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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #291
    proudfoot
    Joined:
    7 27 82

    A tasty little show

  • #292
    proudfoot
    Joined:
    Billy the kidd

    He shoots he scores again

    68 nw tour...yeah..

  • #293
    That Mike
    Joined:
    Jack

    Jack - I wouldn’t put $ on the Sabres to win it, but I do believe they are an up and coming team. And I really like that black & red “Dominik Hasek” jersey. As for a Canadian team winning it all…
    Freezes over!
    ;)

  • #294
    billy the kiddd
    Joined:
    Releases I would like to see

    I would like to see the whole Garcia 1987 Lunt- Fontanne Theatre run, acoustic and electric released in one box set.. The whole October 1974 Winterland run both audio and video released as a box set. Release the 1968 Grateful Dead tour of the Great Northwest, ( those tapes may be in Owsley's banana boxes). All the acoustic and e!ectric sets from the Fillmore West in 1970,( I'll bet those tapes are in the banana boxes). Single releases, 2/17/79 Oakland, 9/11/81. 7/13/84 Greek. , 10/9/82, 10/10/82, 4/27/85, 4/28/85 Frost. Just a short list, many more I'd like to see released

  • #295
    Angry Jack Straw
    Joined:
    All good brother

    Mike seems to think the Sabres have a good young team this year. Vegas disagrees. The odds makers give them the same chance as the Kraken to win the Stanley Cup. Not that I won’t watch, but I think I’m siding with Vegas on this one. Sorry Mike.

    Colorado has a very strong chance of repeating. Since my Red Wings still suck, I’ll be backing Canadaland. Don’t let me down Mike. It’s been 30 years.

  • #296
    Oroborous
    Joined:
    Non taken

    I know what you ment.
    I was teasing you ; )
    I ment I didn’t “hate” them as much as you lol.
    I didn’t hate them, but I wasn’t a big fan, just words, no ill intent

  • #297
    Angry Jack Straw
    Joined:
    Terminology

    Oro,

    I use “hate” the same way I say, “I want to kill that guy” when someone cuts me off in traffic. No offense intended in either situation.

  • #298
    Oroborous
    Joined:
    Psychoacoustic enhancement/jerseys

    AJS: hate is a strong word but yeah those jerseys weren’t my favorite. I think I was in the minority but I did really like the return to the classic colors but with the “slug” logo in the aughts I believe? Nothing beats the classic ones though.

    COMPONENTS: are you happy with your sound? Unless your really unhappy with things, the urge to upgrade might just be upgradeitus. Though there have been technological advances, power Amps and speakers, if made well, do not necessarily have to be upgraded.
    Physics is physics, but the current trends often try to employ reimagining the wheel which sometimes fosters noticeable improvement (but usually requires mucho denaros), but more often not.
    A really well built set of speakers, still in good functional condition, especially if you like them, do not have to be upgraded, unless in the sense that you had say more budget consumer grade ones and could afford/wanted to get higher quality ones. I.e., those old cheap beat up entry level ones you got in collage but can now afford a new set of higher end ones. Even then, higher price is NOT a guarantee of higher quality/performance!
    And always consider the laws of diminishing returns, although that can work both ways.
    But as previously mentioned, maintain and keep an eye on speaker age issues (see back a few pages).

    Same with a really well built amplifier.
    Sources and pre amps and I’m guessing many of you use a multichannel “surround” set up for all your AV needs utilizing an AVR or Audio Video receiver, not so much.

    If you can afford it, my opinion is you buy a really good separate Amp and speakers, but perhaps don’t go hog wild with the rest, unless you have the ways and means, but don’t feel obligated.

    Why: physics and obsolescence. No matter how much folks today try to reinvent the wheel, physics is physics and the way most audio works is inherently related to it and thus changes little.
    Sure they’ve made great improvements in class D amplification etc, but my experience is for a high end critical listening system Class D just doesn’t sound as euphonic as well built traditional amp formats (A or A/B).
    Now these are generalizations, as of course there are exceptions in certain circumstances…
    The situation is the boss! And your situation may vary.

    But, it is usually true that your system is only as good as the weakest li n k

    Since sources: Blu-ray, DVD, CD players, streamers etc, and receivers that also switch/pass video, or basically most modern digital gear all become obsolete so fast nowadays, these you might not need/want to drop too much money on since you’ll need to upgrade it sooner than later.
    A common trick I’ve used for my surround system is to either do your HDMI switching via the TV or a dedicated HDMI switcher, not an AVR. Why, if you have good speakers and multichannel separate power amp, you can still use your perhaps outdated, but top quality pre pro or preamp for the audio. How you ask? Most Blu-ray players have 2 HDMI outputs just for this reason: one for video, one for audio. Most Cable and Sat boxes only decode Dolby Digital so you can use the coax digital output to your legacy pre amp (as long as it at least has digital inputs) and get the same signal.
    If your gear is even older, you can use the analog out, but the DAC sets in these boxes, (computers, and most inexpensive equipment) are very cheap and extremely low quality.
    This way you only have to occasionally upgrade the HDMI switcher (or TV) at usually a much lower cost than replacing a whole AVR with its pre amp/processing section, it’s power amp section, and all the other often useless crap they put in them. Most receivers only pass thru the video signal anyway, so to pay to replace the rest just to get the most updated video switching is inefficient and often unnecessary.
    So the idea is to not be stingy about your amp (s) and speakers (your back end) since a good set will usually always play well and sound good with most decent front ends, and will likely last much longer than lesser ones.
    I have some old McIntosh stuff that still kicks ass after decades, and I could sell for more than I payed!
    I almost suffered from upgradeitus recently.
    Since I can get things often at cost, I was interested in upgrading my approximately 30 year old C 40 preamp for a new one. But my ole gear head buddy, electrical engineer, and all around partner in crime BITD BOO469 talked me off the ledge mostly by asking me why. We both ended up realizing that for my 2 channel system, since I already have an expensive separate DAC: why would I pay simply for digital inputs I don’t really need. Would the analog section alone of the new pre be better or worth the cashish, than my old, probably built better purely analog preamp…probably not.
    Also, since my old pre is completely analog, I theoretically could be paying for digital circuitry etc at the expense of the analog circuitry.
    Everything has a build budget so the more stuff they put in a unit, is that much less money left for other things in the unit.
    That’s another reason to consider separates. Separates USUALLY (all gear is not equal!) have better quality components, specifically engineered for only one or few tasks, especially power supplies, which is one of the most important parts of ANY gear! So better quality parts, engineered to do one thing, (versus many things like in a modern AVR) with a beefy power supply, will usually provide better all around performance, enjoyment and longevity than normal consumer grade all in one components. With class D amps it’s all about the PS so shop carefully!

    So no matter what your into, or throw at it, a system with a good back end, sufficient for your type of use/requirements, that you would like to have/enjoy for many years, can be a sound (pun intended) investment. Spending large sums of money on gear that is probably obsolete before you get it home, and has components you don’t need because of redundancy of separates, is not recommended unless you can afford it and are that into having the latest and greatest.

    Pay up now for good back end and it will save you money in the long run. The other stuff is a necessary evil, but be wary of obsolescence! And you can upgrade if/when you need or can afford, and have more to spend if you have good back end that doesn’t need replacing!
    Also, follow the simple free tips we offered back a month or so on here about proper system placement and set up. Often this will give you as much noticeable positive changes, or more, than electronic upgrades.

    GARY: have you a/b tested the HDCD, is the improvement HDCD, or just the new player itself, curious?
    And 80 hertz is a starting point. Play around with your cross over frequency and the slope or roll offs as your specific room will effect bass as much or more than components.
    My 2 channel has no subs as I don’t usually like subs with just stereo although with stand or smaller speakers they can be an improvement if used properly (whole nother long discussion there as most people do not). And my theatre speakers easily go down to at least 30hz (rated conservatively) and sound great in the room their in. So to use a sub normally, I’d have to roll them off a bit which I don’t like. So I only use my diy (old bass playing cab) of 2 15” JBL E140s, crossed over with a Furman crossover, powered by a dedicated Crest amp (approximately 800 watts) for LFE, or low frequency effects only. The JBLs don’t extend as low as I wish, but by adjusting the crossover manually while using I can dial in just the right amount depending on the mix etc. I usually xover around 30-40 hertz as I’m only trying to enhance the lows, not overpower, and my cab gets too midrange and/or overdriven if I run frequency too high. But I’m getting away from the main topic.
    Same with those pile drivers. Your friend is right, different speakers may or may not affect the overall speaker impedance (their usually not exactly 4 or 8 ohms, and can actually vary with conditions), synergy, balance, timbre, and more. Trial and error is unfortunately usually the only way to find out!
    Ok, hopefully I haven’t confused anyone or completely bored.
    But obviously us geeks could go on all day lol.

    Remember, if it’s worth playing, it’s worth playing loud, but loud must be clean to be enjoyed! ; )

    EDIT: don’t skimp on conversion either!
    Digital is not the problem conversion is! So consider a good separate DAC which should also not need to be upgraded so much, or, make sure you buy a pre amp or receiver with a good DAC set!
    You can ridiculously upgrade the sound of your lap top for instance for like 50 bucks for a audio quest dragonfly usb DAC.

  • #299
    Vguy72
    Joined:
    West coast hurricanes....

    ....I'm good over here.

  • #300
    1stshow70878
    Joined:
    Key Largo

    (The classic 1948 movie) is as close as this landlubber has ever come to a hurrican, (drop the e) as my wife's G-ma used to pronounce it. She was one of those who never evacuated although they were well positioned inland in Jacksonville and never had more than some shingles fly off. I'm sure she was one of those a little rain, a little wind folks. Rokko, Edward G. Robinson's character, was a tough guy until he felt one then scared to death of the thing. I got uneasy even standing next to a choppy sea. It's just so big it scares me. True landlubber.
    I have heard that train roar though as a kid in St. Louis tornados. Fascinated me and my Mom would have to pull me away from the window because I just had to see what could make that much noise.
    Best of luck FLA. Cheers

    Edit: I stand corrected. My wife says G-ma was forced out by flooding from the nearby St. Johns River at least once.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by dmcvt on Wed, 07/13/2022 - 09:44

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the elation for this and for hints at what else remains in the vault.

Just what the doc ordered!

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Submitted by 1stshow70878 on Wed, 07/13/2022 - 09:44

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fans got their wish.
2 Dark Stars and plenty-o-pig.
Sounds good to me!
Cheers

Edit: Non-subscribers (Daverock?) better jump on this fast. Certainly one that will sell out in a day.
1300 Owsley reels in the vault did it say? A HUGE virtually untapped source.

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Submitted by bigbrownie on Wed, 07/13/2022 - 09:55

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I like Owsley's technique. That'll do, Pig.

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2 years 7 months

Submitted by billy the kiddd on Wed, 07/13/2022 - 10:18

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just what I wanted. 2 shows from1969,. Thanks Dave, keep them comming.

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9 years 7 months

Submitted by That Mike on Wed, 07/13/2022 - 10:20

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Dave - You had us at Pig. A real nice release, and Owsley sound, too! (Blushing)

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Submitted by KeithFan2112 on Wed, 07/13/2022 - 10:49

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It took 8 years, but I finally guessed the right shows. Nevermind that I included the Boston Tea Party trio.

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10 years 4 months

Submitted by hendrixfreak on Wed, 07/13/2022 - 10:50

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I'll take this one, thank you very much!!

Oro, you either get primal or you get Pig. I'm very pleased with this one. Did not see that coming.

Woo-hoo!

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Submitted by bluecrow on Wed, 07/13/2022 - 10:51

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Sweet release for DaP43!

"With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43."

just want to highlight ". . . some of the oldest and rarest of all recordings of the Dead including . . ."

pray tell what other mysteries are there in the banana boxes?? to be continued.

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Submitted by JimInMD on Wed, 07/13/2022 - 11:09

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I think Dave was worried about a riot.. we forced his hand on this one.

I'm looking much more forward to this than the box set. No offense meant.. but this looks sweet to me.

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3 years 8 months

Submitted by Crow Told Me on Wed, 07/13/2022 - 11:11

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Beyond stoked about this DaP. There doesn't seem to be a track listing yet, but given the description (not one but TWO 20-minute-plus Dark Stars, AND plenty of Pig?) this promises to be epic. Audio quality is likely to be outstanding, given that it was recorded by Bear and evidently stored in a banana box for 50+ years.

Wonder what else is in those banana boxes? Guys, if you find any blue tablets, you should probably forward them to me for safe disposal.

The MSG box? Not sure I need 17 discs worth of '80s, so I'll probably just go for the breakout set from 3/9/81. I have to admit, this release makes me a little sad, because it makes me think that now it's going to be years, maybe longer, before they do the Berkeley Greek 1980s box some of us have been longing for. Can't see 'em doing two venue-centric '80s boxes in close succession.

And just btw: don't get Covid, if you can help it. Went on a business trip (got to go to NOLA, at least), came home and got sick. Despite being vaxed and boosted, it was sucky week. Not the end of the world, but pretty sucky. I mention this in the hope that it'll encourage others to be vaxed and be careful: that fucking virus is still out there. Be well.

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Submitted by wissinomingdeadhead on Wed, 07/13/2022 - 11:15

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Its so good to be wrong!!!!!! I thought for sure Dave would venture into the 80's the 60's are not the 80's. By the way I'm digging the gray hoodie, very understated.

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Submitted by WokeUpDead on Wed, 07/13/2022 - 11:19

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I had jumped off of the subscription bandwagon almost as soon as I got on, after the disappointing DaP31. This year I reluctantly hopped on again because I liked the Baltimore show and absolutely salivated over the Winterland ‘74 with bonus disk. I was resigned to getting a throwaway ‘80s show this time around. Nope. I am virtually in tears as I type this, and best of all I have no worries of this one selling out because it’s already been ordered. It’s a beautiful day.

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Submitted by SPACEBROTHER on Wed, 07/13/2022 - 11:31

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I haven't browsed Deadbase yet to see if these shows are listed or the setlists, which I imagine are similar to others from the era. I also wonder if having been stored in sealed boxes all these years if they are uncirculated? That's always a nice surprise.

I'm a lifetime subscriber since the beginning. Glad to see Dave mixing it up.

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Submitted by JimInMD on Wed, 07/13/2022 - 11:43

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The sound on the archive is good.. assuming Latvala took a little peeksy into the banana boxes and shared. I'd still like to take partial credit for guessing Dave's 43 would be sourced using returned reels from the late 60's. I think I posted something to that effect a week or two ago.

Very glad to see these shows come to light. They seem to be very special, at least to these ears.

Enjoy people.. This one goes out to Hendrix Freak.. if there's a more enthusiastic 60's and fall 1972 person out there.. I'd like to buy her/him a drink and shake their hand.

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Submitted by Forensicdoceleven on Wed, 07/13/2022 - 11:52

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Jim!!

That would be me. Strong coffee will do, looking forward to the handshake...........

Did anybody think my obsession was limited to 1971?!! OMFW!!!

The dice of Zeus always fall luckily.

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust......

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Submitted by wissinomingdeadhead on Wed, 07/13/2022 - 12:00

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11/2 does not circulate, no set list
12/26 Circulates, Zephyr opened-acoustic set without Bill

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Submitted by bluecrow on Wed, 07/13/2022 - 12:08

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not in Deadbase but SBD source of 11/2/69 is on relisten

not that i've heard it. includes a "classic suite" DS > SS > 11 > DDHNM

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Submitted by JimInMD on Wed, 07/13/2022 - 12:12

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Strong Coffee I've got! Doc you are equally enthusiastic of the old stuff. Check your PM.

As for 11/2, it looks like a copy of this was seeded to the Archive back in 2004 and a more complete version appeared in 2009.. so someone had them. I'm going to head to the attic right now and see what's in all the banana boxes stashed in the corner.

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Submitted by diw on Wed, 07/13/2022 - 12:41

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Who is the 4 fingered gal on the cover? Interesting that they did not go for a female skeleton.

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Submitted by Sydney Prentice on Wed, 07/13/2022 - 13:03

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This is great news Dave,its going to be well worth the wait, none of us are getting any younger,I'm looking forward to having this in my grubby little mitts in August.

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Submitted by alvarhanso on Wed, 07/13/2022 - 14:34

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I'm a big fan of DaP 6 12/20/69 and 2/2/70 with 12/21/69 bonus disc with its two Dark Stars, DaP 30 1/2-3/70 with its great setlists capped off by that massive Dark Star> St Stephen> The Eleven> Lovelight, and DaP 10 12/12/69 and bonus from 12/11/69 scratches a similar itch, but I gravitate to the bonus disc for the whole Dark Star> St Stephen> The Eleven> Cumberland Blues, That's It For The Other One> Cosmic Charlie, because that's just fantastic. And now we add these two shows to that collection. Nonplussed on the box, but I reckon I'll likely get it sometime prior to release. The setlists are quite good, and only one Little Red Rooster.

Just listened to the Little Sadie and High Time in the Listening Party on my tablet speakers, and quite liked it. Jerry is in fine fettle.

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Submitted by Mr. Ones on Wed, 07/13/2022 - 14:35

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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

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Submitted by cheyler196 on Wed, 07/13/2022 - 14:48

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I will take a GD sbd from the '60s ANY day of the week, and the Dallas show has long been one of my favorites. I'm VERY glad that it's being released and that 11-2 show is no slouch although I've never heard it complete and never in this kind of sound quality either. I'm very happy these shows were chosen, can't wait to get my hands (and ears) on them. Thanks once again to Dave, Dick, Bear and the whole GD family.

Jeffrey Norman works for the GD and also the OSF, which has been digitizing Bear's 1300 reels. OSF is about two-thirds done with digitizing so possibly ~400 reels to go. Probably that's what Norman was doing.

Meanwhile, only weeks to go until two unique '69 shows are in our hands.

I'll have to quiet down for a while about NINETY SIXTY-EIGHT, just because Dave gave us a nice dose of late '69.

Heh heh heh... we don't need any contests here, this whole crowd is foaming at the mouth for this release. Jim, you sure know how to get folks riled up. (What the hell are "banana boxes"?)

In fact, the good doctor and I had often discussed how early, short shows shouldn't stop Dave from putting two together to meet the DaP three-disc rule. Here we are.

A good shout out to all who made the past couple months on this forum worthwhile with good discussions of literatue and music. I only have about 7-8 books to read and tall stack of CDs to listen to, as a result.

And thanks to Dave L. for an inspired choice. (I'm getting the 3-9-81 show and leaving the box alone, but sure wish I can get my hands on 3-10-81 at some point...)

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Submitted by TJPD2 on Wed, 07/13/2022 - 15:14

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Its about time, one worth opening.

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Submitted by dmcvt on Wed, 07/13/2022 - 15:40

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ask any supermarket for them, very sturdy, heavy duty cardboard, great for storage. Not entirely closed, usually an opening at top and bottom. Check recent shipments for tarantula hitchhikers. Shucks, no release listening party for the 60s bunch at Jim's bear battered beer caches?

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7 years 5 months

Submitted by Obeah on Wed, 07/13/2022 - 16:06

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Oh myyyyy! I don't post very often here, but I've been watching the discussion/speculation on DP 43 for months. I figured DP43 would be 1980s for sure (hello, box set) and in that regards I was hoping for a 1985 release. I didn't dare hope for '68-'69. I'm glad to be wrong!

I've never heard either of these shows - super excited for this release. I keep various Fall '69 rips in my car - 10/25, Dick's Picks 16, the DaP 6 Bonus Disc - so it's going to be nice to change things up. This time I even went and bought an extra copy so that I can wow somebody who will only realize what they've missed out on when they are sitting in my passenger seat. That's ~$40 well-spent. @Dave thanks buddy, this kinda drop is what keeps me subscribing year after year.

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Submitted by proudfoot on Wed, 07/13/2022 - 17:07

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totally awesome

Daves in a (banana) box

loooooove it

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14 years 7 months

Submitted by bolo24 on Wed, 07/13/2022 - 17:56

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Didn't know about the Dallas show. Double 1969 goodness - how sweet it is!

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13 years 7 months

Submitted by bigbrownie on Wed, 07/13/2022 - 17:58

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What I have:
Cold Rain
Midnight Hour
Seasons (this song is unknown to me, a first)
Mama Tried
Next Time You See Me
Good Lovin'
Big Boss Man
Casey Jones
Dancin'
Dark Star>St. Stephen>The Eleven>Death Don't

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Submitted by bigbrownie on Wed, 07/13/2022 - 18:03

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I have this one archived in my cassette collection. Saw many shows at this venue. Great acoustics.

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10 years 5 months

Submitted by alvarhanso on Wed, 07/13/2022 - 19:56

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Just looked up the setlists for these and saw Dave for once way undersold the length of the two Dark Stars, one 30, the other 24! Nice. But how about I've Been All Around This World? Always loved it from hearing the Garcia Grisman version, so stoked to see it's on here wih Little Sadie. Such a treat to hear Jerry sing these in such a strong voice. Now to avoid listening to the whole shows for three more weeks...

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Submitted by sladeums on Wed, 07/13/2022 - 23:18

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I know it makes me not a ‘head’
But no

Pig’s “white boy blues” makes wants me want to barf every time.
Hahaha i hear him open his mouth and it’s like I want to jump off a cliff

I hear somebody brag about a “half hour Lovelight” ?
Thanks, I know exactly what show to skip. 

Seriously no

ughhhh

We can all jam and no despite I hate it I’m not selling to at cost hahahah

There are people out there.

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Submitted by direwulf on Thu, 07/14/2022 - 02:48

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...deadhead but certainly a fool of high caliber. I agree with the Lovelights...sometimes, but damn take that tone and put it in the garbage where it belongs. The provenance alone of these tapes is enough to get my brain drooling and my ears lubed up.

Looks like they've reconnected the modem at the asylum. Nurse Ratchet must be on her first vacation in a few decades. 😬

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Submitted by onthebussince77 on Thu, 07/14/2022 - 02:53

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For those of you wondering why artist Matt J. Adams included her, have a look at the cover of "Live/Dead".

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Submitted by Lovemygirl on Thu, 07/14/2022 - 03:53

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…Oh Boy! 2 (two) “Primo” Primal Dead performances in one release (Pick)
“There’s Nothen left to do but Smile Smile Smile!” I’m as happy as a Pig in Mud! Lol ! 🤠
Have a grateful day my brothers and sisters.
there’s not a better feeling than having grateful fans dig’n The continuing Amazing Artworks involved year after year! Love it!
Take care folks , have a grateful day!
🙏❤️💀🌹

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