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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • 1stshow70878
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    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • Charlie3
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    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • PT Barnum
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    reading these posts

    you guys are so cool. Love this forum

  • Charlie3
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    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • That Mike
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    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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In reply to by Oroborous

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the elation for this and for hints at what else remains in the vault.

Just what the doc ordered!

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fans got their wish.
2 Dark Stars and plenty-o-pig.
Sounds good to me!
Cheers

Edit: Non-subscribers (Daverock?) better jump on this fast. Certainly one that will sell out in a day.
1300 Owsley reels in the vault did it say? A HUGE virtually untapped source.

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I like Owsley's technique. That'll do, Pig.

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just what I wanted. 2 shows from1969,. Thanks Dave, keep them comming.

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Dave - You had us at Pig. A real nice release, and Owsley sound, too! (Blushing)

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It took 8 years, but I finally guessed the right shows. Nevermind that I included the Boston Tea Party trio.

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I'll take this one, thank you very much!!

Oro, you either get primal or you get Pig. I'm very pleased with this one. Did not see that coming.

Woo-hoo!

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In reply to by That Mike

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Sweet release for DaP43!

"With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43."

just want to highlight ". . . some of the oldest and rarest of all recordings of the Dead including . . ."

pray tell what other mysteries are there in the banana boxes?? to be continued.

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In reply to by bluecrow

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I think Dave was worried about a riot.. we forced his hand on this one.

I'm looking much more forward to this than the box set. No offense meant.. but this looks sweet to me.

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Beyond stoked about this DaP. There doesn't seem to be a track listing yet, but given the description (not one but TWO 20-minute-plus Dark Stars, AND plenty of Pig?) this promises to be epic. Audio quality is likely to be outstanding, given that it was recorded by Bear and evidently stored in a banana box for 50+ years.

Wonder what else is in those banana boxes? Guys, if you find any blue tablets, you should probably forward them to me for safe disposal.

The MSG box? Not sure I need 17 discs worth of '80s, so I'll probably just go for the breakout set from 3/9/81. I have to admit, this release makes me a little sad, because it makes me think that now it's going to be years, maybe longer, before they do the Berkeley Greek 1980s box some of us have been longing for. Can't see 'em doing two venue-centric '80s boxes in close succession.

And just btw: don't get Covid, if you can help it. Went on a business trip (got to go to NOLA, at least), came home and got sick. Despite being vaxed and boosted, it was sucky week. Not the end of the world, but pretty sucky. I mention this in the hope that it'll encourage others to be vaxed and be careful: that fucking virus is still out there. Be well.

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Its so good to be wrong!!!!!! I thought for sure Dave would venture into the 80's the 60's are not the 80's. By the way I'm digging the gray hoodie, very understated.

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I had jumped off of the subscription bandwagon almost as soon as I got on, after the disappointing DaP31. This year I reluctantly hopped on again because I liked the Baltimore show and absolutely salivated over the Winterland ‘74 with bonus disk. I was resigned to getting a throwaway ‘80s show this time around. Nope. I am virtually in tears as I type this, and best of all I have no worries of this one selling out because it’s already been ordered. It’s a beautiful day.

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I haven't browsed Deadbase yet to see if these shows are listed or the setlists, which I imagine are similar to others from the era. I also wonder if having been stored in sealed boxes all these years if they are uncirculated? That's always a nice surprise.

I'm a lifetime subscriber since the beginning. Glad to see Dave mixing it up.

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In reply to by SPACEBROTHER

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The sound on the archive is good.. assuming Latvala took a little peeksy into the banana boxes and shared. I'd still like to take partial credit for guessing Dave's 43 would be sourced using returned reels from the late 60's. I think I posted something to that effect a week or two ago.

Very glad to see these shows come to light. They seem to be very special, at least to these ears.

Enjoy people.. This one goes out to Hendrix Freak.. if there's a more enthusiastic 60's and fall 1972 person out there.. I'd like to buy her/him a drink and shake their hand.

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Jim!!

That would be me. Strong coffee will do, looking forward to the handshake...........

Did anybody think my obsession was limited to 1971?!! OMFW!!!

The dice of Zeus always fall luckily.

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust......

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11/2 does not circulate, no set list
12/26 Circulates, Zephyr opened-acoustic set without Bill

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In reply to by wissinomingdeadhead

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not in Deadbase but SBD source of 11/2/69 is on relisten

not that i've heard it. includes a "classic suite" DS > SS > 11 > DDHNM

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In reply to by wissinomingdeadhead

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Strong Coffee I've got! Doc you are equally enthusiastic of the old stuff. Check your PM.

As for 11/2, it looks like a copy of this was seeded to the Archive back in 2004 and a more complete version appeared in 2009.. so someone had them. I'm going to head to the attic right now and see what's in all the banana boxes stashed in the corner.

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Who is the 4 fingered gal on the cover? Interesting that they did not go for a female skeleton.

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This is great news Dave,its going to be well worth the wait, none of us are getting any younger,I'm looking forward to having this in my grubby little mitts in August.

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I'm a big fan of DaP 6 12/20/69 and 2/2/70 with 12/21/69 bonus disc with its two Dark Stars, DaP 30 1/2-3/70 with its great setlists capped off by that massive Dark Star> St Stephen> The Eleven> Lovelight, and DaP 10 12/12/69 and bonus from 12/11/69 scratches a similar itch, but I gravitate to the bonus disc for the whole Dark Star> St Stephen> The Eleven> Cumberland Blues, That's It For The Other One> Cosmic Charlie, because that's just fantastic. And now we add these two shows to that collection. Nonplussed on the box, but I reckon I'll likely get it sometime prior to release. The setlists are quite good, and only one Little Red Rooster.

Just listened to the Little Sadie and High Time in the Listening Party on my tablet speakers, and quite liked it. Jerry is in fine fettle.

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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

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I will take a GD sbd from the '60s ANY day of the week, and the Dallas show has long been one of my favorites. I'm VERY glad that it's being released and that 11-2 show is no slouch although I've never heard it complete and never in this kind of sound quality either. I'm very happy these shows were chosen, can't wait to get my hands (and ears) on them. Thanks once again to Dave, Dick, Bear and the whole GD family.

Jeffrey Norman works for the GD and also the OSF, which has been digitizing Bear's 1300 reels. OSF is about two-thirds done with digitizing so possibly ~400 reels to go. Probably that's what Norman was doing.

Meanwhile, only weeks to go until two unique '69 shows are in our hands.

I'll have to quiet down for a while about NINETY SIXTY-EIGHT, just because Dave gave us a nice dose of late '69.

Heh heh heh... we don't need any contests here, this whole crowd is foaming at the mouth for this release. Jim, you sure know how to get folks riled up. (What the hell are "banana boxes"?)

In fact, the good doctor and I had often discussed how early, short shows shouldn't stop Dave from putting two together to meet the DaP three-disc rule. Here we are.

A good shout out to all who made the past couple months on this forum worthwhile with good discussions of literatue and music. I only have about 7-8 books to read and tall stack of CDs to listen to, as a result.

And thanks to Dave L. for an inspired choice. (I'm getting the 3-9-81 show and leaving the box alone, but sure wish I can get my hands on 3-10-81 at some point...)

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Its about time, one worth opening.

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In reply to by TJPD2

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ask any supermarket for them, very sturdy, heavy duty cardboard, great for storage. Not entirely closed, usually an opening at top and bottom. Check recent shipments for tarantula hitchhikers. Shucks, no release listening party for the 60s bunch at Jim's bear battered beer caches?

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Oh myyyyy! I don't post very often here, but I've been watching the discussion/speculation on DP 43 for months. I figured DP43 would be 1980s for sure (hello, box set) and in that regards I was hoping for a 1985 release. I didn't dare hope for '68-'69. I'm glad to be wrong!

I've never heard either of these shows - super excited for this release. I keep various Fall '69 rips in my car - 10/25, Dick's Picks 16, the DaP 6 Bonus Disc - so it's going to be nice to change things up. This time I even went and bought an extra copy so that I can wow somebody who will only realize what they've missed out on when they are sitting in my passenger seat. That's ~$40 well-spent. @Dave thanks buddy, this kinda drop is what keeps me subscribing year after year.

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In reply to by Obeah

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totally awesome

Daves in a (banana) box

loooooove it

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Didn't know about the Dallas show. Double 1969 goodness - how sweet it is!

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What I have:
Cold Rain
Midnight Hour
Seasons (this song is unknown to me, a first)
Mama Tried
Next Time You See Me
Good Lovin'
Big Boss Man
Casey Jones
Dancin'
Dark Star>St. Stephen>The Eleven>Death Don't

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I have this one archived in my cassette collection. Saw many shows at this venue. Great acoustics.

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Just looked up the setlists for these and saw Dave for once way undersold the length of the two Dark Stars, one 30, the other 24! Nice. But how about I've Been All Around This World? Always loved it from hearing the Garcia Grisman version, so stoked to see it's on here wih Little Sadie. Such a treat to hear Jerry sing these in such a strong voice. Now to avoid listening to the whole shows for three more weeks...

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I know it makes me not a ‘head’
But no

Pig’s “white boy blues” makes wants me want to barf every time.
Hahaha i hear him open his mouth and it’s like I want to jump off a cliff

I hear somebody brag about a “half hour Lovelight” ?
Thanks, I know exactly what show to skip. 

Seriously no

ughhhh

We can all jam and no despite I hate it I’m not selling to at cost hahahah

There are people out there.

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16 years 11 months
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...deadhead but certainly a fool of high caliber. I agree with the Lovelights...sometimes, but damn take that tone and put it in the garbage where it belongs. The provenance alone of these tapes is enough to get my brain drooling and my ears lubed up.

Looks like they've reconnected the modem at the asylum. Nurse Ratchet must be on her first vacation in a few decades. 😬

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12 years 10 months
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For those of you wondering why artist Matt J. Adams included her, have a look at the cover of "Live/Dead".

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8 years 4 months
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…Oh Boy! 2 (two) “Primo” Primal Dead performances in one release (Pick)
“There’s Nothen left to do but Smile Smile Smile!” I’m as happy as a Pig in Mud! Lol ! 🤠
Have a grateful day my brothers and sisters.
there’s not a better feeling than having grateful fans dig’n The continuing Amazing Artworks involved year after year! Love it!
Take care folks , have a grateful day!
🙏❤️💀🌹

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