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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #281
    PT Barnum
    Joined:
    Doc

    I was concerned, glad to hear you are well. Southwest of you I'm concerned, I still have friends in central florida, my mother lives down there (93 yrs old) but also dodged the main bullet, waiting for others to contact me. Mini vay kay play dead

  • #282
    dmcvt
    Joined:
    thanks, Doc

    Good to hear you and yours safe and sound. Thoughts go out to FL friends (so far, all good) and all who were so near the path. Almost at 1972 here, streaming the early December 1971 run at mini-MSG Felt Forum. A gloriously bright sunny Vermont day, fall foliage coming on, first frost tonight. Will pull the last peppers, tomatoes and basil out now.

  • #283
    1stshow70878
    Joined:
    Oro Approved

    Love it! The Ess Amt-4 is a two-way with the slightly smaller Heil Air Motion Transformer and a 10" woofer rated 20W to 250W. They are 4 ohm, 45hz-24Khz, with the x-over at 1000hz, and called the sleeper in their killer line up from BITD. The best thing they have going is that Amt which delivers clear beautiful highs and solid mids in all directions from an open top design. Easy placement that way too. Look up their big boys, ESS Amt-1s and their Towers (I forget the number), well respected and still fetch four figure prices as parts units which tells you a lot. The Amt itself is indestructible and lifetime warranted. Mine had a solid pure pulp cone on that 10" which I have had to replace with a set of Misco, made in Minneapolis, Oaktron 10" from their Heritage line made to replace the similar stuff in all the brands from BITD. Same pure pulp cone and big voice coils and magnets but in a stamped steel frame just like the originals. Spec at 16-4000hz and 92 db efficiency.
    Got the ESSs cheap when almost new in 1977 from a college roomy who couldn't manage to get them back home to Cincy without a car. But then when the cat put a hole in one of the woofers in the 90s I replaced the originals with what I thought would be an upgrade but I screwed up. Bought subs that were 8-ohms by Pyramid, Super Pro Super Blue, made by Eminence in US ( Kentucky?) famous for their instrument speakers for bass and guitar. Great deal from a car audio shop going out of business and they took my torn ones in trade as well. As you know, that 8-ohm mistake changed the x-over to 2000hz and I traded off some midrange for killer, punchy bottom end which I thought at the time was good. Found out about five years ago that I screwed up and got the Miscos for about what I sold the now valuable subs for. Fit like a glove which no one who tried that swap with the only available 10" direct from ESS could do as all they sold was the big boy 10" from other higher models with a cast aluminum frame that required sawing into your cabinets just to make it fit. Found that out on Audio Karma luckily from others trying to do the same replacement on their various ESS. A couple of those guys used Dayton woofers to good effect but I went with Misco as their specs were a perfect match to original, hence original sound. Was not going to try to mess with upgrading as I might have had to upgrade the x-over too and taking a saw to the cabinets was out of the question. SO, long story longer, I got my midrange back and Phil bombs sound better than ever! Not bad for a novice hack job since I have zero skills with electricity or carpentry. Not even interested in a sub really. Pretty small living room and I want to keep peace in the neighborhood. Anytime you upgrade there is a leap of faith that the money you're spending will get the result you're after so I got lucky in all this I'd say. Some with a little more dinero are switching stuff all the time but you don't know unless you go. I certainly was OK with all my 70s stuff but you get used to your sound and don't realize how much better it can be until you go there. Thanks Oro.
    Cheers

  • #284
    daverock
    Joined:
    Doc

    I wish your last statement was true - but I suspect that the selfish behaviour of the powerful will have long lasting negative consequences for years to come.

  • #285
    Forensicdoceleven
    Joined:
    Most anyplace one lives is essentially dangerous......

    For all those who asked, or were concerned...............

    The Gillespie household is doing fine. So far, we've only lost power for about 45 minutes, but it's back on now. We've only caught the "tropical storm" part of Ian, but I have heard that potentially, this may be the deadliest hurricane to ever hit Florida. We now live in Green Cove Springs, about 30 miles southeast of Jax, safely away from the beach, the St John's River, and Black Creek. We're in a newish house, on high ground, have lots of food and water, and have an excellent generator. The St Augustine area is getting badly flooded........

    The strongest hurricane to ever hit Florida was the Labor Day hurricane of 1935, sustained winds of 180+ mph when it hit. There is a lovely--and moving----monument in the Keys to the hundreds who lost their lives in that storm. I've visited that site many many times while I lived down there. The deadliest? Probably the same hurricane, the exact toll is unknown, but probably in the hundreds.......

    For Matthew, we evacuated. For Irma, we hunkered down and rode out the storm. For a hurricane, either get out early, or be prepared to ride it out. I reassured my wife, "No matter what comes, we'll ride it out together".

    Out of an abundance of caution, my office is closed today and tomorrow, and I don't work this weekend. A "mini-vacation" of sorts. Now that the power is back, I'm actually busy spreading 1972 Lyceum shows around. Some things never change, hurricane be damned!!

    Here we dodged a bullet, yet I pray for those in harm's way on the Gulf coast...............

    Stay safe, and rock on,

    Doc
    What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal......

  • #286
    Oroborous
    Joined:
    Well said 1stshow

    Don’t think I’ve heard of the ESS Amt 4s, looked them up, interesting, do you use a sub with them?
    And you refreshed my memory about adcom so I looked into that brand a little too.
    Interesting video comparing Adcom and NAD to contemporary Schiit audio.

    Almost bought a Schiit Yggdrasil DAC before I got my Meitner. For like 22-23 hundred bucks they sound as good as many DACs costing many thousands more! Schiit makes simple but value friendly great sounding products, or at least the ones I’ve heard.
    But yeah, NAD and Adcom, same idea, BITD budget friendly but great sounding gear. Sounds like a sweet little system!

    Hybrid stuff. I’ve heard some sweet sounding hybrid stuff at audio shows.
    Of course Jer Bear had a hybrid system utilizing a Fender Twin Tube amp for his pre and a SS MC2300 power amp and we all know how great that sounded and perhaps why he never changed his backend!
    I would say if your going to try hybrid go tube pre and SS power…
    My best recollection was with my buddy who started YFS and built my custom Ref 3 server: had an amazing sounding system one year at RMAF using YFS server, Meitner DAC, Custom made fully analog pre (tube?) biamped with one of the best sounding MC 275 tube amps on the highs, and a 200 per McIntosh solid state amp on the lows (don’t recall the model), powering some Von Schweikert audio stand speakers. I thought the sound and imaging of this system, even in the shitty little hotel room sounded as good or better than much bigger and expensive systems there that year.
    Just can’t describe what a big clean sound this relatively small system produced! Of course for the price of the system it should! Lol.

    I think it’s like everything else: trial and error and if it’s done right it can be a plus!
    I’ve never had tube stereo gear, but I’ve heard some great stuff, but that particular MC 275 that my buddies dad (some kind of engineer/scientist) restored and modified, is perhaps the best tube amp I’ve ever had the pleasure to hear. His dad is the one who built the custom line stage too. Ya know, let’s design and build a one of a kind killer audiophile unit just for something to do lol. They build their own bike frames too!
    So to me it’s like all this stuff, tube versus SS, analog versus digital etc, there’s not just one thing that’s best or better, if it’s done right, and you get the right synergy for your room etc, I’ve heard systems of all kinds that were amazing!

    Just a thought, yeah tube amps can be great for instruments for musical creation when you want that slightly overdriven sound (think Dead 72 before using Mac amps on the instruments), but for sound reproduction they can get tubby or muddy with perhaps too much distortion. Some people like that as it can give a richer, or warmer sound, I’m with you 1stshow, I prefer a more neutral sound, though some think that’s too dry etc?

    In the end, it just comes down to what’s best for you!

  • #287
    Crow Told Me
    Joined:
    There and Back Again

    For a few years, I was deeply into audio: or as deeply as my meager budget would allow, anyway. It started when I realized I needed a tube amplifier. This was because I realized that I would never in a million years use a transistor amp for my guitar, so why would I use one for my home listening?

    But of course tube amps and preamps are pretty pricey, so I had to go the DIY route: I built a preamp from a kit (Bottlehead) and bought an old ST-70 power amp, and I spent a lot of time tweaking them with various upgrades. They sounded pretty good, eventually. And I needed some efficient speakers, so I paired them with some Klipsch Heresys that I got off craigslist (for $100!).

    What happened next is so typical of me it's embarrassing: the ST-70 worked great for about 10 years and then just cut out one day. By this time, I had forgotten all the various rewirings and component upgrades etc I had done, and lost all my paperwork. So I had no idea how to troubleshoot it! Couldn't even find my volt meter! I decided to just sell the ST-70 for a couple hundred, get myself a used Sansui Au-417 (since they're reputed to have a tube-like sound, also a great phono stage), put all new caps in there, and call it day. So after all that I'm back to transistors. Sounds pretty good, though.

    Somewhat bemused to read the travails of my fellow heads who ordered the MSG set via Rhino and are now working through the delays and shipping mishaps. I didn't get the box set (early '80s are just not my era) but I went for the 3 CD breakout. Ordered it from Bezos and received on the day it was released. What a concept! I'm glad to have it, it's a good performance, but disappointed in the mix. It's all Jerry and Brent, Bob's guitar is completely (and I mean completely) inaudible, Phil and the drummers much too low. But you can hear Jerry great, and it's a high energy show so probably most people will really dig it. Still, I hope the rest of the box is better, for everybody's sake.

    Five for the universe:

    John Coltrane: Coltrane
    GOGD: Dick's Picks 36 (yow!!!)
    Joe Henderson: Mode for Joe
    Zappa: Hot Rats
    Sturgill Simpson: Cuttin Grass

  • #288
    1stshow70878
    Joined:
    Bang For The Buck

    I went to separates during covid after doing some research and hearing from a collector of Heil Amt speakers that I wasn't hearing all my ESS Amt-4 floor standing speakers could do. Got an Adcom dual mono amp with 100W and 180 damping factor and was blown away like the Maxell guy. Got the other Adcom separates one at a time and noticed improvement each time. The pre-amp was better than using my old integrated amp as a pre and the digital tuner was way better than the old one. All are late 80s MOSFET stuff and fully restored they are still way cheaper than either vintage premier like Oro's McIntosh or 10x cheaper than modern audiophile. Just got to find a reliable restorer. They were the bargain audiophile brand BITD and made in USA. Very neutral coloring which some don't like but it's better to hear it exactly as it was made and play with the tone controls if you want different. Diminishing returns to go higher but I would have if the money was there. All in I spent maybe $700 and it sounds good to me. The bonus was I got a bedroom system from the old stuff, just have to add some speakers.

    Ten days to get my 3 CD MSG from CA to CO doesn't sound very innovative. Mail Innovations, aka the Louis Dejoy enrichment scheme, adds almost 500 more miles to the route that would have gotten to me two to three days earlier had UPS shortcut Mail Innovations and delivered it straight from the handoff point only 60 miles away. Bad for the customer and bad for the planet. Should be here tomorrow. Oh well, as Neil says, "don't let it bring you down, it's only castles burning".
    Cheers

    Edit: I find it interesting that folks are going back to valves, or tubes, especially in the pre-amp. I was advised to go with a hybrid solid state/tube pre-amp but stick with a solid state amp to get the benefit of the "warm" tube sound without the big bucks of the tube amp. But the hybrids were beyond my budget even used/restored as they are a newer thing. Wish my family had kept my Dad's old home built Heathkit tube amp. Would love to have heard that again.

  • #289
    dmcvt
    Joined:
    AJS audio, 1968 NW, Doc11

    Thanks Oro, a wealth of helpful information. AJS, there with you, floor standing wise, found a pair of 1986 Klipsch Cornwall IIs, 3 foot tall, 2 foot wide, 16" deep. Horn loaded tweeters and mid range, 15" woofers. They sound incredible for 35 year olds. Was driving them with an Onkyo receiver, one of the high end spec models for a long time and was happy. Eventually hooked up a power amp/pre amp combo and was surprised how much improvement... like Oro said. The power supply on the amp is huge, output rated at 150 watts per channel so a very efficient speaker like Klipsch has no stress, there is so much headroom. The damping factor as well important, a measure of how effectively (tightly) the amp controls bass response. When damping factor number is large, bass is well defined with detail and timbre, not boomy muddy. Whatever sub anyone might be using, not much useful response below 18-20Hz, as it's exponentially demanding to get lower, subsonic. The octobass and piano lowest notes are A0, about 27hz, Pipe organ low note is C0, 16 Hz. Except there's this thing called a rotary woofer that can go down to single Hz numbers at hideous expense, IMAX theater only? I would love to see and buy a 1968 NW tour box. Meanwhile, hoping Forensic Doc will let us know how it goes, we know he's in the Jacksonville area.

  • #290
    daverock
    Joined:
    Magic Carpet Ride

    Mr Ones - great band, Nick Mason's Saucerful of Secrets. I saw them just before covid, and was supposed to be going again in 2020-but... That dvd/blu ray disc of them live is worth getting, too.

    Irrespective of the extent to which climate change is affecting the hurricanes in America, there can be little doubt that the countries who are suffering most are the poorest ones. And the ones who are contributing to it most are the richest.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

I just pulled up the Los Lobos setlists Hendrix and those were two hot Lobos sets you all caught, too. NFA-Bertha to close night one and then a Mas y Mas jam with Trucks and company after a cover of Don't Keep Me Wonderin'! Plus an early Wicked Rain! And that is the opening act to be followed by scorching TTB sets. Lucky group.

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Submitted by PT Barnum on Mon, 08/01/2022 - 11:58

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Happy birthday Jer, miss your smile.
On a different note, just read Joe Walsh will reunite the James Gang for a show this November for VetsAid2022. Dubbed "The Last Ride" this is to be The Gang's last show. Tickets this Friday.

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Submitted by nitecat on Mon, 08/01/2022 - 12:10

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I gotta say, this 77 release is one hot show! I've been playing it over and over for the week. Awesome Surguree!

I too and awaiting the new Dave's with bated breath. Will check the mailbox soon.

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Submitted by kenny on Mon, 08/01/2022 - 12:41

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Number 215 has landed!!

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Submitted by nitecat on Mon, 08/01/2022 - 13:19

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As if dead.net forums weren't enough, now there's "discord"?

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Submitted by jp1119 on Mon, 08/01/2022 - 14:34

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Clearly we are all test participants in a new GD time warp LSD experiment.
Minutes ago, I received my DaP 43 shipping notice via email … and I picked up my copy 6 hours ago in my mailbox.
The next phase of this experiment will include (hopefully) receiving orders in our mailboxes even BEFORE we order them.
There is nothing routine about a GD recording or their online music ordering process.
Thanks Dave L and co…the music is great!

Don’t panic people.
For the last 2-3 years I’ve generally received DaP’s on Monday/Tuesday after release day, but would get the tracking number email a week before release day. But then tracking would say ‘no info’ for several days, then the DaP would start moving, and then I would get it.
This one still showed up right after release day, but I didn’t have any tracking info. And although I wondered where it was, I also wasn’t tortured by watching the tracking and seeing lack of movement.
So hopefully everyone gets theirs soon.

Sounds good so far, and a nice gift to open on Jerry’s bday.
Thanks Dave/Rhino and crew, and Owsley!

————-
Per the description for this release:

Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes
————

So, the Sonic Journals are in the Vault, and yes, it is possible for Rhino to release the GD recordings.
I wonder if they have, and preserved, HendrixFreak’s adopted reel(s).
(I don’t remember what show he adopted).

My only Jerry bday show was 8-1-94.
Thanks for the floor seats GDTS!
The Jam out of Space and into Watchtower was pretty cool and had grate lights.

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Submitted by Gratefulhan on Mon, 08/01/2022 - 18:31

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I too have experienced the shipping notice/postal time warp. My DaP 43 arrived today. I have not yet received a shipping notice email. It was a nice surprise to come home and find it in my mailbox. I am ripping the CDs to my computer as I type this. I am looking forward to this listening to this one. I have short road trip tomorrow as I am heading out from the Burg' to Blossom to see Phish. So this will be playing on my drive to and from the venue.

Once again I have to salute Dave L. and the crew for this release and for the MSG Box set. We are really getting a nice variety of GD from different eras.

made its way here this morning. fastest delivery after an official release date in years. seems like they all went out at same time rather than in small batches sent over a week or more. a double dose of Dark Stars? Yes please! thanks to everybody who made this possible. we are so lucky.

speaking of lucky. wish I could have been there with the Red Rocks crew. pure myth time to see that level show in that crazy beautiful setting.

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Submitted by simonrob on Tue, 08/02/2022 - 00:09

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I have just received a shipping notification email for #43. Such mails seem to be rare so I may print it, frame it and hang it on the wall. But then again...

UPS tracking shows that it was received in Fontana, CA on 7/26 and it departed the international carrier facility on 8/1. It has also shown up in Asendia's tracking system.

Everything seems to be going fairly quickly apart from sending the shipping confirmation email. Normally the shipping confirmation email arrives before the package reaches Fontana.

Edit: Less than 2 hours after receiving the shipping confirmation email I received a second, almost identical shipping confirmation email. The tracking numbers are identical but in the second mail the quantity shipped is shown as 0 so I'm not expecting to receive two copies.

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Submitted by deadmike on Tue, 08/02/2022 - 01:56

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I have this morning recieved not one and not two but FIVE shipping notices! But only one notice with a promise of an actual copy of DP43. :-O

No shipping info yet though ... ;-)

Micke Östlund,
Växjö, Sweden

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Submitted by simonrob on Tue, 08/02/2022 - 02:04

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I have just received my third shipping confirmation mail. Still lagging behind DeadMike, but maybe I'll beat him to 10!

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Submitted by docmarty on Tue, 08/02/2022 - 02:53

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Today I have, so far, received 4 emails from Dead.net store confirming despatch of DP43 to uk. I wonder if I'll get 4 copies?????

Just looked and seen others with even more!!!!!

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Submitted by deadmike on Tue, 08/02/2022 - 03:51

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I am up to SEVEN e-mails so far ... but now I know the package was recieved for processing in Fontana, CA on July 27th. :-)

Micke Östlund,
Växjö, Sweden

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Submitted by KeithFan2112 on Tue, 08/02/2022 - 04:20

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It's as if Dave thought he heard someone question whether they were scraping the bottom of the Vault. "This should allay any concerns".

Hendrixfreak I can't even imagine seeing that '73 show on Jerry's Birthday (or the two before it for that matter). Was the sound kick-ass in those days? I've always wondered what the fan experience was pre-wall of sound. Sometimes you hear the band asking the crowd if it's loud enough. But I digress. Yeah, I'm pretty sure I read 8/1/73 was the last show with a Strat. Whether it was the Nash / Alligator Strat or the Veneta brown sunburst is anyone's guess.

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Submitted by simonrob on Tue, 08/02/2022 - 04:27

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When I got my 5th shipping mail I thought I had caught up with you, but now I see that you are still ahead with 7. 😂

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Submitted by That Mike on Tue, 08/02/2022 - 04:59

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Thank you Mo for your belief in Rock & Roll as an art form, and for giving voice to scores of ground breaking acts (ex - Jimi Hendrix), and for believing in the Grateful Dead, when the corporate accountants said to cut them loose.
It’s not often you give light to record executives, but Mo Ostin is worthy of the shout out.
RIP

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Submitted by JoeyMC on Tue, 08/02/2022 - 05:11

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I recieved #24,015 on Monday without any shipping notification at all. I guess two days late isn't so bad, I'd love it one arrived on time though...

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Submitted by mato1949 on Tue, 08/02/2022 - 05:23

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August 2, I have not as yet received Davis picks 43 any reason for the delay no shipping notice either

So today I know Dave's 43 will finally land here in NYC why? because I have informed delivery with USPS I saw it 2 days ago for the first time, this morning out for delivery great. Stay with me here, just about 3 minutes ago I received a shipping notice from Dead.net telling me my order is on the way yet when I hit tracking it can't find it as if it had not been sent yet. On 7-20-22 the dead.net site was hacked or had a catastrophic crash, that is why if you look at the site you see all sorts of past items miraculously have reappeared! The resident computer geniuses obviously don't want to say this. What the hell would it take to tell everyone you have had some issues and to bear with us? Unless of course peoples data has been breached. What is it dead.net(actually warner entertainment) just to be clear? Customers deserve an explanation. That is the least you could do.

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Submitted by topchinacat on Tue, 08/02/2022 - 06:09

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No shipping notices, it arrived 3 days ago .... have been sampling bits and pieces with headphones .... I am absolutely blown away by the sound quality .... so very crisp and clear. This is a true gem and I can't thank Dave enough for making it happen.

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Submitted by hendrixfreak on Tue, 08/02/2022 - 06:48

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I don't know if they nicknamed the system they hauled around in 1973, but it might have been better than the Wall, at least for vocals. It's not as if they had a crappy system, then the Wall became the standard for one year. The '73 systems ... you can hear it on the tapes of the outdoor shows: loud, clear, easy on the ears.

I got both my copies of DP43 on Saturday and Monday I got an email that they were on their way. It's almost like the early tapes that circulated: there was always some glitch on the tape. Always.

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Submitted by musicnow on Tue, 08/02/2022 - 08:32

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Mine like many came today in NC without notice. Holy crap this sounds GRATE! Luckily I have the day off and can just "melt into a dream".

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Submitted by 1stshow70878 on Tue, 08/02/2022 - 08:39

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DaP43 arrived in Western CO yesterday afternoon with no notice.
Shipping notice for Lyceum 4-CD in yesterday's email, due Wed.
No complaints here.
Cheers

Edit: The trend is consistent anyway, just got my ship notice for 43 a minute ago. Got here a day ago.

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Submitted by Gary Farseer on Tue, 08/02/2022 - 09:48

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Received shipping notice at 9am this morning and received 2 hour later. Now that is USPS at work.

Of course, means their tracking network needs a lot of work.

Worked my way thru the Fillmore West box over the last 2 weekends to get my ears ready.

Forgot how great that box is. Have not listened to the box since I added a sub woofer almost 3 years ago. Man does the sub woofer change the entire dynamics of the box. The 16 track with Bob and Betty, and the alchemy of Bear's mind regarding sound really stand out.

Hope these can reproduce the sound stage as well as the fillmore west, but have not researched these tapes yet. Have some other Bear thought later.

G

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14 years

Submitted by bigbrownie on Tue, 08/02/2022 - 11:24

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Yeah...Just got my shipping notice, but Dave's 43 arrived last Saturday.

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16 years 3 months

Submitted by Born Cross Eye… on Tue, 08/02/2022 - 12:17

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Some of the sweetest psychedelic music ever played and recorded. A total trip even 53 years later. Thank you Dave Lemieux and crew and especially Andrew & Rebecca Kelly.

"How sweet it is!" - Jackie Gleason

I didn't get my shipping notice, yet. Ha! Ha! Ha!

I just checked my email - yes, it is "on the way."
Love, Peace, and Happiness to ALL!

"still waiting
I I I'm stiiill waiting"

Hey today is 2 years as "Proudfoot"

While I wait...

Some of 30 Trips
10 27 90 meh
10 whatever 91 mmmm....no
92 show zzzzzzzz
6 24 85 yeeeesssss. Nice n lively

Summer 85 box in 2023 Dave!!!

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11 years 7 months

Submitted by dmcvt on Tue, 08/02/2022 - 15:26

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Shipping notice arrived three hours later. Celebrated Jerry yesterday with a deep dose of the June76 box. A phoenix that, we hardly knew if/when/how they would come back after extended hiatus. Listening to second #43 disc now, zowie, been waiting a long long time for this sweet old stuff. Nice to know so many of us will be sharing this music over these next dog days of August. Thanks to all at OSF/dead.net/Rhino/WMG who made this happen. I should be able to stop asking about a 60s box for a few weeks.

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17 years 5 months

Submitted by SPACEBROTHER on Tue, 08/02/2022 - 15:33

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Mine arrived yesterday. Listened to the first disc so far. Amazing how great this sounds for being such an old recording. Bear had his system down. Much respect to his foundation for taking the extra care to pass along the original engineers wishes. These Sonic Journals are truly special.

I love that these past couple of years Dave has been hitting such a wide variety of these pieces of history.

Maybe close out the year with 9/26/91 or a December 90 offering. It would be cool to show a little love for the Vince era with and or without Bruce after 43 of these releases.

Currently the 8-CD Waiting For Columbus Box is listed at the Rhino store as “not currently available”.

I didn’t think/realize that it was limited edition.
Or did the whole Rhino website get hacked so bad that nothing is working?

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15 years 1 month

Submitted by dissident1980 on Tue, 08/02/2022 - 17:42

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Astonishingly good ... epic release overall

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17 years 5 months

Submitted by Vguy72 on Tue, 08/02/2022 - 19:04

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....I couldn't have said it better myself as I sit on my porch waiting for my sonic journal. Like Homer dancing for his pink sprinkled donut.
I'm telling you people. That trip to Red Rocks changed my attitude and focus. Magical place.
Major edit.....RIP Vin Scully. The best baseball announcer ever. F**K

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9 years 2 months

Submitted by Charlie3 on Tue, 08/02/2022 - 22:15

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Excellent, said while rubbing my hands together like Mr. Burns.

This whole release is good, but disc 3 is stellar. Dig that both Dark Stars have a bit of the Soulful Strut interlude. It starts about the 23 minute mark and ends just before the 26 minute mark in the Dark Star on the Family Dog 11-2-69 show. On the Dark Star from the 12-26-69 show it starts at just before the 16 minute mark and mostly ends at about 19 minutes. If you don't know what I mean, check utoob for the instrumental tune Soulful Strut by Young-Holt Unlimited from 1968, beautiful song, covered on several Dark Stars and I think a couple of Dancing in the Street as well, I think the version on the 1970 show from the 30 Trips Box has it. The "jam" after the Dark Star from Dicks Picks 2 from 10-31-1971 is the closest to a straight up cover of the original song. I don't hear Tighten Up by Archie Bell and the Drells, that has a different sound and lacks the gorgeous melody of Soulful Strut.

Really dig that New Speedway Boogie too. More please.

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3 years

Submitted by billy the kiddd on Tue, 08/02/2022 - 22:28

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A real legend. I used to listen to him on KFI from L A broadcast the Dodger games back in the early 60s, it would come in later at night in the Bay Area.

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8 years 4 months

Submitted by msmiranda on Wed, 08/03/2022 - 00:23

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Today DP 43 #20707 and #20708 arrived in my mailbox. I've ordered two copies the last couple of years to have extras to trade for releases I've missed. This is the first time I've gotten consecutive numbers.

Started spinning the first disc after they were downloaded. Very impressed. Pig was an amazing soul.

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17 years 5 months

Submitted by Vguy72 on Wed, 08/03/2022 - 07:19

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....my Dave's has been out for delivery since yesterday afternoon! 🥳
(edit for sarcasm).

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10 years 5 months

Submitted by JeffSmith on Wed, 08/03/2022 - 07:32

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(Tracks in the order they were performed)

11/2/69 FAMILY DOG AT THE GREAT HIGHWAY, SAN FRANCISCO

Cold Rain And Snow 6:19
In The Midnight Hour 8:23
Seasons Of My Heart 4:32
Mama Tried 2:55
Next Time You See Me 4:51
Good Lovin' 9:23
Big Boss Man 6:59
Casey Jones 4:39
Dancing In The Street 9:06
Dark Star > 30:32
St. Stephen > 9:43
The Eleven > 8:59
Death Don't Have No Mercy 11:47

12/26/69 MCFARLIN AUDITORIUM, SMU, DALLAS*

The Monkey And The Engineer 2:41
Little Sadie 3:57
Long Black Limousine 6:09
I've Been All Around This World 5:03
Gathering Flowers For The Master's Bouquet 3:10
Black Peter 11:05
Uncle John's Band 6:32
Casey Jones 5:12
Hard To Handle 4:54
*
China Cat Sunflower> 5:55
I Know You Rider> 5:26
High Time 8:04
Me And My Uncle 4:14
Dark Star 24:52
New Speedway Boogie 5:36
Turn On Your Lovelight 14:54

* The Dallas "Cold Rain And Snow" is missing from Dave's 43 due to space limitations. Hopefully to be released on an upcoming Dave's Picks as filler.

STILL MISS YOU JERRY!

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15 years

Submitted by PT Barnum on Wed, 08/03/2022 - 07:41

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and just lovely that we get it during the Days Between, thanks everyone involved with this very special release. 69 was indeed a very magical year.
8-3-69 check this one out too, David LaFlamme on Violin and Charles Lloyd on Sax, another gr8 Dark Star.
"Shall we go, you and I...."

PTB: thanks for reminding us, among a number of 60s shows, that one is a special stand out for the eventual 60s box. Love to see others thoughts on which shows should be short listed for a 60s box. Give the people what they want! We might treat the "primal" dead concept as almost anything up to and including 1969, when things began transition that summer, cowboy tunes in, Jerry's down with lap steel etc. #43 shows this transition well, cover does justice too, LiveDead girl dancing with skeletal cowboy, Gibson SG crossnecked with an acoustic.

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