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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1351
    Vguy72
    Joined:
    Meet up....

    ....I'm going early to try and get in the front GA section. Lot opens up at 4:30 I think???
    PM section is down? Says I'm not authorized to access.

  • #1352
    Deadheadbrewer
    Joined:
    I met #3230 accidentally, in Saint Paul, Minnesota!

    No notice, just a delivery a few minutes ago.

    I've told this to you all a million times, but a group in the Twin Cities has been recreating The Last Waltz on stage once per year for about 15 years. It's a very cool event.

    Be kind, rewind.

  • #1353
    bigbrownie
    Joined:
    Didn't Get a Notice

    ...but #23818 has arrived in sunny Southern California. Now if only that Little Feat box from Rhino would get its butt over here.

  • #1354
    hendrixfreak
    Joined:
    Vguy, I'll be lookin' for ya

    I'll hold or wear my Hamms beer hat, blue short sleeve shirt with very thin vertical stripes, gray pants, sandals, Fu Manchu with beard, short dirty blond/gray hair, goofy grin...

    I'm having trouble with my ankle, so I'm not climbing to the top in search of you, but maybe halfway between my Row 10 and your GA section up top. I told Nappyrags I'd be on the outside stairs, Row 10, between bands -- especially after Gabe Dixon but well before Los Lobos hits the stage.

    Try to come down for a brief hang. I'll have treats for ya! If I can make 2023 and 2024 shows, I'll have put in 50 years at the Rocks. Fortunately, not making little ones out of big ones, if you know your prison lore....

    HF

  • #1355
    proudfoot
    Joined:
    Went to get mail today

    Oooo, theres a package! New Daves!

    PSYCHE!

    Postal person misdelivered a delivery for my neighbor.

    >:(((

  • #1356
    proudfoot
    Joined:
    I go into a well-known coffee chain

    to chill while I get new tires.

    I give my name

    I sit down 10 feet away to wait and play the electronic crack game (phone ya know)

    10 seconds later some dude in line tells me my drink is ready

    Barista says she called my name

    She must have whispered it

  • #1357
    That Mike
    Joined:
    VGuy - RR sounds amazing,…

    VGuy - RR sounds amazing, and I’ll bet the band was fantastic! I just received Part 3 - The Fall yesterday, so after I finish this interminable Honey Do List, I’ll break it out. Glad you enjoyed the show.

    Dennis - Enjoyed reading the Last Waltz story, my favourite concert movie. When it was released in 1978, I knew I had to see the film, as I saw The Band on that, their last tour. Considering they got their start in Toronto, I thought it shitty the film got only limited release here at the time, but since I was in university then, I saw it repeatedly, even matinees, at a theatre no longer standing that was a block from where the Band (nee The Hawks) used to play at a long defunct club called Le Coq D’Or back in the early 60s with Ronnie Hawkins, and where Dylan came to hear them play. The rest was history. Great story, and Muddy’s performance was a highlight.

  • #1358
    Vguy72
    Joined:
    Red Rocks revue....

    ....I'll try. Let me get the bad out of the way. Lots and lots of stairs.
    Now for the good. One of the best food courts I've seen. They serve basically everything. And if you are near the top like I was, the constant smell of food pours down over you.
    If there was a police presence, they must be undercover, because I didn't see any.
    The sound there is top shelf. Wow. Towards the end of the show, the wind picked up and started bouncing the sound around the huge rocks and sounded even more amazing! (I was under the influence of psilocybin, so I may be compromised regarding that, but I don't think so).
    Getting around is easy. Getting in and out was easy. This place has it all.
    Now TTB. I literally cried a couple of times during the show. They are tight AF and brought it hard for 2+ hrs. When Susan really starts preaching, you better shut up and listen because she's got something to tell you. Members of Los Lobos came on and sat in for a couple of songs and that's some dream come true shit. At least to me.
    I have GA tix so a shout out to my neighbors Jessica and Ross and Susan and Alan for waving me over when I reached upper GA and yelled out if anyone had room by them for one person. You people were the best.
    I walked back to my car and drove to my hotel in stunned disbelief and didn't say a word.
    Didn't see anyone being busted for anything and pot smoke was definitely evident in the air. Crowd was chill. How can you not be at a place like that!!!
    I regret taking so long to finally visit the hollowed ground that is RR, but better late than never.
    You all have a great Saturday.
    I'll be wearing my Make America Grateful Again tee and my American Beauty brown bolt/roses cap tonight btw. Tall white dude with a white beard and glasses with a constant smile on my face. Can't miss me lol!

  • #1359
    billy the kiddd
    Joined:
    Alright, #43 has landed in the Bay Area!

    What a killer release, keep them coming Dave.

  • #1360
    Dennis
    Joined:
    may interest some

    My buddy sent me this in an email today,,, thought some might enjoy reading it....

    THE LAST WALTZ BLUES JAM
    by Bob Margolin
    The more blues-driven musicians commandeered the instruments at the jam, and played some old favorite songs together, mostly Robert Johnson’s. This sounds like a common scene at open-mic jams at blues clubs, where more experienced blues players sometimes conspire to sit in together. It happened at about 7 am, the morning after The Band’s Last Waltz concert on Thanksgiving, 1976. The Band had hired the entire Miyako Hotel in San Francisco to accommodate their guests. The banquet room which had been used for rehearsal before the show was now the party room, and musicians had been jamming in random combinations since after the concert, many hours before. But unlike your local blues jam, every blues player that morning was a Rock Star.
    Except me. I was there with Muddy Waters. who was invited to perform two songs at The Last Waltz. Muddy had recorded his Grammy-winning “Woodstock Album” the year before with Levon Helm and Garth Hudson from The Band, but The Band itself was an unknown quantity to him. He brought Pinetop Perkins and me from his own band to accompany him along with The Band and Paul Butterfield on harp, so that he would have something familiar to play with. Muddy also felt I was good at explaining what he wanted onstage to musicians he hadn’t worked with, though 25 years later, I still find myself wishing I knew more about what Muddy wanted.
    Muddy, Pinetop, and I checked into the hotel the day before the show and went to the restaurant. I saw a few familiar faces from the Rock World, and some came over to say hello and pay respects to Muddy.
    That night, Pinetop, Muddy, and I were scheduled to rehearse our songs for the show. I didn’t realize that some of those blues-oriented rock stars must have been in the room to watch Muddy.
    The next night, at the concert, Muddy, Pinetop, and I waited backstage to perform. Pinetop told me he heard one of The Beatles was there, not realizing that Ringo was sitting right next to him. Born in 1913, Pinetop knew as much about The Beatles as I know about The Backstreet Boys. Joni Mitchell, looking impossibly beautiful, introduced herself to Muddy. He didn’t know who she was, and just saw her as a young pretty woman. He flirted but she didn’t respond.
    I’m told that there was a backstage cocaine room, with a glass table and a “sniff-sniff” tape playing, but I never saw it. I did, however, see through Rolling Stone Ron Wood’s nearly-transparent prominent proboscis in profile. In the “green room,” Neil Young passed me a joint, smiling, “We’re all old hippies here.” Though I was 27, something about “old hippies” resonated with me for the future. Young was older than me by a few years and even had a couple of gray hairs then, but I remember thinking that nobody in that room was old yet except for Muddy and Pinetop. Now, I’m certainly an old hippie, though Pinetop, going strong at 88, is neither. As for Neil Young, film of his performance revealed a white rock up his nose, which was edited out frame-by-frame for the movie.
    California Governor Jerry Brown popped in and invited Bob Dylan to get together with him sometime. Dylan, relaxed and outgoing until The Governor arrived, instantly turned sullen and distracted, barely nodding without looking at Brown. The uncomfortable Governor soon left, and Dylan laughed just before he was out of earshot and reverted to his friendlier mode. Something is happening here, but I don’t know what it is.
    When it was our turn to play, Muddy and Pinetop sang the light, swinging “Caledonia” as they had for “The Woodstock Album.” In hindsight, I think Muddy could have presented himself more strongly with a deep slow blues like “Long Distance Call” which would feature his almighty slide guitar. But nobody could argue with his second song choice — “Mannish Boy” was always a show-stopper. It was preserved in full in The Last Waltz movie, which was released in ‘78. Harp player tip: Muddy loved the way Butterfield played on that song, setting up a warble that “holds my voice up” rather than just playing the song’s signature lick.
    Fatefully, only one camera was operating during our song, zooming on Muddy, but not changing angle. Standing close to Muddy, I was in every frame. Pinetop, at the piano way off to the side, unfortunately was never seen in the film. But as Muddy hollers “I’m a MAN” and we shout “Yeah” to answer, as we always did in that song, you can hear Pinetop also yelling, “Wahoo!” — which is a line from a politically incorrect joke that Pine had heard on the road, and was fond of telling over and over in 1976.
    Now, whenever The Last Waltz movie is shown on TV, a few people at my gigs tell me, “I saw you on TV!” and how I looked — happy or mad or scared or bored. I think they just project how they would feel. I was simply concentrating on playing, and particularly enjoying Muddy’s powerful shouting, Butterfield’s warbling-tension harp, Levon’s deep groove, and Robbie Robertson’s fiery guitar fills.
    Eric Clapton followed us, and as he began his first solo, his guitar strap unfastened, and he nearly dropped his Stratocaster. In the movie, his lips distinctly mouth, “Fuck!” and as he refastens the strap, Robbie picks up the solo and runs away with it.
    Muddy and Pinetop went right to their rooms after our set, but I went down to jam back at the hotel after the concert. This is where I realized that some of those blues-oriented rock stars had watched me rehearsing with Muddy and been impressed that I was playing Old School Chicago Blues in his road band and helping to arrange the songs for our performance. I also had a very cool blues guitar with me — my late-’50s Gibson ES-150 arch-top, which I also cradle on the cover of my latest album, “Hold Me To It.” Bob Dylan approached me and said he hoped we’d get to jam together. Then he disappeared. I did play “Hideaway” and some slow blues with Eric Clapton, whom I met that night. Dr. John sat at the piano for hours, and played along with everyone. My piano-playin’ sister Sherry, who lived nearby and was hanging out, sat near him, eyes glued to his funky fingers.
    Around dawn, I put my old guitar back in its case, and started to leave. Bob Dylan caught me in the hall and said, “I thought we were going to jam…” I decided to stay awake a little longer. We had Dr. John on piano, Ron Wood on bass, Levon on drums, Butterfield on harp, and Clapton, Dylan, and myself playing guitars. There were no vocal microphones, and we all played softly enough to hear Dylan sing “Kind Hearted Woman” and a few other well-known blues songs. His trademark vocal eccentricities sounded outlandish in the blues, but he did make them his own. Generally, the blues we played that morning were not remarkable, but I was honored to be jamming with these fine musicians, and I realize that they belong to the same “club” as you do — deep blues lovers.
    Recently, I read Levon Helm’s inside story of The Last Waltz in his autobiography, “This Wheel’s On Fire” (recommended!). I was shocked to find that because of time and budget constraints and Band politics, Muddy was nearly bumped from the show. Levon fought bitterly behind the scenes and prevailed to not only keep Muddy in but to indulge him with me and Pinetop too. We were treated as honored guests at The Last Waltz and I enjoyed the once-in-a-lifetime jam afterwards, but Levon never told us about making a stand for us. He just made us welcome. Ultimately, this gracious, classy, and tough gentleman was responsible for my good time there.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by billy the kiddd on Wed, 08/10/2022 - 21:39

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I truly believe, that this box set will be released again on cd as un numbered and not limited edition. The recording quality and the performances are so fantastic, that I believe the Dead would want these shows available to everyone.

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Submitted by daverock on Thu, 08/11/2022 - 02:56

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It seems a few people may have missed out on The Fillmore West 69 box - I'm among them. I didn't know about Deadnet when that came out, and didn't have a computer anyway. I'm buying the L.Ps as they come out, but I would buy the complete run on cd if it ever comes out again in a shot. That and the Europe 72 shows essential in any and all forms.

Keithfan - thinking about it, a lot of my favourite versions of songs are the first ones I heard, too. And coming from the (first) L.P. era, many of these are on the old officially released albums. For example - the second side of Anthem, all of Live Dead, about half Workingmans' Dead, most of American Beauty and the the 3rd L.P. in the original Europe 72 triple album box - and many of the other songs-maybe Cumberland.

Trying to understand the lyrics of 1970s prog albums....that way madness lies. My favourite is "Cirkus" by King Crimson. Have a look at that one online, if you dare, and try summarising it in as few words as possible.

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Submitted by simonrob on Thu, 08/11/2022 - 03:54

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My copy of this little beauty has just been delivered here in the Netherlands. It managed to avoid Dutch customs on it's journey, so no taxes or administrative charges. 👍🏻 This looks as good as others have reported and I shall get down to listening to it directly. #17761

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Submitted by musicnow on Thu, 08/11/2022 - 05:54

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Yea, I missed out on that too. Sure hope this would be a re released. I would buy it up in a heartbeat.

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Submitted by hendrixfreak on Thu, 08/11/2022 - 07:31

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Not commenting specifically on recent band mentions, but there are very few artists whose lyrics can equal the music or stand out "ahead" or "above" the music. Hunter and Dylan do it, for me. Robbie Robertson, with The Band (but never again, plus he had Levon singing his lyrics). Then there are the innumerable songwriters too numerous to mention. The flip side is the tremendous number of bands whose lyrics basically just suck. To avoid the eggs and tomatoes, I won't list any, but they constitute an appalling percentage of popular music, at least after about 1955. In the 1920s, '30s and '40s (and prior to recorded music) lyrics had to be clever or at least hip, coded, double-entendres, especially in the blues. Check out Lonnie Johnson's "Shorty's Mowin' Your Lawn," for instance. But '60s and '70s? Mostly crap, except for our favorites.

This my patented cannonball-in-the-pool splashing, then rapid retreat to lurking again.

Plus, Bonnie Raitt tonight at Red Rocks! 15th row. Oh yeah.

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Submitted by billy the kiddd on Thu, 08/11/2022 - 07:58

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I saw Bonnie Raitt open for Garcia ,( along with a lot of other great folks who post here on the forum), in 1987 at the Greek Theatre. It was a great show,, Bonnie came out and played a few songs with Garcia. Bonnie's dad was in the audience and stood up when Garcia introduced him. The day before we were up on the Eel River to see Garcia play the first Electric on the Eel, with his acoustic and electric bands, what a cool scene, definitely the coolest place I ever saw a Dead or Dead related show, up in the Redwoods in the Mountains. right on the Eel River. Big Fun!?

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Submitted by Dennis on Thu, 08/11/2022 - 08:30

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I've been working on massive amounts of blues and I laugh when they talk about Pigpen getting bawdy.

How about...

I thought she was a fishermans daughter,,,, when I showed her the rod, she reeled!

Found another tune, "my honey hole".... some talk about their jellyroll, but I love my honey hole.

Say no more!

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Submitted by hendrixfreak on Thu, 08/11/2022 - 08:31

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We had a joint in Denver called the Rainbow Music Hall in the late '70s, every early '80s. It got dozed and I think a Walgreen's occupies that once-hallowed space now. Emblematic of our times? (Ponder-worthy. Like my local telescope shop that's now a pawn shop...)

The Rainbow held about 1,400 people and we saw Bonnie there probably about 1980, along with (different nights, of course), Jerry, Robert Hunter, Santana, Leo Kottke, the Dinosaurs, Roy Buchanan, Steve Morse & Dixie Dregs, boy, gotta dredge up more memories -- oh yeah, John Mayall, mmm zzz, synapses failure...

Here's to mo' Big Fun! And hats off to BTK for reiterating what it's all about, apart from a lifelong attempt at the golden rule, etc., etc.

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Submitted by hendrixfreak on Thu, 08/11/2022 - 08:34

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And she gave me the finger!

(I typically pop off when anyone says, "Say no more!")

How 'bout Lonnie Johnson's "Jelly Roll Baker":

Without jelly roll, I'd rather be dead
I put in my order fo' two weeks 'o head
Gotta have that jelly
My sweet jelly roll...

Good ones
"No one is united
And all things are untied"
A whole lot more
Blues with multiple references to jellyrolls (they aint talking your local bakery)
Now things are just said directly
Gems such as "wet ass pussy"
"My neck my back my pussy and my crack"
Then again rolling stones were pretty blunt
Captain Beefheart "I wanna lick you everywhere it's pink and everywhere you think"
At my age I sing the blues song "the lead's all gone" from my "pencil"

Whoa! Getting a little carried away there...

Today's drive:
12 26 69
8 5 and 6 74

"Marconi plays the mamba..."

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Submitted by billy the kiddd on Thu, 08/11/2022 - 09:25

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Willie Dixon wroteI "I'm Ready", " I've got a axe handle pistol on a graveyard frame. That shoots tombstone bullets, wearing ball and chains. I'm drinking tnt, I'm smoking dynamite. I hope some screwball starts a fight. " It's on the Best of Muddy Waters followed by "Hoochie Choocie Man" also written by Willie Dixon "The Best of Muddy Waters* with greats like Little Walter and Otis
Spann backing Muddy Waters. " The Best of Muddy Waters" & " Working Mans Dead", the two greatest albums of alltime. Both get repeated plays on my bbq & beer drinking play list each weekend. Bo Carter wrote " Banana in Your Fruit Basket", great song check it out out..

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Submitted by simonrob on Thu, 08/11/2022 - 10:35

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"Shave 'em dry" by Lucille Bogan in 1935, under the name Bessie Jackson. Google it for the lyrics unless you are of a sensitive nature or suffer from high blood pressure. Parental advisory. 😂

Some great sexy songs by Bessie Smith - "Empty Bed Blues" - I think that was the name of the one I liked most.
The Cramps were quite saucy - especially after the first few albums. The worst ones were the hard rock bands of the early 70's, what became known as "cock rock". "Hard Lovin' Man" by Deep Purple comes to mind - brilliant riff, but ludicrous lyrics.
I quite like some of the preposterous words to songs from about 1967-1975. They don't mean jack shit most of the time.. but they are quite entertaining. The dafter the better.

Mention of Bonnie Rait reminds me of that great duet she did with John Lee Hooker on "I'm In The Mood". There's sexy.

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Submitted by 1stshow70878 on Thu, 08/11/2022 - 12:26

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Sound is SO clear!
So many cool seldom heard songs.
First show: Death Don't the highlight for sure for me.
Second show: Wins hands down. Better DS to my ear.
Not a fair comparison though, because it's got an acoustic set.
New Speedway in there too.
And that Black Peter, whoa.

Speaking of Dark Stars, the DS from Keith's second show,
10-21-71 that was in last weeks Tapers, was better than these two.
(ducking to avoid thrown objects now)

Cheers

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13 years

Submitted by JimInMD on Thu, 08/11/2022 - 12:34

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I can honestly say that as the last Dark Star I have listened to.. this one is the best.

then again, it was the last one I have listened to.. so this should surprise no one.

You're so right, these recordings are crisp, clean, balanced and clear. Works of art.

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8 years 9 months

Submitted by bluecrow on Thu, 08/11/2022 - 12:50

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the 12/26 Black Peter is otherworldly

and yes that 11/2 Death Don't . . . .

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Submitted by 1stshow70878 on Thu, 08/11/2022 - 13:10

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Dave mentions this too. The SMU audience was so polite.
That deafening silence really adds to the eeriness of that Black Peter.
Jerry really living the lyrics.
Cheers

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Submitted by bluecrow on Thu, 08/11/2022 - 13:21

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Black Peter - hauntingly intimate and clear, the playing and the soundscape - unreal.
feels like a dream, a disembodied spirit, motionless right there a few feet away from Jerry and Bob.
incredible recording by Bear

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Submitted by proudfoot on Thu, 08/11/2022 - 15:25

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4 8 72
12 26 69

Dee
Lih
Shuss

Now...what for the last 90 minutes of the drive...hmm...

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Submitted by bigbrownie on Thu, 08/11/2022 - 16:43

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Yep, gonna see the boys tonight, for the umpteenth time. They're doing a one off from their tour with Little Feat, as they mosey down the west coast.

Finished #43 over the weekend. I usually do my first listening with headphones, bur this time I went with the Vincent HDCD hybrid CD player tied to a dedicated NAD 150wpc amp into some very nice 3way Revel inwalls in the formal living room.
I gotta say Jerry and Bob felt like they were in the room with me during the acoustic numbers, and Pigpen was ownin' it on harmonica!

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Submitted by Mr. Ones on Thu, 08/11/2022 - 17:10

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Patience has paid off, 13,478 has arrived!! I’ve only had time to give it a quick run through, but I do have some thoughts/reactions:
China/Rider is superb
High Time->Lovelight is just beatific!!
Disc 1-Seasons, M.Hour, Good Lovin’ & Dancing are all candy
And of course, the Dark Star suite on disc 2 gives goose bumps.
But…I really need to spin 2-3 more times.

Lastly, I’ve read complaints about the structure of the 3 discs, I think Dave did a brilliant job.
Just under the max 4 hrs. of music, and this was I’m sure, the only way to do it. It’s quite easy to listen to the shows in order, with little effort. When I hear complaints about the shows not being in order, it makes me think that we have lost appreciation for what we keep receiving. C’mon man!! For anyone who used to make mix tapes back in the ‘80’s-‘90’s,
This is a fantastic solution to the jigsaw puzzle.
I for one am thankful & Grateful for gifts such as this.
I’d love to say more, but I’ve got some listening to do!!

Music is the Best!!
Thanks Dave!!!!!!

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Submitted by proudfoot on Thu, 08/11/2022 - 17:20

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First set

Sehr gut, meine liebe Totenkopfen

Note: a truck passed me on the freeway. A "Jerry hand" sticker on window
His license plate read "DVDSKY"

be the first person to identify what that license plate is all about and you WIN!

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Submitted by Vguy72 on Thu, 08/11/2022 - 19:03

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🤜🤛 Hopefully Tom_Tom is next.
Banter in between Black Peter and Uncle John's Band.
Bobby. "No shit Batman" lol.
I'm a Batman nerd. I chuckled.
Music is the best. Without it, I would be a very melancholy Vguy.
You have handsome cats Mr. Ones.
Divided Sky and the wind blows high is the plate. That band from Vermont that will be celebrating 40 years next year. Hoping they play The Sphere here then. Its got a PH in the name. All OG except Page who joined in '85. Story goes he saw them play and told Mike "Im going to join your band" even though Trey was adamant that Phish would be a two guitar band with no keys. I remember seeing them play Divided Sky at the Gorge Amphitheater in '98 with my girlfriend now wife as the sun was setting. And they are killing it since Covid.
What did I win?

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Submitted by proudfoot on Thu, 08/11/2022 - 19:51

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750 pm

Across the street at the zoo a band called Mt Joy is playing Fire on the Mountain

Yaaaahoooooo!!!

....time to strap in. Ho, Ho, Ho.
Today I learned Proudfoot lives across the street from a zoo. Nice.
I live across the street from a new housing development. Tore down a golf course to make room. Hope Vegas has enough water in a few years to sustain.
The western slope of the Rockies needs snowpack and rain. Bad.
It's been monsoon season here. Humid and massive storm cells. Which is good, cause we haven't seen monsoons in like four years. La Nino.

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14 years 9 months

Submitted by Colin Gould on Fri, 08/12/2022 - 01:48

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DaP #43 has just arrived in North West England.

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9 years 10 months

Submitted by KeithFan2112 on Fri, 08/12/2022 - 01:52

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Congratulations on your new arrival. Reading your comment about tape mixes in the 80s and 90s really brings home one of the positive aspects of technology. I used to make tons of mixes on my trusty high bias Maxell XLII-S cassettes. I would make LP mixes as well as record music off the radio. CDs were a great advancement. Then CD burners...and next came mp3s. Napster. Now it all just fits on my phone and sounds near-perfect.

I'm also with you on the thankful sentiment that we even have all of this Dead music at our fingertips. A lot of people have mentioned it, so I'm just one more person to marvel that they recorded all of these f***ing shows. I mean....wow wow wow wow wow. It simply wasn't done in those days. For the Dead to be the band that took this route is all the more incredible, given the varied set lists, nuances and improv in their playing, not to mention the changes in their sound that was always going on. The gig we're enjoying with these releases wouldn't work with the typical 70s band. I'm a big Who fan, but I wouldn't be interested in more than a few shows from each tour. We're just plain blessed.

Last thing - agree with your take on Dave Lemieux's decision to throw song order out the window and just give us the goods. I think we're quite fortunate to have an actual Deadhead like him making the picks. He knows his shit - I always find, if the question is something like "why Felt Forum on 12/6 & 12/7 and not 12/5 with the Dark Star and Muddy Water" that the 12/5 show is going to hit us when we least expect it. Heck, maybe 12/5/71 will be DaP 44....or the incentive for 2023's Dave's Picks subscription. Just imagine if some corporate Warner dude was spinning the wheel of fortune to determine what gets released- yikes.

Forensic Doc turned me on to these Berkeley shows fro 8/14 & 8/15, 1971. Some outstanding stuff here with pretty decent sound. Between these and the 8/6-8/7 shows, there is some great raucous Les Paul sound coming from Jerry. Jimmy, if you made it this far, there are a couple of sizzling Cumberland Blues solos on the 8/14 show).

Daverock, you're not kidding on the King Crimson! I bought In the Court of the Crimson King about 20 years ago and listened to it once. I could probably get into those guys if I gave them a fair chance.

Dave's 43 delivered this morning, with no extra money asked for. It looks amazing - couple of songs I haven't heard before and I can't remember ever hearing a Dark Star that goes into New Speedway Boogie before. Unfortunately, I was half way through the second side of the new vinyl 5/26/72 when it arrived, so I may wait until I have finished that before I dive into 69. It's a hard life!

I agree too that we are blessed with all these archival releases. I can remember reading Blair Jackson's book "The Music Never Stopped" about 1983. At the end he lists and briefly reviews his favourite tapes. The best part of the book - but how to get hold of them? I never dreamed I would get to hear them all - or most of them, in such great sound quality.

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Submitted by jjsoch on Fri, 08/12/2022 - 03:44

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DVDSKY- Divided Sky - a delightful Phish song. The opener at my second Phish show on 8/13/96 at Deer Creek.

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Submitted by rasta5ziggy on Fri, 08/12/2022 - 05:04

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Last night I was watching Andy Griffith. It must have been from the first season because he sounds 100% country. Andy rips into a killer version of "Going Down the Road Feeling Bad" while on his front porch playing his 6-string. Played two verses, one which I had never heard before. Aunt Bee was nowhere to be seen. She may have been in the house twisting one up. I wonder if the Dead ever covered any other Andy songs or did a show near Mayberry or Mt. Pilot.

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Submitted by drcomedy1966 on Fri, 08/12/2022 - 05:07

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Landed safely in sunny East Kent. That's this evening's listening sorted.

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11 years

Submitted by Thin on Fri, 08/12/2022 - 05:23

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Was listening to the dark star from the first show last night. Way toward the end, like maybe 25 minutes into the 30 minute song, they suddenly burst into the tighten up or "hypnotize" jam that they would later do much more completely on October 31, 1971, from dicks picks 2. I was totally not expecting that, and it was a wonderful little Easter egg to stumble upon.

And I am loving this release with the two dark stars. I appreciate that they are the more melodic kind, not the dark murky abyss that some of them become.

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Submitted by JimInMD on Fri, 08/12/2022 - 07:15

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Isn't there a hybrid strain named after her? OG Kush?

As we all know, Aunt Bee was known for her purist approach to growing Cannabis in the North Carolina foothills. She had a few acres of weed and a still out back. The Original Gangster of pot growers.. Pouring my first sip of moonshine of the day on the curb in honor of Andy and Aunt B. I wonder how they kept it a secret from Opie (or did they)?

(whistling the theme song as I write this - whew whew wha whe, wha whe wha whe, wha whe wha whe wha whe whe whe)

Edit: If you google Andy Griffith Going Down the Road Feeling Bad youtube has part of this.. it opens with Otis drinking some of aunt bee's cannabis infused moonshine. Classic.. all in black and white, I am not sure they ever did this one in color.. I forget.

Ha, immediately makes me think of that awesome Henry Kaiser song off of the great Those Who Know History are doomed to repeat it album which now that I think of it, needs a spin this WE!
Cool Dead related stuff on there for those not familiar.

Let's see who can get this.

First aired in 1964, again aptly in black and white. The theme song is:

duh duh duh da - snap snap
duh duh duh da - snap snap
duh duh duh da, duh duh duh da, duh duh duh da - snap snap

Just to keep in interesting.. the Dead covered this theme song three times. (this is beginning to sound like a Bolo post). Once in Oregon. My final clue.

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Submitted by Seventhson on Fri, 08/12/2022 - 08:31

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Lovin these shows, but did anyone else have issues playing disc 1? My CD player can't seem to read it, but my computer DVD drive can. Probably my cheap Sony CD player but discs 2 & 3 play fine. It came with a couple scratches on disc but I don't think that's the issue.

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Submitted by billy the kiddd on Fri, 08/12/2022 - 08:59

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Jim, it's the Adams Family, great show, used to watch it every Friday Night'. Time to get ready for today's bbq.

Right on BTK.. Doing a little BBQ here today myself.

Like the Kevin Bacon game.. but I'd venture to say we can tie almost any topic to the GD in like four degrees of separation. They were just so much more varied, interesting and relevant than Kevin Bacon. Sorry Kev.. still love ya man, but I love Jerry and the boys more.

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Submitted by Dennis on Fri, 08/12/2022 - 09:45

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Didn't know for years, but there are words to the Andy Grif theme,,,, "the fishing hole"

Well now, take down your fishing pole
And meet me at the fishing hole
We may not get a bite all day
But don't you rush away
What a great place to rest your bones
And mighty fine for skipping stones
You'll feel fresh as a lemonade a-setting in the shade
Whether it's hot, whether it's cool
Oh what a spot for whistling like a fool
What a fine day to take a stroll and wind up at the fishing hole
I can't think of a better way to pass the time of day
We'll have no need to call the roll
When we get to the fishing hole
They'll be you, me, and old dog, trey to do the time away
If we don't hook a perch or bass
We'll cool our toes in dewy grass
Or else pull up a weed to chaw
And maybe sit and jaw
Hanging around, taking our ease
Watching that hound a scratching at his fleas
I'm gonna take down my fishing pole
And meet you at the fishing hole
I can't think of a better way
To pass the time of day

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Submitted by bigbrownie on Fri, 08/12/2022 - 10:08

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"Hypnotize", yes I thought the same thing. I let it pass by 'cause the indica was kicking in. These old ears detected several other song references in this Dark Star. Next listen, I'm taking notes.
The Death Don't was stellar, and I bring that up because Hot Tuna played it, and played it well, last night. So a double dose of an old time fave just this week.
Jorma was in fine form, and I had a brief moment with Jack by the bus. I was nervous, and I called him "Mr. Casady".

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Submitted by JJ Fehmarn on Fri, 08/12/2022 - 10:16

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Got my copy last monday, no additional taxes and charges. There was a fat sticker on the back side of the package
for about 10,65 EUR on taxes and postage fee but the postman didn't realized that. Good for me.
Sound on these Cds is fine but I'm not a fan from putting fillers on the Cds. Reminds me to the good old taper times
when you put the encore after the first set cause the second set fits on C-90 Tape.
Last Five:
GD- DP43
Neil Young - Toast
Neil Young - Noise & Flowers
Neal Casal - Fade Away Diamond Time
CRB - Burg Herzberg Festival 2019

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11 years 8 months

Submitted by Dennis on Fri, 08/12/2022 - 10:32

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anyone getting notices on "the vault series" from Experience Vinyl.

It's been put off since April(?),,,, said summer 2022 for a while,,,, just checked says 8/13 now.

anybody, anywhere, any words?

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Submitted by PT Barnum on Fri, 08/12/2022 - 10:33

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Hey now everyone, hope you all are enjoying that great release DsP 43. Everything said her so far has been right on, awesome versions of classic Dead tunes.
On another note, Joe Walsh Vetsaid 2022 sells out in half an hour. Who's been watching Joe on Colbert this week? Did a fine Life's Been Good Wednesday and has had on display a different guitar every night. Did anyone recognize the axe he played last night?
Last 5
White Light/White Heat - Velvet Underground
David Bowie - Scary Monsters
James Gang - Rides Again
Barnstorm
Eagles - The Long Run

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