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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • Mr. Ones
    Joined:
    Shut My Mouth

    To my understanding, it's not the storms that are being caused by global warming. It's the frequency and intensity of the storms that global warming is affecting.

    Now, saw Nick Mason's Saucerful of Secrets show(I also saw the previous tour), and I'm surprised no one is talking about that. Great show, great band, fantastic song selection.

    Finally, time for a little Steppenwolf, since we're on the subject of bands that don't get much mention on here.

    Waiting for the Dave's 44 announcement. Should be about 3 1/2 weeks away.

  • PT Barnum
    Joined:
    wind and rain

    during my time in Florida, it was always just a little wind and rain, never experienced a full-on hurricane until Charley in 04, but for 30 plus years before that, they were just a slight annoyance. Based on personal experience, not going back to the beginning of recorded hurricane history, just my personal experience. I loved hurricane season until 04, always good to check the fields right after a storm. Back in 96 I think it was, there was a storm named "Jerry" that formed off the coast, floated into central florida, moved back out to sea, returned a few days later, that was a great week. enough of that ok, hunker down everyone in the path of this monster storm.
    Gary, Oro, you guys are true audiophiles, and I'm sure there are others here that I don't mean to fail to mention, I used to pour over audio books and visit audiophile shops back in the day, nothing better than good clean clear loud sound, especially Grateful Dead.

  • That Mike
    Joined:
    I just want to clarify, then…

    I just want to clarify, then I’ll drop it, as I wasn’t trying to set off alarms, I am just weary of “fear” being used to wage social change now. I wasn’t denying climate change. Way too much irrefutable evidence supporting it, and as a great believer in science, I support it. However, I find every dramatic event - climate, economic, Covid - is gaining oxygen from fear. Every outcome is predicated on fear.

    Sometimes it’s hot out just because it is. I went for probably my 20th MRI last evening, and the nurse was debating if I should wear a mask, for fear of….infecting myself in a chamber the size of a coffin!?!? Fear has gotten out of hand, was my only point. Not going politics at all, I should have articulated my thoughts better.
    I do sincerely wish Floridians to stay safe.

  • Charlie3
    Joined:
    Well...

    ... the hurricane that hit Galveston in 1900 was a Category 4 and was, and may still be, the deadliest weather disaster in US history, with 8000 dead. So, a little more than just a little wind, a little rain even back in 1900. There are a number of other historic hurricanes over the last hundred years that were devastating as well, the National Hurricane Center of NOAA has a list of some of the most notable.

    If you look at the records of frequency of hurricanes and tropical storms it is not entirely clear that the frequency or intensity has actually increased since the 1800s, and the effort to determine the historic frequency of these storms is complicated by the fact that our monitoring has improved so that many hurricanes that don't make landfall were likely not observed or recorded prior to our more modern monitoring abilities. Thus, our improved monitoring abilities means that we detect, observe, and record hurricanes that don't make landfall and would have likely been missed in the historic record, thereby causing an increase in the number of observed hurricanes, while leaving open the possibility that the increase is not a reflection of an actual increase in the total number of storms.

    National Hurricane Center data indicates that the decade 1941-1950 has the highest number of hurricanes that made landfall in the US at 24 total and 10 major hurricanes (Saffir-Simpson category 3 or higher) that made landfall that decade. The tie for runner up decade goes to the decades 2001-2010 and 2011-2020 which both had 19 total hurricanes that made landfall, with 2001-2010 having 7 storms listed as category 3 or higher, and 2011-2020 having 6 storms listed as category 3 or higher. The hurricane landfall data also indicates that "Before the Gulf of Mexico and Atlantic coasts became settled, hurricanes may have been underestimated in their intensity or missed completely for small-sized systems (i.e., 2004's Hurricane Charley)." The reported storm intensity does not appear to be significantly different in these decades, but of course, I haven't run a statistical analysis, just a quick comparison of reported storm intensities from NOAA resources. Of course, even within the resources provided by NOAA you can find some variation in reported storm strength, for example, the categorization of storm strength in the "US Hurricane Strikes by Decade" table on the National Hurricane Center page appears slightly different compared to the "US Hurricane Impact / Landfalls" table provided by the Hurricane Research Division, so this is just a quick review of some of the readily available data from NOAA.

    I suppose you could call this "climate change denial", but I prefer to think of it as a simple review of the hurricane data readily available from NOAA. You can draw your own conclusions from the data, or head on over to NOAA and do a deeper dive in the data. But hurricanes were always more than a little wind and a little rain.

  • Gary Farseer
    Joined:
    Will It Go Round In Circles / MyAudioAddiction

    It's been about a year since the discussions of stereos and such. There was also a discussion at that time about HDCD.

    On HDCD, I remember SimonRob posting that all he knows is that a light comes on. Last year at this time an old trusted cd/dvd crapped out. As y'all were talking about HDCD, I started looking for a HDCD player. I stumbled on to an old Denon cd/dvd player with HDCD compatibility. I bought the unit on ebay and with tax and shipping, it was only $90 (no remote). Well, I have a blackweb universal remote and the remote is programmable with the Denon unit. This unit arrived around October 5th or so last year. So as it was anniversary time for the Warlocks, that was the first concerts I played thru the Denon. Immediately, I found the sound enhancement was very noticeable. With HDCD, most of the expansion is in the mid to upper frequencies, which expanded the soundstage and headroom of the disks. I fell instantly in love and thank Dead.net for continuing to master in HDCD.

    I also discussed before I bought the Denon, my own stereo which I am extremely happy with. Again, 6 JBL speakers running through a large Yamaha Natural Sound Amp, with the sub frequency cross-over set at 82 Hz. The 82 Hertz cross-over is almost identical to what George Lucas had for his THX movie theater certifications. I assume most know that a cross-over is not a fixed point as there are frequencies above 82Hz the sub powers, and below 82 Hz that the Yamaha powers. However, when you cut off or cross-over the sub unit, you remove a lot or most of the work done by the Yamaha amp, which frees up the Yamaha to produce even more crystal clear frequencies as the Yamaha has been freed from trying to push the JBL's for the low end. This means much cleaner reproduction.

    I post this because I just finished re foaming the woofer surrounds on the JBL 10" woofers. They sound great now, no slight buzz or anything. It was well worth the effort. I used My Audio Addiction to acquire the re foam 10" surrounds. They may be the biggest retail provider of speaker parts kits. It is there name, all one string, at .kom. They also have tutorials on youtube, and also will fix them for you (much more than just foam surrounds), if you ship them to Audio Addiction.

    As an aside, I have pondered replacing the JBL 10" woofers with a set of old Pyle Driver woofers that I have had for 35+ years, but haven't used in about a decade. The Pyle Driver's magnets are enormous. I mentioned this to a bass player friend of mine, he only said, "You have to be careful as JBL tuned those speakers with their woofers, and a larger magnet might throw some things out of balance." Not sure about that, may still do it at some point, but adding the 12" powered subwoofer by svsound changed everything. The amp inside the svs sub is a class D power amp. From what I can tell, most large P.A. systems are now moving to powered speaker systems with class D power built in. I think it makes configuring a system (like Meyer and Featherstone (?)) did with the FTW shows.

    Any way, way too much, will post and edit.

    Hope all are ready for In and Out of the Garden (Burger). I know I am, but will still listen to 43 one more time this weekend before I break out that box.

    G

    So first edit done, still needs work.

  • Angry Jack Straw
    Joined:
    Sabres

    I might be in the minority here, but I hate those old black and red jerseys. The logo too. It reminds me of Trump's hairdoo. And that was not a political statement.

    It also conjures up memories of Brett Hull's goal. I don't like that either.

    I love floor standing speakers and more importantly the sound they throw off. Maybe I am old school as well, but I do get a certain satisfaction when I walk into the basement and see how their presence almost dominates the room. I own Klipsch and have for years. I have often considered "upgrading", but I am not sure how much more benefit I would derive or what would be the best brand. The other concern is that if I did upgrade, should I go the full route and purchase separate components and upgrade my receiver as well? Thoughts are welcomed.

    Two things I have learned listening to the GD channel over the past few weeks:

    - The meaning of syncopation and why it is important. I have no musical aptitude.

    - That I prefer my Grateful Dead with a single drummer and a grand piano. And I am proud to admit that.

    Yes. Pets are the best.

    Be safe Floridians.

  • Crow Told Me
    Joined:
    Throwing Stones

    I wish we could stay off politics in this space.

  • PT Barnum
    Joined:
    this thread just jumps all over the place...and I love it

    from the Good Old Grateful Dead to killer speakers and audio set ups to hockey to football to pets to...climate change denial?
    I also own a pair of B&W's and they are just the cat's meow. They pair excellently with my Altec Lansing 890 bookshelf speakers. I have seen jbl's blow, no fire, but definitely a meltdown, they sound good but are very delicate, a close friend had a pair suspended from his ceiling, not the best but ok.
    Sorry for your loss, pets are the hardest things to lose, sometimes harder than a human. People can let you down, your pet, never.
    To all you folks who live in Florida, take my word for it, you don't want to mess around with hurricanes. I survived hurricane Charley in 04, it hit with 145 mph winds, took out the power as it hit Orlando, you could see power transformers blowing up all over the place, blue flashes in the black night. The eye wall approached and hit, the 40 ft pine trees in my backyard snapped off at about 12 ft above the ground, all of them, crashing down all around us, just missing my house but taking out my neighbors right next door. The wind blew so hard, it sounded just like a train, very loud. As it passed, the eye went over, it was clear, calm and you could see stars, then the other side hit, the wind going in the complete opposite direction, finishing off the rest of the trees. Charley was moving at 25 mph and it was over in 40 mins, but the damage was done, no power for 9 days, 103 degrees in my house with no breeze. Had to go to work anyway, had to take cold showers in the dark, had to drive all over the city to find ice to keep some things cool. We left Florida 4 years later. This storm is moving at 5 mph, this will last days and the damage will be bad.
    Living in Florida for over 30 years I saw it change from a beautiful, clean paradise to a used up tourist trap. They have been doing studies in Tampa for years about salt water encroachment of the aquifer that provides the drinking water to most of the state, it has increased dramatically in recent years. Now they are having trouble with the saltwater encroaching upon the underground utilities, drain systems, etc as some days, during high tide, the water will come out of the storm drains, and spill out into the street, this is all from rising sea levels that are increasing yearly. Global warming has caused this, and it has also had an effect on the intensity of hurricanes. For 30 years, hurricanes meant "a little wind, a little rain" those days are over. Hurricanes are now more frequent and more powerful due to warming of the atmosphere. Look it up.

  • That Mike
    Joined:
    Hunker down Florida, as this…

    Hunker down Florida, as this monster Ian approaches. Be safe. As for those that hit the climate change panic button with every catastrophe, know that these hurricanes have been around at least as long as Europeans have travelled the Seven Seas. There are no reliable written records of Indigenous peoples prior to these times to confirm (although oral history is quite prevalent among First Nations peoples the world over), but the belief is many of the natural weather phenomenon have always existed time immemorial. In fact, the first recorded history of the word “hurricane” was 1555, long before the Industrial Revolution. Sometimes truth matters.

    Roger Waters - hard pass. Major dick.

  • Oroborous
    Joined:
    Hartford for Donuts

    We did that Vguy. Early eighties Wild Bill or some such character said there were shows in Harshford. With no internet etc we didn’t know, someone said there was a show so we just decided to go. Needless to say when we got there it was aaaaa, surprise! But hey, it wasn’t all bad, we got a big box of donuts and enjoyed the ride lol

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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and I'm glad that ebay profiters are not buying all the Dave's up so that they can sell them for double the cost on ebay. What, in my opinion, is bad is that ebay used to be like an online garage sale, a place where anyone, and I mean anyone, could go and sell some things and make a few extra bucks on the side and get rid of some stuff that they did not want anymore. Now, that simple practice is being closely regulated by the federal government.
Now I know that a five year old may not know that having the federal government regulating everything is a bad thing, but you would think that if one is reading these posts, they would know that most people don't want the federal government in their business.
So if someone gets to make a buck without paying taxes on that perceived profit, as a working schmuck as someone put it, they would be against it? wow
What's next? perceived profit made from garage sales? so much for free enterprise
This is so wrong it's not funny, the rich pay nothing in taxes, avoid as much as they can, and yet, the federal government goes after free enterprise and profit off of anyone's old stuff that they might sell on ebay.
Now do you see how this might be conceived as a move in the wrong direction?
I'm the tax man
yeah, yeah, I'm the tax man
don't ask me what I want it for
if you don't want to pay some more

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Glad to see it, despite avaricious secondary sellers, we are the market for Rhino/WMG. It's a matter of when not if, a 60s box might have been pushed further off if this did not sell out quickly. I grew up with a lot of music around, all early dead vinyl, starting 1967, in the library a few feet away. This first era will always be most sweet spot. This release whets our appetite for more, it is there. From Dave's seasides, the next box is known within and the one after is on a short list if not in early production, let it be 60s. We are truly fortunate to have such a treasure trove between commercial releases and the various archives. Will a 60s box sell better now or years from now when more of us dinosaurs are deaf or passed.

Nick1234, I love it. The hottest point of the year in the hottest year and you are talkin' scotch, a winter tipple for me. Would never challenge anything on that list, Islay-centric though it be, other than to add a few. How amazing is it that some of the best Islay is made within a mile of so of each other in the SW, Laphroaig, Lagavulin and Ardbeg. One could walk between them easily, but maybe not for long. I have not sampled the two newest producers but have been fortunate to sip a couple of rare Port Ellens. The only distillery on Jura next door makes an excellent one when aged. Jura is where the deer way outnumber the locals and George Orwell wrote 1984. The Lagavulin Offerman tempted me, ageing in Guinness casks sounded a bit weird but its quite good. Also Laphroaig Cairdeas, Glenmorangie Nectar d'Or and Aberlour A'bunadh.

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Turns out I hear folks quoting Anthony Hopkins from Legends of the Fall regularly;)

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Aberlour A'bunadh is something special but the days when it was £25 a bottle are long gone. Yes, I tend towards Islay and Highland whiskies, Speyside doesn't normally do it for me. I had a couple of bottles of 13 year old cask strength Caol Ila from Cask 88 last Christmas and ooh that was good. I'm also an appalling tea snob.

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2 years 10 months
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I bet they put together two shows from Owsley's banana boxes, 1968 or 1969, and if you don't subscribe you will only get one show. I better subscribe next year.

BTK - yes, that's the risk in not subscribing - the off chance that they do something like that ! Buying all the dodgy ones so you don't miss the one good disc.

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15 years 8 months
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I am a little late chiming in on this pick, but this is outstanding. I was fully expecting another 83 or 84 show and to be getting two full 1969 shows! I cannot wait to hear these shows.

Vguy, Hendrix Freak, Crow, I am hitting the TTB and Los Lobos show in Aurora, IL next week-- I will let you know how it goes, but I expect it to be a stellar show. This will be the first show I hit with my wife since Steely Dan in 2009, while also meeting my best bud from WI and his wife. I am really looking forward to it. Thoughts on the TTB releases "I Am the Moon?" I find much of it a bit down for my tastes, but that closing track from the first part-- Pacquio-- is a fantastic Allman-style jam.

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17 years 2 months

In reply to by estimated-eyes

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....I personally think it's outstanding and looking forward to my first pilgrimage to Red Rocks.

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7 years 7 months
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"A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault."

Both of these soundboards have been available on archive.org for many years. So what is Dave talking about, saying the boxes were sealed and undisturbed for decades? Are Bear's tapes an alternative source from the circulating recordings? I guess that isn't something the label wouldn't want him to mention here or in the video.

Anyway, here's hoping those boxes contain soundboards from July 1970 Fillmore East and November 1970 Capitol Theater. Of course there's no way, but one can dream.

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13 years 10 months

In reply to by simonrob

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Thanks for the Gram tips! I already have "LIVE AT THE AVALON BALLROOM 1969, but was not aware of Desolate Angels live. Just ordered it, looking forward to more Emmy Lou harmonies.

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In reply to by Pigpen Lives

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I also noticed these shows circulate in good quality.. I assume we can think Senor Latvala for that. As for anything after Feb 1970, New Orleans.. unless it was performed in California, Bear would not have been there to hit record as the long arm of the law revoked his travel privileges. This continued until they began recording in earnest again in 71 with just a few exceptions, mostly in New York where the house made their own tapes.

...but I like the way think.

Dodgy shows? Sacrilege. :D

One edit, Unless I am missing something, the setlists or CD song list has not been disclosed, which does give some hope that there is some uncirculated material here. Probably nothing, but well, we can hope!

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The Dead played a number of shows in California in 1970, that look like they would make killer releases. They did runs at the Fillmore West,, Family Dog and the Euphoria Ballroom , hopefully they are all in that banana box of Owsleys.

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12 years

In reply to by billy the kiddd

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Bear was not arrested again until July 15 at his home in Oakland between the two Euphoria shows. So those June FW shows could be in those banana boxes. I'm curious?

Anyone know how Bear was able to record the February FE shows? His bail was revoked in NOLA, so he would have had to been released. So was he arrested again in July for being in NYC in February?
It gets quite confusing

I am Grateful.

Sam

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54 years ago on July 18th 1968, Anthem of the Sun was released. Anthem of the Sun & Workingman's Dead, my two favorite Grateful Dead albums. I love the expanded version of Anthem, with the Alligator from the Shrine Auditorium included.

...and without realising it's birthday, Anthem was the last album I played about three hours ago. I agree - it's an incredible album. Best psychedelic album to come out of the States. Or anywhere probably.

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I love love love Anthem. One of the top 3-4 GD albums ever, IMO, and certainly one of the trippiest.

That's when they were really on the cutting edge, making a record that didn't sound like ANYthing ANYbody had ever done before. This is an album for heads, and a giant "FU" to the record company, which wanted short marketable tracks they could get on the radio, not side-long psychedelic suites that were "mixed for the hallucinations," as Garcia said. I've never gotten tired of it. In fact I've been listening to it a lot in recent months, trying to put together a longish essay about it. No idea where I might publish such a thing, maybe just put it on the web somewhere, I guess. I'll let yall know if I do.

Last five:

Herbie Hancock: Crossings (unbelievably and extremely psychedelic record from HH's incredible and incredibly under-rated Mwandishi band)

TTB: Ascension (second installment of their four-part I Am The Moon project, and like the first, it's solid from front to back with a couple instant classics, can't wait to hear this stuff live very soon.)

GOGD: Road Trips Vol 3 No 3 (Pulled this one out because I couldn't stand the anticipation waiting for DaP 43, and I realized this was pretty similar, from a couple months later, with opening acoustic sets, the Live/Dead suite, lotsa Pig. It's fucking great, obviously.)

King Crimson: Washington 2021 (been binging on KC lately, the latest incarnation is just so good live)

Art Blakey and the Jazz Messengers: Mosiac (one of their very best Blue Notes, Freddie Hubbard is on fucking fire)

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8 years 10 months

In reply to by Crow Told Me

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A good documentary about making those albums.
I got it on DVD a while back for dirt cheap.

Anthem was the first GD CD I bought, but had to make a tape copy on a friend’s stereo so that I could listen to it in my car tape deck. It’s my favorite ‘studio’ album, followed by Blues For Allah, which happens to be the second GD CD I bought.

Ok Gnarlywood, let’s get those DaP43’s shipping….

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In reply to by SAMTHARDMAN

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I'll try looking into that. By May, when they were back in NY. .the May 15th Road Trips was recorded by Bob Mathews.

Dicks Picks 4, Valentines day was essentially 2 weeks after the New Orleans bust and Bear did record that. He also recorded the tracks on Dave's Picks vol 5 from Feb 2, 1970. But those are the last shows he recorded outside California that year so far as I can tell. It's possible he had not gone to court or had any formal travel declarations placed on him by then. I'm not sure. ..but after 2/14/70.. that was it outside CA until his release from prison.

So sad.. but that's a piece of history and man are we lucky he decided to record the band in as high fidelity as he could with the equipment he was able to cobble together at the time.

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In reply to by JimInMD

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First time I heard it was new years 82-83 on the Rose Parade route. I loved it immediately.

Ship of Fools was in a dream last night, so I listened to Mars Hotel today while doing some paperwork. A tasty little sucker, I tell ya.

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In reply to by JimInMD

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Jim,

I have been thinking about that all day. After his arrest, he surely new he might be incarcerated or put under home state arrest. What incredible forsight to encourage Pigpen (and Pig to agree) to play the accoustic numbers alone, and then with Jer and Bobby on those Valentine week shows. In my opinion, that February FE 70' run was the Dead at it's very best; probably, only equaled by the 69' FW shows. However, the FW shows were done to produce a live album (live/Dead) and the setlist varied little as perfection was attempted to be obtained. I think the 69' FW run is analogous to playing at a symphony and the Feb. 70' FE shows are more like performing in the most kick ass roadhouse! We are blessed!

Sam

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In reply to by proudfoot

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I can remember taking mushrooms once, about 1978, and going into Oldham, to see two bands-Here and Now supported by The Fall. The atmosphere in the club didn't seem quite right though, so I decided to walk round town for a bit. Then I set off on the 7 mile walk home, with my thumb out, to hitch a ride. After a while, a small car pulled up with an extremely jolly vicar sitting inside it. He gave me a lift home while asking me questions about whether I believed in God or not.
Back home, my parents were both asleep, so I put on Anthem and listened on my headphones. At the climactic moment of Jerry's solo on side two, the needle got stuck in the groove and the same phrase kept going round and round. Strange what you remember.

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I came home from a Grateful Dead show in December of 1979, at the Oakland Auditorium ; I went to bed and put on Anthem of the Sun with head phones, and as it was playing , I heard the color purple. Daverock, that is a very funny story, I can just see you driving along with that religious man, trying to keep it together when he started yaking about God.

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9 years 10 months

In reply to by Oroborous

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Hilarious! But I prefer Sgt Schultz’s creed about seeing nothing!!!

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10 years 8 months
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Had longer commutes this week, so quite a bit of listening got done, today I did the bonus disc 7/29-30/66 that was part of the 50th anniversary edition of Grateful Dead, and they were playing fast versions of those songs, as well as the really obscure stuff I wish they'd force Bob, Bill, and Phil to listen to at some point, and maybe revive Cardboard Cowboy. Bob's guitar totally absent from the mix, but surprisingly good bass in parts. Pig's organ overshadows all. And not necessarily in a good way, though he's not that bad at all. Viola Lee was pretty good, It's All Over Now, Baby Blue may be my favorite part of the shows.

Listening to Golden Road on the album, I wonder how it wasn't a Touch of Grey type hit in 1967. Seems like it fits in enough, but is also ahead of its time enough that it would have pushed things a bit further. Jerry's solo and tone rival anything Messrs. Beck, Page, Clapton, and Hendrix had put down on their respective first albums. I skipped most of the rest for Phil's 1971 mix of Anthem. New Potato is cued up on deck for the next journey.

Gonna line up the 1969 official releases for my next bit to get ready for late '69 Dead coming down the pike. And 2 Dark Stars, taboot, taboot!

....Brent's last show was on this date. Keith Godchaux died on this date. My son was born on this date.
Ups and downs.

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In reply to by Vguy72

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Have a lil' snack
Go to Seattle Art Fair
Captain Beefheart followed by Anthem of the Sun on headphones

:)))

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I love Garcia's lead out of Alligator, ("First there is a Mountain"), it never fails.

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In reply to by billy the kiddd

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I dig that

Something new popped up as I was walking along

Fire in the City
John Hendricks with the Warlocks as backing band
I had no idea it exists

Wow

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In reply to by billy the kiddd

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That is miraculous - the highlight of the album for me. Also maybe the best example of the two drummers playing together at their primal peak. The sound of colours exploding.

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I believe it was released as part of the Golden Road Box Set, I could be wrong, I'm prety sure Rhino released it on something. My brother has the 45 of it.

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Wondering if you cats are making TTB next weekend and, if so, whether you have a spare tic for either night or both.

Everyone else: sorry to be blatantly ticket-mongering on our forum, but I gotta do what I gotta do.

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Okay now I'll be adding Anthem of the Sun to the vinyl stack I'll be listening to tonight. Playlist, in no particular order, looks like this so far:

Donald Fagan - The Nightfly
Iron & Wine/Calexico - Years to Burn
Talking Heads - Speaking in Tongues
Men at Work- Business as Usual (pulled from the basement this afternoon a freshly cleaned)
Grateful Dead - Anthem of the Sun

That should do it!

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I'm really glad they released the original 68 mix on the 50th anniversary version. I gave that a recent listen.

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I always thought the original mix of both Anthem and Aoxomoxoa , were way better then the remixed versions. Never cared for the remixed versions, compared to the original versions.

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I haven't been around here in quite awhile. Nice to see all these familiar names, and arguments :)

This pandemic made me really sick of internetting for awhile there. Mrs Deadguy seems content playing Words With Friends and watching dogs do funny things for hours on end. I guess I needed something more.

I've spent a lot of time organizing my digital music library. Instead of just one giant directory of Artists and Albums, I've got it all grouped into genre's, sub-genre's, playlists. I've got a folder called "Stuff I dont know what to do with yet." I've got another called "Stuff I can probably delete when this hard drive fills up."

I've been branching out a little more with my listening. I probably listen to 1 or 2 Dead shows a week now, down from 3-5 at my pre COVID peak. Been getting more into the " jamgrass" scene . . . Billy Strings, Greensky Bluegrass, Yonder Mountain String Band. And lots of jazz, as always. My local Jazz Festival was back this year after being virtual only last year and canceled outright in 2020. OhMyGawd that was just my soul needed. I'm still a little sketchy about seeing shows indoors, but I'm trying to maximize the outdoor events while I can.

Last 5 -- Dead Edition
5) 5/25/72
4) 5/26/72

I always like to play the "follow the calendar" game with my Dead shows, and with all the hype I decided to go with only E72 shows between April 7 and May 26. Which bled over well into June because why not?

3) 6-14-91 View From the Vault II DVD version
Mrs Deadguy went out of town for a night with her Mom amd sister. I took FULL advantage of the situation. ;) Work the next day SUCKED

4) 7-12-87 Giants Stadium Box
TBH I thought this one was kind of meh. The 89 and 91 sets are way better.

5) 7-19-74 Daves Picks 17.
This was the first Daves Picks I ever got. I dont think I'd listened it since back when it was new. It still rocks. The closing sequence, from He's Gone until the end . . . WOW. Maybe the best jam sequence ever without a Dark Star or Other One.

Last 5 - Not Dead Edition
5) Christina Vale - Make Myself Me Again
Ms. Vale is a really good bluesy-folksy singer-songwriter- slide player from Nashville. I found her on Bandcamp. The title track is my daily mantra for 2022.

4) Bubblemath -- Edit Peptide.
Another Bandcamp discovery. These guys are wild. Thet call it "math rock". Its like prog rock, sorta, but goofy and self-consciously ironic like early Phish. Cool stuff.

3) Sun Ra - Ellingtonia Vol. 1. A comp of Sun Ra performing Ellington tunes. Which is sort of like Jim Morrison singing Beatles songs. Good stuff but some of the recordings are a little rough. If only Bear could have hooked up with Sun Ra at some point.

2) Dire Wolves -- Grow Towards The Light.
Dead adjacent psychedelic folk replete with medieval style chanting. Very cool, and HIGH-ly recommended for my Dead Head compadres.

1) Elvin Jones -- The Complete Blue Note Recordings.
This has been pumping through the ole headphones since I started writing this post. Top tier Blue Note from the best jazz drummer ever.

This new Dave's Pick looks friggin awesome.

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. . . is included on "Birth Of The Dead" (The Hendricks Sessions), and on "Complete Studio Rarities 1965-1987". Yup! That's Jerry!

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Looked up the show that one of this week's Tapers section highlights.
10-3-80 Third set electric.
Haven't done the research but 15 acoustic sets in that Warfield run
and all I have is the For The Faithful and Reckoning releases.
Must have missed the RSD Warfield LPs.
Seems like there is a lot of acoustic still unreleased?
Or are there Dick's and Dave's that cover this territory?
Cheers

Edit: Check out Gregor's story about passing out literal pounds of weed at the Folsum '72 show just posted today. Priceless and legendary!

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That Grow Towards the Light album by Dire Wolves is fantastic. I picked that up a couple years ago just on the basis that I dug the trippy album cover, really paid off, cool trippy jams from start to finish.

Last few Grateful Dead -
Shakedown Street - that album always does it for me, just has a fun, summer vibe to it in my mind.
Dave's Picks 28 - June 17, 1976
Dave's Picks 2014 Bonus Disc, 12/11/69 - still my favorite bonus disc

Last 5 everything else
Tame Impala - Lonerism, an album so nice I listened twice. The track Mind Mischief in particular does it for me, the official video available on utoob has a cool trippy video to go along with it.
Black Angels - Phosphene Dream, that album really hits the spot sometimes.
Chuck Berry - Definitive Collection, can't go wrong with an hour or so of Chuck, tunes Nadine and Maybellene always do it for me.
King Gizzard & the Lizard Wizard - Quarters, some cool psychedelic stuff, picked it up recently.
Funkadelic - Maggot Brain, cool album with 10 minutes of auditory bliss provided by Eddie Hazel on the title track.

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Unfortunately, a lot of those Warfield 80 tapes were apparently erased,or taped.over.

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35 years ago today ( not to long ago) I was up in Oakland, to see the Dead & Dylan put on a great show. The Dead really tore it
up, I believe the show has been released on dvd. I had never seen
Dylan before, so that was really cool. Of course the highlight of the night, was when Garcia sat down at the pedal steel and backed Dylan on "I'll be your Baby Tonight". , that alone was worth the price of admission.

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I have a hard time believing they would erase or tape over the master tapes; if true, what were they thinking??
For years, there were rumors that the Beach Boys' Smile sessions were taped over, which turned out to be untrue.

Last 5:
Budgie: Never Turn Your Back on a Friend
Budgie: In for the Kill!
Budgie: Bandolier
Judy Henske & Jerry Yester: Farewell Aldebaran
Flying Burrito Bros: Flying Burrito Brothers 1971 LP

Like many others, I can't wait for this release...but how long will it be before another 68-70 is issued? We now know you have the tapes Dave L. & TPTB...don't make us start rumors of a 'Banana Box Conspiracy' lol.

Last listens:

1. Art Blakey & The Jazz Messengers - Moanin'
2. Joni Mitchell - Hissing Of Summer Lawns
3. Joni Mitchell - Hejira
4. Joni Mitchell - Don Juan's Reckless Daughter
5. Poco - Pickin' Up The Pieces
6. Poco - 2nd S/T
7. Poco - Deliverin'
8. Trio Of Doom - S/T. John McLaughlin, Jaco Pastorius & Tony Williams...what couldn't they have done?

Hope all are well.

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