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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1151
    DeadVikes
    Joined:
    Plangent

    First time used was the Winterland 73 Box.

    FW was a multi track release.

  • #1152
    That Mike
    Joined:
    MoFi/RVG

    I also have some of the RVG jazz releases in my collection, and I have always found the sound first rate, and you raise a good point Charlie - Van Gelder both engineered the original recording, as well as the RVG remastering.

    I have only limited MoFi (Mobile Fidelity) in my CD collection, as I don’t collect vinyl, such as a Burrito album or two, and some non-music releases from The Firesign Theatre, so I can’t say definitively they sound “better”, and if the vinyl is vastly superior, but based on this disclosure of digital copying by the company, I’d have to say they have somewhat “exaggerated” the fidelity quality. I noticed yesterday they were re-releasing some Eagles albums under the MoFi label on CD, at an extremely premium price, ie - two and half times the regular price of the “regular” CD. Will it sound two and half times “better”? Hmmm.

    Buyer beware. And with vinyl, I would be extremely wary.

  • #1153
    icecrmcnkd
    Joined:
    Analog and Digital

    Just so happens that last night I listened for the first time to Little Feat 9-19-74 Electrif Lycanthrope vinyl, with the signal running out the turntable’s USB cable, into a Mac, and then digitally recorded by Audacity. The signal then went out a USB port and into a Cambridge Audio DAC Magic 100 (digital to analog converter) and then to a Cambridge Audio AXR100 receiver.
    So, went vinyl>analog>digital>analog and it sounded great.
    I digitize all my vinyl as I listen to it and wil eventually (when I learn how to use the software) process the files and export as 24/96 FLAC for use on music players. My vinyl will thus be ‘portable’.

    I only started buying vinyl when 2-27-69 was released (now have 2/28 and 3/1 too). These all say Plangent Process on them whereas the FW69 Box does not (I don’t have the physical CD’s but was told that the Box does not say Plangent) which would imply that the reels were re-digitized using Plangent (assuming that a tape player device like shown on the Plangent website was used, rather than just taking the digital files from 2005 and processing them in some way).

    Some vinyl, like 5-8-77, just sound like the CD was copied to vinyl.
    But 11-10-67 sounds better on vinyl than CD to me.
    I didn’t buy the Lyceum vinyl box but often try to get the RSD releases. Vinyl takes up a lot of space and I’m rethinking whether I should keep buying vinyl. But, I’m already contemplating getting Waiting For Columbus on vinyl, since I’m going to get the CD Box.

    I’ve been upgrading my stereo system to Cambridge Audio as my Onkyo stuff stops working. Two years ago my Onkyo receiver died and I replaced it with an AXR100. The sound quality improvement was instantly noticeable.
    Over the last several months my Onkyo 6-disc CD changer has been having dropouts, but when I rewind and play the same part there wouldn’t be a dropout, so the CD wasn’t defective. Bought a laser cleaner but that didn’t fix the problem, so I started looking at a new player.

    Decided to get the DAC Magic 100 first since I put all my CD’s in ALAC format and onto microSDXC cards for use on portable music players. One of my players that I use with the stereo, iBasso DX120, has a port and cable for connection to a DAC where the DX120 acts as a transport (reads the digital file and transports the 1’s and 0’s to the DAC). The sound quality improvement with the DAC was instantly noticeable, so totally worth the investment.

    My Onkyo 6-disc changer has 2 digital out ports, so I was able to simultaneously connect it directly to the AXR100 receiver, and connect it to the DAC which then connects to the AXR100 with analog stereo cables. By switching the source buttons on the AXR100 I could hear the CD that was playing through 2 different pathways and the DAC Magic source definitely sounded better.

    The AXR100 has gone up $200 since I bought mine 2 years ago, so started thinking that if I wait until my Onkyo 6-disc changer dies, I might pay more for a replacement CD player than if I buy one now. So I bought a Cambridge Audio AXC35 CD player and, again, there was a noticeable improvement in sound quality (worth it to give up the convenience of a 6-disc changer). I run the CD player directly to the receiver with analog stereo cables but it is also possible to run a digital connection to the DAC. Both ways sound excellent.

    So, equipment does matter. I’m very pleased with Cambridge Audio and the slightly higher price over brands like Onkyo, Sony, etc is worth it.
    I’ve heard and read that early CD’s often sounded worse than cassettes because the record companies would half-ass the digital mastering. So digital got a bad reputation. Also, DAC’s matter and cheap CD players probably have a cheap DAC. Phones have cheap DAC’s too.
    The Normanized CD’s that we are getting now sound spectacular, and yet they sound even better with my new stereo set up.

  • #1154
    Charlie3
    Joined:
    RVG

    Interesting post on the analog v digital sound debate. I have a few of the Rudy Van Gelder Edition jazz releases and the sound is consistently excellent. Since he is responsible for both the initial recording and the digital remastering, the sound quality of the recording is pretty much entirely attributable to his skill at both stages of the process, so pretty interesting to see his take on the debate. When I am browsing for new jazz to pick up, it always makes me take notice if I see that something is an RVG Edition.

  • #1155
    That Mike
    Joined:
    Analog vs Digital/Vinyl vs CD

    I’m no longer a vinyl buyer for various reasons, but I know a number of posters here are. An interesting article in the Washington Post entitled “How a Phoenix record store owner set the audiophile world on fire/ MoFi Records claimed its expensive reissues were purely analog reproductions. It had been deceiving its customer base for years.” some may find interesting, how basically a label that prides itself as issuing direct from Masters (at a premium price) have actually been using Digital mastering. Deceptive. I personally have thought the new wave of vinyl is an overpriced racket, and this plays into that.

    As I’m by no means an expert I’ll let the jazz engineer giant Rudy Van Gelder speak to it: “From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series.[15] He was positive about the switch from analog to digital technology. He told Audio magazine in 1995:
    The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium.”

  • #1156
    proudfoot
    Joined:
    Rotund Americans

    We eat a loooooot of high fat, refined food.

    Yesterdays dinner: takeout fried chicken tenders with mac and cheese on the side.

    I have lost about 17 pounds over the past year, but still eat a lot of chunk fare.

    Look at pix of people in the 1930s and 40s, 50s, even 60s. Slender.

    Then came the 70s and the weight was piling on.

    Oh yes, lots of sedentary time in front of screens, too.

    It beats starvation, I will say that.

    I think I'll go for a walk

  • #1157
    daverock
    Joined:
    Its not just him

    I was surprised at how rotund most Americans were when I went. I believe they watch a lot of telly. Or whatever's taken the place of telly.

  • #1158
    simonrob
    Joined:
    Feat!

    Just finished listening to the last disc of the "Waiting for Columbus" 8 CD box. The original album is well burned into the brain of every Feat fan, but the 3 live shows (Manchester UK, The Rainbow, London and Lisner Auditorium, Washington) that are added to this release are all really good and varied enough to warrant release. I can highly recommend this to any fence-sitters. There is so much energy in the performances and the band are really tight. They played 4 nights at The Rainbow and I was fortunate enough to have been present at one of them. I don't remember which one, but it wasn't the show where Mick Taylor put in an appearance and it wasn't the below par show where Lowell George and Paul Barrère were suffering hangovers so there is a 50% chance that it was the show in this box that I witnessed. That show will always be right up there amongst the best shows I ever saw. I was surprised at how rotund Lowell George was at that time, but he could still tear it up.

  • #1159
    carlo13
    Joined:
    Ferret face

    Frank burns was such a great, and annoying character. Hot lips told burns she would tell Donald about burns including his butt along with hers, and ferret face mocks loudly "I'll tell Donald, I'll tell Donald."

  • #1160
    Vguy72
    Joined:
    Dammit!....

    ....still. I could see Hawkeye saying that.
    Animal House is also great.
    "Was it over when the Germans bombed Pearl Harbor? Hell no!"
    One of my favorite M.A.S.H scenes is when Trapper and Hawkeye dig a huge hole outside the Swamp when Burns is still sleeping then fill it with water and sound an air raid siren.
    I hope I don't need to tell you what happens next.
    Edit. I just got a notification from Netflix that The Sandman is up and running. A great DC/Vertigo comic series born by Neil Gaiman that I never thought would be translated to the screen. I have 14 comic book long boxes from my comic book collecting daze. To quote Flounder, "This is gonna be great!" I hope you're right Flounder.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by dmcvt on Wed, 07/13/2022 - 09:44

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the elation for this and for hints at what else remains in the vault.

Just what the doc ordered!

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Submitted by 1stshow70878 on Wed, 07/13/2022 - 09:44

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fans got their wish.
2 Dark Stars and plenty-o-pig.
Sounds good to me!
Cheers

Edit: Non-subscribers (Daverock?) better jump on this fast. Certainly one that will sell out in a day.
1300 Owsley reels in the vault did it say? A HUGE virtually untapped source.

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Submitted by bigbrownie on Wed, 07/13/2022 - 09:55

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I like Owsley's technique. That'll do, Pig.

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2 years 9 months

Submitted by billy the kiddd on Wed, 07/13/2022 - 10:18

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just what I wanted. 2 shows from1969,. Thanks Dave, keep them comming.

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9 years 10 months

Submitted by That Mike on Wed, 07/13/2022 - 10:20

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Dave - You had us at Pig. A real nice release, and Owsley sound, too! (Blushing)

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10 years 1 month

Submitted by KeithFan2112 on Wed, 07/13/2022 - 10:49

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It took 8 years, but I finally guessed the right shows. Nevermind that I included the Boston Tea Party trio.

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10 years 6 months

Submitted by hendrixfreak on Wed, 07/13/2022 - 10:50

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I'll take this one, thank you very much!!

Oro, you either get primal or you get Pig. I'm very pleased with this one. Did not see that coming.

Woo-hoo!

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Submitted by bluecrow on Wed, 07/13/2022 - 10:51

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Sweet release for DaP43!

"With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43."

just want to highlight ". . . some of the oldest and rarest of all recordings of the Dead including . . ."

pray tell what other mysteries are there in the banana boxes?? to be continued.

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Submitted by JimInMD on Wed, 07/13/2022 - 11:09

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I think Dave was worried about a riot.. we forced his hand on this one.

I'm looking much more forward to this than the box set. No offense meant.. but this looks sweet to me.

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Submitted by Crow Told Me on Wed, 07/13/2022 - 11:11

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Beyond stoked about this DaP. There doesn't seem to be a track listing yet, but given the description (not one but TWO 20-minute-plus Dark Stars, AND plenty of Pig?) this promises to be epic. Audio quality is likely to be outstanding, given that it was recorded by Bear and evidently stored in a banana box for 50+ years.

Wonder what else is in those banana boxes? Guys, if you find any blue tablets, you should probably forward them to me for safe disposal.

The MSG box? Not sure I need 17 discs worth of '80s, so I'll probably just go for the breakout set from 3/9/81. I have to admit, this release makes me a little sad, because it makes me think that now it's going to be years, maybe longer, before they do the Berkeley Greek 1980s box some of us have been longing for. Can't see 'em doing two venue-centric '80s boxes in close succession.

And just btw: don't get Covid, if you can help it. Went on a business trip (got to go to NOLA, at least), came home and got sick. Despite being vaxed and boosted, it was sucky week. Not the end of the world, but pretty sucky. I mention this in the hope that it'll encourage others to be vaxed and be careful: that fucking virus is still out there. Be well.

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Submitted by wissinomingdeadhead on Wed, 07/13/2022 - 11:15

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Its so good to be wrong!!!!!! I thought for sure Dave would venture into the 80's the 60's are not the 80's. By the way I'm digging the gray hoodie, very understated.

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Submitted by WokeUpDead on Wed, 07/13/2022 - 11:19

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I had jumped off of the subscription bandwagon almost as soon as I got on, after the disappointing DaP31. This year I reluctantly hopped on again because I liked the Baltimore show and absolutely salivated over the Winterland ‘74 with bonus disk. I was resigned to getting a throwaway ‘80s show this time around. Nope. I am virtually in tears as I type this, and best of all I have no worries of this one selling out because it’s already been ordered. It’s a beautiful day.

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Submitted by SPACEBROTHER on Wed, 07/13/2022 - 11:31

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I haven't browsed Deadbase yet to see if these shows are listed or the setlists, which I imagine are similar to others from the era. I also wonder if having been stored in sealed boxes all these years if they are uncirculated? That's always a nice surprise.

I'm a lifetime subscriber since the beginning. Glad to see Dave mixing it up.

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Submitted by JimInMD on Wed, 07/13/2022 - 11:43

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The sound on the archive is good.. assuming Latvala took a little peeksy into the banana boxes and shared. I'd still like to take partial credit for guessing Dave's 43 would be sourced using returned reels from the late 60's. I think I posted something to that effect a week or two ago.

Very glad to see these shows come to light. They seem to be very special, at least to these ears.

Enjoy people.. This one goes out to Hendrix Freak.. if there's a more enthusiastic 60's and fall 1972 person out there.. I'd like to buy her/him a drink and shake their hand.

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Submitted by Forensicdoceleven on Wed, 07/13/2022 - 11:52

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Jim!!

That would be me. Strong coffee will do, looking forward to the handshake...........

Did anybody think my obsession was limited to 1971?!! OMFW!!!

The dice of Zeus always fall luckily.

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust......

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Submitted by wissinomingdeadhead on Wed, 07/13/2022 - 12:00

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11/2 does not circulate, no set list
12/26 Circulates, Zephyr opened-acoustic set without Bill

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Submitted by bluecrow on Wed, 07/13/2022 - 12:08

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not in Deadbase but SBD source of 11/2/69 is on relisten

not that i've heard it. includes a "classic suite" DS > SS > 11 > DDHNM

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Submitted by JimInMD on Wed, 07/13/2022 - 12:12

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Strong Coffee I've got! Doc you are equally enthusiastic of the old stuff. Check your PM.

As for 11/2, it looks like a copy of this was seeded to the Archive back in 2004 and a more complete version appeared in 2009.. so someone had them. I'm going to head to the attic right now and see what's in all the banana boxes stashed in the corner.

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Submitted by diw on Wed, 07/13/2022 - 12:41

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Who is the 4 fingered gal on the cover? Interesting that they did not go for a female skeleton.

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Submitted by Sydney Prentice on Wed, 07/13/2022 - 13:03

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This is great news Dave,its going to be well worth the wait, none of us are getting any younger,I'm looking forward to having this in my grubby little mitts in August.

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Submitted by alvarhanso on Wed, 07/13/2022 - 14:34

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I'm a big fan of DaP 6 12/20/69 and 2/2/70 with 12/21/69 bonus disc with its two Dark Stars, DaP 30 1/2-3/70 with its great setlists capped off by that massive Dark Star> St Stephen> The Eleven> Lovelight, and DaP 10 12/12/69 and bonus from 12/11/69 scratches a similar itch, but I gravitate to the bonus disc for the whole Dark Star> St Stephen> The Eleven> Cumberland Blues, That's It For The Other One> Cosmic Charlie, because that's just fantastic. And now we add these two shows to that collection. Nonplussed on the box, but I reckon I'll likely get it sometime prior to release. The setlists are quite good, and only one Little Red Rooster.

Just listened to the Little Sadie and High Time in the Listening Party on my tablet speakers, and quite liked it. Jerry is in fine fettle.

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Submitted by Mr. Ones on Wed, 07/13/2022 - 14:35

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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

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Submitted by cheyler196 on Wed, 07/13/2022 - 14:48

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I will take a GD sbd from the '60s ANY day of the week, and the Dallas show has long been one of my favorites. I'm VERY glad that it's being released and that 11-2 show is no slouch although I've never heard it complete and never in this kind of sound quality either. I'm very happy these shows were chosen, can't wait to get my hands (and ears) on them. Thanks once again to Dave, Dick, Bear and the whole GD family.

Jeffrey Norman works for the GD and also the OSF, which has been digitizing Bear's 1300 reels. OSF is about two-thirds done with digitizing so possibly ~400 reels to go. Probably that's what Norman was doing.

Meanwhile, only weeks to go until two unique '69 shows are in our hands.

I'll have to quiet down for a while about NINETY SIXTY-EIGHT, just because Dave gave us a nice dose of late '69.

Heh heh heh... we don't need any contests here, this whole crowd is foaming at the mouth for this release. Jim, you sure know how to get folks riled up. (What the hell are "banana boxes"?)

In fact, the good doctor and I had often discussed how early, short shows shouldn't stop Dave from putting two together to meet the DaP three-disc rule. Here we are.

A good shout out to all who made the past couple months on this forum worthwhile with good discussions of literatue and music. I only have about 7-8 books to read and tall stack of CDs to listen to, as a result.

And thanks to Dave L. for an inspired choice. (I'm getting the 3-9-81 show and leaving the box alone, but sure wish I can get my hands on 3-10-81 at some point...)

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Submitted by TJPD2 on Wed, 07/13/2022 - 15:14

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Its about time, one worth opening.

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Submitted by dmcvt on Wed, 07/13/2022 - 15:40

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ask any supermarket for them, very sturdy, heavy duty cardboard, great for storage. Not entirely closed, usually an opening at top and bottom. Check recent shipments for tarantula hitchhikers. Shucks, no release listening party for the 60s bunch at Jim's bear battered beer caches?

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7 years 7 months

Submitted by Obeah on Wed, 07/13/2022 - 16:06

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Oh myyyyy! I don't post very often here, but I've been watching the discussion/speculation on DP 43 for months. I figured DP43 would be 1980s for sure (hello, box set) and in that regards I was hoping for a 1985 release. I didn't dare hope for '68-'69. I'm glad to be wrong!

I've never heard either of these shows - super excited for this release. I keep various Fall '69 rips in my car - 10/25, Dick's Picks 16, the DaP 6 Bonus Disc - so it's going to be nice to change things up. This time I even went and bought an extra copy so that I can wow somebody who will only realize what they've missed out on when they are sitting in my passenger seat. That's ~$40 well-spent. @Dave thanks buddy, this kinda drop is what keeps me subscribing year after year.

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Submitted by proudfoot on Wed, 07/13/2022 - 17:07

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totally awesome

Daves in a (banana) box

loooooove it

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14 years 9 months

Submitted by bolo24 on Wed, 07/13/2022 - 17:56

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Didn't know about the Dallas show. Double 1969 goodness - how sweet it is!

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13 years 9 months

Submitted by bigbrownie on Wed, 07/13/2022 - 17:58

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What I have:
Cold Rain
Midnight Hour
Seasons (this song is unknown to me, a first)
Mama Tried
Next Time You See Me
Good Lovin'
Big Boss Man
Casey Jones
Dancin'
Dark Star>St. Stephen>The Eleven>Death Don't

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Submitted by bigbrownie on Wed, 07/13/2022 - 18:03

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I have this one archived in my cassette collection. Saw many shows at this venue. Great acoustics.

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10 years 7 months

Submitted by alvarhanso on Wed, 07/13/2022 - 19:56

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Just looked up the setlists for these and saw Dave for once way undersold the length of the two Dark Stars, one 30, the other 24! Nice. But how about I've Been All Around This World? Always loved it from hearing the Garcia Grisman version, so stoked to see it's on here wih Little Sadie. Such a treat to hear Jerry sing these in such a strong voice. Now to avoid listening to the whole shows for three more weeks...

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Submitted by sladeums on Wed, 07/13/2022 - 23:18

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I know it makes me not a ‘head’
But no

Pig’s “white boy blues” makes wants me want to barf every time.
Hahaha i hear him open his mouth and it’s like I want to jump off a cliff

I hear somebody brag about a “half hour Lovelight” ?
Thanks, I know exactly what show to skip. 

Seriously no

ughhhh

We can all jam and no despite I hate it I’m not selling to at cost hahahah

There are people out there.

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16 years 10 months

Submitted by direwulf on Thu, 07/14/2022 - 02:48

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...deadhead but certainly a fool of high caliber. I agree with the Lovelights...sometimes, but damn take that tone and put it in the garbage where it belongs. The provenance alone of these tapes is enough to get my brain drooling and my ears lubed up.

Looks like they've reconnected the modem at the asylum. Nurse Ratchet must be on her first vacation in a few decades. 😬

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12 years 10 months

Submitted by onthebussince77 on Thu, 07/14/2022 - 02:53

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For those of you wondering why artist Matt J. Adams included her, have a look at the cover of "Live/Dead".

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Submitted by Lovemygirl on Thu, 07/14/2022 - 03:53

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…Oh Boy! 2 (two) “Primo” Primal Dead performances in one release (Pick)
“There’s Nothen left to do but Smile Smile Smile!” I’m as happy as a Pig in Mud! Lol ! 🤠
Have a grateful day my brothers and sisters.
there’s not a better feeling than having grateful fans dig’n The continuing Amazing Artworks involved year after year! Love it!
Take care folks , have a grateful day!
🙏❤️💀🌹

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081227881597
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