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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • 1stshow70878
    Joined:
    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • Charlie3
    Joined:
    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

11 2 69 death dont is reeeeeeally good, yes. Creepy too, as I heard it on my way down to Oregon to see my awesome M&D. They arent in their 40s anymore, ya know

Addams Family 7 19 87 in Oregon I WAS THERE MAN! THE PLACE ERUPTED!!

thanks for the AG lyrics Dennis "weed to chaw"...that's NC slang ;)))

Tom Tom...any luck?

Songz and such
Look up Jim (dont call me Jimmy) Page...he has a tune called "going down to Eugene to see the Grateful Dead"

7th son...my discs play fine.

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In no particular order, Workingmans Dead, Anthem of The Sun, and The Best of Muddy Waters, all to be played at my beer and bbq sessions this weekend. Today we're BBQing tri tips and drinking Sierra Nevada Pale Ale.

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I have a disc by the somewhat avant gard-tarist Henry Kaiser (Those who know History are Doomed to Repeat It) that has a vocal version of Fishing Hole on it. Pretty funny, never knew there were lyrics.

"Well now take down your fishing pole, and meet me at the fishing hole....We may not get a bite all day, but don't you rush away, What a great place for resting bones, mighty fine for skippin' stones...."etc. etc.

Also always enjoyed seeing Clarence and Roland White with the White Brothers/Kentucky Colonels progenitors guesting as the bluegrass pros on that show on occasion.

Billy the kidd - I did a three day canoe trip with a buddy on the Middle Fork of the Eel river back in the '80s. A beautiful, jade green river along the tracks of some obscure north country railroad in the thickly tree covered cliffs above it. Usually only ran full enough to navigate early in the summer after the winter/spring rainy season before the water got too low. A few light rapids, with a bigger one at the end, but mostly a serene float trip with some nice sandbar and boulder lined camping spots. Just was warned not to climb up into the hills there and accidentally stumble upon some guarded pot farms. So we didn't do that.

I also liked your choices of Daves picks and Dicks picks from several pages back. Many of those are among my favorites too, plus I'd add the Ladies and Gentlemen...release as part of the prime Dead for me. Of course, that just scratches the surface, and the whole late '72-'78 is like a different world of goodies once the Pig flew off.

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Bluecrow, that must be Spirit.
Thanks for posting that. Was wondering.

HF, how was Bonnie at The Rocks?
Let's Give Them Something to Talk About
is one of my favorites of hers.
And Bobby could learn from her slide playing.
Sorry Bob, couldn't resist.

Cheers

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I can't quite recall the Andy Griffith song because it's being blocked by the Candyland game commercial whistle. It's just going through my head over and over.

Overseas Dave's Picks - let me get this straight - you pay for your subscription, the righteous tunes get delivered to your post office and.....they hold it hostage and put a ransom on it?

Took a detour back to St. Louis '72 Dark Star. Bit different.

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My subscription copy #24393 has arrived in Scotland. Delivered by Royal Mail via France with no fees or taxes to pay. This is the highest number I have ever received. Just an observation as it's all meaningless to me - highest number as good as lowest. Think this will be my fave Dave's. Saturday listening is now perfect.

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I’m glad to see DaP 43 is making it safely to it’s destinations. Even Dave L was chiming on his Twitter account that his copy showed up a few days ago (the cynic in me says “Bullshit you JUST received it”). As my last year to subscribe, I thought Dead.not would get it right just once. I guess this pales vastly to the numerous problems subscribers are having getting their Lyceum downloads - sounds like an absolute train wreck, and as usual, the Customer Service team at Dead.not is MIA.

My rant is over. Cathartic, but man, what passes for customer service now, and I don’t just mean this site???

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Bonnie at the Rocks last Thursday was truly magnificent. I've seen her maybe 15 times since ~1980, including most of her Red Rocks shows. (Missed last year, if she played. I was hunkering down and big shows were too expensive.)

There's been an arc to Bonnie's career and, as you probably know, in the 1990s she really upped her game dramatically, putting drink/drugs behind her and creating a string of hit albums (in part due to producer Don Was, but the material was strong). She moved from mostly blues and R&B to a broader spectrum of music that includes pop, which worked well for her -- and me. She's always done ballads and non-blues but raised that to an art. Since then she has become a global superstar.

I provide that prelude because maybe 3-4 years ago her Rocks performance was a little short and less intimate than in the past. I chalked that up to her being in the midst of world tour where she probably has to pace herself. I thought, "Okay, that's the way of the world, but ... too bad. Maybe she's 'too big' now?" But maybe she was just tired or I was too expectant (sometimes the basis of disappointment).

Well, Thursday night Mavis Staples warmed up the joint and the crowd was ready for Bonnie. And she came out to genuine adulation and has a way of appreciating that with the grace of a genuine star. And she proceeded to deliver an amazing set that went everywhere -- some of her rockers, some tear-jerking ballads, pure blues, killer slide work, shout outs to friends and family in the crowd. And she took her time, allowing everything and everyone to breathe between songs, talked with the crowd... Warm night, no threat of rain, one night prior to a full moon. Almost too much killer weed in my row, where everyone pretty much bonded before and during the show. Longtime friends in surrounding rows. The whole package.

When Bonnie spoke, the place (10,000) was dead silent, listening. Then she sits down and knocks out an "Angel from Montgomery" for the ages. The longtime band is crackerjack: George Marinelli/guitar, Ricky Fataar/drums, Hutch Hutchinson/bass, new guys on another guitar and keys.

I can't cough up the setlist, but after all these years, that had to be one of her best performances ever if not THE best, at least by Red Rocks' standards. And a wonderful success story. She came to share positive vibrations, she said, and she did. (No mentioning the state of the world, etc.)

Good medicine, thanks for asking.

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In reply to by JimInMD

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There's a holdup in the Bronx,
Brooklyn's broken out in fights.
There's a traffic jam in Harlem
That's backed up to Jackson Heights.
There's a scout troop short a child,
Khrushchev's due at Idlewild
Car 54, Where Are You?

Hope everyone gets theirs soon.

With DaP 43 and Lyceum vinyl, Dave/Rhino were able to release an early-80’s Box without causing much of a mutiny.
That’s some good strategery.

So, what’s on the horizon?
DaP 44 - how about 10-31-91? Bruce/Vince need to be represented in the DaP series. Note that 10-31-91 has a Dark Star.

2023
Wake Of The Flood anniversary
Box - either all 73 shows with ABB, or 12-18,19-73 and a few other from that tour, all Plangentized and Normanized.

Would cool if ABB released 12-31-73 next year.

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Thanks mucho. Looked up my Bonnie ticket from Red Rocks.
7-28-91 So I'd bet you were also there.
Chris Isaak opened. Damn he was good! Fantastic ballad crooner.
Will have to research that set list. She introduced us to her new hubby onstage.
It was Michael O'Keefe (Danny Noonan from Caddy Shack). Wait, what?
They lasted until 1999.
Cheers and thanks again

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In reply to by 1stshow70878

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My wife and daughter and a couple pals will be at Bonnie's show in Bend Oregon Monday 8 22

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4 years 3 months

In reply to by proudfoot

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last evening

Looks like the best of times and the worst of times

Can you imagine what it would have been like to drink some of their orange juice?

I am very glad their filmed it, and filmed it in color.

Being around Neal Cassady...

Calling Nappy Rags, where art thou?
Don’t think we’ve heard from old Nappy since he went to the Rocks?
Hope your ok? We can come bail you out!
Maybe he’s back on the road again with The Lobos?
Or, gulp, maybe that kitty finally ate him 😮

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In reply to by KeithFan2112

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Keithfan - I haven't had to pay any hidden charges on any of the recent Dave's Picks I have ordered. It used to happen periodically a few years ago, and was one of the reasons I stopped subscribing. So far I have been able to get what I want with no trouble.

Box sets are another matter. Huge hidden costs, on top of the shipping costs, with VAT and God knows what. I was talking on the phone to a friend when the 24 album Lyceum set was delivered, and she heard how much extra I had to pay. She was astonished ! As with the Dave's Picks if it's something I really want, I'll still get it...but I have to be a bit more selective than in years gone by.

I would rather see a film about The Merry Pranksters than meet them. They came to England in 1999, and put on a kind of show at a theatre, showing clips of the 1964 bus trip etc, interspersed with comedy routines and monologues. I can't remember all the people who were there-definitely Ken Kesey and Ken Babbs. They weren't people I would have wanted to hang out with, I'm afraid. I'm sure the feeling would have been mutual! I used to love reading about them and watching whatever footage I could find-but I'm not quite so enamoured now. It was all so new in 1964. It's not now. Mind you - credit where credits due - they did host The Dead.

Hi and thanks for asking...I got back from Denver on the 2nd and by the 5th I was sick in bed with Covid...musta let my guard down a bit (maybe at Coors Filed on Sunday)...my Wife got it from me so we've both been home dealing with it...kinda funny how previously she told me she had seven personal days coming to her that needed be used by the end of August but there was no way she could use them all...guess what...with over the counter remedies and a big batch of gummies I prevailed...just no stamina or energy so back to bed I go...

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A friend who's 70 just got covid and he went on a 5-day treatment of Paxlovid and it seemed to work.

Hard to nail down where one picks up a virus. Many of us suspect the airports (if not the planes).

Best wishes on the recovery.

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definitely an Eyes jam in that Dark Star. That Big Boss man sure hit the spot too. First time I saw Big Boss man performed it was Furthur 96 Ratdog with Johnny Johnson, the performance in 96 had the same pace and feeling that this one does. The more I listen to this release, the more I hear.

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Nappy, hope you feel better soon, your the coolest. Back to the bbq, I'm going to play East-West, play it for you and Marye.

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Covid sucks mate, put me in the hospital, as long as you can breathe, all's good. Take care sir and stay home and listen to Dead.

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In reply to by PT Barnum

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....for our granddaughters wedding. Will be walking her down the aisle. She went with a Hawaiian theme. Should be a great time.
Sorry to hear Nappy. You're an awesome dude. Sorry we missed each other at Red Rocks, but at least you can't say you got it from me! JK. Get better guys.

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In reply to by simonrob

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Hope you and the misses are back to normal asap! I think we can all rest assured that Mr Jinx is there and in control ; )

HAWAIIAN THEME! As in Hawaiian shirts etc, perhaps leis…grass skirts! Tiki Gods and torches! PROPER!
Congrats, you must be a proud bumpa!
Went to a Vegas wedding once: courtyard tropical pools and water features and palm trees and tiki huts and torches, we all wearing Hawaiian shirts, shorts, flip flops, with drink in one hand and big cigar in other with head full of strong Cali bud etc. Best Wedding Ever!

....and re; pineapple on pizza, The pizza was actually created in Canada in 1962 by a Greek immigrant called Sam Panopoulos.
It's not even Hawaiian!
Aloha!
I'll eat it btw.

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In reply to by simonrob

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Some beautiful music comes to mind - Sol Hoopii - a master of slide guitar.

Hope you have a quick recovery Nappy.

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In reply to by proudfoot

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Congrats VGuy on the wedding - awesome to hear.

Winnemucca forever in my memory as home to one of the greatest surprise road dinners I have ever had. My GF (at the time) and I heading from the southwest back to northwest early 90s via Malhuer Refuge in SE Oregon. 3 week trip, We typically camped way out there in backcountry almost every night but for unknown reason reached that town after dark. Looking for a bite to eat, nothing on the main strip was appealing. Somehow then driving on back streets. Seems to me the place was in a old 2 story wood sided house. Walked in and they seated us at a long communal table, no menu, just began bringing out large serving bowls of food, red wine in carafe. And then a big juicy steak. It was a Basque restaurant. Damn it was good. Place for locals. Basque were sheep herders migrated / hired from the old country into the mountain west many decades earlier. Just an astonishing meal in all respects. Ate there one other time. The guy seated across from us was an engineer for Burlington Northern(?) Railroad. Described seeing a mountain lion leap across the tracks in the train headlight on recent 3 am run.

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In reply to by proudfoot

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On a cd collection related to acid tests

Hot GD66

yummy

How 'bout a box with all the 66 in the vault? Huh? Huh? Huh?

I'd buy it

OG GD

:)))

Nappy hate to hear that, hoping a peaceful speedy recovery for you both.

Proudfoot: I had been meaning to post about the magic trip documentary. I loved it, although I am a huge fan of NYC nostalgia. Like every few years I want to watch Taxi Driver, or many other movies to see how the city changes and morphs. Oh yeah, watched Midnight Cowboy last month first time.

About this time in (August 2x)1986 my brother were in NYC on some business and pleasure. One day walking down the street I see a couple of guys wearing the uniform so we stopped and talked for a bit. Turned out they were brothers too in from Brooklyn. We invited them up to the hotel and got them high (smoke) but then they said wish they had some blotter. We as it happened, we had some of that also, So we dosed em good. We had bought tickets the day before to see Dizzie Gillespie that night at the Blue Note in Greenwich Village. So the brothers took off so we could get some down time before uptime. We told them that around 1 am we would be in a bar right down the street. So my brother and I crashed for a while, got up had a little caffeine smoked some then dropped about 7pm.
early show was 7, we went to later show I think at 11. Man when we got in the cab to go to the Blue Note we were so incredible high we just didnt care. Didnt try to hide nuttin.

Get to the Blue Note and end up sitting behind the drummer. The drummer's back was right next to me, I mean 5 feet away, and the whole stage wasnt but about 10X15ft, so we were real close to it all. Still rank that in my top 5 shows I ever saw. Yall were discussing so much jazz stuff recently I had t chime in a little. Dizzy and his band cooked and cooked hard. We get out around midnight, and my brother and I see a gentleman sitting on the steps of a brownstone. He was burning one so my brother asked if he had any, of course we had plenty back at the room but we wanted to buy a little street weed. He sold us a very reasonable $20 bag. He also pulled out another joint and we started smoking it. Right as we gettin close to finishing it he said, "that has crack in it." Probably the 2nd highest I have ever. Dosed, crackd, weeded drankin. We get on the subway to get back to our hotel area and where we said the deadhead brothers we be. Now subway at 1 am or so on a Friday night back then was like riding in Barnum and Baileys fun car. Folks were wild. Now the conductor was one of the funniest guys ever. He kept rappin about what stops were next and then the 2 after that. It got so f'd up in there my brother and I just broke out in uncontrollable laughing. We were so far out there, the folks on the train just thought we were nuts. Of course we were, we took a couple hits apiece and to this day the only time I smoked crack.

Now did some free basin earlier but got off all of that in 1986. Had a buddy that had a cocaine concentration house for lack of a better term, and going out to the middle of nowhere and being around those nut jobs, just had to get away as I figured they would get busted one day, which they did. Now starting around 1980 I got into all sorts of moving things, ahh a middleman type of thing. But another story for another day, as supper is calling.

Cheers to all and everybody, stay safe, dont let your diligence down just yet.Not sure what I am going to do as far as more shots.

But man, groovin on 43. Lovin it.

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VGuy - Congrats on your granddaughter’s wedding, I think the Hawaiian theme is cool! The closest I got to a different kind of wedding was attending one in a field of a working farm, where the cows came up to the fence we were sitting by to watch the Preacher perform the service.

Nappy - best of health to you.

Gary F - Nice to see you, hope all is well. Great story on Dizzy Gillespie - a giant of jazz, you were fortunate to see him, and in his “home field” aka The Blue Note, too!

Two more sleeps until I see Emmylou, it has been 13-14 years since the last time I caught her show. A rare treat, and a gorgeous voice.

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In reply to by That Mike

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Goodbye heart

I happened to see her as part of the Down from the Mountain tour back in 2001 or 2002

I also love her and the Hot Band's cover of Jambalaya in Ken Burns' Country Music film

Love
It

The guy who turned me on to the GD was/is an Emmylou fan

MIKE MORRIS, WHERE ARE YOU???

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Entry all day?? Y’all must be listening pretty heavily, just like me. I can’t get enough of this release. I realized while listening that Next Time You See Me is a song that never really stood out to me, but this version on disc 1 is no doubt the most raucous, on fire version I’ve ever heard. Pig is wailing, and Jerry is in flames!! So damn good!! And the Good Lovin’ behind it is unique to me also. It’s not a particularly stellar version, it just doesn’t sound quite like any of the other versions I’ve heard. So I still need to keep listening, because there’s just SO MUCH to hear. Also, I feel the need to list my top 5 Dave’s Picks, in order:

5-Vol. 14–March 1972
4-Vol. 6–12/69 & 2/70
3-Vol10–12/12/69
2-Vol. 30–1/2-3/70
1-Vol. 43–11/2 & 12/26 ‘69–Please see Jim if you can’t understand how this could possibly be #1.

There, I went and did it. I’m sure 98% of everyone here would agree!!😂🤣

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In reply to by Mr. Ones

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....from Winnemucca to Vegas so they could catch their flight tomorrow for their honeymoon in New Orleans, so that's my excuse. Grandpa chauffeur reporting for duty. Avatar apdated accordingly. Hannah is very special to me and the wedding was fantastic. Wishing her and David all the best. Hes a solid dude and his dad is also. She's in good hands. Go grab life by the horns and do wonderful things. We got your back.
Going to see them again here in Vegas for Def Leppard/Motley Crue/ Poison/Joan Jett on 9.9. My treat. Their first concert. 😳

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Vguy, nice photo of you and your granddaughter. I wish the new couple the best of everything.

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As forensic doc characterized mid-February to late September 1971 as "sledge hammer rock," I suggest that 1969 is the year when the band sounded different on different nights depending on how the band members were feeling. After the interstellar explosion of '68, in '69 they acquired great facility in execution and, I think, you'll hear a lot of subtleties in 1969 performances that suggest that I'm not completely out of my mind.

Just a thought.

P.S. Best wishes to Vguy's newlyweds. Go, Vguy, go!

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In reply to by Mr. Ones

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This was the first Dead I listened to after the 24 L.P. journey back to the Lyceum 72, and my first impressions were - this sounds a bit rough! I liked the sound of Jerry's guitar, and his playing of course, but it all seemed a bit herky jerky to me. From Dark Star onwards they sound like a different band. I suppose this was a variation on the jam they had been playing for about a year, and they were well versed. Whereas the blues and country covers, 8 of the first 9 songs played, were comparatively new to the set. That's just a first impression - I'm not dismissing the first 9 songs by any means, and I'll be playing the whole show again soon.

12/26 impressed me right from the beginning - lovely sound to the acoustic guitars. I wonder what the crowd thought when they announced they were going to play some acoustic songs as the drummer hadn't turned up? Presumably they had a young audience at this point, who had come to have their minds blown. Thinking back to when I was a teenager, if a full throttle electric band turned up and did that it might not have gone down too well with the home crowd. It must have seemed a bit like when Dylan went electric-but in reverse. Anyway..... I thought the final cd was great. Well, it all is...these are just my first impressions, and subject to change.

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In reply to by daverock

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Wtf

Just got some lame-ass message about

"N o lihnx"

None tried.

Eye roll

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41 years ago, I hitchhiked up to Oregon to see the Good Ole Grateful Dead play in Portland and the next day down in Eugene. What a wild trip, met and partied with some cool folks, and had an unforgettable fun time!

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Thanks for the observations. I LOVE any and all subleties, anomolies, weirdness etc.
But......I thought we were ALL completely out of our minds!!

Music is the Best!!

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In reply to by proudfoot

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I walk into Silver Platters a local record store

MELVINS blasting

Very cool

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In reply to by proudfoot

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....Phish's Friday show at Alpine Valley attests to that. Holy Moley. Good shit.
Getting caught up.
Hannah & David's plane is getting ready to take off. Zoom lens engage!

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Dooood, are you in Wisconsin (isn't that where Alpine Valley is?) or freakin' Las Vegas??

Or...... are you in both places at once......

Vguy the Fist Bumper rides again.

P.S. Hey Nappy, hope you're feeling better!

I have similar thoughts, first night first half is on a good, better, best scale I’d call it a good, but from that DS onward, wooosshhh, what’s better than best!
I Like the first set/set list, just think the execution is not as tight? Jerry sounds frustrated and even comments on it at some point? Fun stuff though.
Second night same thoughts as you: great right outta the gate and never looked back!
Amazing Bear Mix! I always did like bananas, “please sir, can I have some more?”

Definitely top shelf DaP for moi.
Speaking of variations in 69, if your looking for a unique but awesome 69, check out 8/3/69 courtesy of the Doc on POTD.

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Nope I didn't make it there, but it sounds like a fun place to see the Dead, Longbeach. I did see them about 2 weeks later at the Greek Theatre, I think that the 1981 Greek Theatre run was the best of the Greek runs in the modern era, that being 1981 - 1989.

....I was listening to it though.
I am heading to Taos, NM Thursday however to see my aunts and uncles and cousins. Hotspot for my moms side of the family. Havent been there in five years and we're not getting any younger. Going to check out My Morning Jacket there as well. Playing at Kit Carson Park.
Last Five.....
Larkin Poe - Self Made Man (sister band from GA.) They got that southern gospel /country/americana/rock/grundgy sound. Really good stuff. Love discovering new bands and these two girls bring it. Gonna check them out more later.
Moody Blues - A Question Of Balance
My Morning Jacket - Self Titled
GOGD - Dallas '69
Phish - Alpine 8.12.22

I really like those cover versions they do on youtube. It looks as though they did them in their own home, just the two of them. Great "Come On In My Kitchen", and a nice selection - "War Pigs", "One Way Out" and a really good solo "Johnny B. Goode."

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In reply to by daverock

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....they sound wonderful, and do respectable covers of Who Do You Love and Crocodile Rock as well Daverock.
Megan plays the lap steel. Respect.
Just enough twang.
Holy shit. Their next tour date is in Vegas on the 25th!!
Stars aligning.

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