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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #531
    LedDed
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    Not a prince...

    Prince Rogers Nelson achieved great success in entertainment. He was known for having multiple bodyguards in public at all times and being standoffish and unapproachable to fans as well as often maintaining unwanted contact with other celebrities.

    He had talent to be sure - his guitar soloing on that famous take of "While My Guitar Gently Weeps," with Tom Petty, Dhani Harrison, Jeff Lynne etc. is the stuff of legend.

    He always came across to me as creepy and a little bit of a prick. Also, in his music, he could not produce a drum sound to save his life - and ultimately, he didn't. Thin and tinny - tit tit tit tat tit his percussion always went.

    Prince wasn't for me and he never will be although millions disagree and that is their choice.

    \m/

  • #532
    bluecrow
    Joined:
    David Kemper interview

    fascinating interview with Kemper published yesterday at Rolling Stone

  • #533
    proudfoot
    Joined:
    There is indeed the factor tbat Prince...

    rocked the androgeny thing

    But then so did MickJagger sometimes
    And David Bowie
    And a whole lotta glam rockers

    In any case, it was not pretty.

    And Prince obviously did not let it hinder his career.

  • #534
    daverock
    Joined:
    Thinking about it, though

    Was the reason that Prince was booed because he was black-or was it more the music he and his band played, and the way it was presented? Reason I wonder this, is that when I saw The Stones in 1973, Billy Preston played a set in support with no problem. And in 1982, Black Uhuru were one of the support bands, and they went down really well. On the Stones 1969 tour of America, both Ike and Tina Turner and B.B King were on the bill-and I have never read that they had any problems with the crowds.
    Personally, I like B.B.King and Ike and Tina - Black Uhuru were okay - Prince I have never really cared for. Not that I would have booed him, obviously -I'd have been really interested in what he was like live if I'd come across him by chance.

  • #535
    proudfoot
    Joined:
    Re 10 9 81 and being booed off stage

    I went to the show with my friend Chris was a big Prince fan even then. He turned in to a lot of music such as New York Dolls and a whole bunch of Zappa plus other stuff.

    If you had to categorize him, he would qualify as Black. I say that because of Crow's observation of "we want White people playing Black music". I dont recall his thoughts on the rejection of Prince and his band.

  • #536
    proudfoot
    Joined:
    Crow told me

    You said it just exactly perfect.

  • #537
    Vguy72
    Joined:
    Well damn....

    ....those '80's rockers can still rock. Very impressed with Poison and Def Leppard. Crue and Jett were pretty good too. I will say that the sound was incredible though. Neat little thing they did. I caught a whiff of cigarette smoke and thought, "who lit that?", then Crue broke into Smoking In The Boys Room. Then the cigarette smell was gone. Some olfactory sense trick??
    Tommy Lee did get a few girls to show off their boobs too.
    Everyone had a blast, but my son was ready to leave after four hours lol.
    Rock on 🤘

  • #538
    daverock
    Joined:
    surrounded by idiots

    It's a horrible feeling, being in a crowd that starts booing or throwing things at someone on stage. My worst memory of that was at Reading Festival, 1977. Both Jayne County ( Wayne as she was then) and a reggae band, whose name escapes me, got bottled off because they didn't meet the white hard rock template. It was an intolerant era, and if someone didn't like the look of you...bosh.
    Many years later, at a Blues Festival, both Courtney Pine and then group of gospel singers got rough treatment for daring to be different.
    Curiously, I looked at the bands who played at Reading in 1977, and apparently Kingfish were scheduled to play on the first day. We arrived way too late to have caught them.. so that was something of a missed opportunity.

  • #539
    Oroborous
    Joined:
    I want to paint it black

    Yeah Crow, similar unfortunately less than ideal experience with the Stones.
    Might of been 78? Definitely around 1980, Rich Stadium, no clue who else was on the bill?
    Honestly, we weren’t big fans, probably still too young to really get their deal?
    Anyway, kinda funny to say now after what happened to Dead Land, but we went mostly to party in the lot and in those days about the time all the openers were finished and basically just after the main act came on you could just waltz right in without a ticket.
    But the sound was so atrocious that you couldn’t tell what they were playing half the time! Loud and bad, is not good…I believe that’s the only concert outta hundreds, thousands? that I ever walked out on, and it was free!
    Unfortunately this soured me and my pigheaded young peanut from ever going to see the Stones again : (
    So remember boys and girls: God Is Sound!
    ALL HAIL John, Dan, Don, Howard etc, those Ultrasound folks were Gods!

    EDIT: ooopps forgot, I have a PBS recording on the DVR that I haven’t watched yet of the Feat, the current lineup, playing Columbus. Can’t comment since I’ve not watched it yet but just an FYI to keep an eye out…

  • #540
    Crow Told Me
    Joined:
    Shadooby ... Shattered, Shattered

    I was at that 10.9.81 show. One of my worst concert experiences, actually.

    It could've been epic. I was living in NorCal, got a call from a friend down South who said he had extra tix for the Stones gig, did we wanna come down? In those days, the answer to questions like that was always yes, even if it meant we would have to leave now and drive all night to be there. So we did. We drove 400 some miles in the Magic Bus (my roomie's VW van), got to our friend's apartment at about 3am, where there was a party raging. Everybody decided to head over to the Coliseum and get in line. So we did. Eventually got inside and had a decent spot on the grass, where I lay me down to sleep for a while, finally, before the show started.

    Woke up when Prince started his set. He's getting booed from the get go. I had no idea who he was, and was in no condition to make any judgments, just wanted to find a bathroom and maybe a coffee. Coffee? Hell, no. My friend's got something a little more potent. I snort a spoonful of it and as my neurons suddenly snap into action and the whole ugly scene comes into focus. The band's Black. The crowd's white. They're throwing shit, booing. A Stones roadie comes out and scolds them. Says something like, "this is who the Stones wanted to open the show, if you don't dig it, at least show some respect." They didn't show some respect. They kept throwing shit till Prince stopped playing, maybe halfway through his set. A really horrible moment, because it definitely felt like these people where fine with Black music, as long as it was played by white people.

    Thorogood, playing his bar band blues, was much better received. As was J Geils with their white boy R&B schtick. The Stones, I have to say, were bad. I saw them four times, and this was by far the weakest performance. Sound was horrible, and the band was so untogether it was hard to figure out what song they were playing.

    "Dude, is this Shattered?"

    "I think it's Get Off My Cloud. No, wait, it's When the Whip Comes Down. Isn't it?"

    I thought maybe my memory of the event was overly negative, perhaps fueled by my relative unfamiliarity with the Great God Speed, but just a couple weeks ago I spent time with an old friend who had also been there. He remembered it pretty much the same way: Bad vibes, bad show. Sometimes that's how it goes.

    Finally cooling off today after a week of 110F. Praise ye gods! Last five:

    Little Feat: Waiting for Columbus
    TTB: I am the Moon (vinyl finally arrived!)
    Kamasi Washington: Heaven and Earth
    Sly and the Family Stone: Live at the Fillmore
    Prince: Sign o the Times

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by Vguy72 on Fri, 08/19/2022 - 13:45

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....hit the nail on the pervebial head. Yes. You have posted that before, and you are not wrong.
Drove past Kit Carson Park just now. Stage is up. And the weather is just exactly perfect. Looking good. Tie-dyes are starting to appear and the pretty ladies (that's for you Hendrixfreak) 😉
Gates open at 5. I imagine there is a tight noise ordinance and curfew time. The park is smack dab in the middle of residences. Visited the park several times as a kid. The fact they have concerts here now is cool af. Legal state to boot. Yee-haw.

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Submitted by frosted on Fri, 08/19/2022 - 13:56

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Yup, I've seen Robben Ford with a number of different bands, also at places like Yoshi's and the Concord Pavilion. Always great.

Only seen him that one time with the Charles Ford Band. Mark really could wail on that harp as you said, and his other brother Pat on drums seemed like the rock of the band. Have several of their albums, mostly live shows. They cooked, and Robben sure is a captivating guitarist. He played jazz with Miles Davis and on some of Joni Mitchell's old stuff, but I thought his heart was really mostly in the blues.

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Submitted by That Mike on Fri, 08/19/2022 - 14:05

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Nothing but nothing beats a great concert at an outdoor venue with decent sound on a warm summer evening! Sheer magic. And yes, the women…. VGuy, soak it all in.

Estimated Eyes - I too agree, and as my daughter in law works as a nurse, I would throw health care professionals in that same group you described. We certainly do have our priorities skewed. Good post!

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Submitted by billy the kiddd on Fri, 08/19/2022 - 14:54

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Robben Ford also played with George Harrison, Phil Lesh, and of course my favorite, the great Charlie Musslewhite .

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Submitted by Oroborous on Fri, 08/19/2022 - 17:42

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Once again HF: couldn’t have said it better, great post!
Im with PT and Estimated Eyes too. Teachers, Health Care etc, all the actual important jobs make relative shite!

Have Fun Vguy!

Glad to see Nappy up and around!

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Submitted by nappyrags on Fri, 08/19/2022 - 21:46

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I saw Robben a bunch in the early 70's, usually backing up Jimmy Witherspoon at the Ash Grove...earlier this week was the 53rd anniversary of seeing Blind Faith, Free & Delaney, Bonnie & Friends at The Forum which of course was a whole $5.50 a ticket...of course minimum wage then was $1.65 an hour...

A new sourced sbd popped up this week over at lossless legs, from the Boston Tea Party...

Grateful Dead
Monday, December 29, 1969
The Boston Tea Party
Boston, MA

Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon

Speed/pitch adjusted by Jason Chastain
Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel
Track, FLAC, and pack by Steve Gravel

Originally aired on Dead Legs - Program #20 (date 2022-03-13) - "
Originally shared in August 2022

16 Bit 44.1 kHz FLAC Level 8

Set 1
01 - Cold Rain and Snow (fades in)
02 - Mama Tried (cuts in)
03 - tuning
04 - Black Peter
05 - Easy Wind
06 - Me and My Uncle >
07 - China Cat Sunflower >
08 - I Know You Rider >
09 - High Time
10 - Hard to Handle
11 - Mason's Children

Set 2
12 - Cumberland Blues (cuts in)
13 - Casey Jones
14 - Good Lovin' >
15 - Drums >
16 - Jam >
17 - Good Lovin'
18 - Dancin' in the Streets
19 - Dire Wolf
20 - Saint Stephen >
21 - Not Fade Away

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Submitted by Vguy72 on Fri, 08/19/2022 - 23:41

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....go see them if you can.
Very impressive 👏. The way they used their lights to take advantage of the surrounding trees was awesome.

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Submitted by billy the kiddd on Sat, 08/20/2022 - 15:12

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39 years ago today, I was at the the Frost Ampitheatre along with other cool people who post here on the forum, for a great time with the Good Ole Grateful Dead. I guess they won't be releasing any shows from the Frost or Greek any time soon , since they released this box set from Madison Square Garden..

I look back at the west coast shows 35-40 years ago with fond memories and envy ... what a blast we had all those years ago. Regarding the music, I am SURE they could get a Greek Theater release out of those particular years!! We'll just have to wait a bit longer, I suppose. Meanwhile, we're coming up on the 40 year anniversary of the US Festival show!! "Breakfast in Bed with the Grateful Dead"! Now THAT was fun, if not just a little strange!

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Submitted by billy the kiddd on Sun, 08/21/2022 - 07:21

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Topchinacat, I didn't make it to see the Dead at the U.S. Festival. but I've listened to the tape and they play a great show. We went an saw the Dead on 8/28/82 at the Oregon County Fairgrounds, about 1 week before the U.S. Festival. When we were driving down to Ventura in July to see the Dead, Steve Wozniak drove by us, I'lll bet he was going down to start setting up the U.S. Festival.

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Submitted by hendrixfreak on Sun, 08/21/2022 - 07:32

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Is someone suggesting that I actually enjoy interacting with the beautiful women who attend those giant music parties we call "concerts"? (For those of you who enjoy technical language, it's called "chasing tail.")

I'm shocked, I tell you. SHOCKED!

I don't know where anyone -- particularly someone who will not be named (Pssst! It's Vguy...) -- got that idea.

I don't believe that for one minute. Although it's true...

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Submitted by nappyrags on Sun, 08/21/2022 - 08:47

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Last night at The Greek in Berkeley David Hidalgo played Jerry's Alligator Strat AND wore a Black Tee to boot...Susan also played it during the TTB set...great sound on the stream...listened on my headphones as the Mrs. watched The Dodgers pummel the Marlins....

I remember the show well...Winwood & Clapton tearing it up on guitar for "Had To Cry Today" and of course "In The Presence Of The Lord"...Winwood held his own just as he would do later in 2009 on their tour...also for the BF show in '69 I went with a bunch of folk who hadn't dosed yet...we chganged that and it was a very interesting ride home

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Submitted by Oroborous on Sun, 08/21/2022 - 11:11

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Ha, every time I think of HF that JoannJett song starts playing in my head ; )

NAPPY: can’t imagine how cool that must of been, so, yeah, what HAVEN’T you seen lol

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Submitted by Vguy72 on Sun, 08/21/2022 - 11:15

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....I'm a Marlins fan. Yeah, we got pummeled. Just landed in Vegas. Vacation is over after tomorrow. Bummer. All good things must pass I guess.
Pee. Ess. I just love beautiful people. I lean towards the beautiful women as well. Especially when they're dancing. Guilty as charged.

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Submitted by KeithFan2112 on Sun, 08/21/2022 - 16:27

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It's been some time since I listened to this version. Guilty of overlooking the song in general. Is there a better one in the 70s? Did it even peak before the hiatus? This is embarrassing, but at this point I'd rather just ask for directions than try to figure out the best versions myself.

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Submitted by JimInMD on Sun, 08/21/2022 - 18:23

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Every time I listen to this song, I like it more.. and this has been true since the first time I listened to it.

There are songs that sounded great early but then stuttered, songs that took a long time to find their legs and song that somehow sounded great each and every year they were performed. Stella Blue is one of those songs.

There have been a few times when reflecting and I put something on, when I am in deep mood to begin with, and Stella Blue almost brought me to tears. It's one of the more powerful songs in their canon.

Edit: Bobby sings this song now.. but I think it's a song better suited for Oteil. So I googled it and there is a beautiful version of Oteil singing this.. just him and his bass guitar. I was right, this is better suited for Oteil.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:31

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I was at both 10/21/78 & 7/13/76, both great shows, both great Stella Blues. I wish they would release 7/13/76. 10/21/78 is partially released, I wish they would release that whole Oct 78 run at Winterland.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:49

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39 years ago today,( along with a lot of other great people who post here on this forum) I was at the Frost Ampitheatre for another great show with the Good Ole Grateful Dead . The first 2 songs were Cassady & Dire Wolf, what a great show. I saw some great shows in 1983, Ventura, Santa Cruz County Fairgrounds, Marin Civic Center. My favorite show of the year was 12/28/83 at the S.F Civic, still one of my favorite Dead shows, it also had a nice Stella Blue.

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Submitted by daverock on Mon, 08/22/2022 - 04:05

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Beautiful version of this at The Orpheum 7/18/76 too. Maybe my favourite 1976 show, as it goes.
BTK - I would also like to see that October 78 run come out as a box. It must have been great seeing the band so often. To me, for the most part, they have been a band I've listened to at home, on my tod.

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Submitted by KeithFan2112 on Mon, 08/22/2022 - 04:41

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Proudfoot, Daverock, Jim - thank you for the insight. Jim, it's partially why I posted - I was listening to Colgate and it just moved the heck out of me, and it was like I "got it" for the first time. There was a sound in there I've never heard a guitar make (I think it was Bobby). Well...always another door in the Dead world. Some days I long to to have have seen and followed them in the 60s and 70s, just to have experienced it all as it was happening. But there is also something to having gotten on the bus late and having this huge library of material to indulge in. I guess all one could do in those days was scrape up the cash to follow them.

I put them all in a folder and started thus morning with another run of Colgate, and am now on Road Trips '78 from the Winterland run. I cobbled together a SBD folder of this run a few years ago. The audio quality varies I recall. Would also like to have it released under the Full Norman moniker. The Orpheum might be my favorite '76 release after Cow Palace. That mix is something special, with Jerry and Keith coming in loud and clear, and Keith playing pretty much piano only, which is to my liking.

8/28/82 is a great show ... I've had that tape for 40 years... wish I'd been there! I too was at the all the 83 NYE shows ... what a fun time! Also usually hit the Ventura shows too .... pretty nice venue, only an hour or so from LA. I'm no festival historian, but the US Festival was other-worldly ... so many acts, so many vendors, so many people. And since it was 2 days, many were there overnight (vendors & campers) so it was a wild scene at least until dawn!!

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Submitted by wadeocu on Mon, 08/22/2022 - 10:10

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Hear me now, believe me later:

3/21/94 has a really great performance of Stella Blue

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Submitted by Crow Told Me on Mon, 08/22/2022 - 10:23

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Very cool that David Hidalgo and Susan Tedeschi both played Jerry’s Alligator Saturday in Berkeley. The Lobos even broke out “West LA Fadeway” and “Not Fade Away”. Another epic show. Going to see TTB again in Sacramento tomorrow. A very very very slight possibility we might hustle up to Bend (love that town anyway) but more likely Sac is the last tour stop for us. Till next year.

In other old news, DaP 43 is the proverbial bee's knees. Can’t add much to what’s already been said. First disc scared me a little, because the guitars are waaaay out of tune for the first couple songs, surprised there hasn’t been more chatter on that. But things get a lot better from there. Nice Good Lovin: Phil was just so energetic and creative during this period. And of course the acoustic is wonderful to have. And as everyone has said, the 11/2/69 Dark Star sequence is what’s generally known as The Really Good Shit. As good as that Dark Star is, I think the 12/26 is even better.

Has Dave been on a roll, or what? I almost got off the subscription bus after last year, which included two ‘80s shows that didn’t float my boat. But man, everything from #40 on has been outstanding.

Last five:

Neil Young: Noise & Flowers (don’t sleep on this one!)
JGB: Run for the Roses
TTB: The Fall
Roy Hargrove: The Vibe
Kamasi Washington: Heaven & Earth

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Submitted by KeithFan2112 on Mon, 08/22/2022 - 10:48

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Wadeocu - in the spirit of THE Bruce Dickinson, that 3/21/94 Stella had some serious cowbell. Great collage of Jerry /Dead pics on the YouTube presentation of it. Jerry's voice sounds great, I wasn't expecting that.

I see what you guys mean about the Road Trips '78 version. Heck of a time for an AUD patch. That tops the dreaded guitar dropout in the opening Cumberland Blues from 3/28/73, right as Jerry is sinking his teeth into one of the hottest solos I've heard on that song.

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Submitted by Vguy72 on Mon, 08/22/2022 - 21:48

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.....seriously though. Revisiting Daves #43. No Cumberland, but I'll let it slide. Awesome stuff. Def top 3 Daves.
I love how they brought Cumberland back in '89-'90 as a pre-drumz second set offering. Also awesome.
And Susan & David taking Alligator for a stroll. Awesomeness × infinity.
Youtoob Los Lobos Berkeley. You will not be sorry.
P.S. my aunt in Taos has a tabby cat named Stella. The more you know.
Shes a good mouser.
Same aunt won a blue ribbon at the Taos County Fair for her sugar cookies. She gave me some along with two jars of jam. I told her, "Bobbie, I don't think that will pass the airport check".
Shes like, "Well if you don't try, you'll never know".
Unfortunately, I was right, but they let the cookies through. Yum.

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Submitted by Oroboros on Tue, 08/23/2022 - 07:23

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Your post tickled a synapse of my first show in Des Moines (6/16/1974) when Keith was on the grand piano for 3 sets that fabled afternoon with the wall of sound! So thanks for that...

The significance of what it was like when we joined with the Dead at those shows, their pouring out this unfathomable energy in that specific moment and we in the audience rising in response with our collective surge pushing energy back to the Dead, which then propelled them into greater heights of aural adventure. You know how the Grateful Dead would get that 'dragon' off the ground, and into flight, which levitated us all in their tow/draft. We were part of that remarkable brew of music + visuals + adventure + magic = alchemy.

Then as we could watch/listen, with our mouths agape, as each member of the band would tease, improvise, call and response, cascading leads ('catch me if you can'), shimmering rhythm guitar, bass runs and 'bombs' that changed the atmospheric pressure!), intricate keyboard interplay, and that primal percussion them mutating into evermore complex and compelling syncopation, urging and propelling the band further... and the bard's lyrics, that poetry, those revelations, ....that song.... and we would roar and exhort the Dead and pour that fervor into our tribal stomp and collective howl.

And then suddenly the moment slows and extends and everything becomes quite still and his voice implores "nothing you can hold... for very long... stella blue" and we all stumble out into that crystalline cool evening. Our faces alternating from sad eyes, to wide grins, then our heads shaking, alternating between satiation or longing for even more.

Or perhaps disbelief? Did they do it again?

Or were they really here at all?

Everybody's dancing......

Keithfan, I appreciate the memory evoked.

I don't post a lot, but lurk about.

Zen saying "Teachers open the door, but you must enter by yourself."

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Submitted by Oroboros on Tue, 08/23/2022 - 07:25

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to your regularly scheduled programming

Tim

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Submitted by Angry Jack Straw on Tue, 08/23/2022 - 07:53

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Are you a writer either by trade or hobby? Study literature and/or composition at some point?

You do good with words.

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Submitted by Oroboros on Tue, 08/23/2022 - 08:29

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I'm an avid reader and observer, but enjoy telling a story or two.

The Grateful Dead have been an essential (and welcome) part of my journey, so many of my stories are about the band, those shows attended, the inspired trips, along with related adventures.

Zen saying “The Truth is realized in an instant; the Act is practiced step by step.”

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10 years 1 month

Submitted by 1stshow70878 on Tue, 08/23/2022 - 11:10

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Or were they playing one of the newly released Fender Custom Shop models?
Just saw it in email from Garcia Newsletter. Honoring Jerry's 80th.
Said to have all the mods Alembic put in Jerry's.
They had it in hand when doing the research and found it was a 1955,
not 1957 as previously thought.
Didn't know Graham Nash had given it to Jerry originally.
Wonder how much they are? Jerry's is obviously priceless!
Cheers

Edit: $20K built to order, limited to 100 units. Parish helped them.

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7 years 3 months

Submitted by Mr. Ones on Tue, 08/23/2022 - 13:28

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I knew we had 2, with the letter U being the difference. But one joined June 4th, 2013-the other June 19th, 2013. Huh.
What are the odds??
Could it be the same guy, just punking us?? Nahhhh, I doubt it.

I can't get enough of Dave's 43 at the moment, but I am personally looking forward to Vol. 7 of the Miles Davis Bootleg Series-Due Sept. 16th. Outtakes from his last 2 albums for Columbia, and a contemporaneous Live show, much for me to get excited about. Before we know it, we'll be talking about Early Bird orders for the 2023 Subscription.

Life is good, Music is the Best!!

Good to see you’re still around.

For those who don’t remember him, he has a good story about a ceramic dragon he made.

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2 years 11 months

Submitted by billy the kiddd on Tue, 08/23/2022 - 21:05

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Great version of Easy Wind, my brother and I were watching the TV broadcast of the Dead's New Years Eve show live, on channel 9 at my parents house on 12/31/70,, as we all celebrated New Years Eve. It would be nice if a video of this show could be released.

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14 years 11 months

Submitted by PT Barnum on Wed, 08/24/2022 - 05:30

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hey mate, good to see you back. Long time, no see, short time for you and me.

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15 years 10 months

Submitted by estimated-eyes on Wed, 08/24/2022 - 08:13

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Los Lobos and Tedeschi Trucks were playing Jerry's original Alligator, not one of the new Fender replicas. There is a great video on Los Lobos Facebook page of them backstage with the fellow who purchased it at auction. The owner tells them the story of the auction. All of Los Lobos interact with the guitar (some play it briefly) and then Derek Trucks walks in and sits down with it to play. The owner tells them this guitar should be played and anytime you are in the Bay Area, let me know and I am there with the guitar. Next shot is Hidalgo walking to the stage with it. Great stuff and so happy to see that instrument played again!

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2 years 11 months

Submitted by billy the kiddd on Wed, 08/24/2022 - 14:16

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54 years ago today, I was not at the Shrine Exposition Hall, but I sure wish I had been. This is such a killer release, one can only hope that they release 8/23/68.

late to this convo - gorgeous and soulful versions from all eras

as to lesser known, one favorite is from Park City 8/20/87. Fine fine fine show from that inter-mountain tour.

great to see you hear again Oroboros . thanks so much for the stories.

as to Alligator, my firmly held belief is that not only is Jerry happy to see Alligator played, Alligator is also happy to be played. That TTB and Lobos show sounds like a fantastic and excellent dream.

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Submitted by proudfoot on Wed, 08/24/2022 - 16:33

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Alligator guitar

Which one is that? I suppose I could look it up

Oh, that one! Cool.

Also, just gotta say:

No band will ever replace the GD as my all time #1 band

2nd or 3rd to me is Led Zeppelin. I have been on a LZ binge recently and wow. I REALLY like and get off on their stuff.

Enjoying disc 2 of the dvd set released from 2003. Nice n loud.

GD #1
LZ #2
Motorhead #3

My thoughts.

....as my favorite band either.
#2 Phish
#3 Pink Floyd
#4 The Beatles
From #5 on, it changes weekly.
This week, it's Larkin Poe. It was My Morning Jacket the week before, then it was Tedeschi Trucks Band. Week before that it was Ween. Week before that it was The Flaming Lips. Week before that it was Iron Maiden. Week before that it was Los Lobos.
I imagine TTB will get back to that #5 at some point. Good to hear from you Oroboros. Not to be confused with the other awesome Oroborous. You two should do a meet up lol.
Music is the best and heals the soul.
Last Five. Larkin Poe. With Dave's 43 Dallas as the 3rd listen.
Shipping notice for my I Am The Moon set and poster received!
Went and saw the DragonBall movie last night. Good stuff. Any anime fans out there in dead.net land?
Also, they are re-releasing Jaws in the theaters labor day weekend. In IMAX!
Edit. Went and got my eye prescription checked the other day. No-line bi focals here I come! It was eventual I guess.

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