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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • 1stshow70878
    Joined:
    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • Charlie3
    Joined:
    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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That Mike, that Pure Jerry Theatre 1839 (July 29 and 30, 1977) Don't Let Go is another smoker. Can't get enough of that tune.

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In reply to by Charlie3

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Without looking it up I am guessing Brody.

Robert Shaw. Yup. Way too early. His lifestyle got the best of him. Heart attack while driving home in Ireland.

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I'm going with the mayor. Dumbass gets some redemption later after he is responsible for some of the continuing deaths as he won't let them close the beaches. Big money wins again. We need those tourist dollars!
Cheers
For a favorite Jerry tune how about Mississippi Moon. Don't know if it was ever done live though. I just love the feel and mood of that one with the oboe in there. Hard to do live. For that matter the whole Compliments album is likely my favorite of his solo studios.

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In reply to by Angry Jack Straw

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Jack - Good guess, but nope. It was the Mayor of the town (cannot think of the character’s name). Remember he got all panicky that these three guys - Scheider, Shaw, & Dreyfuss - would be looking for a shark during THE biggest tourist weekend of the year, ie - The Fourth of July? He almost had to be put on oxygen, he was just peaking!

Charlie - I’ll be cuing that Pure Jerry album up this coming weekend, for sure!

Edit: 1st Show! You got it! For your prize, please pick anything - anything - from Dennis’ very extensive collection! ;)

Sorry, though, if I hurt your feelings, Cousins of The...

I grew up on the mean streets where nearly every day someone in my gang would say "if you believe THAT you are being Pollyanaish." So I guess I became inured to such rough talk.

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I'm recovering from Covid, so I will admit I have a short fuse these days.
Anyway, no hurt feelings.
Peace, and....there I removed the offending line!

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In reply to by J3FF

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No need to remove the colorful sign-off... now I look like I'm laughing at you being sick. ;)

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Dennis do you have anything stored in banana boxes?
Cheers

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In reply to by J3FF

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Yeah Charlie, I love that JGB show, one of my favorite tapes BITD!
Billy K on drums!
Would make a nice release, could pair with Bobs set like that Long Island 89 they released!

Speaking of not letting go:
Dude, ENOUGH already!!
You said your piece, now get out.
You stated your opinion, which is fine, then you argued your opinion in the face of overwhelming opposition ad nauseam, which is ok, but PLEASE let it go, we get it already. Sorry your not happy!
98% of the folks here totally disagree with you so let it go and move the fuck on, your ruining the vibe!
Maybe next time they’ll only give us one short show on three discs, but hey it’ll be in order!
FFS, don’t you have anything better to do? Or maybe that’s the real situation here: your bored and think this is funny?

COUSINS: be well soon!

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That's all good, man. I don't want to add any ugliness to this otherwise fine forum.

I thought it was pretty clear I'd dropped it. (My last post on the issue was 14 posts before yours telling me I'm wrong and why won't I drop the issue! :D)

I only commented further beyond my original post to reply to other folks who were saying why I was wrong. I didn't realize I was supposed to shut up and not respond.

And none of my posts were as dickish as yours (FFS).

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Doesn’t anyone appreciate satire anymore?? J3ff, I hold no grudge towards you, or anyone else here. It’s that occasionally, when it occurs to me that our complaints just fly in the face of how LUCKY are are to continually receive these audio gifts, I feel the compulsion to respond. And sometimes I think human nature helps us forget how blessed we are. I have no malice toward ANYONE here. I have some favorites, just as we all do. But sometimes a contribution to this thread just gets me needing to send a vitriolic, though tongue in cheek, response. I LOVE the discussions we have here, and occasionally like to contribute. I just can’t help that my cynical Lenny Bruce or George Carlin comes sneaking out sometimes.
We are such a broad, diverse bunch. Of course we’re going to have differences of opinion. Who cares?? It would be pretty boring if we all agreed on everything.
Anyway, there was never a point at which I wanted to insult or hurt ones feelings. I’ve said this before and I’ll say it again. You can try hard as you like to hurt my feelings. It will never happen. Words are incapable of upsetting me. Well, unless it’s from an old girlfriend I still have feelings for, But I digress. I encourage good thoughtful dialogue, and the more differing the opinions, the better I like it. You know what?? Music is the Best!!

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In reply to by Mr. Ones

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I appreciate this follow-up post. And I recognize that my original post carried a lot of frustration at the imperviousness of Dead.net to customer feedback--even from customers who have spent thousands of dollars buying CDs of old concerts--which apparently annoyed a number of Daveheads.

But I thought at the core I was making a legitimate request.

I think satire is probably better directed at public figures or governments or drinking buddies rather than someone making a product suggestion in a product forum--especially since the satire involved comically exaggerating or misstating what I was actually saying, which seemed to inform other comments representing that I would prefer to have LESS MUSIC as long as it was in order.

I was actually asking that Dave/Dead.net/Rhino please give us an extra disc so the songs could be in order, and that I don't think it's economically out of reach to do so as represented by many other archival releases from other bands, including JGB.

I don't think anyone could sincerely oppose getting a fourth disc and both entire shows in the correct order, so a lot of people offended by my impudence instead made a straw man to argue with--saying I was asking for less music as long as it was in order.

The powers that be may not be willing to add a fourth disc under circumstances like those in Dave's Picks 43. But I don't see the harm in asking.

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I sure wish that they would release a list of the tapes that are in Owsley's boxes, that would be cool. Hopefully, they have the tapes from the tour of the Great Northwest in 1968 in there. It's really something to look forward to, what will be released from that box

Not the first time Dave has done this and probably won't be the last. In fact the last time he did it before #43, was #42.

I also remember the 73 30 Trips show from San Diego.

Sure hope we get another two show 4 disc release to end the year. 91? Might be time.
Sixtus, I am impressed with your system. Maybe someday I will there. I bet you have quite the top drawer!

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Quick and to the point before lighting up.......After Midnight, Kean College, 2/28/1980. Plus it has Hunter singing 2 tunes. Killer version of "The Harder They Come". It doesn't get any better.

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The acoustic music from the Lunt Fontanne Theatre. I saw the Garcia Acoustic band in 1987 at the Warfield, and they were absolutely fantastic!

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In reply to by rasta5ziggy

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Aye, Rasta...good stuff.

ST. STEPHEN, indeed. And "now now kids"...

...

6 22 86
Ya might not think that a show with that date would be recommended. Ya would be wrong.

September arrives tomorrow with the new boxset coming up. Yahoo!!!

I am sick to death of this hot weather in Seattle. Please cool down!!!

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In reply to by proudfoot

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I recently have discovered Its Only RnR album

Pretty dang good

Also Black and Blue is better than first impression from 1979

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...is exactly what I thought this morning after waking with a migraine and immediately dropping and destroying my cell phone on which I run my business. FFS indeed. Spent the afternoon wasting half a day running around getting a new phone in Missoula. Tomorrow I can try to reassemble my calendar, which, of course, was entirely on my cell phone, including tracking down the phone number for the appointment that I have scheduled for some now unknown time next week so I can call and find out when the appointment is scheduled to occur. The only bright spot was listening to the Sunstroke Serenaders performing an excellent show while driving around in what passes for traffic in Missoula. Pretty sure a number of you are fans of the Sunstroke Serenaders, if not check 'em out, good stuff.

That Mike, you mentioned that the Pure Jerry had an extended Don't Let Go, and wow, forgot that it was 27 minutes, that will be getting a spin soon for sure.

Oro, cool that you are familiar with that Music Mountain JGB show, I had a tape with only Don't Let Go, the Night They Drove Old Dixie Down, and Run for the Roses along with some random unrelated tunes from totally unrelated artists.

Digging the Jaws quote-fest even though it's not my favorite movie. Here's a favorite quote of mine from a favorite movie of mine, "Hey, listen, I want somebody good - and I mean very good - to plant that gun. I don't want my brother coming out of that toilet with just his dick in his hands, alright?" Classic line, classic movie. Feel free to identify or ignore the movie and speaker.

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In reply to by Charlie3

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....Chinatown? Total guess.
The Sunstroke Serenaders are tied for first with my other three favorite bands. The Warlocks, Mythical Ethical Icicle Tricycle and The Emergency Crew.
I can't believe I forgot about those cats.
I hope they made it big!
It's mesquite salmon and bacon wrapped asparagus on the menu tonight boyz and girlz!
Back in the day, we used to linq recipes here. So many roads ago.
A week to go until Leppard/Crue/Poison/Jett. Stage show looks incredible. Final stop on the tour as it should be. Granddaughter is all in. She loves Mick Mars and Bret Michaels. The next day, there is a reptile expo here. She loves snakes. Me? Not so much. But chameleons are cool and I just want a couple of geckos.

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In reply to by J3FF

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....yes.
The Eel Box is also special to me. Especially the 8.10.91 show. Best The Way You Do The Things You Do that I've ever heard. Plus a You Never Can Tell (C'est La Vie). And a Shining Star. And a Lazy Bones. And a Struggling Man. And a Lay Down Sally.
That show had it all.
Which reminds me. I need to frame the print that came with pre-orders.

Charlie, that is a bummer, not fun when the phone goes down.

Movie, The Godfather.
Sonny speaking to Clemenza.

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You are the winner, it was in fact Sonny speaking to Clemenza during preparations for Michael to kill The Turk and his police captain bodyguard in the Godfather. Watched 1 and 2 in the last month, and love them both, but I would have to go with 1 as my favorite. And yes, phone replacement sucks.

And VGuy, you get the prize for your lightning fast identification of some other names used by the Sunstroke Serenaders.

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Keep getting Nicolette Larson's version of Lotta Love stuck in my head on a loop...

Yes, Jaws is not the greatest movie ever.. Chinatown and The Godfather both surpass it by a longshot.. but in the summer of '75 that shark reigned supreme. Quint was the star in my eyes. He had grit. Farewell And Adieu Fair Spanish Ladies' indeed. Looking back it seems a bit tacky, they had major trouble with the special effects.. dated is perhaps the word I am looking for, but the timing was perfect. It's every bit as good a monster as Frankenstein, which reminds me.. a happy belated birthday Mary Shelley.

Now where were we? It appears everyone is getting along grandly.. Long drive today, might have lost a car on the way.. had to crawl back in a rental. Good thing it wasn't my car, but the owner is more than a bit distraught, happened far away from home. Got in some good '74 on the drive.. and a little May '69 for good measure. Decided to offer and eat the cost of the rental. The good news is, it was late and we somehow did not get stranded. First time I ever used Uber, they don't have those where I live. Aye.. there's aways good and bad in life. Gota admit, the transition in the China Rider pulled me through. Holy cow, 1974 GD cures all.

Farewell And Adieu Fair Spanish Ladies'. Still cracks me up, makes me want to smash a Styrofoam cup in my hands while talking like a pirate.

Rest up Cousins.. hoping a speedy, harm-free recovery finds you.

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In reply to by Charlie3

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Charlie - That is 27 INCREDIBLE minutes of “Don’t Let Go” on the Pure Jerry release! Enjoy, my friend! (As an extra, play the 5 song bonus disc “More After Midnight” that came with the Kean College release. Jerry plays like I wish he would have on more occasions- he really turns it up, and gave his axe a workout! A gem!)

PS - Now I’ve got that silly “Lotta Love” in my head! I do that to my wife occasionally- start purposely humming/singing some ear worm, and within minutes, I can hear her down the hall, or in the kitchen, singing it. “California Dreamin’” by the Mamas & Papas seems to be really effective, and has staying power.

...speaking of which, I scored tickets for Jaws in Imax 3D this weekend with two of our kids (age 8 & 6, and yes they frigging LOVE this movie...we've watched together many many times over the years). I'm really interested to see how good the film looks in 3D, cause it's gonna be even better than the days of Avatar - so they are saying. It will also be cool to see it up on the big screen, as I was too young when it came out to get that real experience.
Quint is awesome, but Bruce takes the show.

Please carry on with your regularly scheduled Estimated > Eyes.

Sixtus

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In reply to by Sixtus_

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Bruce (the Shark), then Quint

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A little late here, had to attend a funeral. Hopefully we laid to rest the cd sequencing issue :-)

J3ff - I smiled at your Pollyanna comment about your gang. Our gang used to yell, "Gowan home your Mudda callin".
Really though felt bad for ya. Reminded me of a Bugs Bunny cartoon,,,, "dog pile on the rabbit, dog pile on the rabbit"
Would have thought you said something unthinkable like "let's nail jesus to a cross", fuck, forgot we did that! brought to mind the Solomon Burke doing Fast Train,

You had to go on the lam you stepped into no-man's land
Ain't nobody here on your waveband
Ain't nobody gonna give you a helping hand

1st and banana boxes, sorry just keep my drugs in there (like Johnny Cash). Bought a box of banana once,,,, they held no appeal.

Vguy - wall shuffle, big smile here. We talk about this one all the time at work. How can you play a sliver of the wall, let alone out of order?

Mr 1 - Lenny Bruce? Anyone watching Mrs Maisel,,,, Lenny is there.

Just as a way out, some funny blues lyrics.

Enjoy

Honey Where the money go, Honey where the money gone
Where the money go, I been working two jobs baby
Bring you all my dough, Now they say you got another man
And your leave me right away
What happened to all that cash Been keepin for a rainy day
Well there's one thing one thing, One thing I want to know
I don't care where the lovin went, Baby where did the money go

Can't move round this old house For catalogs and shoppin bags
Meanwhile they reposess The only car I ever had
Took away my TV set And cancelled my Credit ring
Can't find those dollar bills I been keepin in a coffee can
Well there's one thing one thing, One thing that I want to know
I don't care where the lovin went, Baby but Honey where did the money go

Baby you look so good In your brand new dress
I wondered how you paid for that Now you just let me guess
Now you say you're movin on Headin where the livin is fine
How come I get the feelin that It cost me my last dime
Well there's one thing one thing, One thing I really want to know
I don't care where the lovin went, Baby, but Honey where did the money go

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In reply to by Dennis

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Dennis - In your youth, were you running with Tony and Bobby and Paulie and the other Sopranos??

I'm from Jersey, you might know an Eye-talian or two. Funny thing, though the big whine there is "not all Italians are in the mafia",,,, but all Italians tell you about their Uncle who is connected!

My one buddy, Johnny the Nose, his uncle specialized in weed and fireworks. Yes, fireworks. Illegal in NY/NJ, but Johnny boy would sell massive amounts for his Uncle (his Italian Uncle). When I was very young and shining shoes in bars, there was "Harry the Horse", had trunk loads of "stuff" all the time. Always had a load of 8 tracks for sale. Then there was Charlie, he acquired nice camera equipment and calculators when they first came out. Sold a shit load of cameras, film and calculators for him. Sold a load to teachers in my high school. My old man, though not Italians (but usually had choice things to say about the ones down the street), moved quite a bit of "warm" stuff.

Maybe I just grew up poor-ish. Like Mrs Simmel says in Python's Piranha Brother skit - Kipling Road was a typical sort of Eastend street, people were in and out of each other's houses with each other's property all day. They were a cheery lot.

Like the song says, just life on the poor side of town!

Didn't leave a horse head in anyone's bed,,,,, but may have supplied a horse or two. That's probably a buried secret so keep it to yourself.

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Your story and the characters you ran with would make a hell of a book, Dennis!! Embrace your New Jersey!

“Everything is legal in New Jersey”
From the play Hamilton,' Lin-Manuel Miranda

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In reply to by That Mike

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I’ve had Lotta Love stuck in my head all morning lol.
The Neil Young version, though doesn’t Nicolette accompany?
Man, haven’t heard that in fo-ever!

My cousin Dennis, fo-git a boutit
Don’t fo-git Pussy and Silvio!
Gotta a steady job, hauling items for the mob
The pay was pathetic, it’s a shame those boys couldn’t be more copacetic!

Fucking Hunter, who else, maaaayybe Dylan, would use copacetic in a rock song!
Brilliant!

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Maybe in Hurricane?
In Jersey everything's legal.
As long as you don't get caught.
Cheers

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That Mike, I don't know what version of Lotta Love you've got stuck in your head, but that Nicolette Larson version is genuine, pure late 1970's, easy listening, gold. If you're not feeling it that way I suggest just sitting down and putting the official video on utoob on loop and settling in until that 1970's "have a nice day" smile spreads across your face of its own volition. Once you've got it, let everybody you meet today know by flashing that smile and telling them to have a nice day!

As an alternative, if you simply must get it out of your head I would suggest repeated viewing of the classic, bitter, after the love is gone, hit Fuck You by CeeLo Green off his Lady Killer album. If you can watch the first part of the video to that track, with the little kid version of CeeLo walking into the diner at the start of the video, and not crack up you're missing something that I seem to have in abundance - call it an appetite for low brow humor. After a few viewings you should be free and clear of the Lotta Love earworm. Now that you've got the CeeLo Green track in your mind, let everybody know when you meet them today and give 'em a perky ...

I love unusual/seldom used words in songs and yeah, copacetic is one of them. Any other song use it?

Motown seems to use the word "gloom", not a rare word, but odd song word. Gloom in Wish it Would Rain and 7 rooms of gloom.

Smoke Gets in your eyes uses "Chaffed",,,, except for parties I've never "chaffed".

Other odd words?

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In reply to by That Mike

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That's how you tell reall Jersey people. We say "Jersey", not "New Jersey".

..... where ya from? Jersey

:-)

Back to typing song titles in!

check u-boob "Choir From Hell Trip McCool"

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In reply to by Charlie3

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Hey Charlie - I wasn’t being dismissive to Ms Larsen with “silly”, perhaps I should have found a better word. Regardless, not to worry, I’ve had “California Dreamin’” stuck in my head all morning.

Dennis - My apologies- Jersey. Just Jersey. Maybe I play some music from Frank, The Chairman himself, as penance? Or some Bon Jovi (or is it just Jovi…?)

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Just finished listening to that 27 minute Don't Let Go from the Pure Jerry release, and yes it is incredible, so no worries about the use of the word "silly" in reference to Nicolette. I just couldn't resist expressing my mock horror. Hopefully nobody interpreted it as sincere condemnation for a goof about an easy listening earworm.

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I grew up in Orange County, NY, so that NY-NJ-PA tri-state area, so definitely some New Jersey influences on the speech patterns. And the New Jersey transplants I knew were Scott from Jersey and Andy from Jersey, no New involved. When I moved to MT it took a little while to slow down when I talked, 'cause folks out here just talk a bit slower than in NY and NJ. Other differences as well obviously, had to make some vocabulary adjustments too. One of the things that I find relaxing about the Sopranos is just hearing familiar speech patterns.

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In reply to by Dennis

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I always liked the line "You can call me a fickle thing" in Move Over Darling by Doris Day.

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In reply to by daverock

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....that's a damn good band!
Dire Wolf
Doin' That Rag
Mr. Charlie
Jack Straw
Airline To Heaven
US Blues
NFA
.
Shakedown Street
Viola Lee Blues
Pride Of Cucamonga
New Speedway Boogie
Franklin's Tower
.
Via Chicago
Ripple

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