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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • proudfoot
    Joined:
    Baseball sidenote

    I haven't bothered to go to a Seattle Mariners game for several years.

    I went tonight, though.

    I was reminded why I haven't gone for so long.

    Weak, limp, anemic baseball.

    Ugh.

  • Vguy72
    Joined:
    Distorted Metal Bands you say?....

    ....been to a couple of those.
    The sound at the Sabaton show was perfect. I'm not busting out the earplugs quite yet.
    Got Roger Waters here Saturday.
    My friend bought the tix over two years ago.
    About this time last year, he texted me. "You ready for Roger?"
    I checked the website.
    "Dude. It's next year!"
    Imagine arriving at T-Mobile Arena and going......"Uhhhh." 🤣
    And The Sphere is taking shape.
    Look it up. Rumors are U2 are going to cut the ribbon.

  • Oroborous
    Joined:
    Clean is the thing!

    Yep, DMCVT has covered the must checks.
    Another FYI. You can actually damage/blow speakers just as easy or easier with a low powered amp as high powered depending on use.
    Distortion will cause additional heat, heat damages voice coils. So a low powered amp, even with matching specs, being driven into clipping (distortion) can eventually cause speaker failure, while a higher powered amp if not driven very hard will provide cleaner undistorted power AND probably provide better tone. Because it’s not clipping, it’s not heating the voice coil as much.
    Obviously there are are limits to this so don’t go cranking your 1000 watt amp full blast with 100 watt speakers cause you’ll literally set them on fire!
    Had this happen before: using McIntosh MC 2300 power amp with regular type speakers (60 watt) and well, worked great until we tried to see how far they’d go and so eventually started em on fire. Now, we were kinda trying to do that lol.
    Another time I saw big JBL 15” PA woofer start on fire. The band was Set up in the middle of a bowling alley so no nearby walls or boundaries to enhance the bass, so sound guy over compensated and pushed em so hard one started on fire. Crazy stuff, fat lighting guy comes rushing toward the stage and tosses his pitcher of Long Island ice tea on it cause, ya know how well water and electricity mix lol. I simply reached over and unplugged the speaker. Luckily the sprinklers in the building didn’t go off because there was a looottt of smoke lol.
    Think of it like a car engine, if you push a little engine too much it’ll blow, if you have a really big engine, but don’t push it, it’ll hardly break a sweat.
    Infinity is another I’ve heard of, but not so sure I’ve heard? As previously said, ya never now for sure what things will sound like until you hook it all up. That being said, you can often get a feel for the product by doing a little online research. Check places like Audiogon etc, with a grain of salt as there’s just as much bad Intell out there as good. But you can usually get a general idea of the products main characteristics. Like if 23 outta 42 reviews say they sound tinny, well they might be tinny etc. look for folks who say “ I used to have those and loved them” etc.

    Same with your hearing: you can cause hearing damage just as easy with not so loud music if it has lots of distortion, where conversely, you can listen to really loud music that’s super clean and not hurt yourself. Like you can listen to a really loud classical orchestra with no problem, but a really distorted metal band, even if not super loud can cause damage after sustained exposure. Another beautiful thing about the Dead, they could get really loud, but you wouldn’t even know it unless you tried to talk to the person next to you!
    Good luck whichever way you go!

  • 1stshow70878
    Joined:
    Top Shelf Stuff

    Yes, those two British brands get consistently excellent reviews DMCVT. It is said the rubber surrounds outlast the foam by miles but are tough to replace. And Oro I've never even heard of those top shelf brands other than Pro Audio in your modern audio realm. Blowing off the used Advents for something serviced and safe. The Infinitys made in Chatsworth, CA should suite me fine. I know that seller will do me right. Only pushing under 30W through them from the old Pioneer integrated in a bedroom they should be perfectly suited. And I've heard a pair of them recently albeit not with my system. I think that guy had a vintage Marantz 2245 playing them. Got a vintage fully restored TEAC V-5RX cassette deck showing up today for that system. Breaking the tapes out of the closet! Again many thanks to you both.
    Cheers
    Edit: Still kicking myself for selling my first good set of speakers, Cerwin-Vegas, when I was young. Hard to find now but boy did they rock the dormitory and a few rental houses BITD! Their moto was, "Loud Is Beautiful If It's Clean".
    Edit 2: The TEAC is killer. Best deck I ever had. Tapes sound amazing. Break out the soundboards and auds. Why didn't I get a nice one BITD? Likely as I couldn't afford one then! Love the vintage!

  • dmcvt
    Joined:
    vintage bookshelf

    Happy to see Oro's wisdom and experience here (Hola Oro!). Bookshelf speakers often get such collateral abuse, drop kicked, sun bleached, over powered with too many distorted watts... those surrounds are always the first thing to check. Next tweeter domes, have they been dinged or crinkled? Tweeters can fry quickly because of their delicate voice coils. Check replacement parts availability. Found a used set of Kef Q15s years ago, $20 each, thought just about perfect until recently, found a pair of B&W DM601s locally for $100. Significant improvement, really smooth balanced response, irresistible to an audio junkie, who cared if one cabinet had a corner dent. Both the Kefs and the B&Ws have some kind of rubber for surrounds, not foam and seem to be in fine shape for twenty somethings. They can be bi-amped as they have dual inputs, one for each driver, jumpers between for single input. To judge accurate reproduction of mid range, listen to solo piano or woman's song to check a bookshelf size speaker.

  • That Mike
    Joined:
    Oro Speaks On Speakers

    There you are Oro! I thought you might have been burning your Bills jersey in the barbecue. Hey, it’s one game. (Speaking of which, your Sabres are introducing a personal favourite 3rd jersey, what I call the Dominik Hasek model) Playing Pharaoh AND Sun Ra - wow, now that’s an “adult” dose of Free Jazz.

    Great info on the speakers. You must have a pretty wicked home system.

  • Oroborous
    Joined:
    ISTSHOW/speakers

    No worries, I love talking about stereos.

    We don’t sell many stand alone speakers anymore, mostly in wall/ceiling. No one wants to see gear anymore. Remember back in the day when folks used to like to show off their stereo!

    Occasionally we will on bigger jobs. For big theaters we were using Pro Audio Amps/speakers, but not sure we’re still doing that? We also have used Wisdom Audio last few years, and McIntosh. Did lots of BMW BITD but I think we lost our dealership? I think we did some Toa for a bit! Think our Aspen office occasionally sells some Wilson’s?
    Our in ceilings have been Sonance, and I’ve seen little bookshelf versions. In fact I have a small like new set of three I should get rid of? One of my current installations were using James audio in ceiling.
    Also, I believe I have some new in box Denons? Very small came with one of those all in one sets. We paired em with in ceiling so I still have those in the box. Actually have 3 B&W 805s and some 602s? Not sure on the models…the 602s I’m using for immersive height layer utilizing Auro 3D format. The 805s were supposed to be for a surround set up in the BR but didn’t end up doing that.
    If I was buying new, and could afford it, I’ve liked the Harbeth monitors. Focal has some more affordable offerings, but they can be hit or miss. Perhaps Magico if I was wealthy lol.
    Always try to hear stuff before you buy when possible. If buying new, some places will let you try with your electronics because in the end the synergy of your gear combined with your preferences (sound) is what matters.

    Oh ps, keep forgetting: sorry about the kitty! My cousin just had to put down what I consider one of the best, most mellow cats ever, very dog like! Henry was 22 years and 9 months but had a stroke so they had to put him down : (
    One reason we don’t have pets anymore, the little bastards die on ya and break your heart, it’s too hard losing a good pet!

  • 1stshow70878
    Joined:
    Thanks DMCVT & Oro

    Good advice. The surrounds look good in pics but I haven't seen in person yet. Got another pair I've been eyeing from a known good seller: Infinity Reference One, a 6" two-way but not the Emit tweeter. New surrounds and broken in he says. And I heard a pair of these a few months ago at the music/record store that was going out of business. (Dang! Lost another one. We kill small stores quick out here in the boonies.) They sounded good and they still barely fit my size limitations and considerably more money but, as you guys point out, anything of that era is going to need refoamed soon no matter how well they were kept. Just crap on Craigslist and we don't see the good stuff at our Salvation Army so it's safer to just pony up. So Oro what's the popular brand now in your home installations? I assume some of what you do is in ceilings or flat mounted. Do you do the full on home theater stuff too? Oh, bad form to have you talking about work. I'm good to go. Onward to DP11. See you on the POTDWD. Thanks again.
    Cheers

  • Oroborous
    Joined:
    Dammit Mike!

    I told ya not to jinx us lol.
    Naaaa, they jinxed themselves per usual.
    Great jazz talk!

    Just listened to Karma yesterday, followed by Sun Ra.

    ISTSHOW/Advents. Can’t recall actually hearing any Advents though I’m sure BITD I must have?
    Using In the BR: assuming just for secondary listening, so probably ok for low level listening…
    I was going to say same as DMCVT (hola DMCVT by the way!) make sure you check the surrounds. Not just foam ones, though it looks like the advents have issues with that. Always check the surrounds of any old speaker as they tend to dry out and disintegrate. Happened to my McIntosh XR 7s. Lugged em back east to trade for a preamp, got to my buddies to pick him up to go to the store, my surrounds had started to go bad on the road trip, doooaaa.

  • That Mike
    Joined:
    DCMVT

    I didn’t know Mary Halvorson was a Jimi disciple, but really neat you got to meet her and pick her brain, as she truly has a unique “voice” to her playing. I became interested in her sound after the joint album she made with Bill Frisell (a guy who makes ANY album he plays on sound better), “The Maid With The Flaxen Hair”, so I picked up some of her Thumbscrew releases, and was not disappointed.

    As for Dartmouth, it really sounds like a really very hip place, music-wise!

    PS - That Trio of Chick with Blade & McBride was some of the best music I think Corea made, so a definite 5 star show to see. The first time I ever “saw” Brian Blade was when he accompanied Joni Mitchell for a New York Times Talk on stage for her 70th birthday celebration in Toronto - he was there as Joni’s “Plus One”, but no playing, unfortunately. Then I saw him a few years later backing Shorter - now I get why this guy is in such demand!

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

I just pulled up the Los Lobos setlists Hendrix and those were two hot Lobos sets you all caught, too. NFA-Bertha to close night one and then a Mas y Mas jam with Trucks and company after a cover of Don't Keep Me Wonderin'! Plus an early Wicked Rain! And that is the opening act to be followed by scorching TTB sets. Lucky group.

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Happy birthday Jer, miss your smile.
On a different note, just read Joe Walsh will reunite the James Gang for a show this November for VetsAid2022. Dubbed "The Last Ride" this is to be The Gang's last show. Tickets this Friday.

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I gotta say, this 77 release is one hot show! I've been playing it over and over for the week. Awesome Surguree!

I too and awaiting the new Dave's with bated breath. Will check the mailbox soon.

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Number 215 has landed!!

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As if dead.net forums weren't enough, now there's "discord"?

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Clearly we are all test participants in a new GD time warp LSD experiment.
Minutes ago, I received my DaP 43 shipping notice via email … and I picked up my copy 6 hours ago in my mailbox.
The next phase of this experiment will include (hopefully) receiving orders in our mailboxes even BEFORE we order them.
There is nothing routine about a GD recording or their online music ordering process.
Thanks Dave L and co…the music is great!

Don’t panic people.
For the last 2-3 years I’ve generally received DaP’s on Monday/Tuesday after release day, but would get the tracking number email a week before release day. But then tracking would say ‘no info’ for several days, then the DaP would start moving, and then I would get it.
This one still showed up right after release day, but I didn’t have any tracking info. And although I wondered where it was, I also wasn’t tortured by watching the tracking and seeing lack of movement.
So hopefully everyone gets theirs soon.

Sounds good so far, and a nice gift to open on Jerry’s bday.
Thanks Dave/Rhino and crew, and Owsley!

————-
Per the description for this release:

Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes
————

So, the Sonic Journals are in the Vault, and yes, it is possible for Rhino to release the GD recordings.
I wonder if they have, and preserved, HendrixFreak’s adopted reel(s).
(I don’t remember what show he adopted).

My only Jerry bday show was 8-1-94.
Thanks for the floor seats GDTS!
The Jam out of Space and into Watchtower was pretty cool and had grate lights.

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I too have experienced the shipping notice/postal time warp. My DaP 43 arrived today. I have not yet received a shipping notice email. It was a nice surprise to come home and find it in my mailbox. I am ripping the CDs to my computer as I type this. I am looking forward to this listening to this one. I have short road trip tomorrow as I am heading out from the Burg' to Blossom to see Phish. So this will be playing on my drive to and from the venue.

Once again I have to salute Dave L. and the crew for this release and for the MSG Box set. We are really getting a nice variety of GD from different eras.

made its way here this morning. fastest delivery after an official release date in years. seems like they all went out at same time rather than in small batches sent over a week or more. a double dose of Dark Stars? Yes please! thanks to everybody who made this possible. we are so lucky.

speaking of lucky. wish I could have been there with the Red Rocks crew. pure myth time to see that level show in that crazy beautiful setting.

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I have just received a shipping notification email for #43. Such mails seem to be rare so I may print it, frame it and hang it on the wall. But then again...

UPS tracking shows that it was received in Fontana, CA on 7/26 and it departed the international carrier facility on 8/1. It has also shown up in Asendia's tracking system.

Everything seems to be going fairly quickly apart from sending the shipping confirmation email. Normally the shipping confirmation email arrives before the package reaches Fontana.

Edit: Less than 2 hours after receiving the shipping confirmation email I received a second, almost identical shipping confirmation email. The tracking numbers are identical but in the second mail the quantity shipped is shown as 0 so I'm not expecting to receive two copies.

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In reply to by simonrob

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I have this morning recieved not one and not two but FIVE shipping notices! But only one notice with a promise of an actual copy of DP43. :-O

No shipping info yet though ... ;-)

Micke Östlund,
Växjö, Sweden

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I have just received my third shipping confirmation mail. Still lagging behind DeadMike, but maybe I'll beat him to 10!

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Today I have, so far, received 4 emails from Dead.net store confirming despatch of DP43 to uk. I wonder if I'll get 4 copies?????

Just looked and seen others with even more!!!!!

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In reply to by simonrob

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I am up to SEVEN e-mails so far ... but now I know the package was recieved for processing in Fontana, CA on July 27th. :-)

Micke Östlund,
Växjö, Sweden

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It's as if Dave thought he heard someone question whether they were scraping the bottom of the Vault. "This should allay any concerns".

Hendrixfreak I can't even imagine seeing that '73 show on Jerry's Birthday (or the two before it for that matter). Was the sound kick-ass in those days? I've always wondered what the fan experience was pre-wall of sound. Sometimes you hear the band asking the crowd if it's loud enough. But I digress. Yeah, I'm pretty sure I read 8/1/73 was the last show with a Strat. Whether it was the Nash / Alligator Strat or the Veneta brown sunburst is anyone's guess.

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When I got my 5th shipping mail I thought I had caught up with you, but now I see that you are still ahead with 7. 😂

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Thank you Mo for your belief in Rock & Roll as an art form, and for giving voice to scores of ground breaking acts (ex - Jimi Hendrix), and for believing in the Grateful Dead, when the corporate accountants said to cut them loose.
It’s not often you give light to record executives, but Mo Ostin is worthy of the shout out.
RIP

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I recieved #24,015 on Monday without any shipping notification at all. I guess two days late isn't so bad, I'd love it one arrived on time though...

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August 2, I have not as yet received Davis picks 43 any reason for the delay no shipping notice either

So today I know Dave's 43 will finally land here in NYC why? because I have informed delivery with USPS I saw it 2 days ago for the first time, this morning out for delivery great. Stay with me here, just about 3 minutes ago I received a shipping notice from Dead.net telling me my order is on the way yet when I hit tracking it can't find it as if it had not been sent yet. On 7-20-22 the dead.net site was hacked or had a catastrophic crash, that is why if you look at the site you see all sorts of past items miraculously have reappeared! The resident computer geniuses obviously don't want to say this. What the hell would it take to tell everyone you have had some issues and to bear with us? Unless of course peoples data has been breached. What is it dead.net(actually warner entertainment) just to be clear? Customers deserve an explanation. That is the least you could do.

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In reply to by Oroborous

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No shipping notices, it arrived 3 days ago .... have been sampling bits and pieces with headphones .... I am absolutely blown away by the sound quality .... so very crisp and clear. This is a true gem and I can't thank Dave enough for making it happen.

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I don't know if they nicknamed the system they hauled around in 1973, but it might have been better than the Wall, at least for vocals. It's not as if they had a crappy system, then the Wall became the standard for one year. The '73 systems ... you can hear it on the tapes of the outdoor shows: loud, clear, easy on the ears.

I got both my copies of DP43 on Saturday and Monday I got an email that they were on their way. It's almost like the early tapes that circulated: there was always some glitch on the tape. Always.

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Mine like many came today in NC without notice. Holy crap this sounds GRATE! Luckily I have the day off and can just "melt into a dream".

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DaP43 arrived in Western CO yesterday afternoon with no notice.
Shipping notice for Lyceum 4-CD in yesterday's email, due Wed.
No complaints here.
Cheers

Edit: The trend is consistent anyway, just got my ship notice for 43 a minute ago. Got here a day ago.

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In reply to by 1stshow70878

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Received shipping notice at 9am this morning and received 2 hour later. Now that is USPS at work.

Of course, means their tracking network needs a lot of work.

Worked my way thru the Fillmore West box over the last 2 weekends to get my ears ready.

Forgot how great that box is. Have not listened to the box since I added a sub woofer almost 3 years ago. Man does the sub woofer change the entire dynamics of the box. The 16 track with Bob and Betty, and the alchemy of Bear's mind regarding sound really stand out.

Hope these can reproduce the sound stage as well as the fillmore west, but have not researched these tapes yet. Have some other Bear thought later.

G

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Yeah...Just got my shipping notice, but Dave's 43 arrived last Saturday.

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In reply to by bigbrownie

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Some of the sweetest psychedelic music ever played and recorded. A total trip even 53 years later. Thank you Dave Lemieux and crew and especially Andrew & Rebecca Kelly.

"How sweet it is!" - Jackie Gleason

I didn't get my shipping notice, yet. Ha! Ha! Ha!

I just checked my email - yes, it is "on the way."
Love, Peace, and Happiness to ALL!

"still waiting
I I I'm stiiill waiting"

Hey today is 2 years as "Proudfoot"

While I wait...

Some of 30 Trips
10 27 90 meh
10 whatever 91 mmmm....no
92 show zzzzzzzz
6 24 85 yeeeesssss. Nice n lively

Summer 85 box in 2023 Dave!!!

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Shipping notice arrived three hours later. Celebrated Jerry yesterday with a deep dose of the June76 box. A phoenix that, we hardly knew if/when/how they would come back after extended hiatus. Listening to second #43 disc now, zowie, been waiting a long long time for this sweet old stuff. Nice to know so many of us will be sharing this music over these next dog days of August. Thanks to all at OSF/dead.net/Rhino/WMG who made this happen. I should be able to stop asking about a 60s box for a few weeks.

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Mine arrived yesterday. Listened to the first disc so far. Amazing how great this sounds for being such an old recording. Bear had his system down. Much respect to his foundation for taking the extra care to pass along the original engineers wishes. These Sonic Journals are truly special.

I love that these past couple of years Dave has been hitting such a wide variety of these pieces of history.

Maybe close out the year with 9/26/91 or a December 90 offering. It would be cool to show a little love for the Vince era with and or without Bruce after 43 of these releases.

Currently the 8-CD Waiting For Columbus Box is listed at the Rhino store as “not currently available”.

I didn’t think/realize that it was limited edition.
Or did the whole Rhino website get hacked so bad that nothing is working?

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Astonishingly good ... epic release overall

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In reply to by jjc

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....I couldn't have said it better myself as I sit on my porch waiting for my sonic journal. Like Homer dancing for his pink sprinkled donut.
I'm telling you people. That trip to Red Rocks changed my attitude and focus. Magical place.
Major edit.....RIP Vin Scully. The best baseball announcer ever. F**K

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Excellent, said while rubbing my hands together like Mr. Burns.

This whole release is good, but disc 3 is stellar. Dig that both Dark Stars have a bit of the Soulful Strut interlude. It starts about the 23 minute mark and ends just before the 26 minute mark in the Dark Star on the Family Dog 11-2-69 show. On the Dark Star from the 12-26-69 show it starts at just before the 16 minute mark and mostly ends at about 19 minutes. If you don't know what I mean, check utoob for the instrumental tune Soulful Strut by Young-Holt Unlimited from 1968, beautiful song, covered on several Dark Stars and I think a couple of Dancing in the Street as well, I think the version on the 1970 show from the 30 Trips Box has it. The "jam" after the Dark Star from Dicks Picks 2 from 10-31-1971 is the closest to a straight up cover of the original song. I don't hear Tighten Up by Archie Bell and the Drells, that has a different sound and lacks the gorgeous melody of Soulful Strut.

Really dig that New Speedway Boogie too. More please.

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A real legend. I used to listen to him on KFI from L A broadcast the Dodger games back in the early 60s, it would come in later at night in the Bay Area.

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Today DP 43 #20707 and #20708 arrived in my mailbox. I've ordered two copies the last couple of years to have extras to trade for releases I've missed. This is the first time I've gotten consecutive numbers.

Started spinning the first disc after they were downloaded. Very impressed. Pig was an amazing soul.

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In reply to by msmiranda

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....my Dave's has been out for delivery since yesterday afternoon! 🥳
(edit for sarcasm).

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(Tracks in the order they were performed)

11/2/69 FAMILY DOG AT THE GREAT HIGHWAY, SAN FRANCISCO

Cold Rain And Snow 6:19
In The Midnight Hour 8:23
Seasons Of My Heart 4:32
Mama Tried 2:55
Next Time You See Me 4:51
Good Lovin' 9:23
Big Boss Man 6:59
Casey Jones 4:39
Dancing In The Street 9:06
Dark Star > 30:32
St. Stephen > 9:43
The Eleven > 8:59
Death Don't Have No Mercy 11:47

12/26/69 MCFARLIN AUDITORIUM, SMU, DALLAS*

The Monkey And The Engineer 2:41
Little Sadie 3:57
Long Black Limousine 6:09
I've Been All Around This World 5:03
Gathering Flowers For The Master's Bouquet 3:10
Black Peter 11:05
Uncle John's Band 6:32
Casey Jones 5:12
Hard To Handle 4:54
*
China Cat Sunflower> 5:55
I Know You Rider> 5:26
High Time 8:04
Me And My Uncle 4:14
Dark Star 24:52
New Speedway Boogie 5:36
Turn On Your Lovelight 14:54

* The Dallas "Cold Rain And Snow" is missing from Dave's 43 due to space limitations. Hopefully to be released on an upcoming Dave's Picks as filler.

STILL MISS YOU JERRY!

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and just lovely that we get it during the Days Between, thanks everyone involved with this very special release. 69 was indeed a very magical year.
8-3-69 check this one out too, David LaFlamme on Violin and Charles Lloyd on Sax, another gr8 Dark Star.
"Shall we go, you and I...."

PTB: thanks for reminding us, among a number of 60s shows, that one is a special stand out for the eventual 60s box. Love to see others thoughts on which shows should be short listed for a 60s box. Give the people what they want! We might treat the "primal" dead concept as almost anything up to and including 1969, when things began transition that summer, cowboy tunes in, Jerry's down with lap steel etc. #43 shows this transition well, cover does justice too, LiveDead girl dancing with skeletal cowboy, Gibson SG crossnecked with an acoustic.

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