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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #281
    PT Barnum
    Joined:
    Doc

    I was concerned, glad to hear you are well. Southwest of you I'm concerned, I still have friends in central florida, my mother lives down there (93 yrs old) but also dodged the main bullet, waiting for others to contact me. Mini vay kay play dead

  • #282
    dmcvt
    Joined:
    thanks, Doc

    Good to hear you and yours safe and sound. Thoughts go out to FL friends (so far, all good) and all who were so near the path. Almost at 1972 here, streaming the early December 1971 run at mini-MSG Felt Forum. A gloriously bright sunny Vermont day, fall foliage coming on, first frost tonight. Will pull the last peppers, tomatoes and basil out now.

  • #283
    1stshow70878
    Joined:
    Oro Approved

    Love it! The Ess Amt-4 is a two-way with the slightly smaller Heil Air Motion Transformer and a 10" woofer rated 20W to 250W. They are 4 ohm, 45hz-24Khz, with the x-over at 1000hz, and called the sleeper in their killer line up from BITD. The best thing they have going is that Amt which delivers clear beautiful highs and solid mids in all directions from an open top design. Easy placement that way too. Look up their big boys, ESS Amt-1s and their Towers (I forget the number), well respected and still fetch four figure prices as parts units which tells you a lot. The Amt itself is indestructible and lifetime warranted. Mine had a solid pure pulp cone on that 10" which I have had to replace with a set of Misco, made in Minneapolis, Oaktron 10" from their Heritage line made to replace the similar stuff in all the brands from BITD. Same pure pulp cone and big voice coils and magnets but in a stamped steel frame just like the originals. Spec at 16-4000hz and 92 db efficiency.
    Got the ESSs cheap when almost new in 1977 from a college roomy who couldn't manage to get them back home to Cincy without a car. But then when the cat put a hole in one of the woofers in the 90s I replaced the originals with what I thought would be an upgrade but I screwed up. Bought subs that were 8-ohms by Pyramid, Super Pro Super Blue, made by Eminence in US ( Kentucky?) famous for their instrument speakers for bass and guitar. Great deal from a car audio shop going out of business and they took my torn ones in trade as well. As you know, that 8-ohm mistake changed the x-over to 2000hz and I traded off some midrange for killer, punchy bottom end which I thought at the time was good. Found out about five years ago that I screwed up and got the Miscos for about what I sold the now valuable subs for. Fit like a glove which no one who tried that swap with the only available 10" direct from ESS could do as all they sold was the big boy 10" from other higher models with a cast aluminum frame that required sawing into your cabinets just to make it fit. Found that out on Audio Karma luckily from others trying to do the same replacement on their various ESS. A couple of those guys used Dayton woofers to good effect but I went with Misco as their specs were a perfect match to original, hence original sound. Was not going to try to mess with upgrading as I might have had to upgrade the x-over too and taking a saw to the cabinets was out of the question. SO, long story longer, I got my midrange back and Phil bombs sound better than ever! Not bad for a novice hack job since I have zero skills with electricity or carpentry. Not even interested in a sub really. Pretty small living room and I want to keep peace in the neighborhood. Anytime you upgrade there is a leap of faith that the money you're spending will get the result you're after so I got lucky in all this I'd say. Some with a little more dinero are switching stuff all the time but you don't know unless you go. I certainly was OK with all my 70s stuff but you get used to your sound and don't realize how much better it can be until you go there. Thanks Oro.
    Cheers

  • #284
    daverock
    Joined:
    Doc

    I wish your last statement was true - but I suspect that the selfish behaviour of the powerful will have long lasting negative consequences for years to come.

  • #285
    Forensicdoceleven
    Joined:
    Most anyplace one lives is essentially dangerous......

    For all those who asked, or were concerned...............

    The Gillespie household is doing fine. So far, we've only lost power for about 45 minutes, but it's back on now. We've only caught the "tropical storm" part of Ian, but I have heard that potentially, this may be the deadliest hurricane to ever hit Florida. We now live in Green Cove Springs, about 30 miles southeast of Jax, safely away from the beach, the St John's River, and Black Creek. We're in a newish house, on high ground, have lots of food and water, and have an excellent generator. The St Augustine area is getting badly flooded........

    The strongest hurricane to ever hit Florida was the Labor Day hurricane of 1935, sustained winds of 180+ mph when it hit. There is a lovely--and moving----monument in the Keys to the hundreds who lost their lives in that storm. I've visited that site many many times while I lived down there. The deadliest? Probably the same hurricane, the exact toll is unknown, but probably in the hundreds.......

    For Matthew, we evacuated. For Irma, we hunkered down and rode out the storm. For a hurricane, either get out early, or be prepared to ride it out. I reassured my wife, "No matter what comes, we'll ride it out together".

    Out of an abundance of caution, my office is closed today and tomorrow, and I don't work this weekend. A "mini-vacation" of sorts. Now that the power is back, I'm actually busy spreading 1972 Lyceum shows around. Some things never change, hurricane be damned!!

    Here we dodged a bullet, yet I pray for those in harm's way on the Gulf coast...............

    Stay safe, and rock on,

    Doc
    What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal......

  • #286
    Oroborous
    Joined:
    Well said 1stshow

    Don’t think I’ve heard of the ESS Amt 4s, looked them up, interesting, do you use a sub with them?
    And you refreshed my memory about adcom so I looked into that brand a little too.
    Interesting video comparing Adcom and NAD to contemporary Schiit audio.

    Almost bought a Schiit Yggdrasil DAC before I got my Meitner. For like 22-23 hundred bucks they sound as good as many DACs costing many thousands more! Schiit makes simple but value friendly great sounding products, or at least the ones I’ve heard.
    But yeah, NAD and Adcom, same idea, BITD budget friendly but great sounding gear. Sounds like a sweet little system!

    Hybrid stuff. I’ve heard some sweet sounding hybrid stuff at audio shows.
    Of course Jer Bear had a hybrid system utilizing a Fender Twin Tube amp for his pre and a SS MC2300 power amp and we all know how great that sounded and perhaps why he never changed his backend!
    I would say if your going to try hybrid go tube pre and SS power…
    My best recollection was with my buddy who started YFS and built my custom Ref 3 server: had an amazing sounding system one year at RMAF using YFS server, Meitner DAC, Custom made fully analog pre (tube?) biamped with one of the best sounding MC 275 tube amps on the highs, and a 200 per McIntosh solid state amp on the lows (don’t recall the model), powering some Von Schweikert audio stand speakers. I thought the sound and imaging of this system, even in the shitty little hotel room sounded as good or better than much bigger and expensive systems there that year.
    Just can’t describe what a big clean sound this relatively small system produced! Of course for the price of the system it should! Lol.

    I think it’s like everything else: trial and error and if it’s done right it can be a plus!
    I’ve never had tube stereo gear, but I’ve heard some great stuff, but that particular MC 275 that my buddies dad (some kind of engineer/scientist) restored and modified, is perhaps the best tube amp I’ve ever had the pleasure to hear. His dad is the one who built the custom line stage too. Ya know, let’s design and build a one of a kind killer audiophile unit just for something to do lol. They build their own bike frames too!
    So to me it’s like all this stuff, tube versus SS, analog versus digital etc, there’s not just one thing that’s best or better, if it’s done right, and you get the right synergy for your room etc, I’ve heard systems of all kinds that were amazing!

    Just a thought, yeah tube amps can be great for instruments for musical creation when you want that slightly overdriven sound (think Dead 72 before using Mac amps on the instruments), but for sound reproduction they can get tubby or muddy with perhaps too much distortion. Some people like that as it can give a richer, or warmer sound, I’m with you 1stshow, I prefer a more neutral sound, though some think that’s too dry etc?

    In the end, it just comes down to what’s best for you!

  • #287
    Crow Told Me
    Joined:
    There and Back Again

    For a few years, I was deeply into audio: or as deeply as my meager budget would allow, anyway. It started when I realized I needed a tube amplifier. This was because I realized that I would never in a million years use a transistor amp for my guitar, so why would I use one for my home listening?

    But of course tube amps and preamps are pretty pricey, so I had to go the DIY route: I built a preamp from a kit (Bottlehead) and bought an old ST-70 power amp, and I spent a lot of time tweaking them with various upgrades. They sounded pretty good, eventually. And I needed some efficient speakers, so I paired them with some Klipsch Heresys that I got off craigslist (for $100!).

    What happened next is so typical of me it's embarrassing: the ST-70 worked great for about 10 years and then just cut out one day. By this time, I had forgotten all the various rewirings and component upgrades etc I had done, and lost all my paperwork. So I had no idea how to troubleshoot it! Couldn't even find my volt meter! I decided to just sell the ST-70 for a couple hundred, get myself a used Sansui Au-417 (since they're reputed to have a tube-like sound, also a great phono stage), put all new caps in there, and call it day. So after all that I'm back to transistors. Sounds pretty good, though.

    Somewhat bemused to read the travails of my fellow heads who ordered the MSG set via Rhino and are now working through the delays and shipping mishaps. I didn't get the box set (early '80s are just not my era) but I went for the 3 CD breakout. Ordered it from Bezos and received on the day it was released. What a concept! I'm glad to have it, it's a good performance, but disappointed in the mix. It's all Jerry and Brent, Bob's guitar is completely (and I mean completely) inaudible, Phil and the drummers much too low. But you can hear Jerry great, and it's a high energy show so probably most people will really dig it. Still, I hope the rest of the box is better, for everybody's sake.

    Five for the universe:

    John Coltrane: Coltrane
    GOGD: Dick's Picks 36 (yow!!!)
    Joe Henderson: Mode for Joe
    Zappa: Hot Rats
    Sturgill Simpson: Cuttin Grass

  • #288
    1stshow70878
    Joined:
    Bang For The Buck

    I went to separates during covid after doing some research and hearing from a collector of Heil Amt speakers that I wasn't hearing all my ESS Amt-4 floor standing speakers could do. Got an Adcom dual mono amp with 100W and 180 damping factor and was blown away like the Maxell guy. Got the other Adcom separates one at a time and noticed improvement each time. The pre-amp was better than using my old integrated amp as a pre and the digital tuner was way better than the old one. All are late 80s MOSFET stuff and fully restored they are still way cheaper than either vintage premier like Oro's McIntosh or 10x cheaper than modern audiophile. Just got to find a reliable restorer. They were the bargain audiophile brand BITD and made in USA. Very neutral coloring which some don't like but it's better to hear it exactly as it was made and play with the tone controls if you want different. Diminishing returns to go higher but I would have if the money was there. All in I spent maybe $700 and it sounds good to me. The bonus was I got a bedroom system from the old stuff, just have to add some speakers.

    Ten days to get my 3 CD MSG from CA to CO doesn't sound very innovative. Mail Innovations, aka the Louis Dejoy enrichment scheme, adds almost 500 more miles to the route that would have gotten to me two to three days earlier had UPS shortcut Mail Innovations and delivered it straight from the handoff point only 60 miles away. Bad for the customer and bad for the planet. Should be here tomorrow. Oh well, as Neil says, "don't let it bring you down, it's only castles burning".
    Cheers

    Edit: I find it interesting that folks are going back to valves, or tubes, especially in the pre-amp. I was advised to go with a hybrid solid state/tube pre-amp but stick with a solid state amp to get the benefit of the "warm" tube sound without the big bucks of the tube amp. But the hybrids were beyond my budget even used/restored as they are a newer thing. Wish my family had kept my Dad's old home built Heathkit tube amp. Would love to have heard that again.

  • #289
    dmcvt
    Joined:
    AJS audio, 1968 NW, Doc11

    Thanks Oro, a wealth of helpful information. AJS, there with you, floor standing wise, found a pair of 1986 Klipsch Cornwall IIs, 3 foot tall, 2 foot wide, 16" deep. Horn loaded tweeters and mid range, 15" woofers. They sound incredible for 35 year olds. Was driving them with an Onkyo receiver, one of the high end spec models for a long time and was happy. Eventually hooked up a power amp/pre amp combo and was surprised how much improvement... like Oro said. The power supply on the amp is huge, output rated at 150 watts per channel so a very efficient speaker like Klipsch has no stress, there is so much headroom. The damping factor as well important, a measure of how effectively (tightly) the amp controls bass response. When damping factor number is large, bass is well defined with detail and timbre, not boomy muddy. Whatever sub anyone might be using, not much useful response below 18-20Hz, as it's exponentially demanding to get lower, subsonic. The octobass and piano lowest notes are A0, about 27hz, Pipe organ low note is C0, 16 Hz. Except there's this thing called a rotary woofer that can go down to single Hz numbers at hideous expense, IMAX theater only? I would love to see and buy a 1968 NW tour box. Meanwhile, hoping Forensic Doc will let us know how it goes, we know he's in the Jacksonville area.

  • #290
    daverock
    Joined:
    Magic Carpet Ride

    Mr Ones - great band, Nick Mason's Saucerful of Secrets. I saw them just before covid, and was supposed to be going again in 2020-but... That dvd/blu ray disc of them live is worth getting, too.

    Irrespective of the extent to which climate change is affecting the hurricanes in America, there can be little doubt that the countries who are suffering most are the poorest ones. And the ones who are contributing to it most are the richest.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by Vguy72 on Sat, 08/27/2022 - 12:14

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....'65 - '75 IS the best decade for music in my opinion.
Let's do a decade #1!
Another edit. Check out The Warning. A three piece sister power rock band from Mexico with impressive riffs. Whoa! Paulina, the drummer/harmony singer is on point!! Her enthusiasm is evident. Awesome.
Guess I'm on a girl band kick lately.

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Submitted by Crow Told Me on Sat, 08/27/2022 - 14:34

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It's the 50th anniversary of the greatest GD show ever. (Yeah, I said it.) Please celebrate irresponsibly.

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Submitted by Dark-Star on Sat, 08/27/2022 - 15:11

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I upgraded to Blu-ray and what a difference. The audio is great. I am watching this thinking how freedom looked back then. It seems like there was more freedom but I believe the music was just better. We had our problems back then too. I agree Crow, this show is terrific. I guess it helps that the source tapes are so good. Sometimes that's half the battle.

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Submitted by Gratefulhan on Sat, 08/27/2022 - 20:22

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I think TTB is excellent. Derek Trucks is legendary as far as I am concerned and Susan is wonderful. Talk about a power couple. Plus they really lined themselves up with some great musicians and vocalists. I hear a lot of influences in their songs. I really like the fact that they are not a jam band, or even a band that jams as Greg Allman would say. I think it is cool direction to take, especially for Derek who we all know can go after the improvisation from his Allman Brothers days.
A great footnote to this is that there is a YouTube video of TTB playing Anyday from about 11 years ago. Now this in itself isn't anything new, as the Allman Brother played that song and TTB continued to as well. However this video I am referencing has shots of many celebrities in attendance at this particular show. Just off of the stage there is shot of none other then Eric Clapton, who is singing along and rocking out to TTB playing Anyday. Talk about a great honor. I wish I could remeber the exact title of that video but I tihnk it is from a show or festival from 2011. If anyone gets adventurous I say it is worth the search to find it.

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Submitted by daverock on Sat, 08/27/2022 - 23:58

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The records I first heard when I was 15 never really grow old. A magical time - for me 1972-73 was illuminated by...
Electric Warrior - T. Rex
Ziggy Stardust - David Bowie
Paranoid -Black Sabbath
Fireball - Deep Purple
Space Ritual - Hawkwind
and the one that really amused my parents..... the incomparable Slade Alive!
Singles were great then too - All The Young Dudes, Starman, Silver Machine, Schools Out, Virginia Plain come to mind.
I was oblivious to The Dead playing various dates in England at the time.

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Submitted by That Mike on Sun, 08/28/2022 - 04:12

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Glad to hear you like the J’s, VGuy. The Jayhawks are terrific, and I’m finding out this offshoot group called Golden Smog (thank you Sixtus) is the bee’s knees.

Warning about this “Americana” music - it’s pretty infectious.

Once you tick that box marked “Americana”, the amazing music that unfolds is incredible, from all the performers mentioned, but including some other favourites of mine such as Neko Case, Gillian Welch/Dave Rawlings, Lucinda Williams, to old standbys such as Buddy Miller (I saw him play with Plant & Krauss - wow!), Ry Cooder, all the way back to the Band.

Do the Dead constitute “Americana”? Certainly, they were masterful interpreters of so many veins of music, from Motown to Reggae to Disco (yikes) to Jazz to Folk to….etc. Americana? Originators? Certainly American Beauty and Workingman’s Dead could be worthy of serious consideration, and notable for being ahead of their time, before this vein of music became defined as such. Hmmmmm…

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Submitted by 1stshow70878 on Sun, 08/28/2022 - 09:18

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That video is the 2011(?) Clapton Crossroads Festival. That's where I first saw TTB and fell for them immediately. They also interview a bit in there and describe how they found all the early influences like Delaney and Bonnie and wanted to revive that influence. It worked! The other melted happy face besides Clapton's was the host Bill Murray. You can lipread him saying, "WOW". To honor Clapton at his festival by doing a Derek and the Dominoes tune was a brilliant choice. The recent release of their whole live recreation of the Layla album really tops it off. And Trey guests on it too.
Cheers

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Submitted by billy the kiddd on Sun, 08/28/2022 - 12:08

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40 years ago today, I was up in Oregon for a good time with the Good Ole Grateful Dead. The show was a blast and the whole scene was just a lot of fun.. I had 3 tickets for the 3 shows in 1992, unfortunately it never happened.. 1982, what a great year to be seeing the Grateful Dead , with the Frost ,Greek , Ventura, and December Oakland shows, it was fun times. Hopefully, some of these Bay Area shows will be released some day.

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Submitted by Dark-Star on Sun, 08/28/2022 - 18:23

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I think you described the Dead's story very nicely in just a few words. To me they didn't just embody the American spirit, they imbibed it and reflected it back to us in the form of music. And they lived a free lifestyle exactly how they wanted to live it.

I have seen the breathing walls!

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Submitted by Vguy72 on Sun, 08/28/2022 - 18:53

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....Last Five
McCartney & Wings - Band On The Run.
The Jayhawks - Tomorrow The Green Grass.
GOGD - Dave's 30 Bonus. Fillmore East 1.3.70.
The Warning - ERROR.
Tedeschi Trucks Band - I Am The Moon Vol IV : Farewell.

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Submitted by That Mike on Mon, 08/29/2022 - 07:17

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“Best of” and “Greatest” designations when assessing art and music are pretty ludicrous yardsticks to use, such as in the Grammy awards and other such nonsense, but I have to admit, it would be hard, if not impossible, to claim TTB’s four-part opus “I Am The Moon” not THE best music to be released in 2022. It is absolutely transcendent, beginning to end. If it was Sun Tzu that taught that a warrior’s greatness is measured by the strength and cunning of his enemies, then by that thinking, this suite is all the more remarkable when measured against all the incredible music also released this year.

Although I have their library, and definitely enjoy their music, I was ambivalent about their standing as a premier musical act, but I gotta tip my hat to them for this one. It is an absolute gem. A live reading of this four-parter would be a show for the ages.

My only kicker: This all would have made a killer double album. But once the marketing people get a foot in the door…

“A Charlie Brown Christmas” 5 CD set! 5 CDs!!!!!
The marketing people….

Godspeed to the stuffed Snoopy dog aboard Artemis 1, as it attempts it’s launch to the moon today.

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Submitted by Gratefulhan on Mon, 08/29/2022 - 14:13

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I did also see Bill Murray off to the side in that video footage too. I was just stuck on Clapton's reaction. Still it was defintiely cool to see Bill Murry enjoying things. I need to check out that TTB Layla Revisted album. I have been working on few projects that involve listening to a bunch of live shows so I have been occupied with that. When I get chance, I am going to give it a listen.

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Submitted by marye on Mon, 08/29/2022 - 15:20

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yes, you do need to check that out. It's pretty incredible. (So were TTB with Los Lobos at the Greek the other week, with Jerry's Alligator guitar.)
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Submitted by hendrixfreak on Mon, 08/29/2022 - 16:00

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C'mon, after 50 years, I was just getting over the breathing walls and ya had to mention them... Dang it!

As for Snoopy, a classic Rosie Magee pic of Pigpen shows his Snoopy pin on his greasy corduroy hat, plain as day. So maybe a piece of Pigpen's soul is heading to the moon on Artemis. (Though none of the reasons given for our return to the Moon make any sense to me. Except to stake our claim in the face of China's interest, which unfortunately smacks of militarism and control...)

And as for TTB, I keep tellin' ya, that's the hottest band on the planet right now. If they've got Los Lobos in tow, that's THE package. At least according to me, and, as you well know, I've never been wrong before...

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Submitted by J3FF on Mon, 08/29/2022 - 17:06

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So I've got Your Picks Vol. 43 in my hands and CD player. Cool music.... BUT...

I ask you, sir--is this how YOU listen to these shows? The first 9 songs of 11/2/69, then the 5 songs from 12/26/69, then 4 songs from 11/2, then 11 songs from 12/26??

If yes, then I don't feel you really appreciate the experience of live Dead--how each show is a unique event and piece of musical art, how each show has a rhythm and a story all its own. (This is WHY so many of us spend thousands of dollars buying these very shows on CD when we are content with just getting the best studio releases from other artists we love.)

If this is NOT how you would listen to these shows, and you do enjoy and appreciate listening to a show as it was performed, then you are not really respecting the rest of us who want to listen to the shows in that way but don't have the privilege of access to GD's vaults.

You make great choices of shows-- just let us listen to them as Jerry intended please. It's doable. Every single box set release does it.

Thanks!

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Submitted by Vguy72 on Mon, 08/29/2022 - 18:41

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....twenty-four songs, and not a bad one to be found. Very impressive. I raise my glass to you.
And J3ff. It's due to the 80 minute time limits on the CD format.
Deadworld problems.

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Submitted by billy the kiddd on Mon, 08/29/2022 - 21:49

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35 years ago, I was up on the Eel River to see Jerry Garcia put on a fantastic show, one set acoustic, two sets electric. What a fantastic spot, up in the Redwoods in the mountains right on the Eel River. It was definitely electric, what a swinging party.

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Submitted by Sydney Prentice on Tue, 08/30/2022 - 00:15

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Yes it's a gripe of mine too,I did mention this several Dave's Picks ago, when I was reminded of the Road Trips series of fragmented shows.
I am grateful to have the 2 shows on 3 discs,but it does annoy me at having to break off listening to a show to change discs.I do not have the means to re arrange the songs on a computer,& besides I enjoy the HDCD resolution.
As much as I enjoy my vinyl in my opinion the Grateful Dead live recordings are more enjoyable to listen to via CD, as you are not changing record sides between certain flows of the music.

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Submitted by daverock on Tue, 08/30/2022 - 04:31

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Conversely, I do enjoy listening to live Dead on vinyl. It seems to make me focus a bit more. I don't listen to whole shows in one go- in about an hour I will have some lunch, and maybe listen to 2 sides of an L.P. That will be it for me for music for a few hours - I'll go off an do something else, and tune back in a few hours time, but again just for 40 minutes or so.
I don't listen to music during the core of the evening - but about 11.00pm...that's when cds come in handy. Sit back and let it all wash over me for a few hours.
With fragmented shows, I don't mind so much as long as it is clearly labelled on the sleeve what music comes from what show. Some of the earlier ones didn't do this - so you have to get Deadbase down to work out where different songs come from. If you can be bothered. The Dicks Picks from late July early August 1974 comes to mind-but there are quite a few.
And although Dave's Picks 43 works really well for me as a whole - I don't think it's necessary to fill every second of every cd with music. I have never liked fillers. Many of the greatest albums from the past clocked in at little more than half an hour. Quality-not quantity is the key, for me.

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Submitted by Mr. Ones on Tue, 08/30/2022 - 06:57

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I have received your Pick numbered 43. Cool music BUT, you really have a lot of nerve squeezing the absolute MAXIMUM of Dead music possible onto 3 cds(just under 4 hours worth).
As you may know, if us Dead Heads can’t listen EXACTLY the way we wish, and you know what way that is, then I’d rather have NOTHING!!
I love the Dead sooooo much, that if I can’t listen to a whole show, complete and in order, and not have to get up off my a$$ to perhaps change a disc, then you can forget it, the deal is off!! How DARE you give me 2 shows for the price of 1, of this band I love sooooo much. I’d rather just have 1 90 minute show, spread over 3 discs, IN ORDER, so that my entitled, lazy a$$ does NOT have to move while I am listening.
A rational person might think “oh my God”!! I’m getting 2 COMPLETE shows(minus 1 song) instead of 1, for the same price!! But no, we Dead Heads don’t want more music. We want LESS music, and only if it’s presented PERFECTLY. Perfect sound, NO PATCHES, no dropouts, in proper order, so that all I have to do is push 1, ONE button, and then I can laze back, stoned to the gills, and forget about life and how hard it is to be alive.
We want LESS music, PERFECTLY prepared, the less music the better, so long as it’s PERFECT, at least to me. Because after all, you ARE doing this just for me, right?? Seeing as how I’m the MOST important person in the universe.
To those who are Grateful to have the MAXIMUM amount of Dead music, no matter how poorly it’s presented, well, you happen to be so so wrong. And of course I am right!!
It must be so sad to not be me.

I have SPOKEN!! This is the truth, so sayeth the Lord.

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12 years 2 months

Submitted by Angry Jack Straw on Tue, 08/30/2022 - 07:40

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is easily one of the best releases of the entire series. And it is still not good enough because of the song sequencing?

What a joke.

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9 years 2 months

Submitted by icecrmcnkd on Tue, 08/30/2022 - 08:08

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For packing 2 grate shows onto 3 80-minute CD’s.
And for putting that missing Cold Rain and Snow on a future release.

Fortunately for me, I learned how to use a computer in the 1990’s, and now in 2022 can rearrange the order of digital music files.

As an alternative, some CD players let you program the order that tracks are played.

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10 years 8 months

Submitted by Sydney Prentice on Tue, 08/30/2022 - 08:18

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No offence but it's only my opinion, if I prefer to sit on my backside and listen to a whole show in order that's my choice.

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15 years 3 months

Submitted by Colin Gould on Tue, 08/30/2022 - 08:25

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I see the next Sonic Journals is by the Chieftains.
It is already available to order from Amazon UK and I’ve ordered it.

Glad to see these guys getting love over the last couple weeks. I had the good fortune to see TTB at the Greek in LA, then MMJ at Red Rocks for the Saturday show. Both killer shows. Every time I want to whine/complain about something my life or something in the world at large, I immediately flash back to these 2 shows within 8 days and tell myself to STFU.

As Vguy is wont to say, "Music is the Best."

As Patterson Hood of the DBT sings, "It's fuckin great to be alive!"

Yes, Patterson, it sure as fuck is.

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9 years 3 months

Submitted by Charlie3 on Tue, 08/30/2022 - 09:25

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...to see the expression of different opinions about song sequencing and filler met with scorn and ad hominem attacks. It's one of the things I like least about this site.

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10 years 3 months

Submitted by 1stshow70878 on Tue, 08/30/2022 - 10:00

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Was Pig's Snoopy pin the one with sunglasses? Joe Cool was my favorite Snoopy alter-ego, followed closely by the WW1 flying ace. I had the Snoopy Cowabunga on a surfboard poster in my room when young. Hallmark has made thousands off of my family and I as Shultz cards are still our favorite greetings. As I got a little older the Lange ski "Tips Up" girl poster moved in next to Snoopy. Mom was OK with it likely because Lange girl's nipples were airbrushed out.
Gotta go with Charlie3 on today's comments although I got a good laugh out of Mr.Ones, who by the way is I believe the originator of Music Is The Best. I did have to listen in corrected order but like Daverock I usually have to break it up anyway so no biggie.
Cheers all!
Edit: Last 5
Airto - Seeds on the Ground; The Natural Sounds of Airto (an RGM reissue), cool smooth jazz w/ Ron Carter on bass.
DaP 43 - Excellent recording. Very enjoyable with the acoustic. IMHO no way the best Dave's, sorry just not my era.
Renaissance - Ashes Are Burning
Moody Blues - In Search of the Lost Chord
Little Feat - Time Loves a Hero
All on LP except DaP 43

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10 years 1 month

Submitted by That Mike on Tue, 08/30/2022 - 10:30

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I have to figure the Snoopy stuffed toy and 3 manikins (now known as “Moonikins”) aboard Artemus 1 are relieved to get a reprieve from launch, at least until Friday. I guess these aren’t just random manikins pulled out of a Macy storefront window (“Your country needs you!”), but fairly elaborate robots that will gauge all the pressures and hazards of space travel expected for when the Artemus project goes to manned space flight (including putting the first woman on the moon. NASA declined my offers of “Take my wife, please”). These “dummies” were going to be enduring 26,000 MPH thrust just to escape the Earth’s gravity. I thought my brother’s old dressed-up Mercury Cougar hauled ass! This Artemus project is pretty “Holy Shit!” stuff.

As for DaP 43, I’ll just agree with others that it may be one of the best of the series, and I respect others may not agree. But TWO prime Dark Stars!!! This DaP 43 is pretty “Holy Shit!” stuff!

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10 years 3 months

Submitted by daverock on Tue, 08/30/2022 - 10:45

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Funny how some people seem to get a bit humpy if they see a point of view expressed that isn't in accordance with their own.

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10 years 3 months

Submitted by 1stshow70878 on Tue, 08/30/2022 - 10:48

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I think I heard that Artemus does 17,000 mph in 8.5 seconds.
ThatMike, I loved the Rodney Dangerfield reference.
I had a buddy that had a (67?) Mercury Cougar XR-7 with the 428 Cobra-Jet. This was around 1975-6 so it was well used by then. But it WAS fast.
He wrapped it around a tree in like a month after buying it.
I've always said if I'd have had a fast car I'd be dead already.
Fastest thing I've ever had is my inherited '95 Mercury Grand Marquis.
My first V-8, likely does 0-60 in maybe 11 seconds? It's a boat but no anchor in the trunk. But it rides nice and gets 30mpg on the highway.
Cheers

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5 years 2 months

Submitted by J3FF on Tue, 08/30/2022 - 11:03

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Sorry for disturbing you under your bridge there... but good job disproving the stereotype that Dead fans are kind.

I'm not sure why someone would take such personal offense to my request that the shows be presented in the original sequence. I'm not trying to deprive anyone of anything--if it really were not possible to fit both shows in the correct sequence on 3 discs there's no reason they can't do it on 4 discs... (there's a 153-disc collection of the complete works of Bach that sells for $125 so I don't think it can be that expensive to toss in an extra disc.)

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10 years 1 month

Submitted by That Mike on Tue, 08/30/2022 - 11:29

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My older brother once drove his Cougar from my parent’s home to a friend’s cabin in a rural area in under 45 minutes, a drive that normally would take 2 hours and fifteen minutes if you followed the limit. As he had this car in the 70s, and had recently moved out of the family home, I forget all the specs on it, but he loved the speed of this thing, and while he crashed a few things, including a beautiful BMW Motorcycle on a speed track (amazingly just breaking his collarbone), he never wrecked the Cougar. Scary car, scarier driver.
I read Artemus 1 will be re-entering the Earth’s atmosphere at 17,500 miles an hour! Check those Moonikins for diapers!

Captcha: And a big yellow taxi come and took away my old man

J3ff’s comments to Dave of:
(Read the whole post for context of these quotes)

“ is this how YOU listen to these shows?”

“ If yes, then I don't feel you really appreciate the experience of live Dead”

“ then you are not really respecting the rest of us”

“ just let us listen to them as Jerry intended please”
(How do you know what Jerry intended? Jerry wasn’t the sole decision maker of the band)

Can come off as more than just an opinion, but also as another attack on Dave.

In my alternate opinion this was the correct decision as a means to get these 2 shows released at the same time, even if the Cold Rain does have to be included in a later release.

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Submitted by 1stshow70878 on Tue, 08/30/2022 - 12:14

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Mike, My sister's boyfriend in 1968 drove his E-type Jag from St. Louis to Denver, a trip of 850 miles, in under 9 hours. Mostly at night with only gas stops, he said he did 100+ mph as much as he could. Cannonball Run! That's what love will make you do! (One of my favorite JGB tunes. Who does the original? David Bromberg does one too.)
Cheers

Some of you guys act like you're Dave's girlfriend or something.

Let me know where Dave is available to field gently-worded input please, because I haven't found it yet... if you send an email to Dead.net you get no reply; if you send a Facebook message they send an automatic reply trying to sell you stuff...

I will admit that my post expresses frustration with the folks selling this stuff. In addition to the non-responsiveness, there have been some truly baffling and annoying decisions in the assembly of these shows. On disc 2 of Dave's Picks 41 (only 32 minutes long BTW--so much for jam-packing the discs) we go from the 5/26/77 show to 7/19/90 (?) for two minutes of post-Not Fade Away audience chanting before starting U.S. Blues before returning to 5/26/77 on the next disc. What possible reason is there to include the chanting as part of "U.S. Blues"? Or a 1990 song on a 1977 show? (or is that a typo on the disc?)

It's weird that some of you want to mock me for valuing the song order that the band originally chose... but act like the order Dave randomly chose is sacred.

I'm happy for you guys that download these and re-assemble them in order but I don't think that's a valid justification for not putting them in order in the actual product being sold.

If Dave is offended by the tone of my post please let me know-- you should have access to my email. I'll buy you a beer.

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Submitted by billy the kiddd on Tue, 08/30/2022 - 12:51

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35 years ago today, I was at the Greek Theatre to see Garcia and Bonnie Raitt put on a nice show. Proudfoot, the Eel River show was really something special in a very special place. People were diving from high clifts into the Eel River, you would see the trails of the divers as they went off the clifts. Electric was the appropriate word , if you were not, you were in the minority. Garcia really played great. I can't say that I've ever been in a cooler place to see music, up in the Redwoods in the mountains. I've missed some cool shows in the past, but I didn't miss this one.

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