-73 period of growth. The '66, '67 and '68 shows might well be one disc, two discs each for '69 and '70. Beef it up with a lengthy '68 show or two-show curated output for '69 and '70. Or pad it with partial shows that will never be complete. Ten discs and a booklet for $100. Make it limited edition if necessary.

Screw the fetishization of anniversaries and just do it. One show each from the slender stock of '66-'70 won't kill future notions of other uses. (And what "other uses" can anyone imagine? Shows from the first five years don't exactly scream potential release as "Dave's Picks" due to length.)

Yet another brilliant idea from HF that may never happen. But it's worth considering....

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....funny you've mentioned 7/18/76 - I, too have an excellent bootleg CD of this show and it is indeed a WHOPPER! The sheer ins 'n outs of songs during that second set is truly magical. It's outstanding.

As for my favs in all 'O 76, I was OVER THE MOON when the June '76 box came out - it hit all of my sweet sweet spots, and in doing, so, included my all-time favorite show from '76: June 11th. I needn't go into excruciating detail on this one, it seems to speak for itself on many levels; but that second set is is just pure drippy bliss to these ears. The Eyes is, hands down, my all-time favorite. Fight me!

But, that entire box is so outstanding and I really love the grooves they spew forth in that early part of the tour and then on into July. By the end of the summer, the sound is already starting to morph and get a bit more edge, which takes on an entirely different conversation and feel heading into '77.

Thanks for inquiring Oro. Inquiring minds want to know.

Be Well Peeps!
Sixtus

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Berry interesting. Another awesome box that has not had proper love!
I need to carve out some time this summer and reacquaint, especially the 11th, hmmmm, that number 11 again lol.
Agree on 76 evolution etc. Really is yet another interesting transitional period, and another that amazes me how many consider it fly by territory? To each their own I guess…

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In reply to by Oroborous

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....Goodfellas is one of the best movies ever made imo.

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One of the great rock drummers has passed away. He had to cancel his UK 50th anniversary tour for Close to the Edge due to health reasons. Now this Rest in Peace amigo.
One of my first big name rock concerts was Yes in September of 1972, Close to the Edge. I had seen other bands before this, but this was a biggie. Have seen Yes many many times throughout the years, in the round, quad sound set up, Wakeman, and Morantz and Stravinsky and back to Wakeman and Alan White played the drums on every tour. After the death of Chris Squire and Jon Anderson and Wakeman leaving, I don't know how they can continue on as Yes. The end or an era.

It seems a shame that the length of 60's shows may limit their potential for release as a Dave's Picks. I would much rather have a one disc 1968 show than something like that 4 cd 1987 show that came out.

Something of a myth that the longer a show was-or a particular version of a song, - then the better that show or song was.

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In reply to by Vguy72

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Bummer, agree, one of my top favorites movies of all time!
Best mob movie ever! Four winds blow…

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