• 8,084 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by PT Barnum

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Looks Good PT!
Currently Unable to listen, but it’s going on the list!
I saw the Richfield shows so interested how they compare.
I think the whole fall 91 tour, including those Oakland shows and specifically 10/31/91 that conekid is jonesing for, would make a great box. Perhaps the last consistently solid tour! I’ve been finding some good stuff in 92, but don’t think there’s the consistency throughout a whole tour, like in 91?

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And I keep forgetting about 10/31. Jerry's voice had it's ups and downs from the mid 80's to this time. From late 91 on, there were some songs he just couldn't do justice to. That's what I recall from this era, he really started to age affecting his voice and stamina. I do like what Bruce brought to mix.

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10-28 10-30 and 31 1991 the last Halloween shows. release please

Fall 91 is hot!

9-10-91 and 9-25-91 have been released, 11-3-91 might have a problem getting released because of guests (there is video of the show if you haven’t seen it), so what to pick?
So many good ones, probably should just release everything.
I assume that there are DAT masters in the Vault. Send them to Glasser and let him work on them while Norman focuses on analog tape recordings.

Deadvikes,
Was just at the beer store and they had around 25 cases of Bell’s Oktoberfest. Didn’t grab any today but will before it’s gone.
There were also stacks of Oktoberfest from numerous other breweries.
And pumpkin beer which sounds gross.
Has anyone made a bourbon barrel aged pumpkin beer yet?

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That whole run, and several from MSG and more so Boston. 9/26/91 anyone, bueller?
I’m tellin ya folks, fall 91 has some good sheet!

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Fall 1991

9/6/91
9/8/91
9/16/91*
9/22/91
9/24/91
9/26/91*
10/31/91*

Favorite/must haves*
7 Shows
66 one time songs: really good selection!
16 Repeats
6 Threepeats
(Not including D&S)

The three peats are: Dark Star, Attics, Let It Grow, Saint, Stranger, and Good Lovin’

The repeats are: Spoonful, Dark Star Jam, Wang Dang, Candyman, Maggie’s, Standing on Moon, Last Time, Stella, Samson, Eyes, TOO, Bertha, All Over Now, Heaven’s Door, Minglewood, and A&A. Hey, no matter how you slice em, Bobs ALWAYS gonna have repeats!

9/17 and other Oakland and Richfield are probably worthy, but then you start getting into more repeats and perhaps too big a box?

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In reply to by icecrmcnkd

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Will get 8/17/91 rolling tomorrow. 91 has a lot to offer. I think #44 will be 91 or as I was driving home tonight I was thinking, when was the last time we had an 88 show released? RT 4. 2. Might be time.
Conekid, do yourself a favor and pick yourself up a case soon. As of right now, we have only one store that has it in my neck of the woods. My favorite beer by a long shot. Only down fall, shelf life is 3 months.

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Another fine 91 Shoreline show. Nice job PT Barnum. How about a 91 Shoreline Box?? That would be fun.
Sound quality on this one is five dancing bears, so good. Nice start with Help Slip Franklins, Wang Dang Doodle, Queen Jane, end with a great TMNS.
Second set maintains the flow with a great Man Smart, Women Smarter, Ship of Fools. Nice Smokestack Lighting. He's Gone delivers. Short Dark Star out of Space, great Dew, OMSN and close it out with a It's all over now baby blue! What a show.

Let's box these Shoreline shows up.

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8/16/69 & 8/16/91

8/16/69: I’ve heard this one a few times over the years and it seems like each time I have a different thought.
Today it didn’t resonate so much though that was probably because of the goofy banter etc, while simultaneously getting super annoyed at work? The Dark Star is actually pretty decent, and none of it is as bad as has sometimes been said. Someday I’m going to make a disc of just the music…

8/16/91: yes I said 16. Figure might as well tap the whole WE run. Hoping to hit 17&18 mañana, unless I get stuck going back to that damn construction site with only ahem, one kinda music and it ain’t GD!
Didn’t get a great listen in, but it seemed like a solid show. Cool first set DS, interesting second set with a nice Standing on the Moon etc. 91 is fun!

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8-17-91 playing now, version .20696.

Yes Dave, send the 91 DATs to Glasser.

And release some 91 video too, please.

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Looks like Fall '91 made the GD Buellerton email. It's a good thing we were dropping Phil Bombs instead of F Bombs..

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What I like about '91 is the toned down nature of the Ultra Matrix and the introduction of DATs. I think I am right on this, but happy to be corrected if I am wrong. Don Pearson played a larger role and the cassette master was gone. Plus, there just seems to be much less audience noise pumped into the mix than the late 80's.

Still, a step down from the analog reels of the 70's and digital storage was in it's infancy. Just having Pearson look over Dan's shoulder seemed to help keep things from getting too wild and wooly on tape.

Oh, and ole Brucey sitting in on keys.

Not sure if anyone else has thoughts on this or not. The recordings finally started to improve from the low point. I'd say in 87 was rock bottom for the ultra mix.

Back to your regularly scheduled Dark Star Jam out of Space into Morning Dew to close the show. Wow.

Deadbase IX has a funny review/story about the first night - 8/16. Dude had 3rd row seats and for some unfathomable reason (to me at least) decides to wander up to the lawn during Desolation Row (I mean really??). There he gives his ticket to a friend so she can catch the rest of Set I from up close. She skips on down the stairs and moments later Jerry plays the opening notes of Dark Star!! I had forgotten they finished it the next night out of space with the Dark Star jam > Morning Dew.

It's both lots of fun and something of a fool's errand to try to guess the next DaP but for some reason I'm thinking that a '91 Bruce show makes "just exactly perfect" sense.

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I've been bouncing around the country this week – sorry I missed chiming in on the hallowed day. . . Doc's offer of the GD set is generous as usual. Also the entire 416 tracks that were part of the sold out 38 CD box were eventually released as a high-def, 96kHz / 24bit download thru HDtracks dot com as "Woodstock — Back To The Garden — The 50th Anniversary Archive". The monumental task of herding all the artists, record companies, and assorted stake holders was more than equalled by the painstaking efforts of Andy Zax (producer), Briam Kehew (mix), Dave Schultz (masters). The historic 50+year old recordings will probably never sound better. Check with Doc or HDtracks.

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There's a funny clip on the Archive of Buck Henry going to this show and filming the adventure for whoever he was working for at the time. I think most know a bit about the writer/director/funnyman perhaps most famous as co-creator of the TV Program Get Smart with Mel Brooks.

In the beginning he is bemused and uninterested, sitting in his seat while others go nutz around him as Help On The Way kicks off the show. By the end he is twirling with the best of them and continues to do so after the band is packed and gone dancing in circles with streamers in his hand. I'm sure they were trying to capture getting on the bus or dosing and melding into the fold.

Anyway, an amusing curiosity. I always had a lot of respect for Buck Henry. A comic from a bygone generation. Perhaps more like us then one might expect.

______________

Bluecrow.. "(l mean really??)" Totally agree, lawn over 3rd row? The GD did Dylan better than Dylan did Dylan. Sorry if I offended anyone with this take, I'm a big fan of GD's Desolation Row. How did Bobby remember the lyrics when he couldn't seem to get through Truckin' clean twice in a row?

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I do remember his somewhat dark skits on SNL.
He fit in perfectly with that storied crew.
Wasn't until later that I realized his many writing credits.
Kinda reminded me of a Hunter S. Thompson in those skits.
As shocking as they were hilarious. Typical for SNL back then.
Cheers
Edit: He passed in 2020. Look up his writing credits. You'll be surprised.

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Wife and I are spending a few days in Tahoe. Coming back from dinner the other night around 8:45, there was some pretty loud music coming from a nearby condo. She thought the volume was pretty high for the time of night.

I responded, "It has to be played loud. That's the Dead playing 'The Other One' from November 17, 1971 - Albuquerque."

She stopped walking, an incredulous look on her face. " How can you possibly know that?"

"Easy. Dave's Picks 26. That one is in the CD player in my car."

She went inside and hugged the dog wistfully.

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If she's anything like my girl.
Perfect story Bolo!
And I can only give her an approximate year, not the details.
Cheers

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In reply to by 1stshow70878

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Check a roo!
Bad news is I mostly only heard these on my device : (
Good news is they were still very enjoyable! ; )

Not much time now, so I’ll just say I thought the 17 was perhaps the top dog overall, perhaps with the 16 close at its heels. The 18th had a fun set list with some unusual fun placements and was a good show, but I thought the others flowed better overall? Another fun run from 91 and 3 more notches on the proverbial bedpost!
Ok, FAC time, gotta cold one waiting, toodles!
Y’all have a great WE, and once again the talented Mr Bolo with the story!
Good job boss, lol, my Other One would have just gave me the look and probably said: “idiot” lol

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I was there in the 3rd row, The Dark Star into Promised Land was one of the coolest things I ever saw the Dead play. Fun times!

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In reply to by billy the kiddd

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Most is new to me. Most enjoyable what I have listened to so far.

Thanks guys.. nice little rabbit hole and a pleasant diversion from 69, adds balance.

Definitely impressed Bolo.

Jim, yes, can't say enough good things about Don Pearson.

Must have been a great show to be at BTK.

I was just hitting my stride with '91. It's good to be off balance though.

There's a new Chris Hazard of this show on GlueTube. I think this is the one where Jerry and maybe Parish helped out on drums. Yes, likely a Betty Board.

I'd like to know what ever happened to the tapes the grumpy guy in CA bought at auction and would not cough up. I wonder if they ever landed back in the vault. We can only hope...

I didn’t get to the anniversary listen yesterday, but might try tonight.
Good show. There’s video of it too.

Listened to 8-16-91 last night, 17th the night before, so I Might As Well play the 18th too some time this weekend.

Bolo knows his tunes. You should take your wife bowling at King’s Beach Bowl (I don’t know if it still exists).

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I love this show. So much fun to watch the student filmed video and the playing is awesome. A diced and sliced VHS came my way shortly after Jerry passed away. The vibe of complete joy Jerry radiates during Eyes is so very cool. Drums is a hoot and the Truckin simply shreds and damn it Phil is singing!! Been hoping for this show to be released for awhile.

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I typed the right date but wrong venue, Dooaahh.
4/12 is a goodin, and this one’s from the 14 is decent, comparatively. Meaning, after listening to most of this tour at least once, I still think 4/15 & 4/11 are up where mama hides the cookies!
Now that should not imply the others are not up to par, just that imho the 15/11 are Tiger at 12 under comparatively.

The 14 starts out rippin, then JG has a slight miscue. It’s sorta the same story throughout, good energy and overall tight playing, but with perhaps a more noticeable number of slight miscues etc?

So though I have just a few more unreleased from this tour that I’ve not hit yet, I think Dave got this one right! Meaning #37.
Since I sometimes question if he went to the right city/street but wrong house, let’s give credit where credits due!
I haven’t heard a bad show on this tour yet, which is good because with all those particularly sweet Bettie’s that are complete and in the vault, ya know we’re getting a spring 78 box at some point.
But I think ole Dave hit an in the park homer with 37!
37 was perhaps the biggest surprise he’s given me. I was not really familiar with spring 78 when this one landed, but man what an awesome surprise! 43 wasn’t really a surprise, I mean ya knew if he went to 69, chances were high it was going to be fine! But early 78, yawn, what, no, wait, what, wait a minute, yowsa!

So, yep, nice to change it up a bit, but apologies to Jim. Didn’t mean to pile it on, and hopefully won’t disrupt your 91 dive, as that year has been another pleasant surprise. I’m just trying to stock up on show fixes while I can to make up for the days I’m unable lately, like a squirrel with a jowl full of nuts.
So Besides several of the summer tour, so far I’ve checked out everything from 8/16 through 11/3, and man I tell ya dars gold in dem dere hills! Spring 91 is still a vast wilderness for me as it’s one of two tours I didn’t see any shows between 84 and 92, and though I’ve heard a few good ones here on POTD, that’s another hill that needs to be mined.

Was thinking maybe sparking up some 91 video tonight. Can’t decide if I should go with the ridiculous sounding 6/17, or 6/14? Tough choice!
Conkid I’ll try and catch a little 8/19/89 for extra credit since you say there’s video. Still frosts my ass I had to bail and missed the last night, but, the situation is the boss…

So, the question is, what now?
Hmmmm, maybe some 11??, perhaps later as I may get a DHB in…
Perhaps back to 82 and 9/9/82 from Nola?
NEXT!

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I was at the three-night shows in Orlando April 7-9 Good times, a nice Ruben on the 7th one of the best later year Eyes on the 8th and a good TOO>Wharf Rat on the 9th.
Bolo, she may not be impressed but I am. Great call.
4-14-78 I have not heard this show, will have to check it out. I'm gonna stay in 91 for a while with 4-8-91, can't get enough of that second set. Usually when a show starts with Mississippi Half Step and ends with Johnny B Goode, it's a scorcher, and this one is. Then I will check out the 78.

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In reply to by PT Barnum

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Ooo, 4/8 does look interesting!
Looks like good Sunday show, so mañana, on the list!

I know we hit 4/7 on your recommendation and was a solid show.
We’ve hit some good ones here on POTD: someone picked 3/25, DV gave us 3/31, Bolo 2/19, and my fav from spring (so far) a fine outing from 4/1 via brother Conekid!

If/when we do get a 91 outta Dave, I’m guessing 6/22/91 or 9/26/91 since there on his “list” that he’s been chipping away at fairly regularly over the years. Plus, when he goes to these “not Betty, 70s etc” he tends to pick a place with a high population and often shows with big crowd capacity: Giants, MSG, RFK, Boston Garden etc perhaps figuring even if the pick doesn’t fly off the shelf, there’s enough of a potential base that it’ll sell out?

9/9/82: interesting show, sounded great except a couple of splices, and the speed may have been off, at least at first.
It seemed a little fast, so perhaps recorded slow, but I don’t think that’s the whole story. I think their playing super fast and the tape just adds to it. Whatevs, their on a mission. Interesting set list, some occasional misses, like the transition back to Uncle Js, but it’s a cool idea and nice variety, and from there on out status quo but generally well played..
perhaps not the best of the year, but another interesting solid outing from a year of the same!
Really enjoy these early Strangers, and especially the West LA’s with the alternative lyrics, and hey, a Day Job for good measure.

Ok, gonna hit a little 11/2/69 before the Other One gets home. Then hopefully some video tonight…
ONWARD!

EDIT: VERY GRATEFUL DAY yesterday!
4/14/78
9/9/82
11/2/69
David Bromberg: tge best of DB out of the blues
Grover Washington jr: Mister Magic
Wynton Marsalis: Standard Time Vol I
6/14/91: Vault View II (video)
8/18/89: m/o 2nd set on youstoob
Thanks Conekid, hadn’t checked any of 8/18 out. Was really enjoying it!
Funny cause I read your post, but thought 7/18, which is what I lamented about missing, so then at 11:30 or whenever I went there, of course I started watching 7/18 before finally remembering (had to go look lol) that you were digging on 8/18. I’m blaming it on age, not the Pioneer Gold lol. So I got a couple tunes from 7/18 too.

8/21/72: meh, heard that a few times, maybe at work? Nice Dark Star!
Ooorrr maybe I’ll hit the 22 as I’ve not heard that one?
First I’m having my morning Joe with PT on 4/8/91!

I was there, so was Spacebro.

There is pro-shot video of that show.

Dave,
CD/Blu-ray combo please.

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Hey, rockers!

Pick Of The Day: Berkeley Community Theater, August 21, 1972

I have realized that the past and future are real illusions, that they exist in the present, which is what there is and all there is……..

The first night of this very solid four night run finds the band in fine form, playing well, with the usual 1972 gooey Dead goodness, rock and rollers and cowboy songs. The major deadness is the oh-so-interesting Dark Star. I don’t know scales from whales, but interested readers are referred to Henry Kaiser’s spot-on analysis in Deadbase X. The band channels its focally dissonant, focally atonal, A mixolydian selves to produce what might humbly be classified as magic.

Not as famous as the 24th, and not officially released like the 25th, but a show without illusions, and mighty, mighty good for the soul……

Therefore trust to thy heart, and to what the world calls illusions……

Rock on,

Doc
Our experience is composed rather of illusions lost than of wisdom acquired…..

I listened to the official 8/25/72 last week and was really impressed - short by the standards of the day but powerful. I guess maybe they had lost a fair proportion of their set list with Pigpen, and hadn't quite figured how to fill the gap yet. So I went to the second set of 8/21 straight afterwards - great Dark Star with Keith leading at one point. Pity they couldn't have slipped this in with the relevant Dave's Picks.

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My brother went to 8/24/72. It would have been nice if they would have released this whole run as a box set.

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In reply to by billy the kiddd

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I asked Lemieux about this years ago and he replied quickly that not all these reels are in the vault. ..but they do circulate in high quality. I'm not what to make of all this, clearly they were recorded and someone in modern times went through the trouble to clean them up and get them in circulation.

Dave's Picks 24, 8/24/72 came compliments of ABCD Enterprises, so even though Bear recorded them the master reels must have somehow reside with Betty. Perhaps ABCD still has a little life to give and a deal can be extended to these source tapes? Maybe they are already in the vault or in a banana box on the top shelf somewhere? They are Bear recordings after all. I'd love a box of the remaining three shows. This is one that should be released all at once and not cobbled together as Dave's Picks.

Would these shows make a better box than ones from the following four months though, if you had to choose one 72 run over the others? Maybe they would be just as good - I have it in mind that they re-started a bit hesitantly in July, gathered pace in August, then peaked in September and maintained this on through to the end of the year. I haven't checked this theory out listening to all the shows, though, just a sample.

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In reply to by daverock

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I'm partial to the BCT shows, I think they are great.. but truth be known, I have big holes in my Fall 72 listening. The Texas stuff is fantastic also.

Good points, time will tell I guess. Owsley recorded a lot of the late 72 shows, and now that the Banana Box mystery is starting to unravel.. we might get our answers. Of the great stuff we know exists, there are a lot of 69 shows that were recorded and have not been released, but most do not sound as good as the last Dave's Picks, and there are a good bit of 72, 71 and 73. 68 and 74, not so much.. 67 almost nonexistent which brings us to post hiatus where 76 and 78 have a lot to chose from and beyond that, enter the cassette / PCM era.

Still, I stand by the BCT shows. They are worthy. I thought the BCT and Fox were the unreleased gems of 72 from the shows I had listened to anyway... This being before the STL box and Dave's Picks 24.

So where were we?

Edit: I really have to wonder both how many times these master reels were played back in the day which would lead to degradation. On the other side of the same coin, I wonder just how much better Mr. Norman is to spinning 50+ year old polyester tape into gold. To me the turning point in his prowess of all things GD was the 5/15/70 Road Trips, adding in the WOS and Big Rock Pow Wow for good measure. He stepped up his game during this period. I have to wonder how good Dicks Picks 1, 3 and 16 would sound if he remastered them today, god forbid E72. These later day releases are like pennies from heaven to me. 43 wowed me. It was an in the park home run.

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In reply to by JimInMD

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I'd still buy it in a shot, of course, and it would be great news if it did come out.

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Hey rockers!

Pick Of The Day: Fillmore West, August 22, 1968

Clean cut but morally corrupt, the Grateful Dead………..

If 8/21 wasn’t primal enough for your ears, wait a day and try this on for size!

On paper, short. In music, long. “Only” ten songs, but such much!!! Especially the gargantuan Alligator, more massive than the ones in Florida. Dark Star, The Eleven, Midnight Hour, I shall take it all in and give thanks!!! You should too!!!!!

The esteemed Mr Miller did a fine job with this one, check it out!!!

In morals, truth is but little prized when it is a mere sentiment, and only attains its full value when realized in the world as fact…….

Rock on,

Doc
I don't necessarily set out to teach or say anything in particular in my writing, morals and themes come out as I'm telling the tale……

Thanks for the pick yesterday Doc.

Looking at 5/5/78, Dartmouth for today. I don't think we ever hit this one.

Unrelated note, we are driving to a family function last Saturday night and I can only take the local radio station music and ads for so long, turned on Dave's #25 from my hard disc drive in my car. Friend of the Devil and my 13 old daughter singing along. I love it. She likes to tell me she doesn't like the Dead, but when it is on in the car, she seems to sing along quite often. It gets in the bloodstream!

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Yesterday in the car and the wife saw a Tennessee plate.
I started into T. Jed and she jumped right in on the chorus.
Unusual as she doesn't listen to my Dead sessions anymore.
But it is fun to hit that high note! Fun harmonizing too.
Cheers

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In reply to by 1stshow70878

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Sunday 4/8/91 Enjoyed
Monday 8/22/72 Hit this one instead since it was the only one I’ve not heard from the run
Tuesday 5/5/78 Decent, seems a little less than some of the April shows? Could be my listening conditions?
Tuesday 8/22/68 Nice little taste of primal. Having heard a New Potato in a while!

7/27/82: Rain Rocks. Going to hit all three: today and tomorrow…

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In reply to by Oroborous

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5/5/78 is definitely worth checking out if you haven't yet. I thought the performance and sound quality of the recording were both really good. The show rocked. Promise Land, Dire Wolf, Candyman,Passenger, all good first set versions. They start the second set with Bertha, Good Lovin, the Estimated Eyes and Stella Blue, Around and Around are the highlights of the second set. I like these Werewolves of London encores, good way to close it out.
Glad you gave it a go OB, the equipment we use always makes a difference. I typically listen to these shows through my Sonos play five.

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In reply to by DeadVikes

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Equipment can matter, but I’m suffering more from work distractions.
Sometimes I can really get in the groove and both the music and the work flows in tandem, other times, and unfortunately this seems to happen more as o get older, it’s more in the background . Maybe I need some entheogen therapy to defrag the neural pathways?
Either way I can usually get a good feel at least for the show. I might miss some of the specifics, but I can usually feel the vibe etc.
5/5 was good, I’m just hung up and thus comparing to some of those top shelf April shows, like DaP 37!

Same with 7/27/82: not the best listen, seemed ok, but not up to some of the August shows…
Hopefully today I’ll have better luck with the 28&29?

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Yummy

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In reply to by Oroborous

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I hear you OB, sometimes it is hard to get them in with the old job. I run in to that a lot.

I remember when I was 18 in 89 and wanted to join the circus and keep touring after Alpine and then reality set in, I didn't have the money to do it. Regrets.

82 Red Rocks, 7/28, I will give it is go. Do you have a good source you are looking at?

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In reply to by DeadVikes

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I’m going with 4 of 11. CM transfer, doesn't list who taped?
The Jim Wise/CM sounds ok, but I think this one might be more balanced frequency wise?
Doesn’t seem to be a good SB.

I think part of my lackluster attitude toward the 27th was the sound of the SB I went with?
It was pretty thin and perhaps overly tinny?
I think the rain put a damper on things too (pun intended).
There is a fun On the Road Again, and that whole second set extended stuff is good, but
I think the August stuff is just so good comparatively…

EDIT: 7/28/82: I liked this one much better, but I was able to pay better attention etc?
Not a GOAT, but a fine Shakedown opener, BIODTL (luckily I never tire of this Bob song), a rocking GSET (listen to Phil hit those opening cords), followed by more standard fare, but then a hot Big RR (another I haven’t grown tired of), with a nice Lightnin/Supplication, and a Deal to end a great set. Second first half part is a little different set list followed by more normal order post drums, except with a Spanish Jam, always a welcome song, along with a fine Baby Blue encore!
The Aud was pretty decent but I realized it’s this cobbled together set up I’m using on the job site that’s thin/tinny, so perhaps dont let my comments about the 27 scare ya off. I do think the 28 is better though?
Ok, onward (through the rain & Fog) to the 29, going to try the Frank S Aud as no decent SBs here either…

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In reply to by Oroborous

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I have trouble with that too.. I seem to always be doing something, well.. complicated, in environments where I either get questions or really have to focus.

But I cannot complain, I get in enough.. Got 8/21&22/68 Fillmore West in on the 22nd, something '74 yesterday on the river and most of 10/8/89 Hampton today on SiriusXM radio (was at that one). I thought about doing Two From the Vault, 8/24/68 at the Shrine Exposition Hall in LA today.. might get to it, but I am seeing some local live music after dinner tonight. Free at the local ski resort every Wednesday.. lots of GD cover type and Bluegrass. Typical mountain music.

Anyway.. yes, listening environment is key and the more responsible I become (not purposeful), the less control I seem to have on my listening situation.

Hey, I’m a toys are us kid: I don’t wanna grow up, old, etc etc, sigh.
It’s tough suffering from both old age AND arrested development; )

Hmmmm, set and setting…sounds familiar!