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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #281
    PT Barnum
    Joined:
    Doc

    I was concerned, glad to hear you are well. Southwest of you I'm concerned, I still have friends in central florida, my mother lives down there (93 yrs old) but also dodged the main bullet, waiting for others to contact me. Mini vay kay play dead

  • #282
    dmcvt
    Joined:
    thanks, Doc

    Good to hear you and yours safe and sound. Thoughts go out to FL friends (so far, all good) and all who were so near the path. Almost at 1972 here, streaming the early December 1971 run at mini-MSG Felt Forum. A gloriously bright sunny Vermont day, fall foliage coming on, first frost tonight. Will pull the last peppers, tomatoes and basil out now.

  • #283
    1stshow70878
    Joined:
    Oro Approved

    Love it! The Ess Amt-4 is a two-way with the slightly smaller Heil Air Motion Transformer and a 10" woofer rated 20W to 250W. They are 4 ohm, 45hz-24Khz, with the x-over at 1000hz, and called the sleeper in their killer line up from BITD. The best thing they have going is that Amt which delivers clear beautiful highs and solid mids in all directions from an open top design. Easy placement that way too. Look up their big boys, ESS Amt-1s and their Towers (I forget the number), well respected and still fetch four figure prices as parts units which tells you a lot. The Amt itself is indestructible and lifetime warranted. Mine had a solid pure pulp cone on that 10" which I have had to replace with a set of Misco, made in Minneapolis, Oaktron 10" from their Heritage line made to replace the similar stuff in all the brands from BITD. Same pure pulp cone and big voice coils and magnets but in a stamped steel frame just like the originals. Spec at 16-4000hz and 92 db efficiency.
    Got the ESSs cheap when almost new in 1977 from a college roomy who couldn't manage to get them back home to Cincy without a car. But then when the cat put a hole in one of the woofers in the 90s I replaced the originals with what I thought would be an upgrade but I screwed up. Bought subs that were 8-ohms by Pyramid, Super Pro Super Blue, made by Eminence in US ( Kentucky?) famous for their instrument speakers for bass and guitar. Great deal from a car audio shop going out of business and they took my torn ones in trade as well. As you know, that 8-ohm mistake changed the x-over to 2000hz and I traded off some midrange for killer, punchy bottom end which I thought at the time was good. Found out about five years ago that I screwed up and got the Miscos for about what I sold the now valuable subs for. Fit like a glove which no one who tried that swap with the only available 10" direct from ESS could do as all they sold was the big boy 10" from other higher models with a cast aluminum frame that required sawing into your cabinets just to make it fit. Found that out on Audio Karma luckily from others trying to do the same replacement on their various ESS. A couple of those guys used Dayton woofers to good effect but I went with Misco as their specs were a perfect match to original, hence original sound. Was not going to try to mess with upgrading as I might have had to upgrade the x-over too and taking a saw to the cabinets was out of the question. SO, long story longer, I got my midrange back and Phil bombs sound better than ever! Not bad for a novice hack job since I have zero skills with electricity or carpentry. Not even interested in a sub really. Pretty small living room and I want to keep peace in the neighborhood. Anytime you upgrade there is a leap of faith that the money you're spending will get the result you're after so I got lucky in all this I'd say. Some with a little more dinero are switching stuff all the time but you don't know unless you go. I certainly was OK with all my 70s stuff but you get used to your sound and don't realize how much better it can be until you go there. Thanks Oro.
    Cheers

  • #284
    daverock
    Joined:
    Doc

    I wish your last statement was true - but I suspect that the selfish behaviour of the powerful will have long lasting negative consequences for years to come.

  • #285
    Forensicdoceleven
    Joined:
    Most anyplace one lives is essentially dangerous......

    For all those who asked, or were concerned...............

    The Gillespie household is doing fine. So far, we've only lost power for about 45 minutes, but it's back on now. We've only caught the "tropical storm" part of Ian, but I have heard that potentially, this may be the deadliest hurricane to ever hit Florida. We now live in Green Cove Springs, about 30 miles southeast of Jax, safely away from the beach, the St John's River, and Black Creek. We're in a newish house, on high ground, have lots of food and water, and have an excellent generator. The St Augustine area is getting badly flooded........

    The strongest hurricane to ever hit Florida was the Labor Day hurricane of 1935, sustained winds of 180+ mph when it hit. There is a lovely--and moving----monument in the Keys to the hundreds who lost their lives in that storm. I've visited that site many many times while I lived down there. The deadliest? Probably the same hurricane, the exact toll is unknown, but probably in the hundreds.......

    For Matthew, we evacuated. For Irma, we hunkered down and rode out the storm. For a hurricane, either get out early, or be prepared to ride it out. I reassured my wife, "No matter what comes, we'll ride it out together".

    Out of an abundance of caution, my office is closed today and tomorrow, and I don't work this weekend. A "mini-vacation" of sorts. Now that the power is back, I'm actually busy spreading 1972 Lyceum shows around. Some things never change, hurricane be damned!!

    Here we dodged a bullet, yet I pray for those in harm's way on the Gulf coast...............

    Stay safe, and rock on,

    Doc
    What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal......

  • #286
    Oroborous
    Joined:
    Well said 1stshow

    Don’t think I’ve heard of the ESS Amt 4s, looked them up, interesting, do you use a sub with them?
    And you refreshed my memory about adcom so I looked into that brand a little too.
    Interesting video comparing Adcom and NAD to contemporary Schiit audio.

    Almost bought a Schiit Yggdrasil DAC before I got my Meitner. For like 22-23 hundred bucks they sound as good as many DACs costing many thousands more! Schiit makes simple but value friendly great sounding products, or at least the ones I’ve heard.
    But yeah, NAD and Adcom, same idea, BITD budget friendly but great sounding gear. Sounds like a sweet little system!

    Hybrid stuff. I’ve heard some sweet sounding hybrid stuff at audio shows.
    Of course Jer Bear had a hybrid system utilizing a Fender Twin Tube amp for his pre and a SS MC2300 power amp and we all know how great that sounded and perhaps why he never changed his backend!
    I would say if your going to try hybrid go tube pre and SS power…
    My best recollection was with my buddy who started YFS and built my custom Ref 3 server: had an amazing sounding system one year at RMAF using YFS server, Meitner DAC, Custom made fully analog pre (tube?) biamped with one of the best sounding MC 275 tube amps on the highs, and a 200 per McIntosh solid state amp on the lows (don’t recall the model), powering some Von Schweikert audio stand speakers. I thought the sound and imaging of this system, even in the shitty little hotel room sounded as good or better than much bigger and expensive systems there that year.
    Just can’t describe what a big clean sound this relatively small system produced! Of course for the price of the system it should! Lol.

    I think it’s like everything else: trial and error and if it’s done right it can be a plus!
    I’ve never had tube stereo gear, but I’ve heard some great stuff, but that particular MC 275 that my buddies dad (some kind of engineer/scientist) restored and modified, is perhaps the best tube amp I’ve ever had the pleasure to hear. His dad is the one who built the custom line stage too. Ya know, let’s design and build a one of a kind killer audiophile unit just for something to do lol. They build their own bike frames too!
    So to me it’s like all this stuff, tube versus SS, analog versus digital etc, there’s not just one thing that’s best or better, if it’s done right, and you get the right synergy for your room etc, I’ve heard systems of all kinds that were amazing!

    Just a thought, yeah tube amps can be great for instruments for musical creation when you want that slightly overdriven sound (think Dead 72 before using Mac amps on the instruments), but for sound reproduction they can get tubby or muddy with perhaps too much distortion. Some people like that as it can give a richer, or warmer sound, I’m with you 1stshow, I prefer a more neutral sound, though some think that’s too dry etc?

    In the end, it just comes down to what’s best for you!

  • #287
    Crow Told Me
    Joined:
    There and Back Again

    For a few years, I was deeply into audio: or as deeply as my meager budget would allow, anyway. It started when I realized I needed a tube amplifier. This was because I realized that I would never in a million years use a transistor amp for my guitar, so why would I use one for my home listening?

    But of course tube amps and preamps are pretty pricey, so I had to go the DIY route: I built a preamp from a kit (Bottlehead) and bought an old ST-70 power amp, and I spent a lot of time tweaking them with various upgrades. They sounded pretty good, eventually. And I needed some efficient speakers, so I paired them with some Klipsch Heresys that I got off craigslist (for $100!).

    What happened next is so typical of me it's embarrassing: the ST-70 worked great for about 10 years and then just cut out one day. By this time, I had forgotten all the various rewirings and component upgrades etc I had done, and lost all my paperwork. So I had no idea how to troubleshoot it! Couldn't even find my volt meter! I decided to just sell the ST-70 for a couple hundred, get myself a used Sansui Au-417 (since they're reputed to have a tube-like sound, also a great phono stage), put all new caps in there, and call it day. So after all that I'm back to transistors. Sounds pretty good, though.

    Somewhat bemused to read the travails of my fellow heads who ordered the MSG set via Rhino and are now working through the delays and shipping mishaps. I didn't get the box set (early '80s are just not my era) but I went for the 3 CD breakout. Ordered it from Bezos and received on the day it was released. What a concept! I'm glad to have it, it's a good performance, but disappointed in the mix. It's all Jerry and Brent, Bob's guitar is completely (and I mean completely) inaudible, Phil and the drummers much too low. But you can hear Jerry great, and it's a high energy show so probably most people will really dig it. Still, I hope the rest of the box is better, for everybody's sake.

    Five for the universe:

    John Coltrane: Coltrane
    GOGD: Dick's Picks 36 (yow!!!)
    Joe Henderson: Mode for Joe
    Zappa: Hot Rats
    Sturgill Simpson: Cuttin Grass

  • #288
    1stshow70878
    Joined:
    Bang For The Buck

    I went to separates during covid after doing some research and hearing from a collector of Heil Amt speakers that I wasn't hearing all my ESS Amt-4 floor standing speakers could do. Got an Adcom dual mono amp with 100W and 180 damping factor and was blown away like the Maxell guy. Got the other Adcom separates one at a time and noticed improvement each time. The pre-amp was better than using my old integrated amp as a pre and the digital tuner was way better than the old one. All are late 80s MOSFET stuff and fully restored they are still way cheaper than either vintage premier like Oro's McIntosh or 10x cheaper than modern audiophile. Just got to find a reliable restorer. They were the bargain audiophile brand BITD and made in USA. Very neutral coloring which some don't like but it's better to hear it exactly as it was made and play with the tone controls if you want different. Diminishing returns to go higher but I would have if the money was there. All in I spent maybe $700 and it sounds good to me. The bonus was I got a bedroom system from the old stuff, just have to add some speakers.

    Ten days to get my 3 CD MSG from CA to CO doesn't sound very innovative. Mail Innovations, aka the Louis Dejoy enrichment scheme, adds almost 500 more miles to the route that would have gotten to me two to three days earlier had UPS shortcut Mail Innovations and delivered it straight from the handoff point only 60 miles away. Bad for the customer and bad for the planet. Should be here tomorrow. Oh well, as Neil says, "don't let it bring you down, it's only castles burning".
    Cheers

    Edit: I find it interesting that folks are going back to valves, or tubes, especially in the pre-amp. I was advised to go with a hybrid solid state/tube pre-amp but stick with a solid state amp to get the benefit of the "warm" tube sound without the big bucks of the tube amp. But the hybrids were beyond my budget even used/restored as they are a newer thing. Wish my family had kept my Dad's old home built Heathkit tube amp. Would love to have heard that again.

  • #289
    dmcvt
    Joined:
    AJS audio, 1968 NW, Doc11

    Thanks Oro, a wealth of helpful information. AJS, there with you, floor standing wise, found a pair of 1986 Klipsch Cornwall IIs, 3 foot tall, 2 foot wide, 16" deep. Horn loaded tweeters and mid range, 15" woofers. They sound incredible for 35 year olds. Was driving them with an Onkyo receiver, one of the high end spec models for a long time and was happy. Eventually hooked up a power amp/pre amp combo and was surprised how much improvement... like Oro said. The power supply on the amp is huge, output rated at 150 watts per channel so a very efficient speaker like Klipsch has no stress, there is so much headroom. The damping factor as well important, a measure of how effectively (tightly) the amp controls bass response. When damping factor number is large, bass is well defined with detail and timbre, not boomy muddy. Whatever sub anyone might be using, not much useful response below 18-20Hz, as it's exponentially demanding to get lower, subsonic. The octobass and piano lowest notes are A0, about 27hz, Pipe organ low note is C0, 16 Hz. Except there's this thing called a rotary woofer that can go down to single Hz numbers at hideous expense, IMAX theater only? I would love to see and buy a 1968 NW tour box. Meanwhile, hoping Forensic Doc will let us know how it goes, we know he's in the Jacksonville area.

  • #290
    daverock
    Joined:
    Magic Carpet Ride

    Mr Ones - great band, Nick Mason's Saucerful of Secrets. I saw them just before covid, and was supposed to be going again in 2020-but... That dvd/blu ray disc of them live is worth getting, too.

    Irrespective of the extent to which climate change is affecting the hurricanes in America, there can be little doubt that the countries who are suffering most are the poorest ones. And the ones who are contributing to it most are the richest.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Yes, here's to good health for all.

I am truly sorry for the loss of the previous child. How can a person fully come back from that?

Treasure your days, folks.

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Submitted by FiveBranch on Sun, 09/04/2022 - 17:13

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In Japan and there was an arena size greenhouse with monstrous tropical birds flying around and the GD was playing on a stage at the base of it all.

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13 years 5 months

Submitted by JimInMD on Sun, 09/04/2022 - 21:56

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Marrying four girls years ago and admitting to it now is not advisable during an election year.
Just saying.

On a serious note, sorry for your loss but happy that things have gone full circle. The VGuy family is alive and healthy. Good to hear..

Edit: Married into, sorry. Reading glasses....

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9 years 3 months

Submitted by Charlie3 on Mon, 09/05/2022 - 13:06

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Charles Bradley - No Time for Dreaming - fantastic raw, modern soul, Charles Bradley smokes, worth a listen
XTC - Oranges and Lemons, thanks to whoever mentioned them on here recently, been a while since I gave that a listen, good album
Khruangbin - Mordechai, I dig everything these folks have put out, they put on a cool live show too
Washed Out - Mr. Mellow, dreamy mellow vibe, as might be expected from the title, cool to chill to
Black Pumas - Black Pumas, back to the modern soul sounds and these guys do it well, just spinning it now

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4 years 4 months

Submitted by proudfoot on Mon, 09/05/2022 - 13:10

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Rolling Stones
Its only rnr
Black and Blue
Goats head soup
Some girls
Beggars Banquet
Let it Bleed
Sticky Fingers
Tattoo you

Nirvana Bleach
Motorhead Overkill
Nirvana in utero
Nirvana incesticide

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17 years 5 months

Submitted by Vguy72 on Mon, 09/05/2022 - 13:14

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....speaking of dreams, I had one where I was married to several women. In hindsight, that was actually a nightmare. Woke up in a cold sweat.
Last Five
Edie Brickell & New Bohemians - Ghost Of A Dog
Phish - 9.3.22 Dicks Sporting Goods Park, CO
Blue Oyster Cult - Secret Treaties
Motley Crue - Girls, Girls, Girls
Neil Young - Harvest
I treasure all my step-daughters as if they were my own. It was tough sledding at first due to the fact that their moms prior boyfriends were apparently assholes that treated them like crap and their trust factor was low. But, I persisted and just tried to be a good dad. Guess it worked because they call me dad now. Except one. She's a little lost and spiteful. But my work is not done.

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3 years 1 month

Submitted by billy the kiddd on Mon, 09/05/2022 - 14:16

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not necessarily in this order : 1) Dire Wolf. 2) Cumberland Blues. 3) Easy Wind. 4) Uncle John's Band. 5) Attics of My Life 6). Ripple. 7). Alligator. 8).Stella Blue. 9)Brokedown Palace. 10)High Time

So are Cumberlands.

Top 10 GD Songs, impossible.. I love all my songs the same.

Eyes, Brokedown, To Lay Me Down, PITB, UJB, tossing in Morning Dew because they made it their own, Brown Eyed Women , Comes a Time (yea yea, JGB, whatever.. it's on the list), Stella, China Doll, TOO, BCE'd, New Potato, anything on the Live Dead suite, anything on Anthem/Working Man's Dead & A.B.

and I'm just getting started.

I surrender, throwing in the towel

I believe the GD are seriously under-rated songwriters. The material they wrote is rich, timeless, and classic.

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11 years 8 months

Submitted by dmcvt on Tue, 09/06/2022 - 05:51

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First, thanks to all who post here on their recent music, dreams, loves and adventures, this diverse wellspring of interests most always freshens and diverts my attention towards something new. Breathing walls, three dimensional carpeting, matrices of coincidence, synchronicity, guitar heroes in the back seat. Recent talk of Miles soon to arrive 7th Bootleg Series made me go back and listen to some of the earlier ones. I would add, if you can find a copy, listen to Miles Cellar Door Sessions 1970 recording. Back in the late 1960s and early 1970s, I began to run with a camera and have been searching for those photographs, for example, my first Dead show, Baltimore March 1973... have not found those yet, but did find my own images of Mahavishnu John MacLaughlin, BB King, Bob Dylan, The Band, Roy Buchanan, Tom Waits, Leslie West, ELP as well as photographs from some music festivals and anti-war demonstrations in downtown DC. There's more and too many times I did not have the camera at hand. Never pass up the opportunity to be present in the moment.

Some of us have read the long letter Robert Hunter wrote to Jerry after his passing, I just found Hunter's farewell Bob Weir spoke upon his release of Jerry's ashes upon the Ganges:

"Last Words for Jerry Garcia"
Go naked in the world, wind for your cloak and coverlet. Whom the Gods love best they reward with early death, gather them into the sun, reflect them in moonlight, crown them with comets, annoint them with shooting stars. Go naked to the Throne of Love, go as the stars go, arrayed in their own incandescent light. Go and our hearts go with you. Return to the source of the soul by way of the Sacred River, royal road to the sea where all shall be music and dreams shall be dreams no more, but visions of the World's foundation scattered among stars. Dust shall be dust and the voice of dust shall be music, pleasing to God who sent it forth in search of melody to crown His silence with eternal song.

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10 years 3 months

Submitted by 1stshow70878 on Tue, 09/06/2022 - 08:40

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Catching up on some purchases from months ago.
Garcia Live Vol. 7 at Sofie's Palo Alto.
Tapes from Donna's storage.
Keith is SO good in this type of presentation.
And Donna can hear herself and jumps right in.
Her Muscle Shoals and gospel roots just shine.
Who Was John, Strange Man, Stop That Train,
are all seldom heard and choice cuts!
Cheers

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8 years 4 months

Submitted by frosted on Tue, 09/06/2022 - 12:00

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I know someone's got to be a true Deadhead when they explicitly list New Potato Caboose among their favorite songs....

Most of American Beauty, then a selection from Workingman's Dead. Mountains of the Moon and China Cat Sunflower. New Potato Caboose.
I'm taking Dark Star, The Eleven and The Other One to be more jams than songs - otherwise them too, maybe at the expense of the Workingman's songs.
re New Potatao- that's a coincidence, considering the simultaneous post below this one

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14 years 1 month

Submitted by nitecat on Tue, 09/06/2022 - 13:58

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So funny... I noticed the rave reviews of the Jayhawks recently, and ordered one that was mentioned here. Two days later, at a thrift shop, what do I find, a different Jayhawks CD than I ordered!

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10 years 3 months

Submitted by 1stshow70878 on Tue, 09/06/2022 - 14:00

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So many of my choices are joined at the hip that I went with an > list:
In no particular order,
Scarlet > Fire
Estimated > Eyes
NFA > GDTRFB
China > Rider
Truckin' > Nobody's
The Other One > Wharf Rat
UJB > name your song
Playin' > name your song
Shakedown > name your song
Bertha > Good Lovin'
and the singles are way harder or just today's idea as there are just too many
Smokestack Lightning
Sampson & Delilah
Black Throated Wind
Cumberland
New Minglewood
New Speedway Boogie
Friend of the Devil
Attics
Standing on the Moon
Days Between

That's all I got (today), Cheers

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14 years 1 month

Submitted by nitecat on Tue, 09/06/2022 - 14:00

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First Show, I love that Sophies show! Kieth is really playing great and very prominent in the mix, thanks to Betty!

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3 years 1 month

Submitted by billy the kiddd on Tue, 09/06/2022 - 14:10

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It's hot here. Temperature wise, I imagine the hottest Grateful Dead show I ever went to ,was probably the Oregon Country Fairgrounds 8/28/82. or One of those shows up at Cal Expo, it gets pretty hot up in Sacramento.

....I'm sure one of those was the hottest shows I attended. Once you go over 110 on the floor, it doesn't matter anyway. The only time I recall Garcia wearing sandals. Veneta? Ptth. I would have reveled in that heat. Lots and lots and lots of water and sunblock. A few of those shows had awesome storm cells that cooled it down though.
I caught every one of them....
Edit. Just found out Jeff Beck is playing Vegas Nov 4th. Hmmm.
Tix price edit. $200?

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16 years 5 months

Submitted by deadfeat1 on Wed, 09/07/2022 - 14:55

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The Sept. 6th edition of Paste has an enjoyable article about TTB's I Am The Moon.

I can't come up with a top ten list of favorite Dead songs, but Wharf Rat is my all time favorite - right up there with Spanish Moon by Little Feat...

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10 years 1 month

Submitted by That Mike on Wed, 09/07/2022 - 15:01

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I was just tuning into this new Brit spy vs spy show on Apple TV called “Slow Horses”. Normally you can skip the opening theme (thankfully) once you watch it through once - I’m listening to this theme song, and hey, you, get off of my TV! That sounds like Mick Jagger. No - that is Mick Jagger, singing some song I’ve never heard. Quick search on the net, and yup, he has written and performed the theme for this show, something he calls “Strange Game”.

Top Ten Dead Tunes? Yikes! Monday’s list would be completely different than Tuesday’s list, which wouldn’t at all match Wednesday’s list, or come close to what you choose Thursday…

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3 years 1 month

Submitted by billy the kiddd on Wed, 09/07/2022 - 20:15

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What a bargain it was! 41 years ago today I was out at the Concord Pavillion to see Jerry Garcia put on a great show , admission to the show was $1.00. Queen Ida and her Zydeco Band opened the show. We had our tickets. for the first run at the Greek Theatre, only four days away. Fun times!

Haven't got Apple TV so can't watch Slow Horses....but the whole series of Slough House books by Mick Herron are brilliant. Very funny with great characters

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16 years 6 months

Submitted by Forensicdoceleven on Thu, 09/08/2022 - 05:09

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Mornin', rockers!!

Favorite originals: Dark Star, Other One, Saint Stephen, The Eleven, New Potato Caboose, Truckin', China Cat, Easy Wind, New Speedway Boogie, Black Peter, Cumberland Blues, Friend Of The Devil, Dire Wolf..........

Favorite covers: Hard To Handle, Dancin' In The Streets, Viola Lee Blues, Not Fade Away, Know You Rider, Big Boss Man, Next Time You See Me, Morning Dew..........

Songs I never did handle very well: Casey Jones, Attics Of My Life, Row Jimmy, Stella Blue, China Doll, anything Brent....

Just sayin'..............

Rock on,

Doc
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.....

I intentionally left out combos (S>F, H>S>F) as they take up multiple picks.

Bertha
Bird Song
Brown Eyed Women
The Eleven
Eyes
HCS
Jack Straw
Mountains of the Moon
Rubin & Cherise (Yup. JGB song , but I had to put it in since they played it)
Terrapin
The Other One
To Lay Me Down
Wharf Rat

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3 years 1 month

Submitted by billy the kiddd on Thu, 09/08/2022 - 10:35

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Born on Sept 8th 1945 in San Bruno Calif., Pig Pen would have been 77 years old today. My favorite songs that Pig Pen did, Alligator, Hard To Handle, Big Boss Man, King Bee, Smokestack Lightning, Mr Charlie, The Rub, Next time you see Me, and of course Easy Wind, one of the greatest Grateful Dead songs of alltime, that was played far to few times. The Dead were never the same after Pig Pen left them. Hopefully today he's hanging out with some of his favorite blues musicians like Lightning Hopkins, Jimmy Reed and Muddy Waters.

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10 years 3 months

Submitted by 1stshow70878 on Thu, 09/08/2022 - 12:16

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New picture on that page with the opened box itself.
Doesn't look like it will fit on the shelf. Kinda long?
The artwork is fun!
Cheers
Edit: Got the Sept. bulletin email now with the "unboxing".
Community Bits cites the same thing I found (Sept. 3 post on this thread) on the fake WakeOTF LPs. I checked. Mine's good.

P.S. Why does the Lyceum box page have no listening party?

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17 years 5 months

Submitted by Vguy72 on Thu, 09/08/2022 - 13:09

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....add this to the list of things that make me go "hmmmm".

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10 years 3 months

Submitted by daverock on Thu, 09/08/2022 - 14:21

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Anybody heard about this new release of the 4/26/69 L.A. Forum show ? I have just had an email about it - supposed to be coming out in November from Experience Hendrix. Looks terrrrrific.

A favourite Dead cover of mine is Death Don't Have No Mercy - that version on Live Dead is incredible.

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10 years 8 months

Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:57

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:58

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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11 years 10 months

Submitted by nappyrags on Thu, 09/08/2022 - 20:37

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the majority of this show was on the Reprise Box Set "Lifelines"....and various boot sbd's have been released too...But I will definitely grab this CD set ($12 on the SA river system)...and before you ask Oro...yes...I was at this show...

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8 years 4 months

Submitted by frosted on Thu, 09/08/2022 - 22:58

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Sorry, no way I can keep it under 30 or so, so I'm going to lay it out a little differently. Even then, I still left out another 20 or more of my besties. These are all ones that I almost always like to hear, rather than feeling so-so about them or having to be in the mood to get into them.

My favorite rock tune presentation, not just from the Dead but from any rock band, which I think was also the most original and ahead of its time group of songs ever strung together. This first one is to me the very essence of the Dead:

1969

Dupree>Mountains>Dark Star>St. Stephen>Eleven>Lovelight

Favorite other combos strung together:

Scarlett/Fire

China Cat/Rider

Estimated/Eyes

Not Fade Away/GDTRFB

Help on the Way/Slipknot/Franklin

Cumberland Blues/Big River

Best Evolution from pretty good to great tune over a few years:

Hard to Handle

Best old timey Ballads:

Jack a Roe and Peggy-O

Most underrated:

Operator, Second that Emotion, and Oh Babe it ain't no Lie

Favorite outright rockers:

Deal and Bertha

Favorite cowboy tune:

El Paso

Favorite country-ish tunes:

Friend of the Devil, Brown eyed Women, and Dire Wolf

Favorite early cover tune:

Baby Blue from 1966 (?) History of the Dead

Best songs of the road:

Jack Straw, He's Gone, and Mississippi Half Step

Most haunting tunes:

Morning Dew and Death don't have no Mercy

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17 years 6 months

Submitted by Oroborous on Fri, 09/09/2022 - 08:45

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Top ten: a fools errand!

I mean Dark Star, Stephen, King Solomon’s Marbles, Help-Slip, Blues For Allah, New Potato, Brown Cross Eyed, Victim or the Crime, What’s Become of the Baby, 74 Eyes, 74 WRS, Days Between, Antwerps Placebo, Serengeti, Terrapin Station,
Attics, Ripple, Saint of Circumstance…that’s just trying to get started, they doesn’t include covers, most of the ballads, or anything else!
Fools errand I say!
So what’s the best ten songs…the last ten I heard!

DOUBLE HA!
Of course Nappy was there 😃

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4 years 2 months

Submitted by Crow Told Me on Fri, 09/09/2022 - 09:53

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So I read this book called The End of Time. It was about physics. I understood almost none of it. But the tldr version goes something like this: eventually, the sun will expand and vaporize the Earth, all the stars will explode, and entropy will cause all matter in the universe to be so widely dispersed that there will be no light, no heat, no life nowhere (like Jimi sed!), and Time will End. Which, to me, suggests that we should all forget whatever minor shit is bothering us right now and just enjoy the miracle of conscious being while we can.

(Yes, fuck it! That’s your answer to everything, isn’t it Mr. Lebowski?)

(Well, yeah.)

One of my favorite exercises in time travel is to search Youtube for tapes of local TV coverage of dead concerts in the early ‘80s. At that point, the Dead was mostly unknown to mainstream America, and the good people of Des Moines or Salt Lake City didn’t know quite what to make of several thousand tied-dyed and tripping heads descending upon their downtown areas. So you get these local news reports where you get the Guy in the Blazer doing a live shot from the parking lot and talking to the viewers about the “Dead heads” (you can see the air quotes around the words) and relate with amazement to their viewers the amazing spectacle of people lined up days early, playing hacky sack (still then unknown in the provinces) and selling grilled cheese for a buck. (What the fuck?) Sometimes you get a brief interview with a head or two and maybe even 5 seconds of the band onstage.

There’s lots of ‘em, and they’re awesome. As far as the whole scene goes, the early ‘80s were kind of a sweet spot for me. We were all part of a self-contained bubble that was big enough that it was beginning to draw the attention of outsiders, but small enough to still be self-policing and generally reasonably under control. (Unlike late ‘80s and beyond, when shit got seriously outta hand on occasion.)

No way can I list favorite Dead songs. It’s too too too too too to put a finger on.

A big THANK YOU to everybody who posted about Little Feat recently. Hadn’t listened to ‘em in years, and it’s been such joy to revisit. Music is the best.

There’s a fat man … in the bath tub … with the blu-ooh-ooh-oohs

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Submitted by Vguy72 on Fri, 09/09/2022 - 09:57

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....as some of you know, I was a metalhead before a deadhead. My granddaughter and new hubby flew down from Reno last night to attend a wedding gift I got them. Def Leppard/Motley Crue/Poison/Joan Jett tonight at Allegiant Stadium. It will be her first real concert as well as my sons.
Saw Poison in a little club here in Vegas in '84 right before they made it big. Seen The Crue once back in '86 I think opening for KISS? Or maybe Ozzy. Never seen Def Leppard or Joan.
The general consensus of the the tour in internet land are mostly positive and Vegas is the last stop. Lots of concern on whether Vince Neil's voice could hang, but hes doing it. Vocal trainers for the win! Looks almost sold out except for the nose bleeds. Rock On!

Unfortunately Crow I don’t think we’ll make it that long (mankind, not “us” specifically) as we seem hell bent on destroying our beautiful home. The planet might live on, but the way we’re going about it…

But I totally agree with your last paragraph!
Late seventies/early eighties there was a palpable sense that we were wining: we weren’t just a bunch of dirtbag good for nothing freaks like perhaps many civilians watching those old broadcasts would think, at least on first impression.
Not that we cared. Being an outcast was a important influence on my becoming a DH. When the going gets weird and all that…
I won’t say it became “popular” yet, but it started to not be a bad thing to be a head. The scene was growing, but as Crow said it was still self manageable etc. To me it peaked in 85, meaning too much of everything was just enough. It seemed like the last year before the regular stadium shows and the crowd perhaps getting too big and unfortunately all the less than acceptable behavior. Sure there were instances of this before, but it was usually frowned upon, where as later people started to think this behavior was somehow cool.
Ah, well, ce la vie, anytime something good gets big it’s usually the kiss of death.
Nothing lasts as the pranksters say!
But hey, to end on that little positive JG uptick that Keasey eulogized: it was @#&*ing fantastic while it lasted and it makes me feel beyond grateful to have been alive and young then!
“Those were the days my friends, we thought they’d never end…”

JOAN JETT: one of the weirdest Dead parings we ever saw: poor JJ opening for Bobby and the Midnights in 82 at small Rochester theatre. Fans were not interested at all and unfortunately they eventually booed her off, ya know “fuck this, where’s Bobby”, but hey, not as bad as the Hollander stadium show where the Good Rats opened and the crowd pelted them off with these little Rat souvenirs they handed out!
If you go down to Deep Elem, the DH will put you on the rocks!
Oh sweet mama, I got them Friday afternoon happys!
Happy Friday peoples, is time to crack a cold one yet 😃

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Submitted by 1stshow70878 on Fri, 09/09/2022 - 11:26

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The sun is over the yardarm as they say.
FAC is on!
Why do you think I'm always saying...
Cheers

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17 years 6 months

Submitted by deadmike on Fri, 09/09/2022 - 13:18

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Am I the only one who haven't recieved Dave's Picks 43 yet?

According to my tracking info my package have arrived to Fontana, California on July 27th for processing but it has never left Fontana after that. I have sent my email back to the sender and I have recieved an automatic mail on September 4th, that I will get an answer as soon as possible but no answer yet.

The alternate tracking number is usually searchable by this time through the Swedish Postal Service app by this time but nothing so far, and also nothing on the Postal Service where I can pay the Swedish tax. I wonder if I will get the DP volume this time ... it doesn't feel like it ... :-(

Micke Östlund,
Växjö, Sweden

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