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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • proudfoot
    Joined:
    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
    Joined:
    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
    Joined:
    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
    Joined:
    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
    Joined:
    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

  • billy the kid
    Joined:
    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

  • rockthing
    Joined:
    2/17/79 First Set

    Wow. I remember thinking this was a really upbeat show considering it was Keith and Donna's last, but they must have given them one hell of a going away party. It is all goin' off in, like, every direction. I was exhausted just listening to it. This show goes from absolutely manic teeth grinding rockers and old timey tunes that barely hold it together to some seriously out there space jams. You'd have to label this with, like, three "Space" tracks if you were inclined to breaking things down as much as possible.

    I already had the Bob Menke AKG source in my music library, so I was listening to that. Not checking the set list. Can’t remember what it was, other than Donna gets to sing a lot, iirc. Here and there saw the song title pop up. Sound is pretty thin. Really need to crank it.

    Greatest Story: Usually like this as an opener. Jer seems to have carte blanche once his solo starts. Always a good idea in my book. Really searching and experimental as the four on the floor drives away behind him. Isn't this tune usually a little more cut and dry?

    What’s Bobby saying’ about technical adjustments? Had to reach for the volume control, but still couldn’t make it out.

    Don’t Ease: Damn sure am glad I left the volume where it was after that announcement. Love this tune. Haha. Oh, yeah, this must be when Bobby was learning to play slide on the job.

    Mama Tried: Love this one too! Seems like there might actually be a bit too much energy, if there is such a thing. Seem to be just barely holding’ it together.

    Mexicali: Despite the fact that it’s Keith’s last show, he’s been really prominent in the mix so far. Departing gift? Emotive delivery from Bobby. Jerry’s chorus vocals are really standing out too, for better or worse. This is pre-MIDI, obviously, but damn, Jer’s guitar sounded just like a trumpet for a minute there. Read somewhere about Branford Marsalis commenting that Jerry didn’t need MIDI to make his guitar sound like another instrument. This may be the proof. Can’t believe I have so much to say about Mexicali Blues!

    Friend of the Devil: Chill slow tempo version. Some weird polyrhythmic syncopation goin’ on. Jer starts signing on the wrong beat, but has it together before the first verse is over. Keith gets several choruses for his somewhat aimless piano solo, before giving way to a spirited solo by Jer, who’s playing fast triplets and fluttery phrases over the slow tempo before bringing everyone in smoothly for the last verse and a strong final chorus.

    Passenger: Did they ever do this again? Kinda relies on Donna. I don’t keep a Deadbase handy, unfortunately. Someone seems to get a little lost going into the “Only Game in Town” part. Jer slide solo. Bobby’s guitar is pretty much inaudible. I think the sense of roughness I’m feeling is due to both lack of rhythm guitar and Jerry trying to double on slide and normal fretted runs. It’s a tough juggling act. Pretty wild ride, this one. Stretchin’ out the second solo. Thought they were gonna end it in a jam, but someone brings it back to sing one more chorus before the ending, but it appears the memo did not circulate widely. Donna seems to be the only one who managed to get back to the chorus on time, but everyone recovers beautifully to end. I read that Phil wrote this song because he wanted to hear some raunchy guitar playing from Jerry and Bob. Well, he got it that time.

    High Time: Wow. That's not something I normally expect to hear. Nice, delicate interplay from everybody. Pretty difficult song, actually. Not surprising it didn't see much action on stage.

    Looks like Rain: Never really warmed up to this tune. That said, sometimes it gets stuck on repeat in my head and no matter what I do, I cannot stop hearing it… What the hell’s with those loud snare hits? lol My guess is that prankster Mickey, but who knows? Still laughing. Sounds like someone wants to pick up the tempo a bit. This is actually a pretty sensitive rendering of this song.

    Jack a Roe: Electric! There’s something else ya don’t hear every day. Man, this show is absolutely stacked with tunes I totally love. Again, can’t hear Bobby’s guitar at all. Keith has been reigned into the mix better at this point. Phil’s givin’ it his all playing in and out of Jerry’s first solo. Ahh.. there’s Bob. Welcome to the show, dude. Sounds like only one drummer at this point, too. Pretty sparse, but then again, as much as I love this tune, there’s not a whole lot for everyone to do.

    Lazy Lightning/Supplication: Period piece. Dunno why Bobby gave up on so many of his old tunes in favor of blues numbers, and Dylan covers. Donna sounds strong here. I believe I read that she and Keith actually wanted out at this point, so perhaps that contributes to the sense of jubilance (not a word apparently) here and Keith’s relative engagement. Jerry really, really, flying again. Float in’ like a butterfly, stinging’ like a bee. Phil senses blood and a jamming frenzy ensues. I guess if Bobby never cued them to go back into the song everyone else’d just go on forever like that…hmmmm…. It is so manic at this point, I don’t see how you could even dance to it. Spinners’d be achieving physical lift off, I think, depending on the robustness of their skirts.

  • proudfoot
    Joined:
    Tonight on "Wha'appen?":

    My theory is the agreement to part ways happened, everyone was relieved about it, so they made 2/17/79 special.

  • The Good Ole G…
    Joined:
    Grateful Dead Memories

    2/17 is good stuff.

    Based on what I was reading, Donna mentions her & Keith discussing leaving the band through out the last tour. So maybe it was agreed upon between 2/11 in St. Louis & 2/17 in Oakland. Just speculating.

    In regards to Tracking, since Rockthing brought that up....
    I'm feeling it as Playing In The Band > Drums > Space > Wheel > Shakedown Street > Playing In The Band Jam > Reprise.
    The Jam after Shakedown seems to turn into a PITB jam at around 12:30.
    I like to give PITB as much labeling as possible, so that I'll pick that show out and listen to it again.
    PITB rules.
    (All of the above is killer! Listen to Jerry's voice in Terrapin & The Wheel segue is sweet, but that jam from Shakedown into Playing Jam is the stuff.)

    Alright, I feel I'd not be performing my obligation to the nation if I didn't mention the 4/17/79 Rehearsal tape as a potential listen before you blast off into 4/22/79.

    I gotta do it.

    Keep on Rocking, Rockers.

    PS - 2/9/73 was one of my first 3 bootleg tapes, it still gets me every time, so I'm with ya on that Jim.
    Mickey was right they were into Time Travel.

  • JimInMD
    Joined:
    Tapes / Spartan Stadium and Maples Pavilion

    I remember dropping off a 10 pack of TDKs with an acquaintance. I got 4/22/79 Spartan Stadium, 2/9/73 Maples Pavilion and 06/29/76 Auditorium Theater - Chicago in the same box. They contained their share of new songs (with Spartan Stadium, not so much songs but a new keyboard player).

    I ended up getting a few more boxes from the same friend before geography and time brought that to an end. I have a crystalline memory of these first listens, like opening up another world of shows, songs and peeks into parts of eras I had no prior exposure into. Like Christmas morning..

    In my mind all the shows from that glorious 10 pack take up the same real estate in my frontal lobe. Funny how memories work, especially grateful dead memories.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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What are you doing to my levels man. I'm gonna scream in the microphones all night long if you fuckin touch my levels man.

oofa - I had totally forgotten about that classic someone-is-wired-hot exchange before Shakedown.

Funny that there are no upgraded/decent boards for first 2 nights and no SBD at all for night 3. I heard about '82 Rain Rocks first at a party night before Alpine in that run from gal who attended. Hadn't really seen her since jr. high and some 9 or so years later she's a head. Her crew skipped Manor Downs much to their subsequent regret but saw Zoo, Starlight, and Kiel.

In the end the only way I can really "judge" a show is a dedicated listen with no real distractions and preferably on headphones in the right head space. Which isn't all that easy in terms of time and opportunity.

Must of have been fun: three days in the rain!
I used to, love tripping/dancing in the rain, TOGA!

Another 82 beauty. Nothing special set wise, just some GOGD!
Think I liked the 28th best?
BC, I went back and heard that “wise guy” “banter” before Shakedown.
Wondering why someone would do that?

Hmmm yeah, why aren’t there any SBs?

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In reply to by Oroborous

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before Shakedown. On the one hand i might be sorta touchy about anyone presuming with my gear. On the other hand the response caught on tape is sorta hot. guessing that this is centered around daisy chained decks?

7/28 is a big show and, to borrow a thought, Oro, totally August '82 worthy. Had fun all through Set I and finally got serious and strapped on the headphones at Althea. A mid-set II Let it Grow on a rainy Red Rocks night(?!) > He's Gone > Trucking. Spanish Jam in Space and then Jerry teasing St. Stephen before Not Fade Away. My stream cut out at Black Peter so still got the tail end but the encore is Baby Blue and that says a whole lot

There's quite a few rained out shows without soundboards or soundboards or partial soundboards only. I have to think when deluge crossed paths with outdoor music, Dan had greater concerns than to record.. either that or he got tired of replacing water damaged, shorted-out cassette decks once every few weeks week in July and August.

As for the pre-Shakedown banter.. classic.

so the vibe I was picking up while listening yesterday was that this was a complete cosmic meltdown of an '82 show. so back with the headphones this AM and checking out the reviews and show recollections on Archive for the Wise tape. and yep this seems to have been a complete cosmic meltdown for a whole bunch of folks. hard rain through the first set and then clearing skies, mist, and moon for set II. going into this yesterday I had also forgotten the Stephen tease. One reviewer seemed to indicate that Jerry was ready to go and Weir steered them away and later admitted he didn't think they were ready for it. NFA has a really cool groove and I swear Jerry is hinting at Gloria or something similar before it drops into Black Peter. so back to the concept and need for dedicated listening - this is yet another show that really really deserves that relaxed and focused space.

edit - and there is a fascinating context note in review by jpotts3 (Aizen upload of Wise source, not CM upload) - there was a MAJOR Jack Kerouac event in Boulder that weekend and a lot of the old Dead family and Pranksters and assorted old school beats were in the area for this. he has a linque there for an extended blogpost, and that blog has a whole lot more of interest to boot. definitely need to check that out and so do some of you too!

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In reply to by JimInMD

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I know I have told this tale before.. sorry to repeat it.

Back to tripping at a rain show.. the most fun by far I ever had at a dead show was a flash flood event with the epicenter of the storm directly above the roof of the shed (Merriweather 6/21/83). Epic. Lightning struck I believe the venue itself during Wharf Rat taking out the power for a brief moment. Bob quit playing guitar during parts of Sugar Magnolia purportedly because he was getting shocked, everyone was soaked. To get to the parking lot, you had to cross this bridge that crossed this little (typically dry) baby stream. The stream flooded and took out the walking bridge so everyone had to get wet above their wastes to get to their cars/tents. They had to bring in bulldozers (bulldosers?) the next day to rebuild the lawn from the damage. Scarcily clad people had created mud slides as they turned the lawn into a semi-naked waterpark. We walked to this show, on the impaired walk home we had to wade across a flooded highway and take an unplanned detour due to flooded streets and resulting traffic cops as we laughed ourselves into a somewhat spooky oblivion the entire way back. We were on a mission to stay away from the cops, surely they can tell.. they are on to us.

And yes.. mucho fungus was in play and no soundboards exist. The walk back was surreal, absolute confusion and mayhem. Huge fun and highly recommended if you ever get the opportunity.

Big rain can most certainly create a cosmic meltdown. How could it not?

There was a big storm at Delfest (a local bluegrass festival around these parts) about ten years ago where a couple people were struck by lightning. Thank god this never seemed to happen at Dead Shows (at least that I am aware of). That would wreck the cosmic flood vibe.

saw Boulder, CO "hosting" the Jack Kerouac On The Road conference and pretty much everybody still alive from that very extended scene, with the exception of Gary Snyder, was there. I had no freaking idea. Snyder did send a letter to Ginsberg that included the following - “Jack Kerouac was the wandering scholar troubador storyteller youngest son of the Jack tales in us all. … The voice of the water going over the edge of the waterfall itself.” (I took the quote from the blogpost I mentioned in previous post.)

Can't do 7/8/82 today, haven't pulled it down and made it my own yet. Anyone care to toss out a pick?

I'm in and out, will start with one of the recently released later era shows I have not hit in a while but have time today.. they are playing 4/9/89 Freedom Hall, Louisville today on SiriusXM. A new one for me. Doesn't seem quite as strong as some of the others from that year, but hey.. it was a strong year. Nice Louisville reference in Louie Louie. Two roses songs in Kentucky Derby town.

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In reply to by JimInMD

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But I figured, so why I “stocked up” last few days!

Don’t recall anything like Woodstock 94!
I remember that little Merriweather dry ditch.
Dead show water parks: can’t remember the year, maybe 89 at Alpine? They had built up the hill to add more capacity and I guess better sight lines, but it was even steeper than it had been, and the sod was still new, so of course it rained so much the sod started giving way etc. Became huge fun for some sliding down that relatively steep hill in the mud, for others, like cousin Pumice and myself much of the time was spent precariously perched on what ever sod was still intact trying to watch the show and not suddenly zipping downhill lol. I can still picture all these little islands here and there with folks trying to stay on them, but every now and then the sod would give way and, woops there’d they go!
Dancing in the rain at Toga was awesome, but my best Dead rain show was definitely Pittsburg 95! Biblical!

LIGHTNING: I believe some poor folks at Giants 95 got hit, but I think they were ok?
Just more scary weirdness on that 95 Death Tour: Lightning strikes, Decks collapsing, death threats and gate crashing, and biblical rain. Definitely something was up with the cosmos…

4/9/89: one of the ones I didn’t but should have. I had a new job that I wanted to keep and thus had to cut into my show opportunities. So Went to Cincy on the 8 (good show!) a Saturday, and was going to just drive back that night. Ended up doing a little X that I just procured in the lot, and wow, best X we ever did but man it kicked my ass so that I wasn’t going to do a 7 or 8 hour drive that night. Somehow ended up in a hotel room in Kentucky with god only knows how many people everywhere. Next day being Sunday we should have gone to Louisville and just taken it easy. In those days I could of easily drove back that night and gone to work, but came home Sunday instead : (
I heard the scene was cool there. I always stayed away figuring the cops etc might be too much etc, but over the years I heard L vile liked the money so we’re cool to us.

Ha.. I sort of remember that one, ... the Rain Set. One of the two post 91 shows I saw. 90 RFK was another where it poured for a large portion of the show. It looks like you caught more rain than me and you obviously have a better memory. I need more brain plasticity, my new favorite phrase.

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In reply to by JimInMD

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I have to mention the underrated standing on the moon only because my mind is fresh on that.

Btw, thanks everyone that has mentioned 7-18-76. I never really gave that one a full listen and the multi track glory really shines on the 2020 remaster.

Hey, what are you doing with my levels? 7-28-82 oh so great show with the fake St. Stephen tease :-)

Be well all and stay gratefull... :-)

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In reply to by wilfredtjones

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No picks??

How bout since it’s Friday we do a power twofer: 10/16/74 and/or 9/3/85?

Haven’t heard either…

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In reply to by Oroborous

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Do you mean 10/16/74 OB?

I am not seeing a show on 9/16/74.

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In reply to by DeadVikes

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Yep, I ment 10/16
In my best Homer voice “doopid tumbs”

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In reply to by Oroborous

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Let's do it OB. I may need to stretch these into the weekend, but I am in. Opening night at Winterland.

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In reply to by DeadVikes

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Well DV, I did get them both in yesterday, sorta…
I couldn’t get the meat & potatoes section of 9/16/74 (PITB through Rat) to play, and actually being able to get some work accomplished didn’t want to mess with it.
The 85 might be a huge surprise, but need better listen?
So between that and not getting the level of listening I felt the music deserved, I’m back at em today.
I wasn’t going to listen to any Dead until we fire up SSDD on the big screen this evening, but this has been nagging at me all morning. So the magic carpet has lifted off and we’re floating on another big 74 PITB!
Oh, generally this Miller sounds pretty good!

EDIT: I think this bad ass Playin is the one in the Movie box?

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In reply to by Oroborous

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Well, yesterday I thought 10/16/74 was perhaps a little sleepy?
But, after hearing the meat and potatoes, and on some real equipment, my opinion has been raised.
It “sounds/feels” perhaps like the start of what would normally be a five day run at laid back Winterland: their pacing themselves, but in a 74 kinda way. I’ve also heard they had to adjust a bit to the camera factor…
I didn’t bother with relistening to all the first set, but started with that great PITB that I couldn’t play yesterday.
Then, The whole Ned/space/jam section in and outta a fine Rat landing in a nice if not Uber Eyes, was just what the doctor ordered today! Perhaps not the monster this run would become, but a fine start non the less.
Fully dug!

9/3/85: this one went slightly tge other way for me. Yesterday I felt more exited, but upon further proper listening it is more in line with good 85 status quo: good energy, interesting sets, but perhaps a little more tarnished here and there.
Decent first, Cryptical was cool if lacking, though he ends well. The highlight to me was the Nobody’s Fault and a fair Comes a Time, actually I remember thinking during Baby Blue “ how this show built up and peaked with Baby Blue, and how over the years, a good ending with a song of this or similar nature and delivery, made up for some of the off moments preceding it”. Yep nothing like the big finish to keep ‘em coming back lol.
I haven’t really heard any 85 in a while, so perhaps shouldn’t try to compare, but I’d say this was overall a good 85 outing, but perhaps doesn’t quite stand with the early summer tour (Greek through Pittsburg)?
Whatevs, Interesting show, enjoyed!

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Yep the one from the movie. one of my absolute favorites, along with 6/16 Des Moines. Before official release had it on cassette from the GD Hour many years ago. One of the finest musical journeys I know.

That brief window in '85 when Jerry brought back Cryptical . . . . Really would have liked to have seen one of those. The only shows I did see at that time were Alpine, and those were the first since '82 Alpine. The '85 Alpine shows were fun but overall somewhat pedestrian IMO compared to a bunch of others in that era. I remember seeing the set list for River Bend show (released on 30 Trips) that followed Alpine, with the He's Gone > Smokestack > Cryptical >D/S > Comes A Time > Other One > Cryptical > Wharf Rat, and thinking holy crap that's what I was looking for!! This 9/3 Starlight Cryptical > Other One > Cryptical is the last of that short-lived revival.

As for rain shows, somehow I only drew that card once with the GD despite something like 35 outdoor shows out of 50 total. The only time I recall was at the end of 1st night at Alpine '85. Threatening rain all show, I think lots of wind during Eyes (and set II), probably lightning out in the distant Midwest dark, which really added to the energy. But the rain was saved for the end with the heavens opening up during Baby Blue. Classic mid-west summer downpour that lasted for a good hour or more after the show. As for post-Dead era, recalling now a show with the Other Ones and Ziggy Marley at Fiddlers Green. Drenching rain early on for Ziggy. Remember Other Ones tuning before Set I and Hornsby was quoting Dark Star - my buddy and I looked at each other grinning and we slid our chips all in (so to speak.) Wild night, really special. Which reminds me, close friend a couple years later told me that River Bend '85 was one of those thunder and lightning, wind and rain shows. Another classic Midwest high energy show with a "frog choker" downpour is 8/16/80 Mississippi River Festival (first read about it in DB IX - there's a good Walker/Scotton/Miller audience). How about an Iko > Saturday Night encore? And talk about "lost live dead" - the first show after the Canadian train tour was Dead's first and only other appearance at the MIssissippi River Festival on 7/8/70 (not a real festival but a concert series as it turns out.) Not only no tapes, not even a real set list apparently (there is a Lost Live Dead blogpost with a local newspaper clipping which mentions a 23 minute Good Lovin'.)

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Jerry actually singing it out of Space rather than a guitar quote is something else - crazy rare and a one-off for that era. Seems like he was feeling it and just did it, though he didn't quite have the lyrics down. A few minutes later he sings that Comes A Time beautifully. And a really fine Baby Blue to finish (ouch that the SBD tape ran out that last little bit.) yep a great way to send folks off that night.

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for some late night time machine listen (if you haven't already.) so that earlier train of thought down thread had me cue up Set II 8/16/80 (Walker/Scotton/Miller). Got headphone serious by Estimated but really should have been in that space from the get-go. right now, at the tail end, one of the finest Set IIs from that early Brent time. Blown away. The Walker/Scotton pull is unreal once you're settled in.

Spoiler alert - that Set II is all f*ckin-on-fire fantastic, with a shout out to one of the best Brent-era Other Ones, with full Phil thunder-intro and Jerry blazing like the freaking sun. My goodness. And that Iko encore? It was the first one, yes the first, post-Keith. Guessing they had it somewhat worked up and what a crazy this-was-a-party gift to that crowd.

The recent TTB interest piqued my curiosity to check out this awesome Phil show from the sweet Denver Philmore I was fortunate to be at.
Check it out on relisten etc.

BC: nice comments, and I will hit 8/16/80 next chance, which might be a couple days as I’m back to construction camp for a few, so no tunes : (
I thought we had hit that one? I remember you mentioning it, but I didn’t write anything down, so I’m assuming we’ve not hit it! And if so, so what! Hey, my neural plasticity is what it used to be!
So it’s on the list!

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Great show. The mix starts out a little shaky but comes together midway through Deal. Love the Cumberland Row Jimmy into the monster Playing. The second set is on fire. Nice Wharf Rat, Jerry noodling into the Eyes, OB, laid back and moves me. Big finish and they loved the US Blues encore during this time period.

Sure would be great if they gave us the full five day run with some additional video. Instant sell out.

Haven't got to the 85 show yet, but it is on the list.

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I bet they release this whole run on a box set of records for the 50 th anniversary in 2024. Hopefully, they will release this entire run on cd and video as well.

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Thanks for the pick, OB. I tackled that one in chunks and am sure glad I did. I enjoy tuning into Dead jams when I am working on something (this time room painting) and it is always a pleasant accompaniment to any task I am trying to complete.

Now I am packing for a road trip south with my dad to see my brother starting Thursday. Who's got a choice show I can call up? :-) :-) :-)

P.S. Heading to VA by way of WI...in a 2022 RAV4 Prime...put the 04 Honda out to pasture this summer (actually it lives next door now! haha lol) :-) :-) :-)

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Road trip?

You might consider any of the following---all recent listens here: 12/15/71, 5/16/72, 1/17/69, 2/6/70, 9/2/68, 2/15/73, 6/26/74.

Rock on, and safe travels!!

Doc
Far too often the choices reality proposes are such as to take away one's taste for choosing........

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I only hit the movie Saturday, but I thought about the whole show/CD. But the situation being the boss, it didn’t happen : ( Really should try to find time.

Still in construction no tunes hell, but might get a chance for 8/16/80 later 🤞

Happy/safe trails to WTJ, looks like Docs got some good ones for ya!

Not sure if I’ve heard all those, if not I’ll add to the list.

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12-15-71 is proving nice for packing. We'll see how many of the other ones I can get to later and tomorrow. I have access to only official releases for the Road Trip in the car so I'm still thinking on what to go to there. Sunshine Daydream is tempting.

Nice Banana box WTJ.

I know this isn't today in GD history, but I stumbled on 8/30/69 Family Dog at the Great Highway. Sounds great.

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When you can have it all!
I’m with ya Jimmy, but going to hit 1/17/69 first.

BLUECROW: finally hit 9/16/80 yesterday. Your right about that second set, definitely “on” that night.
Recording audio was ok, but the crowd sometimes detracted from the music. Like I don’t recall ever experiencing what seemed like the majority of the crowd just talking through Ship O Fools (aaa, the irony lol). Sure sometimes the slow ones might lose a few, but not like this? Just a party crowd I guess?
But never the less another fine outing by the Grateful gal dang Dead!
I’ve always thought the show I saw 17 days later was pretty hot too, so guess we need to poke around pre “Dead Set” shows from late summer/early fall 80?

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Hiya, rockers!!

Pick Of The Day: Prairieville, Louisiana, September 1, 1969

Yes I know, not exactly NOLA. South of Baton Rogue, northwest of the big easy. But you get the point…………

Welcome to the first installment of our Labor Day/end of Summer, outdoor extravaganza/festival revisit. Low of 68, high of 87. No rain, good visibility, light winds. Estimated attendance: 35,000. Drug arrests: 37. In addition to the Dead, festival goers also got T Rex, It’s a Beautiful Day, The Youngbloods, Country Joe, The Byrds, Canned Heat, Janis Joplin, Santana, Jefferson Airplane, and many others.

Woodstock was two weeks ago, the acid had probably worn off. The Dead open with several relatively short songs (including an early, raucous Easy Wind) before diving into their classic four-song bluesy psychedelic opus magnum. Decent Star, good Eleven, remember it’s the summer of 1969 so………….

Not a pristine recording, but pays dividends, think of it as Grateful Dead gumbo…….

If you're open to it, New Orleans will teach you about yourself, but if you want to hide from who you really are, the city will help you do that, too.......

Rock on,

Doc
I don't know what America would be without New Orleans and the music…..

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good pick doc was always curious about this show and sho enough, here it is, a good Dark Star, Casey Jones and Easy Wind. Far out man

It looks a bit incongruous, seeing T.Rex's name in that lineup of bands. That would have been on their disastrous tour of America, with Marc Bolan looking for fame and fortune while sidekick bongo whopper and furry freak brother Steve Took apparently trying every drug that was offered to him. Back in Blighty, Took got his marching orders and a one way ticket to palookaville, while Bolan headed on towards stardom. Both of them dead before the 80's kicked in.

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Hey there rockers!!!!

Pick Of The Day:The Sky River Rock Festival and Lighter Than Air Fair,Betty Nelson's Organic Raspberry Farm, Sultan, Washington, September 2, 1968

Ethyl formate, which gives raspberries their flavour and smells of rum, has now been found in deep space………

Friends & rockers, welcome to chapter two of our end-of-summer Labor Day outdoor/festival flashbacks. High 50s to mid 60s, dry (although apparently it rained the previous day), light breeze. An estimated 4000-5000 up to perhaps 15000 revelers were treated to three days of the great outdoors and rock and roll. Details are fuzzy, exactly who showed up and played is still a little sketchy……….

Woodsy outdoor vibe, Grateful Dead, acid, it can all get quite spacey and jammy. Or was it jelly? No matter how you spread it, it’s Good Old Grateful Dead, the raspberry freaks in attendance being treated to the usual gooey jammy goodness and a healthy dose of Pigpen.

Not withstanding some quirky microphones, the Miller remaster is indeed delicious, give it a taste!!!

Often, we melt into our ecstasies as though they were jams, as though we were sinking into syrupy bowls of gooseberries, of raspberries, of bilberries…..

Rock on,

Doc
When you're being stalked by an angry mob with raspberries, the first thing to do is to release a tiger......

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Looking at 11/25/79 for the next pick in the rotation. Pauly Pavilion. Let me know how this one sounds to you all.
Have a great labor day weekend out there. Summer goes way to fast in MN.
Hey, we get a new box at the end of month!

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another gr8 pick and I do believe this is one of the Dark Stars that was used for Grayfolded. Great Cd if you haven't heard it, 1st CD before a dead show, 2nd CD after, the author "I've been psychedelicized".

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I have repeated listens of this one going way back. I think I was first attracted to it because of the venue.. I mean, who wouldn't want to see the GD live at a festival in 1968 at Betty Nelson's Organic Raspberry Farm? A great show, the recording is pretty good considering it was a house recording from the venue. Too bad the Death Don't Have No Mercy is cut.

Like Doc said..

Well, this is one for the history books and worth a visit.

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Hey, rockers!!!

Pick Of The Day: Folsom Field, Boulder, Colorado, September 3, 1972

Friends & rockers, welcome to the third and final chapter of this year’s end-of-summer Labor Day outdoor/festival flashbacks. What I like to call a three set stomper, the Grateful Dead version of a Rocky Mountain high………….

Elevation: 5, 430 feet. Higher when the Dead hit town. 52-75 degrees, light wind, with rain. Or should I say torrential downpour? LOL perhaps Cold Rain & Snow was appropriate……

In 2005 TPTB teased us with three songs from this show--including the 28 minute Other One—tucked into the dark recesses of Dick’s Picks 36. Several years later the kind folks at GEMS gave us a complete version. It’s not the easiest listen, there’s cuts, edits, and audience patches. So, it seems unlikely that the whole show will see official release……….

Retrospectively slammed and panned by some, but probably fun at the time………….

Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!

Rock on!!

Doc
Great things are done when men and mountains meet……

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Hey rockers!!

42 years ago today my friends and I saw an awesome outdoor Dead show in Maine. Now THAT would make a nice official release.............

Rock on,

Doc
In this part of the world, only Maine gives winter the welcome and the worship it should have.......

The people I know that went to this show hyped it up and up.. soundboards do not seem to circulate for this one, but there's some good audience tapes. I wonder what happened to the boards?

Lewiston and Augusta were legendary early to mid 80's shows, good to see you caught them both.

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In reply to by JimInMD

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Absolutely agree, this would be a great one to release. Another great show for you to be at Doc. There is a
SBD of this show and we did hit this up here a couple of years ago. Might be time to do it again?

By the way, the 79 Pauly Pavilion show is really good. Another fine November 79 show.

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Never straight…
Recently hit, In no particular order?

8/22/68
9/1/69
3/6/92
8/30/69
11/25/79
9/3/77

Enjoyed them all! Mostly status quo vis a vis respective tours.
Standouts we’re 8/22/68 and the cool space jam from 11/25/79.
8/22 is very much like it’s famous neighbors.

Still need to hit 9/2/68 and 2/6/70.
Think I’ll hit the 68 then going to switch it up with 9/12/82.

Yep we’ve hit those Maine shows and they are quite nice!

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9/2/68
9/12/82
2/6/70

The 68 was pretty good, the 82 was decent, but perhaps not as tight as august etc, 2/6/70 was ruff! At one point I remember thinking this might be the worst show I’ve heard? I guess it wasn’t that bad, but lots of everything outta tune, clunkers etc. Meh!

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10/8/83 & 11/10/79
The 83 to get a taste of that tour for upcoming box!
The 79, for DV, because it’s the next show after the fine one I saw, and because we’ve been digging that fine fall 79 tour.
Twofer today since no tunes mañana for moi : (

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Okay, both sound great to me. Haven't heard either show, so they both look good. 11/10/79 there is a 2021 Miller transfer. Wouldn't be able to get them both in today, but will this week. Thanks OB and first show at Buffalo must have been a good one to get started at.

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Where we should go, we just ride..

Gotta love the way we meander through the years here. The last 83 pick we got from OB became the next Dave's Picks (the 83 Spectrum). I'm in, a day late and dollar short.

... I will be honest; these MSG shows are new to me. Looking forward to some new shows and seeing how they got box set treatment, somebody must have thought they were special. It also looks like Mr. Norman has stepped up his game working with the dreaded cassette master.