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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • Oroborous
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    Simple must do audio rules

    There are many things that can be done to get your system set up correctly that often can facilitate noticeable performance improvements equal too or greater than any electronics! Best part, they cost little or nothing!

    SPEAKER PHASING: one of the most notorious mistakes that makes a huge noticeable difference and is super easy.
    Make sure your positive amp/receiver terminal is connected to the positive of the speaker, ON BOTH speakers!!
    So positive to positive, negative to negative etc. on both speakers.
    If one is wired opposite of the other, your speakers are out of phase which means their working against each other instead of with each other. Speakers move back and forth, or in and out. If one is wired out of phase that means one speaker is pushing air out while the other speaker is pulling back in, thus effecting bass coupling dramatically! So what you say? You will likely laugh or gasp at how much better your speakers sound (bass enhancement) when you hear them in phase after getting used to them being out!

    SPEAKER HEIGHT: the tweeter should always be placed at ear height. So if using stand speakers, measure so stand places the speakers tweeter exactly at listening position ear height. In conekids case he’s a little higher, which might effect his main position, but since he’s trying to cover 2 zones IR areas it’s a trade off. This is an example of how the situation may dictate slight tweaks, but you should at least start following these rules then tweek.

    SPEAKER PLACEMENT: optimally should form an equilateral triangle: same distance from listening position to each speaker, and same distance between speakers. This can be tweaked depending on several variables.
    Spread them out too far and you lose acoustic coupling and stereo imaging etc., too close together and your sound field collapses and you lose stereo effect etc. This is something you can play with and doesn’t cost anything.
    Obviously you should try to avoid placing objects in front of speakers…
    They should be placed along a wall, but out from the wall. Too close to the wall causes boundary issues that make bass bloated and unnaturally loud etc. Too far out from the wall and they can sound too thin (not enough bass).
    Again, depending on your speakers and other factors you can play with this until you get it right.
    Same with listening position: if you sit too close to any wall, but especially the back wall you’ll again suffer from boundary issues that unnaturally bloat/muddy bass.
    Really you should never put speakers or listening position next to a wall!

    RULE OF THIRDS: look it up. Though using the third dimension is usually not practical, the rule of fifths is and works perhaps better. What’s that you say? Divide your room into fifths. Place the speakers one fifth of the way in from the side walls, leaving three fifths between them. So a 20’ room would have the center of each speaker 4’ from the side walls with 12’ between speaker center points. Then, to form the equilateral triangle, measure 12’ from the center of each speaker to your ear position at your listening sweet spot! Depending on your speakers you may want to toe them in slightly versus having them point directly forward. Again, play around and tweek. Tweeting should be done vary slightly, sometimes an inch or two can make a big difference! Be slow and methodological.

    SUB WOOFERS: I’m not a fan of subs for 2 channel stereo, but they can be a necessity for small bookshelf speakers etc.
    Subs suffer even more from boundary issues described above! Corners are usually the worst place to put a sub woofer!
    Here’s a trick. Place your sub in your listening position and put on some bass active music you know well. Now crawl around on the floor and listen. When you find the place the bass sounds best, put your sub there. This is a cheap down and dirty way to deal with room modes, one of the biggest negative factors in music enjoyment. (Look them up).
    I have a fairly large above average system in a dedicated room, but my room is too narrow for my system so I often have horrible bass bloat issues because of these room modes etc. (funny but it’s mostly only a problem with old Dead when Phil was still playing Alembic lol). Usually I can just roll off a little of my 30 hertz eq nob on my C 40 pre amp. I have a DSP room unit that uses excellent Dirac SW, but haven’t gotten around to it (slacker).
    There are many solutions and sometimes DSP can help (but that won’t do pure analog folks much good) but often the best way to deal with many of these issues is to follow these fairly simple rules and play around with things.

    Oh, lastly. You can help smooth out your room by dampening first reflection points. There’s diffusion and absorption and more. But to keep it simple. We’ll just look at some basics.
    Have someone with a mirror move along the side wall with the mirror. The place where you can see the speaker in the mirror while being seated in the listening position is the first reflection point. Put something (all kinds of things both diy and professional) in that spot along the wall (and ceiling if you want to go the extra distance) that will absorb the sound, so that your hearing the direct sound from the speaker without the phase issues and coloration of the reflected sound off the wall. This is another simple but big improvement.
    You can experiment with placing adsorption in other obvious places like directly back from the speakers on the opposite wall. If you have a big room, perhaps look at second reflection points.

    NOTE: this is not sound proofing! That is a whole other field above and behind this tutorial. Save your money! Putting egg crates, foam, or most of the items for sale on line DO NOT WORK! They will not stop bass from passing through walls and structure! Some of these products may help the sound in the room, but will do nothing for stopping it’s transmission out of the room!

    SPEAKER ISOLATORS: another thing you just have to try. Using the pointy spikes or not for speaker feet. Sometimes they help other times you may want to isolate your speakers from the floor to eliminate too much bass and our help with transference to another room or dwelling.
    Oh, use a heavy carpet on the floor at least between the speakers and listening position if not bigger. Put this is yet another situational thing that you may have to play with.

    Remember folks: the situation is the boss!
    Hope this helps!

    HDCD: if everything is set up and functioning properly you can hear a difference. How noticeable or if noticeable will depend on your equipment, set up and ears. If you have a nice system and actually play discs, you might find some improvements but for many you might not really hear a difference, certainly not a huge difference so I wouldn’t worry too much about it. Following the above mentioned rules as much as possible will!

    Oh, ps, the above assumes best case practices. As no room is perfect, and some are just plain awful, and many of us need to live with our significant others, ahem, obviously not everyone will be able to follow all of these.

  • daverock
    Joined:
    Replacement

    Cnkd - It never occurred to me at the time that I could have asked for a brand new replacement. The replacement from the shop floor is better - the first one used to skip tracks out - with this one it's just the delay in registering which track is playing by about a second that's a bit odd. It plays to perfection apart from that. And really sounds good.

  • Dennis
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    Sound systems

    Good talk.

    More important to system?

    Listening!!!

    When I bought my system the guy told me, you will not hear what this system does, while doing the dishes, while cleaning, while doing anything else. You have to sit and listen.

    It's true.

    Sound systems and people are a funny thing. I think MOST people listen to the radio and only own a handful of cd's/albums, usually the stuff they listen to in high school or college,,,, after that they stop buying. Kids today seem to live off spot-e-fied and own nothing. I have found the largest genre in people's collection is christmas albums (go figure!)

    I think this group of people are the exception to that.

    What'd ya think?

  • KeithFan2112
    Joined:
    Since there's a CD player discussion going on...

    For people who are listening on HDCD players, what sort of improvement can you hear in the audio? I would think there is some discernable improvement.

    I think I've listened to these shows 10x each. Moved on to others in the time period. Doing Dick's Picks 4 at the moment. I was not hardcore into the Dead when it was released. I imagine people were reacting even more positively into it than even this Dave's Picks, due to the Fillmore legend of the Feb 13 & 14 shows when it came out. Was there a discussion board up at the time to spread the enthusiasm?

    Vguy - good to see the red dice and green felt has returned - it's positively you.

    Nitecat - also digging TC's contributions on these shows. When he was "on" and audible, he really filled out their sound nicely.

  • icecrmcnkd
    Joined:
    More audio talk

    Wow, Daverock that’s a pricey player to be malfunctioning, and then be replaced by a floor model (which apparently has the same defect). They should have given you a new one from the factory.

    I thought that my new Cambridge Audio CD player was defective but then realized that my Vizio TV remote interferes with it. I had the TV on and was going through the menu adjusting settings but every time I hit a button on the TV remote the CD player would jump tracks or stop playing. Was relieved to find that the CD player was fine.

    Nick, go with what sounds best to you.

    Last night spun the Anthem of the Sun CD that I bought in 1989 (it’s the 1971 remix) and it sounded pretty dull.
    Then put in Steppin’ Out CD3 and started at Truckin’. Sounded better, but not that great.
    DaP43 sounds far superior to those older CD’s.

  • daverock
    Joined:
    Magic Ingredient

    To me, the best sounding recordings I ever heard were the first ones I got, between 1971 and about 1978. They were records, and what made them great was the magic ingredient. It had nothing to do with what I played them on. If your system captures that-you've got it. For me you can no more improve on that than you can The Grand Canyon

    Nick1234 - having said that, I got a Rega Saturn-R cd player about 3 years ago. And it sounds great - but the first one I bought had to go back to the shop after about 9 months, as some cds wouldn't play-and others jumped to the 3rd or 4th track when I wanted to hear the 1st one. They eventually replaced it with a display model from the shop floor. That is great - although I have noticed that half way through a cd...when the music for track 4 starts, the display unit still shows track 3 for a few seconds - it is slightly behind the music. But the sound quality is top notch. As for the magic ingredient....

  • Charlie3
    Joined:
    My Wife

    I joke, but my wife has put up with my idiosyncrasies and such for 30 years, 36 if you count the time we were together before getting married. She deserves a medal, 'cause I am aware that I can be a difficult person to live with sometimes.

    The speakers have a clear pretty clear path to spread the sound around the space and the actual speakers are at the upper two thirds of about a 43 inch high tower, so a bit above the ground, and built to tilt ever so slightly to direct the sound slightly upward and fill the space nicely, so I exaggerate about the impediments, or more accurate to say I just get a little obsessive about the impediments to the sound.

    For tonight's classic '70s movie I went with the Godfather, the first one. I've watched it several times before but it never disappoints, I love that movie every time. A near perfect movie, weirdly gratifying.

  • Nick1234
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    System advice

    While we're on the subject can I ask for a bit of advice? I'm in the market for a new system and at the moment I'm thinking of a Naim Supernait 3 amp and B&W 702 S2 speakers. I can audition these at my local hifi dealer. What CD player to accompany these? I'm not going for a turntable at the moment. I have 5 weeks to audition anything at my local shop before I move to the Shetland Islands and there's no hifi dealer there that I'm aware of so it's now or never. I'd sort of like to support Rega as their factory is about a mile from my current house but at these prices I'll go for the best fit for my ears.

  • Vguy72
    Joined:
    Also point out....

    ....that at concerts, they raise the stacks on cables for maximum efficiency.

  • icecrmcnkd
    Joined:
    Charlie, etc

    Point out to your wife that at concerts they don’t put the speakers on the floor, that would block the sound.

    My kitchen and living room are connected end-to-end, about 12 feet wide, so not a huge area to fill with sound. The speakers in the air project the sound into the kitchen perfectly, with the sweet spot from the front of the couch back to the island in the kitchen. Can also see the TV on the wall from the kitchen.
    It’s just me and my dog, so I can turn the volume up as loud as I want.

    I’ve had this new CD player for 2 weeks and have also been playing non-GD CD’s to see how they sound. The Cambridge Audio dealer that I got it from said that it needed about 100 hours of use to get broken in so I’ve been spinning CD’s instead of using my iBasso music player.
    Once the CD player is broken in I might then run it into the DAC via stereo RCA cables which I did at first, and it boosts the signal by about 20 dB according to having to turn down the volume, but I wanted to break it in sending the signal to the receiver.

    Spinning Rush - Exit Stage Left currently.
    This morning was Floyd - More and then Piper.
    I’m thinking next the Anthem of the Sun CD I bought in 1989, want to see if that sounds good or if it’s a victim of crappy 80’s mastering.

    The iBasso music players come with a burn-in adapter which simulates the electrical resistance of being plugged into a stereo system. You plug that in and put a show on loop and just let it run for about 50 hours, and then it’s supposed to be broken in.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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In reply to by Oroborous

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the elation for this and for hints at what else remains in the vault.

Just what the doc ordered!

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fans got their wish.
2 Dark Stars and plenty-o-pig.
Sounds good to me!
Cheers

Edit: Non-subscribers (Daverock?) better jump on this fast. Certainly one that will sell out in a day.
1300 Owsley reels in the vault did it say? A HUGE virtually untapped source.

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I like Owsley's technique. That'll do, Pig.

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just what I wanted. 2 shows from1969,. Thanks Dave, keep them comming.

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Dave - You had us at Pig. A real nice release, and Owsley sound, too! (Blushing)

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It took 8 years, but I finally guessed the right shows. Nevermind that I included the Boston Tea Party trio.

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I'll take this one, thank you very much!!

Oro, you either get primal or you get Pig. I'm very pleased with this one. Did not see that coming.

Woo-hoo!

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In reply to by That Mike

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Sweet release for DaP43!

"With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43."

just want to highlight ". . . some of the oldest and rarest of all recordings of the Dead including . . ."

pray tell what other mysteries are there in the banana boxes?? to be continued.

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In reply to by bluecrow

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I think Dave was worried about a riot.. we forced his hand on this one.

I'm looking much more forward to this than the box set. No offense meant.. but this looks sweet to me.

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Beyond stoked about this DaP. There doesn't seem to be a track listing yet, but given the description (not one but TWO 20-minute-plus Dark Stars, AND plenty of Pig?) this promises to be epic. Audio quality is likely to be outstanding, given that it was recorded by Bear and evidently stored in a banana box for 50+ years.

Wonder what else is in those banana boxes? Guys, if you find any blue tablets, you should probably forward them to me for safe disposal.

The MSG box? Not sure I need 17 discs worth of '80s, so I'll probably just go for the breakout set from 3/9/81. I have to admit, this release makes me a little sad, because it makes me think that now it's going to be years, maybe longer, before they do the Berkeley Greek 1980s box some of us have been longing for. Can't see 'em doing two venue-centric '80s boxes in close succession.

And just btw: don't get Covid, if you can help it. Went on a business trip (got to go to NOLA, at least), came home and got sick. Despite being vaxed and boosted, it was sucky week. Not the end of the world, but pretty sucky. I mention this in the hope that it'll encourage others to be vaxed and be careful: that fucking virus is still out there. Be well.

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Its so good to be wrong!!!!!! I thought for sure Dave would venture into the 80's the 60's are not the 80's. By the way I'm digging the gray hoodie, very understated.

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I had jumped off of the subscription bandwagon almost as soon as I got on, after the disappointing DaP31. This year I reluctantly hopped on again because I liked the Baltimore show and absolutely salivated over the Winterland ‘74 with bonus disk. I was resigned to getting a throwaway ‘80s show this time around. Nope. I am virtually in tears as I type this, and best of all I have no worries of this one selling out because it’s already been ordered. It’s a beautiful day.

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I haven't browsed Deadbase yet to see if these shows are listed or the setlists, which I imagine are similar to others from the era. I also wonder if having been stored in sealed boxes all these years if they are uncirculated? That's always a nice surprise.

I'm a lifetime subscriber since the beginning. Glad to see Dave mixing it up.

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In reply to by SPACEBROTHER

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The sound on the archive is good.. assuming Latvala took a little peeksy into the banana boxes and shared. I'd still like to take partial credit for guessing Dave's 43 would be sourced using returned reels from the late 60's. I think I posted something to that effect a week or two ago.

Very glad to see these shows come to light. They seem to be very special, at least to these ears.

Enjoy people.. This one goes out to Hendrix Freak.. if there's a more enthusiastic 60's and fall 1972 person out there.. I'd like to buy her/him a drink and shake their hand.

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Jim!!

That would be me. Strong coffee will do, looking forward to the handshake...........

Did anybody think my obsession was limited to 1971?!! OMFW!!!

The dice of Zeus always fall luckily.

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust......

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11/2 does not circulate, no set list
12/26 Circulates, Zephyr opened-acoustic set without Bill

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In reply to by wissinomingdeadhead

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not in Deadbase but SBD source of 11/2/69 is on relisten

not that i've heard it. includes a "classic suite" DS > SS > 11 > DDHNM

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In reply to by wissinomingdeadhead

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Strong Coffee I've got! Doc you are equally enthusiastic of the old stuff. Check your PM.

As for 11/2, it looks like a copy of this was seeded to the Archive back in 2004 and a more complete version appeared in 2009.. so someone had them. I'm going to head to the attic right now and see what's in all the banana boxes stashed in the corner.

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Who is the 4 fingered gal on the cover? Interesting that they did not go for a female skeleton.

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10 years 7 months
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This is great news Dave,its going to be well worth the wait, none of us are getting any younger,I'm looking forward to having this in my grubby little mitts in August.

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I'm a big fan of DaP 6 12/20/69 and 2/2/70 with 12/21/69 bonus disc with its two Dark Stars, DaP 30 1/2-3/70 with its great setlists capped off by that massive Dark Star> St Stephen> The Eleven> Lovelight, and DaP 10 12/12/69 and bonus from 12/11/69 scratches a similar itch, but I gravitate to the bonus disc for the whole Dark Star> St Stephen> The Eleven> Cumberland Blues, That's It For The Other One> Cosmic Charlie, because that's just fantastic. And now we add these two shows to that collection. Nonplussed on the box, but I reckon I'll likely get it sometime prior to release. The setlists are quite good, and only one Little Red Rooster.

Just listened to the Little Sadie and High Time in the Listening Party on my tablet speakers, and quite liked it. Jerry is in fine fettle.

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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

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I will take a GD sbd from the '60s ANY day of the week, and the Dallas show has long been one of my favorites. I'm VERY glad that it's being released and that 11-2 show is no slouch although I've never heard it complete and never in this kind of sound quality either. I'm very happy these shows were chosen, can't wait to get my hands (and ears) on them. Thanks once again to Dave, Dick, Bear and the whole GD family.

Jeffrey Norman works for the GD and also the OSF, which has been digitizing Bear's 1300 reels. OSF is about two-thirds done with digitizing so possibly ~400 reels to go. Probably that's what Norman was doing.

Meanwhile, only weeks to go until two unique '69 shows are in our hands.

I'll have to quiet down for a while about NINETY SIXTY-EIGHT, just because Dave gave us a nice dose of late '69.

Heh heh heh... we don't need any contests here, this whole crowd is foaming at the mouth for this release. Jim, you sure know how to get folks riled up. (What the hell are "banana boxes"?)

In fact, the good doctor and I had often discussed how early, short shows shouldn't stop Dave from putting two together to meet the DaP three-disc rule. Here we are.

A good shout out to all who made the past couple months on this forum worthwhile with good discussions of literatue and music. I only have about 7-8 books to read and tall stack of CDs to listen to, as a result.

And thanks to Dave L. for an inspired choice. (I'm getting the 3-9-81 show and leaving the box alone, but sure wish I can get my hands on 3-10-81 at some point...)

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Its about time, one worth opening.

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In reply to by TJPD2

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ask any supermarket for them, very sturdy, heavy duty cardboard, great for storage. Not entirely closed, usually an opening at top and bottom. Check recent shipments for tarantula hitchhikers. Shucks, no release listening party for the 60s bunch at Jim's bear battered beer caches?

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Oh myyyyy! I don't post very often here, but I've been watching the discussion/speculation on DP 43 for months. I figured DP43 would be 1980s for sure (hello, box set) and in that regards I was hoping for a 1985 release. I didn't dare hope for '68-'69. I'm glad to be wrong!

I've never heard either of these shows - super excited for this release. I keep various Fall '69 rips in my car - 10/25, Dick's Picks 16, the DaP 6 Bonus Disc - so it's going to be nice to change things up. This time I even went and bought an extra copy so that I can wow somebody who will only realize what they've missed out on when they are sitting in my passenger seat. That's ~$40 well-spent. @Dave thanks buddy, this kinda drop is what keeps me subscribing year after year.

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In reply to by Obeah

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totally awesome

Daves in a (banana) box

loooooove it

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Didn't know about the Dallas show. Double 1969 goodness - how sweet it is!

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What I have:
Cold Rain
Midnight Hour
Seasons (this song is unknown to me, a first)
Mama Tried
Next Time You See Me
Good Lovin'
Big Boss Man
Casey Jones
Dancin'
Dark Star>St. Stephen>The Eleven>Death Don't

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I have this one archived in my cassette collection. Saw many shows at this venue. Great acoustics.

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Just looked up the setlists for these and saw Dave for once way undersold the length of the two Dark Stars, one 30, the other 24! Nice. But how about I've Been All Around This World? Always loved it from hearing the Garcia Grisman version, so stoked to see it's on here wih Little Sadie. Such a treat to hear Jerry sing these in such a strong voice. Now to avoid listening to the whole shows for three more weeks...

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I know it makes me not a ‘head’
But no

Pig’s “white boy blues” makes wants me want to barf every time.
Hahaha i hear him open his mouth and it’s like I want to jump off a cliff

I hear somebody brag about a “half hour Lovelight” ?
Thanks, I know exactly what show to skip. 

Seriously no

ughhhh

We can all jam and no despite I hate it I’m not selling to at cost hahahah

There are people out there.

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17 years
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...deadhead but certainly a fool of high caliber. I agree with the Lovelights...sometimes, but damn take that tone and put it in the garbage where it belongs. The provenance alone of these tapes is enough to get my brain drooling and my ears lubed up.

Looks like they've reconnected the modem at the asylum. Nurse Ratchet must be on her first vacation in a few decades. 😬

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Member for

13 years
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For those of you wondering why artist Matt J. Adams included her, have a look at the cover of "Live/Dead".

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Member for

8 years 6 months
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…Oh Boy! 2 (two) “Primo” Primal Dead performances in one release (Pick)
“There’s Nothen left to do but Smile Smile Smile!” I’m as happy as a Pig in Mud! Lol ! 🤠
Have a grateful day my brothers and sisters.
there’s not a better feeling than having grateful fans dig’n The continuing Amazing Artworks involved year after year! Love it!
Take care folks , have a grateful day!
🙏❤️💀🌹

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